Log in

Relevant bibliographies by topics / Art nouveau (Architecture) – Germany / Journal articles

To see the other types of publications on this topic, follow the link: Art nouveau (Architecture) – Germany.

Journal articles on the topic 'Art nouveau (Architecture) – Germany'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Art nouveau (Architecture) – Germany.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Clericuzio, Peter. "Art Nouveau and Bank Architecture in Nancy: Negotiating the Re-Emergence of a French Regional Identity." Architectural History 63 (2020): 219–56. http://dx.doi.org/10.1017/arh.2020.6.

Full text

Abstract:

AbstractArt nouveau design is one of the principal markers of the identity of the French city of Nancy, which became internationally renowned as one of the most important centres for the development of this artistic style around 1900. Like other strands of the style, especially in Spain, Germany and parts of the Austro-Hungarian empire, art nouveau in eastern France has been linked to long-standing regionalist sentiments that resisted centralised Parisian control over local affairs typical in nineteenth-century France. This article examines the evolving bank architecture in central Nancy, a ma

APA, Harvard, Vancouver, ISO, and other styles

2

Markovskyi, Andrii. "PARALLELS OF GERMAN AVANT-GARDE ARCHITECTURE AND DEVELOPMENT IN KYIV." Current problems of architecture and urban planning, no. 58 (November 30, 2020): 302–13. http://dx.doi.org/10.32347/2077-3455.2020.58.302-313.

Full text

Abstract:

The article presents a comparative analysis of some key objects of German and Kyiv architecture of the early twentieth century to determine the corresponding trends. Parallels and identities are shown and noted. An analysis of the background and context is given, as well as the author's conclusions of the respective styles. In particular, German Werkbund, international Art Nouveau, Ukrainian architectural Art Nouveau, "New Objectivity", Bauhaus, functionalism, constructivism, post-constructivism, German and Soviet neoclassicism are mentioned. Were analyzed in detail: The Fagus Factory (1

APA, Harvard, Vancouver, ISO, and other styles

3

van Impe, Ellen. "The Rise of Architectural History in Belgium 1830–1914." Architectural History 51 (2008): 161–83. http://dx.doi.org/10.1017/s0066622x00003063.

Full text

Abstract:

On the map of nineteenth-century architectural historiographies in Western Europe, Belgium has so far remained a blind spot. While the country’s architectural history of the nineteenth century has already received some (if selective) international attention, with a somewhat disproportionate focus on the Art Nouveau, the historiography arising alongside of it has largely remained outside the picture. Meanwhile, considerations as to Belgium’s particular situation, which presumably influenced its architecture, equally apply to its historiography; for instance its design as a crossroads of influen

APA, Harvard, Vancouver, ISO, and other styles

4

Wójcik, Agata. "Projekty wnętrz i mebli zaprezentowane na „wystawie Architektury i wnętrz w otoczeniu ogrodowem” w Krakowie w 1912 roku." Roczniki Humanistyczne 67, no. 4 (2019): 109. http://dx.doi.org/10.18290/rh.2019.67.4-4.

Full text

Abstract:

The aim of this study is to analyze the architecture of residential interiors and furniture making presented at the exhibition in 1912, to indicate the sources of inspiration for designers and to place them in the context of foreign furniture making. The sources of information were the exhibition catalog, press articles, and the archival materials stored in the National Archives in Krakow that had not been used so far, as well as photographs from the collections of the Print Room of the Academy of Fine Arts in Krakow and the Museum of the Jagiellonian University.The interiors and furniture pre

APA, Harvard, Vancouver, ISO, and other styles

5

Goryunov, Vasiliy, Svetlana Goryunova, Vera Murgul, and Nikolai Vatin. "The Liberty Style-Italian Art Nouveau Architecture." Advanced Materials Research 1065-1069 (December 2014): 2681–85. http://dx.doi.org/10.4028/www.scientific.net/amr.1065-1069.2681.

Full text

Abstract:

This article refers the architecture of Italy of the end of the 19-the beginning of the 20th centuries. It shoes the origin of the term “Italian Liberty architecture”, its main centers, its peculiarities and the buildings of its leading representatives. The assessment of importance of such studies provide the right understanding of the processes in European architecture of this time.

