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Relevant bibliographies by topics / Art nouveau (Architecture) – Germany

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Academic literature on the topic 'Art nouveau (Architecture) – Germany'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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Journal articles on the topic "Art nouveau (Architecture) – Germany"

1

Clericuzio, Peter. "Art Nouveau and Bank Architecture in Nancy: Negotiating the Re-Emergence of a French Regional Identity." Architectural History 63 (2020): 219–56. http://dx.doi.org/10.1017/arh.2020.6.

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AbstractArt nouveau design is one of the principal markers of the identity of the French city of Nancy, which became internationally renowned as one of the most important centres for the development of this artistic style around 1900. Like other strands of the style, especially in Spain, Germany and parts of the Austro-Hungarian empire, art nouveau in eastern France has been linked to long-standing regionalist sentiments that resisted centralised Parisian control over local affairs typical in nineteenth-century France. This article examines the evolving bank architecture in central Nancy, a ma

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Markovskyi, Andrii. "PARALLELS OF GERMAN AVANT-GARDE ARCHITECTURE AND DEVELOPMENT IN KYIV." Current problems of architecture and urban planning, no. 58 (November 30, 2020): 302–13. http://dx.doi.org/10.32347/2077-3455.2020.58.302-313.

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The article presents a comparative analysis of some key objects of German and Kyiv architecture of the early twentieth century to determine the corresponding trends. Parallels and identities are shown and noted. An analysis of the background and context is given, as well as the author's conclusions of the respective styles. In particular, German Werkbund, international Art Nouveau, Ukrainian architectural Art Nouveau, "New Objectivity", Bauhaus, functionalism, constructivism, post-constructivism, German and Soviet neoclassicism are mentioned. Were analyzed in detail: The Fagus Factory (1

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van Impe, Ellen. "The Rise of Architectural History in Belgium 1830–1914." Architectural History 51 (2008): 161–83. http://dx.doi.org/10.1017/s0066622x00003063.

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On the map of nineteenth-century architectural historiographies in Western Europe, Belgium has so far remained a blind spot. While the country’s architectural history of the nineteenth century has already received some (if selective) international attention, with a somewhat disproportionate focus on the Art Nouveau, the historiography arising alongside of it has largely remained outside the picture. Meanwhile, considerations as to Belgium’s particular situation, which presumably influenced its architecture, equally apply to its historiography; for instance its design as a crossroads of influen

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Wójcik, Agata. "Projekty wnętrz i mebli zaprezentowane na „wystawie Architektury i wnętrz w otoczeniu ogrodowem” w Krakowie w 1912 roku." Roczniki Humanistyczne 67, no. 4 (2019): 109. http://dx.doi.org/10.18290/rh.2019.67.4-4.

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The aim of this study is to analyze the architecture of residential interiors and furniture making presented at the exhibition in 1912, to indicate the sources of inspiration for designers and to place them in the context of foreign furniture making. The sources of information were the exhibition catalog, press articles, and the archival materials stored in the National Archives in Krakow that had not been used so far, as well as photographs from the collections of the Print Room of the Academy of Fine Arts in Krakow and the Museum of the Jagiellonian University.The interiors and furniture pre

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Goryunov, Vasiliy, Svetlana Goryunova, Vera Murgul, and Nikolai Vatin. "The Liberty Style-Italian Art Nouveau Architecture." Advanced Materials Research 1065-1069 (December 2014): 2681–85. http://dx.doi.org/10.4028/www.scientific.net/amr.1065-1069.2681.

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This article refers the architecture of Italy of the end of the 19-the beginning of the 20th centuries. It shoes the origin of the term “Italian Liberty architecture”, its main centers, its peculiarities and the buildings of its leading representatives. The assessment of importance of such studies provide the right understanding of the processes in European architecture of this time.

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Goriunov, Vasilii. "The Liberty Style - Italian Art Nouveau Architecture." MATEC Web of Conferences 53 (2016): 02004. http://dx.doi.org/10.1051/matecconf/20165302004.

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Gerasimov, A. P., and T. V. Biryukova. "INTERIOR OF ART NOUVEAU ARCHITECTURE IN SIBERIA." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 2 (April 29, 2019): 102–12. http://dx.doi.org/10.31675/1607-1859-2019-21-2-102-112.

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The article discusses the development of the interior in private and public buildings in Russia late in the 19th and early 20th centuries. Romantic trends that emerged in architecture Western Europe in the 19th century turned into the new style expressed in modernity, which fundamentally differs from the historical repetition in architecture of the early period. This article is an interdisciplinary work and describes such arts as architecture, painting, and decorative and applied arts. The main feature of modernity is the internal space, subordinating the interior to the exterior, its graphic

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Gournay, Isabelle. "Art Nouveau, 1890-1914." Journal of the Society of Architectural Historians 60, no. 3 (2001): 344–45. http://dx.doi.org/10.2307/991760.