APA, Harvard, Vancouver, ISO, and other styles

6

Goriunov, Vasilii. "The Liberty Style - Italian Art Nouveau Architecture." MATEC Web of Conferences 53 (2016): 02004. http://dx.doi.org/10.1051/matecconf/20165302004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Gerasimov, A. P., and T. V. Biryukova. "INTERIOR OF ART NOUVEAU ARCHITECTURE IN SIBERIA." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 2 (April 29, 2019): 102–12. http://dx.doi.org/10.31675/1607-1859-2019-21-2-102-112.

Full text

Abstract:

The article discusses the development of the interior in private and public buildings in Russia late in the 19th and early 20th centuries. Romantic trends that emerged in architecture Western Europe in the 19th century turned into the new style expressed in modernity, which fundamentally differs from the historical repetition in architecture of the early period. This article is an interdisciplinary work and describes such arts as architecture, painting, and decorative and applied arts. The main feature of modernity is the internal space, subordinating the interior to the exterior, its graphic

APA, Harvard, Vancouver, ISO, and other styles

8

Gournay, Isabelle. "Art Nouveau, 1890-1914." Journal of the Society of Architectural Historians 60, no. 3 (2001): 344–45. http://dx.doi.org/10.2307/991760.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Krastins, Janis. "Architecture of Charles Carr in Liepāja." Landscape architecture and art 15 (March 23, 2020): 31–37. http://dx.doi.org/10.22616/j.landarchart.2019.15.03.

Full text

Abstract:

Contribution of civil engineer Charles Carr to the development of Liepāja's Art Nouveau architecture is analysed in the article. Art Nouveau in Liepāja is one of the greatest values of architectural heritage of the city. Buildings of this style determine the cityscape in many places, but data on Liepāja's Art Nouveau architects until recent past were extremely sparse. Ch. Carr was known only as the author of the design of the building at Graudu iela 45. Two more his designs, including the one for the building at Graudu iela 44, were found during research. Analysis of planning principles, metho

APA, Harvard, Vancouver, ISO, and other styles

10

Romaniuk, Nelia. "Art Nouveau Ukrainian Architecture in a Global Context." Kyiv-Mohyla Humanities Journal, no. 6 (December 23, 2019): 137–48. http://dx.doi.org/10.18523/kmhj189056.2019-6.137-148.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Doucet, Hervé. "Existe-t-il une architecture art nouveau à Strasbourg ?" La Revue de la BNU, no. 19 (May 1, 2019): 44–51. http://dx.doi.org/10.4000/rbnu.2148.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Krastiņš, Jānis. "Architect Ludwig Melville and Art Nouveau Architecture in Liepāja." Architecture and Urban Planning 14, no. 1 (2018): 119–26. http://dx.doi.org/10.2478/aup-2018-0016.

Full text

Abstract:

Abstract The article analyzes the works of Liepāja’s architect Ludwig William Melville, who was previously unknown but in fact is really remarkable and sets his place in the legacy of Liepāja Art Nouveau architecture. Several historical documents have been used in the study and L. Melville as a potential architect of many buildings has been identified through a broad formally-stylistic comparative analysis.

APA, Harvard, Vancouver, ISO, and other styles

13

Krastiņš, Jānis. "Architecture and Urban Development of Art Nouveau—Metropolis riga." International Review of Sociology 16, no. 2 (2006): 395–425. http://dx.doi.org/10.1080/03906700600709327.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Cavlovic, Melita, Mojca Smode-Cvitanovic, and Andrej Uchytil. "Art nouveau in Zagreb: The new movement's significance to the profession of architecture." Spatium, no. 44 (2020): 37–44. http://dx.doi.org/10.2298/spat2044037c.

Full text

Abstract:

This paper traces the implications of Semper's Bekleidung theory on working processes in the field of architecture in Zagreb. The idiosyncrasies of the work of freshly graduated architects in a peripheral Austro-Hungarian city are analysed, both in the context of developing and spreading the city block system and the appearance of the new Art Nouveau style. Buildings in this new modern style, which appeared in 1897, were built sporadically throughout the city's urban fabric, which generally consisted of historicist residential buildings at the time. Parallel to historicism, the demand for Art

APA, Harvard, Vancouver, ISO, and other styles

15

Belobratov, Alexander V. "Art nouveau period: borders and concepts." Semiotic studies 1, no. 1 (2021): 33–41. http://dx.doi.org/10.18287/2782-2966-2021-1-1-33-41.

Full text

Abstract:

The article offers an extensive overview of modern approaches to definition of art nouveau as a literary era and to establishing its chronological boundaries. There have been analyzed main variations of the self-definition of the era as well as researchers attempts to find an appropriate definition to this complex aesthetic phenomenon. The extended interpretation of art nouveau as a macroepoch is examined, the period dating back to the end of the 18th century and connected primarily with the artistic system of Romanticism. Based on the aesthetic manifestos of German Naturalism, the meaning of

APA, Harvard, Vancouver, ISO, and other styles

16

Collette, Quentin, Ine Wouters, Michael De Bouw, Leen Lauriks, and Abdelrahman Younes. "Victor Horta’s Iron Architecture: A Structural Analysis." Advanced Materials Research 133-134 (October 2010): 373–78. http://dx.doi.org/10.4028/www.scientific.net/amr.133-134.373.

Full text

Abstract:

The internationally acknowledged Art Nouveau architect Victor Horta built remarkable artifacts of public iron architecture in Brussels. His projects display an innovative philosophy based on apparent iron frameworks used in a very efficient manner. As a supplement to the ample historical and architectural studies on Belgium’s most famous Art Nouveau architect, this paper puts Horta’s innovative structural practice of iron into the picture. To reach this goal, a structural analysis of four of Horta’s most interesting projects is carried out, going into the following topics: conceptual philosoph

APA, Harvard, Vancouver, ISO, and other styles

17

Fevereiro, António Francisco Arruda de Melo Cota. "THE ART NOUVEAU TILES AS FRAMES TO ARCHITECTURE IN LISBON." ARTis ON, no. 2 (February 12, 2016): 62–74. http://dx.doi.org/10.37935/aion.v0i2.44.

Full text

Abstract:

The combination of tile with architecture has been used in Portugal for centuries. It achieved a unique level of artistry by the end of the 19th century and beginning of the 20th century. The use of new colours and modern stylizations were explored during the Art Nouveau period. The tile was used as a frame for architectural features in order to enhance the building. By then all the elements were intended to be harmoniously combined as a whole.A span of case studies, chronologically ordered, illustrates the role and evolution of tiles used during this period, when tiles were designed by academ

APA, Harvard, Vancouver, ISO, and other styles

18

Kim, Kyuchin. "Czech Culture in Prague: Architecture." International Area Review 6, no. 1 (2003): 19–33. http://dx.doi.org/10.1177/223386590300600102.

Full text

Abstract:

Prague's main feature is that, out of many cultural treasures, it preserved its architectural culture and put it to practical use to present day. Particularly Prague has embraced a wealth of architectural styles from many ages. From the Romanesque, the Gothic culture of Czech's pinnacle age, Baroque, Neo Classicism, the Art Nouveau style buildings that concentrated in Prague at the end of 19th century and finally to modern structures. As we have studied, Prague is a textbook of historical styles: a Romanesque rotunda, a Gothic cathedral, a constellation of Baroque churches and palaces, a Renai

APA, Harvard, Vancouver, ISO, and other styles

19

VOSTRIKOV, V. N. "TYPOLOGY OF CHARACTER IN THE ARCHITECTURE OF ART NOUVEAU IN SAMARA." Urban construction and architecture 2, no. 2 (2012): 6–9. http://dx.doi.org/10.17673/vestnik.2012.02.1.

Full text

Abstract:

This article discusses issues related to architecture and semantics as its Crandalls part. One of the most important aspects of the work of architectural Art Nouveau decor, who was the conductor of cultural meanings and, more than any other art form. Samara modern architectural decoration not only analyzes the phenomenon of architecture and fine arts, but also as a specific cultural text - in all its ambiguity and the associative capacity, contradictory and multidimensional cultural and historical context of the era. Russian Samara Art Nouveau architecture in this work is understood not only a

APA, Harvard, Vancouver, ISO, and other styles

20

Lochhead, Ian. "The Style of the 1890s: Art Nouveau design in New Zealand Architecture." Architectural History Aotearoa 4 (October 31, 2007): 34–39. http://dx.doi.org/10.26686/aha.v4i0.6738.