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Krastins, Janis. "Architecture of Charles Carr in Liepāja." Landscape architecture and art 15 (March 23, 2020): 31–37. http://dx.doi.org/10.22616/j.landarchart.2019.15.03.

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Contribution of civil engineer Charles Carr to the development of Liepāja's Art Nouveau architecture is analysed in the article. Art Nouveau in Liepāja is one of the greatest values of architectural heritage of the city. Buildings of this style determine the cityscape in many places, but data on Liepāja's Art Nouveau architects until recent past were extremely sparse. Ch. Carr was known only as the author of the design of the building at Graudu iela 45. Two more his designs, including the one for the building at Graudu iela 44, were found during research. Analysis of planning principles, metho

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Romaniuk, Nelia. "Art Nouveau Ukrainian Architecture in a Global Context." Kyiv-Mohyla Humanities Journal, no. 6 (December 23, 2019): 137–48. http://dx.doi.org/10.18523/kmhj189056.2019-6.137-148.

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Dissertations / Theses on the topic "Art nouveau (Architecture) – Germany"

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Van, Loo Anne. "Un architecte belge au coeur de l'Allemagne wilhelminienne: Henry van de Velde 1900-1917." Doctoral thesis, Universite Libre de Bruxelles, 1994. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212625.

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Lotz, Felix. "A conversation between Art Nouveau and Digital design." Thesis, KTH, Arkitektur, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-193091.

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The study contrasts the architecture of the Art Nouveau period 1880-1915 with contemporary curvilinear computational designs created 1980-2015. This is done by examining similarities and differences in design context, methods, philosophy and forms. The study includes an analysis of the curved lines used in Art Nouveau architecture as well as comparative study of the two periods’ building compositions, façades and ornamentation. The thesis tries to answer the following questions: Is it possible to identify significant forms or geometric markers in the Art Nouveau architecture of the period 1

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Neuenschwander, J. Brody. "The art history of Speyer." Thesis, Courtauld Institute of Art (University of London), 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325778.

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Sterthaus, Kerstin. "Motion in architecture and the convergence of art and technology : Art center in Berlin, Germany." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1136709.

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"The essence of architecture is the power of adaptation to fresh facts.” Berthold LubetkinThis creative project was my way of exploring if a convergence of art and technology in architecture can exist today.This exploration involved two focus points: one was movement and the other was glass technology.Movement was used for the exploration of the spatial relationships within an interpretation of our society today: the movement on the site as well as the inner motion of the single building elements.Glass was my modern technology tool for translating artistic ideas within architecture. It acts a

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Ney, Jason B. "Transculturalism in Emile Galle's art nouveau Ecole De Nancy and contemporary landscape architecture." Virtual Press, 2000. http://liblink.bsu.edu/uhtbin/catkey/1191714.

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This study looks at the degree to which Emile Galle's theories of symbolic ornamentation are observed in contemporary landscape architecture design. Galle's theories consist of three components: the first relates to the functional aspects of design, and the last two relate to the aesthetic aspects. These three components are used to evaluate three case studies. In the case studies, Bicentennial Commons in Cincinnati and Canal Walk in Indianapolis show a partial though apparent utilization of Galle's theories, while Riverwalk in Milwaukee comes closest of the three to demonstrating the applicat

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Dieudonné, Patrick. "L'architecture du "Nouveau Nancy" : l'ornementation des façades des immeubles d'habitation (1900-1914)." Brest, 1994. http://www.theses.fr/1994BRES0003.

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Doucet, Hervé. "Art nouveau et régionalisme : Emile André (1871-1933), architecte et artiste." Versailles-St Quentin en Yvelines, 2004. http://www.theses.fr/2004VERS009S.

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Emile André (1871-1933) est l'un des architectes art nouveau les plus dynamiques de Nancy. Après avoir été initié à l'arthitecture par son père, Charles André, il compléta sa formation à l'Ecole des Beaux-Arts de Paris (atelier de Victor Laloux), puis entreprit plusieurs voyages qui le menèrent jusqu'en Perse et qui furent à l'origine de sa passion pour les arts musulmans. En 1900, il s'installa dans sa ville natale en tant qu'architecte décorateur et fut l'un des membres fondateurs de l'alliance provinciale des industries d'art (Ecole de Nancy) dirigée par Emile Gallé. Tout en s'inscrivant da

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Elliott, Benjamin Wing. "An object under light : the metaphysical strength of light as revealed in Saint Augustine's Confessions." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/23928.