Full text

Abstract:

The influence of Art Nouveau on New Zealand architecture has generally been considered to be negligible but its impact was nevertheless significant during the period from 1890 to the outbreak of the First World War. Across a wide range of building types, from large scale public buildings to modest houses, Art Nouveau-inspired door pulls, dados, embossed ceilings, leaded glass and tiles abound. This paper explores the largely hidden presence of Art Nouveau in New Zealand architecture of this period and considers the reasons why buildings that otherwise have little connection with the style inco

APA, Harvard, Vancouver, ISO, and other styles

21

Pudelska, Krystyna, and Anna Mirosław. "The richness of plants in Art Nouveau gardens." Acta Agrobotanica 32, no. 2 (2015): 99–108. http://dx.doi.org/10.5586/aa.2014.055.

Full text

Abstract:

<p>The turn of the 19th and the 20th centuries signified the appearance of a new trend in art called Art Nouveau in England, <em>Stile floreale</em> in Italy, and in Poland – <em>secesja</em>. It was an attempt to escape from the style that copied historical forms and set a new direction of development. The main inspiration for the creators of this period became nature, its asymmetry, variety of textures, subtle colors or smooth, and wavy lines. Artistic motifs were drawn from the richness of native flora and fauna. Flowering shrubs, perennials and creepers were e

APA, Harvard, Vancouver, ISO, and other styles

22

Burguete-Gil, C. "DANGER IN HERITAGE BY FORGETFULNESS. VICENTE SANCHO ARCHITECTURE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 739–44. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-739-2020.

Full text

Abstract:

Abstract. We are used to considering the risks on the architectural heritage as direct attacks on it, such as abandonment, degradation of materials, … However, the loss of said assets can be caused simply by ignorance of them. This is the case of Vicente Sancho Fuster and his work. Vicente Sancho Fuster worked during the first decade of the 20th century in Valencia. His work is part of the trend of Valencian Art Nouveau, along with Vicente Ferrer and Demetrio Ribes. However, he is barely known due to his sudden death at age 35. His work continues being virtually unknown today, even by architec

APA, Harvard, Vancouver, ISO, and other styles

23

Spennemann, Dirk H. R. "Hundertwasser: art, architecture and heritage in Bad Soden, Germany." Journal of Architecture 5, no. 2 (2000): 117–36. http://dx.doi.org/10.1080/136023600408674.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Pujadas i Matarín, Anna. "The decoration of Art Nouveau buildings in Catalonia and the architecture treatises." Locus Amoenus 4 (December 1, 1998): 229. http://dx.doi.org/10.5565/rev/locus.95.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Bulakh, Andrey, Olavi Selonen, and Heikki Pirinen. "Soapstone in Jugend (Art Nouveau) architecture of northern European cities (1890s–1910s)." Geological Society, London, Special Publications 486, no. 1 (2019): 287–94. http://dx.doi.org/10.1144/sp486-2017-158.

Full text

Abstract:

AbstractSoapstone occurs in Finland within Precambrian greenstone belts in the eastern parts of the country. Nunnanlahti and other deposits near Lake Pielinen are the best known and most important of these occurrences. This soft stone is highly workable. Soapstone was one of the most popular ornamental rocks used in architecture of the Jugend (Art Nouveau) style in St Petersburg, Russia, Helsinki, Finland, and in other northern European cities at the end of the nineteenth and into the early twentieth centuries.

APA, Harvard, Vancouver, ISO, and other styles

26

Levine, Sura. "Review: Art Nouveau. International and National Styles in Europe by Jeremy Howard; Horta. Art Nouveau to Modernism by Françoise Aubry, Jos Vandenbreeden." Journal of the Society of Architectural Historians 58, no. 2 (1999): 207–9. http://dx.doi.org/10.2307/991488.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Davydova, Olga. "“Dreaming of Russia”." Experiment 25, no. 1 (2019): 189–206. http://dx.doi.org/10.1163/2211730x-12341338.

Full text

Abstract:

Abstract The National-Romantic trend in Russian Art Nouveau is characterized by a lyrical approach to the past, including imagery from folklore. This tendency is also identifiable within the global development of Art Nouveau, each country expressing its national identity in highly characteristic forms in design and architecture. Art Nouveau coincided with the zenith of Symbolism and, therefore, transmitted both its universal ideas and the unique creative psychology of the individual artist, who often based personal quest upon local traditions and innate cultural memory. This article analyzes t

APA, Harvard, Vancouver, ISO, and other styles

28

Bertels, Inge. "Expressing Local Specificity: The Flemish Renaissance Revival in Belgium and the Antwerp City Architect Pieter Jan Auguste Dens." Architectural History 50 (2007): 149–70. http://dx.doi.org/10.1017/s0066622x00002914.

Full text

Abstract:

While globalizing trends stimulate the creation of entirely new regions, established regional and local identities remain. Architectural historians, among others, explore the ways in which regionalism has been — and continues to be — defined and redefined. Current issues in this debate include what regional architectural traditions might be; whether regions can be defined by architecture; and how regional traditions of architecture have been defined and interpreted by artists, authors and scholars. Nineteenth-century Belgian architecture is particularly relevant in this context. The formation

APA, Harvard, Vancouver, ISO, and other styles

29

KARACSONY, Noemi. "Art-Nouveau and the Portrait of the Fin de Siècle Woman in Jules Massenet’s Cléopâtre." BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 13 (62), SI (2021): 155–66. http://dx.doi.org/10.31926/but.pa.2020.13.62.3.17.

Full text

Abstract:

The present paper strives to evoke the context in which one of Jules Massenet’s last operas, “Cléopâtre” was created: the Belle Époque period with its various stylistic orientations. Among the numerous art movements of the fin de siècle, Art Nouveau establishes itself as one of the most important styles, gradually becoming an international style often associated with the Belle Époque. Characterized by curving forms and undulating lines, Art Nouveau was used in architecture, fine and applied arts. One of the aims of this style was to dissolve the distinction between the various forms of art. Ar

APA, Harvard, Vancouver, ISO, and other styles

30

IVANOVA, Ludmila I., and Denis V. LITVINOV. "THE PHENOMENON OF ART NOUVEAU: TOWARDS A TYPOLOGY OF DECORATIVE ELEMENTS IN THE ARCHITECTURE OF SAMARA MODERN." Urban construction and architecture 8, no. 2 (2018): 108–13. http://dx.doi.org/10.17673/vestnik.2018.02.18.

Full text

Abstract:

Modernism is considered as a phenomenon of world culture at the turn of the XIX-XX centuries, its features in the architecture of European countries, in Russia and, in particular, in Samara. The stages of development of the Samara Art Nouveau and its composition-decorative and color features are highlighted in detail. The existing semantic typology of decorative elements of modern style is analyzed. Particular attention is paid to the compositional aspects of the shaping of decorative elements of modernism with the identifi cation of the simplest geometric forms. The main color principles and

APA, Harvard, Vancouver, ISO, and other styles

31

Lyudmirskaya, Alexandra. "“Brick” rationalism architecture in the eclecticism of religious buildings, public buildings and industrial enterprises of the Taganrog city in the late 19th and early 20th centuries." E3S Web of Conferences 281 (2021): 02012. http://dx.doi.org/10.1051/e3sconf/202128102012.

Full text

Abstract:

The article analyzes the eclectic tradition in the architecture of religious buildings, public buildings and industrial enterprises of Taganrog, the peculiarities of its manifestation in the diverse stylistic palette of the city, including neo-Gothic and Art Nouveau, touches upon the specifics of the stylistic trends’ manifestation in the “brick style” rationalist architecture.

APA, Harvard, Vancouver, ISO, and other styles

32

Polyakov, E. N., and T. V. Donchuk. "FORMATION OF FRENCH ART NOUVEAU STYLE IN EARLY WORKS OF HECTOR GUIMARD." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 21, no. 5 (2019): 9–35. http://dx.doi.org/10.31675/1607-1859-2019-21-5-9-35.