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Tharaud, Marie-Amélie. "L’Art nouveau dans les arts décoratifs et l’architecture à l’Exposition universelle de 1900." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEP036.

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L’Exposition universelle de 1900 à Paris a constitué pour les acteurs du mouvement Art nouveau une rencontre unique par son envergure internationale. Si cet événement a longtemps été déconsidéré, il représente pourtant pour l’Art nouveau – appréhendé dans son acception internationale – un moment de confrontation et l’occasion, pour certains pays, de mettre en valeur leur modernité stylistique. La première partie de la thèse s’attache à comprendre les raisons de la présence de l’Art nouveau à l’Exposition, et donne une vision d’ensemble des édifices et objets d’art se rattachant au mouvement. E

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Dotte, Isabelle. "Architectures balnéaires à Arcachon. Du néo classicisme aux prémices de l'art nouveau." Thesis, Pau, 2018. http://www.theses.fr/2018PAUU1034/document.

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Par tradition, les habitants de La Teste se baignaient depuis bien longtemps sur la plage d’Arcachon, où, dès le début du XIXe siècle, une cabane de résinier fut louée à des « estrangers » ayant osé s’aventurer sur ces rives inconnues. Il fallut attendre les années 1820 pour que les premiers hébergements liés aux bains de mer soient mis en place. Leurs constructions répondaient aux codes néo-classiques, conformes aux pratiques architecturales de l’époque. Les premiers « chalets », influencés par ce style, surent, néanmoins apporter quelques particularités. Mais ce ne fut qu’avec l’invention de

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Books on the topic "Art nouveau (Architecture) – Germany"

1

Zimmermann, H. Russell. The architecture of Eugene Liebert: Teutonic style in the American midwest. Franciscan Sisters of Perpetual Adoration, 2006.

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Jugendstilbad Darmstadt. Justus von Liebig Verlag, 2009.

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Das Majolikahäuschen von Villeroy & Boch im Düsseldorfer Hofgarten. Grupello, 2006.

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Brühl, Georg. Jugendstil in Chemnitz: Die Villa Esche von Henry van de Velde. Bayerische Vereinsbank, 1991.

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1860-1939, Koch Alex, ed. Die Ausstellung der Darmstädter Künstlerkolonie. Arnoldsche Verlagsanstalt, 1989.

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Raster und Voluten: Das Leibniz-Gymnasium und die Turn- und Festhalle in Stuttgart-Feuerbach : ein Frühwerk von Paul Bonatz. FischerLautner Verlag, 2009.

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Ulm, Stadthaus, Evangelische Kirche in Deutschland, Universität Stuttgart, and Ulm (Germany). Fachbereich Stadtentwicklung, Bau und Umwelt, eds. Akzeptiert Gott Beton?: Die Ulmer Pauluskirche im Kontext. Wasmuth, 2010.

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8

Philippe, Thiébaut, and Girveau Bruno, eds. Art nouveau architecture. Universe, 2000.

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Tahara, Keiichi. Art nouveau architecture. Thames & Hudson, 2000.

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Philippe, Thiébaut, and Girveau Bruno, eds. Art nouveau. Éditions Assouline, 2000.

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Book chapters on the topic "Art nouveau (Architecture) – Germany"

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Diebold, William J. "The Magdeburg Rider on Display in Modern Germany 1." In The Long Lives of Medieval Art and Architecture. Routledge, 2019. http://dx.doi.org/10.4324/9781351181129-14.

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Wanner, M. C. "Robotics in Construction: State of the Art in the Federal Republic of Germany." In CAD and Robotics in Architecture and Construction. Springer US, 1986. http://dx.doi.org/10.1007/978-1-4684-7404-6_16.

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"Art Nouveau." In The Visual Dictionary of Architecture. AVA Publishing SA Bloomsbury Publishing Plc, 2008. http://dx.doi.org/10.5040/9781350096462.0035.

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"Art Nouveau." In The Visual Dictionary of Interior Architecture and Design. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: Ingram Publisher Services Inc. English Language Support Office, 2009. http://dx.doi.org/10.5040/9781350088719.0015.

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Barnstone, Deborah Ascher. "From the Zero Hour: Transparency, Gender and Architecture in Post-War Germany." In Art Nation and Gender. Routledge, 2018. http://dx.doi.org/10.4324/9781315192857-9.

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"Mosque, dome, minaret: Ahmadiyya architecture in Germany since 2000." In Rethinking Place in South Asian and Islamic Art, 1500-Present. Routledge, 2016. http://dx.doi.org/10.4324/9781315456058-17.