Full text

Abstract:

The article is devoted to the early activity of the famous architect Hector Guimard (1867–1942), the creator of French Art Nouveau. During this period (1891–1900) he successfully combined project work with teaching at the École Nationale Supérieure des Beaux-Arts. He searched for own directions in the architecture. Testing a variety of eclectic styles, in 1894 year Guimard acquainted himself with the work of Belgian architect Victor Horta (1861–1947) and adopted the main elements of the Art Nouveau. The article considers the earliest design works of E. Guimard, which reflected the main directi

APA, Harvard, Vancouver, ISO, and other styles

33

ADACHI, HIROSHI. "ART NOUVEAU AND MODERN ARCHITECTURE IN JAPAN : A Study of Goichi Takeda Part 2." Journal of Architecture, Planning and Environmental Engineering (Transactions of AIJ) 357 (1985): 97–111. http://dx.doi.org/10.3130/aijax.357.0_97.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Hernandez Tudela, Anna. "Furniture and Interior Design in Joan Amigo's Architecture: between the Viennese Secession, the Glasgow School and Art Deco." Res Mobilis 10, no. 13-3 (2021): 118–33. http://dx.doi.org/10.17811/rm.10.13-3.2021.118-133.

Full text

Abstract:

One of the most unknown sides of the art nouveau architect Joan Amigó Barriga is his role as interior designer. In this article, we would like to introduce the indoors created by the architect through the years, where we can observe the harmony between façades, insides and furniture. Besides, we also focus on his peculiar influence from the Vienna Secession, Glasgow School and later in the ’30s by the art déco style.

APA, Harvard, Vancouver, ISO, and other styles

35

Lyudmirskaya, Alexandra. "Eclecticism of rationalism in the pre-revolutionary architecture of civil public buildings in the city of Novocherkassk." E3S Web of Conferences 281 (2021): 02008. http://dx.doi.org/10.1051/e3sconf/202128102008.

Full text

Abstract:

The article analyzes the little-studied eclectic tradition in the architecture of civil public buildings in Novocherkassk, the peculiarities of its manifestation in the diverse stylistic palette of the city, including neo-Gothic and Art Nouveau, touches on the specifics of the stylistic trends’ manifestation in the rationalist architecture of the “masonry style”, as well as the historical timing of changes in style in a temporary context.

APA, Harvard, Vancouver, ISO, and other styles

36

Mačiulis, Algimantas M. "IRACIONALUMO APRAIŠKOS XX A. UŽSIENIO IR LIETUVOS ARCHITEKTŪROJE." JOURNAL OF ARCHITECTURE AND URBANISM 34, no. 3 (2010): 151–60. http://dx.doi.org/10.3846/tpa.2010.15.

Full text

Abstract:

The paper analyses irrationality as an expression of modern architecture, overviews the concept of irrational architecture. Various art and philosophical trends, that influenced the development of architecture in the 20th century, are analysed. Influences of global and Lithuanian analogues of irrational architecture on the development of architectural styles are presented. Since the concept of irrational architecture hasn’t been widely analysed, the paper suggests several approaches of analysis of irrational forms in architecture. The author arrives at the following conclusions: – Irrationalit

APA, Harvard, Vancouver, ISO, and other styles

37

Searing, Helen. "Review: Art Nouveau, 1890-1914 by Paul Greenhalgh; Art Deco, 1910-1939 by Charlotte Benton, Tim Benton, Ghislaine Wood." Journal of the Society of Architectural Historians 63, no. 1 (2004): 114–16. http://dx.doi.org/10.2307/4128001.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Attia, Doaa. "Fractal Art Nouveau Design and the Need to Revive it in the Contemporary Environment." International Journal of Designed Objects 13, no. 1 (2019): 19–39. http://dx.doi.org/10.18848/2325-1379/cgp/v13i01/19-39.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Kim, Hyon-Sob. "The appearance of Korean architecture in the modern West." Architectural Research Quarterly 14, no. 4 (2010): 349–61. http://dx.doi.org/10.1017/s1359135511000145.

Full text

Abstract:

Although the general influence of the architecture of East Asian countries on the formation and development of modern architecture has been widely recognised, detailed evidence about the extent and nature of this influence has been accruing through a growing body of research. This began with Chinoiserie, a Chinese-style fashion around the eighteenth century in Europe, which was imprinted in the Rococo interior as well as in the jardin anglo-chinois with its Chinese pavilions. Then in the late nineteenth century there was a European zeal for Japanese art, Japonisme, which appeared in the Arts a

APA, Harvard, Vancouver, ISO, and other styles

40

Filippov, Vasily. "ORIGIN OF THE CHICAGO SCHOOL OF ARCHITECTURE." Innovative Project 5, no. 11 (2020): 6–21. http://dx.doi.org/10.17673/ip.2020.5.11.1.

Full text

Abstract:

The consequences of the fires of 1866-1872 for the architecture of three US cities and the first two years of Chicago’s recovery after the fire of 1871 with a further break until the end of the decade are described. The role of this break in the development of Jenney’s creativity, which led to the emergence of the Chicago School, and the work of James McLaughlin, which did not develop in Cincinnati, are shown. The role of Peter Wight in promoting the ideas of Viollet-le-Duc, which became the basis of the movement, and his influence on the leaders of Burnham and Root, are noted. It describes th

APA, Harvard, Vancouver, ISO, and other styles

41

Biryulov, Yuri. "NEW JEWISH STYLE IN LVIV ARCHITECTURE: THE HISTORIC TRANSFORMATION IN THE URBAN SPACE." Architecture and Engineering 5, no. 4 (2020): 18–27. http://dx.doi.org/10.23968/2500-0055-2020-5-4-18-27.

Full text

Abstract:

Introduction: The phenomenon of expressing national identity in architecture is manifested in many countries and cities. In this article, it is considered in the context of Lviv with the main focus on Jewish architects. Purpose of the study: We are planning to study the process of the emergence of a new Jewish style in the architecture of Lviv from the mid-19th century to the first decades of the 20th century in the context of urban development, and consider the formation of a characteristic art language, together with the corresponding symbolic elements of décor. Methods: We use a comprehensi

APA, Harvard, Vancouver, ISO, and other styles

42

Fox, Peter H. "Art Nouveau: The Great Utopian Vision, Museum für Kunst und Gewerbe, Hamburg, Germany, October 17, 2015–February 7, 2016." Design and Culture 8, no. 3 (2016): 370–73. http://dx.doi.org/10.1080/17547075.2016.1218712.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Willis, Alfred. "Review: Frantz Jourdain and the Samaritaine: Art Nouveau Theory and Criticism by Meredith L. Clausen." Journal of the Society of Architectural Historians 48, no. 1 (1989): 86–88. http://dx.doi.org/10.2307/990413.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Naylor, Gillian. "Modernism and the Decorative Arts in France: Art Nouveau to Le Corbusier Nancy J. Troy." Journal of the Society of Architectural Historians 52, no. 3 (1993): 363–65. http://dx.doi.org/10.2307/990851.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Faris, Jaimey Hamilton. "Introduction to Special Issue." ARTMargins 4, no. 3 (2015): 3–16. http://dx.doi.org/10.1162/artm_e_00120.

Full text

Abstract:

This introduction charts the emergence of the term Capitalist Realism at the intersection of the international postwar art movements of Pop, Fluxus, Nouveau Réalisme, happenings, and Anti-Art. It relates the independent coinage of Capitalist Realism by artists Gerhard Richter, Konrad Lueg, Sigmar Polke, and Manfred Kuttner in Germany in May 1963 with that of artist Akasegawa Genpei Japan in February 1964 and argues that they were both part of a broader interest in developing new strategies of artistic realism during the Cold War. The artists' sly and ironic appropriations of consumer objects a

APA, Harvard, Vancouver, ISO, and other styles

46

Liapina, Olena. "«Atypical Kyiv»: examples of «Northern Art Nouveau» in the urban housing of the early 20th c." Text and Image: Essential Problems in Art History, no. 2 (2018): 53–67. http://dx.doi.org/10.17721/2519-4801.2018.2.03.