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Welzbacher, Christian. "Religion is Form is Art is Politics. On the Relationship between Mosque Building and the Modern in Europe." In Modern Religious Architecture in Germany, Ireland and Beyond. Bloomsbury Visual Arts, 2019. http://dx.doi.org/10.5040/9781501336126.0018.

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Carlos, Filipe Serra. "Desafios da Divulgação do Património Arte Nova em Portugal." In Discursos Expositivos: Como, Porquê, Para Quem? Interseções: Rumos e Visões do Património Cultural. Universidade do Porto. Faculdade de Letras(FLUP). Departamento de Ciências e Técnicas do Património (DCTP) /Doutoramento em Estudos do Património (DEP), 2020. http://dx.doi.org/10.21747/9789898969682/seminariosv1a8.

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As soon as it was replaced by new architecture practice and decoration design taste, Art Nouveau fell into the limbo of past fashions, becoming so depreciated that many works of art were destroyed. Like the international movement that rescued Art Nouveau, in Portugal its reappreciation begun with the first Art History studies made since the 50’s and became stronger after the listing of Art Nouveau buildings started in the 70’s. Since, Art Nouveau has come a long way that allowed it to escape the academic and official institutes instances and that gave this heritage the opportunity to become known by a wider public. In this chapter, we aim to portray how diffusion and promotion of Art Nouveau related heritage has been done. Listing the initiatives that have been implemented as well as which entities were decisive in those processes are among this portrayal’s main aspects. The relevance of knowing this evolution lies on the contribution it brings to the comprehension of how Art Nouveau is appreciated in Portugal nowadays by both responsible entities and society. It also allows identifying some lingering misconceptions about Art Nouveau, thus underlining the importance of its promotion and, also, of improving the Art Nouveau knowledge.

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Carlos, Filipe Serra. "Desafios da Divulgação do Património Arte Nova em Portugal." In Discursos Expositivos: Como, Porquê, Para Quem? Interseções: Rumos e Visões do Património Cultural. Universidade do Porto. Faculdade de Letras(FLUP). Departamento de Ciências e Técnicas do Património (DCTP) /Doutoramento em Estudos do Património (DEP), 2020. http://dx.doi.org/10.21747/9789898969682/seminariosv1a8.

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As soon as it was replaced by new architecture practice and decoration design taste, Art Nouveau fell into the limbo of past fashions, becoming so depreciated that many works of art were destroyed. Like the international movement that rescued Art Nouveau, in Portugal its reappreciation begun with the first Art History studies made since the 50’s and became stronger after the listing of Art Nouveau buildings started in the 70’s. Since, Art Nouveau has come a long way that allowed it to escape the academic and official institutes instances and that gave this heritage the opportunity to become known by a wider public. In this chapter, we aim to portray how diffusion and promotion of Art Nouveau related heritage has been done. Listing the initiatives that have been implemented as well as which entities were decisive in those processes are among this portrayal’s main aspects. The relevance of knowing this evolution lies on the contribution it brings to the comprehension of how Art Nouveau is appreciated in Portugal nowadays by both responsible entities and society. It also allows identifying some lingering misconceptions about Art Nouveau, thus underlining the importance of its promotion and, also, of improving the Art Nouveau knowledge.

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"Translating the Past: Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation." In The Quest for an Appropriate Past in Literature, Art and Architecture. BRILL, 2018. http://dx.doi.org/10.1163/9789004378216_021.

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Conference papers on the topic "Art nouveau (Architecture) – Germany"

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Baeva, Olga. "Northern Art Nouveau in the Residential Architecture of Nakhichevan-on-Don." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.98.

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Wanner, M. C. "Robotics in Construction: State of the Art in the Federal Republic of Germany." In Colloque CAO et Robotique en Architecture et BTP (3rd International Symposium on Automation and Robotics in Construction). Hermes, 1986. http://dx.doi.org/10.22260/isarc1986/0037.

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Cova Morillo, Miguel Angel De la. "Des-montaje de la maqueta de la propuesta para el Palacio de los Soviets de Le Corbusier." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.725.

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Resumen: Desde las páginas de L'Esprit Nouveau y al calor del cine, Elie Faure bautizará como "cineplástica" la consecución de imágenes al ritmo de la música, en un discurso paralelo al del método Dalcroze en la danza. Le Corbusier, Albert Jeanneret y Pierre Chenal propondrán dos experiencias fílmicas relacionadas con dicha denominación: "Batir" y "L'Architecture d'aujourd´hui", para las que se realizarán varias maquetas ex-profeso cuyas cualidades estaban pensadas para su visión en la pantalla. Esta especificidad se hará más compleja en el filme del modelo de la propuesta para el Palacio de l

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