Full text

Abstract:

At the turn of the 19 – 20th centuries Kyiv experienced a building boom: once a rural town transformed into a modern city. The widely spread one or two-storied classical-styled houses were replaced with multistoried apartment houses, designed in a new architectural fashion. By that time, various forms of Art Nouveau dominated European architecture. Kyiv also picked up this trend. Buildings in Kyiv of that time represent a motley mixture of the most popular variants of style each having certain peculiarities. The new urban buildings’ constructions followed classical traditions while facades wer

APA, Harvard, Vancouver, ISO, and other styles

47

Makała, Rafał. "Nawiązania do tradycji nowożytnej w ceglanej architekturze wczesnomodernistycznej północnych Niemiec." Porta Aurea, no. 17 (November 27, 2018): 94–111. http://dx.doi.org/10.26881/porta.2018.17.04.

Full text

Abstract:

One of the manifestations of the so called ‘conservative modernism’ was the reference to the brick building tradition in Northern Germany. The trend was primarily associated with the activities of Fritz Schumacher and Fritz Höger in Hamburg and Bremen in the 1920s and 1930s, but the genesis of this architecture dates back to the first decade of the 20th century and is associated with the attempts to shape North German patriotism. Just as in the art of neo-Gothic, brick architecture of ‘conservative modernism’ was meant to express the ‘North German Identity’, and in fact help in the creation of

APA, Harvard, Vancouver, ISO, and other styles

48

KOTENKO, Irina A. "THE SINGULARITY OF THE DOME’S FORMS OF SAMARA’S ART NOUVEAU ARCHITECTURE AND ECLECTICISM OF THE EARLY 20TH CENTURY." Urban construction and architecture 8, no. 2 (2018): 122–29. http://dx.doi.org/10.17673/vestnik.2018.02.21.

Full text

Abstract:

The paper examines one of the characteristic fi nishing elements of the roofs of buildings - the dome. The originality of forms and varieties of their application is noted, fi rst of all in the Аrt Nouveau architecture, as well as in neoclassicism and various stylizations in the provincial city of Samara of the beginning of the 20th century. The author emphasizes the special signifi cance of the peculiar form in the composition of the building and the town-planning application. The widespread varieties of domes in the considered period of town-planning development are investigated and classifi

APA, Harvard, Vancouver, ISO, and other styles

49

Supriatna, Dendi, Lili Adi Wibowo, and Yeni Yuniawati. "ANALISIS FAKTOR-FAKTOR DOMINAN DALAM PEMBENTUKAN CREATIVE TOURISM DAN PENGARUHNYATERHADAP KEPUTUSAN BERKUNJUNG (Survei terhadap Wisatawan Mancanegara Asal Belanda, Jerman dan Perancis yang berkunjung ke D.I. Yogyakarta)." Journal : Tourism and Hospitality Essentials Journal 4, no. 2 (2016): 823. http://dx.doi.org/10.17509/thej.v4i2.1990.

Full text

Abstract:

This research try to find factor to create creative tourism toward visiting decision, research try to find factors can develop european tourist visiting decision to Daerah Istimewa Yogyakarta. Creative tourism have seven variabels latent creative architecture, creative design, creative fashion, creative culinary, creative music, creative performing art, and creative fine art. Used 107 respondent included Netherland, France and Germany who collect from systematic random sampling (mobile sampling) and calculated by confirmaty factor analysis and Structural Equation Modeling, Researcher find 5 to

APA, Harvard, Vancouver, ISO, and other styles

50

Nazaruk, Mykola. "ARCHITECTURE OF THE RAILWAY STATIONS HOLOBY AND KOVEL IN THE WORK OF O. M. VERBYTSKYI." Current problems of architecture and urban planning, no. 59 (March 1, 2021): 80–88. http://dx.doi.org/10.32347/2077-3455.2021.59.80-88.

Full text

Abstract:

Annotation text. Architecture of the late XIX – early ХХ century causes great interest in researchers. At this time, railways and railway stations were actively built all over the world. At this time also, a new architectural style, called Art Nouveau, has distributed around the world. The representative of this style in Ukraine is the architect O. M. Verbytskyi, whose work is largely reflected in the architecture of railway station complexes. Today, the question arises of restoring the original appearance of historic architectural objects, including railway stations. Therefore, the rese

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!