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1

Krastiņš, Jānis. "Nancy Art Nouveau Architecture." Architecture and Urban Planning 19, no. 1 (2023): 66–75. http://dx.doi.org/10.2478/aup-2023-0007.

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Abstract The north-eastern French city of Nancy is one of the centres of Art Nouveau. It has been analysed in detail in many classical reviews Art Nouveau, but mainly in relation to decorative applied art works produced at the Nancy School of Art. The study pays attention also to the Nancy architecture. The architectural and artistic qualities of the iconic Art Nouveau architectural monument Villa L. Majorelle are analysed in detail, and the basic data about works of É. André, H. Gutton, J. Hornecker, L. Weissenburger, and other Nancy architects are systematized, indicating their place both in
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2

Andreeva, Olga P., Evelina V. Mikhailova, and Svetlana P. Akhmetova. "ART NOUVEAU ARCHITECTURE IN THE MODERN URBAN IMAGE OF CHUVASHIA." Arts education and science 2, no. 35 (2023): 128–35. http://dx.doi.org/10.36871/hon.202302128.

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Art Nouveau architecture attracts the interest of contemporary researchers with its formative natural elements, plastic ornament, decorative lines, and unique options complementing and organically fitting into the modern urban environment. The few buildings in medium and small towns with Art Nouveau features and links to the local architectural traditions, with their unique decorative elements, deserve special attention. This interest is primarily due to the aesthetic perception of architectural space, the study and preservation of modern monuments. Today, many buildings have lost their Art No
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Bertels, Inge. "Expressing Local Specificity: The Flemish Renaissance Revival in Belgium and the Antwerp City Architect Pieter Jan Auguste Dens." Architectural History 50 (2007): 149–70. http://dx.doi.org/10.1017/s0066622x00002914.

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While globalizing trends stimulate the creation of entirely new regions, established regional and local identities remain. Architectural historians, among others, explore the ways in which regionalism has been — and continues to be — defined and redefined. Current issues in this debate include what regional architectural traditions might be; whether regions can be defined by architecture; and how regional traditions of architecture have been defined and interpreted by artists, authors and scholars. Nineteenth-century Belgian architecture is particularly relevant in this context. The formation
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Ivashko, Yulia. "APPLICATION OF SYSTEM-STRUCTURAL ANALYSIS METHOD FOR ASSESSMENT OF STYLE LAYERS OF OBJECTS IN HISTORICAL ENVIRONMENT." Current Issues in Research, Conservation and Restoration of Historic Fortifications 16, no. 2022 (2022): 15–22. http://dx.doi.org/10.23939/fortifications2022.16.015.

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One of the main problems of monument protection and restoration is to determine the value of the object of protection, including its stylistic purity. The method of system-structural analysis helps to investigate and substantiate the manifestations of the main features of style at different levels - urban level, object level and level of a single element, and thus argue whether a building is an example of a particular style. The application of the method of system-structural analysis is shown on the example of objects of Ukraine in the Art Nouveau style. It was determined in the thesis the gro
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Krastins, Janis. "Architecture of Charles Carr in Liepāja." Landscape architecture and art 15 (March 23, 2020): 31–37. http://dx.doi.org/10.22616/j.landarchart.2019.15.03.

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Contribution of civil engineer Charles Carr to the development of Liepāja's Art Nouveau architecture is analysed in the article. Art Nouveau in Liepāja is one of the greatest values of architectural heritage of the city. Buildings of this style determine the cityscape in many places, but data on Liepāja's Art Nouveau architects until recent past were extremely sparse. Ch. Carr was known only as the author of the design of the building at Graudu iela 45. Two more his designs, including the one for the building at Graudu iela 44, were found during research. Analysis of planning principles, metho
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Krastiņš, Jānis. "Less Known Art Nouveau: Orleans, Dunkirk, Lille." Architecture and Urban Planning 19, no. 1 (2023): 38–43. http://dx.doi.org/10.2478/aup-2023-0004.

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Abstract Art Nouveau architecture during the last century experienced drastic change of attitude – from complete denial to glorification. However, many publications still repeat the same stereotypes of style assessment, focusing on the decorative layer as the seemingly main feature of style. Some significant values of Art Nouveau heritage are still only partially or incompletely recognized. In this paper, several less known examples of Art Nouveau heritage in France, in particular, in the cities of Orléans, Dunkirk and Lille are analysed. The architectural-artistic qualities of these buildings
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VOSTRIKOV, V. N. "TYPOLOGY OF CHARACTER IN THE ARCHITECTURE OF ART NOUVEAU IN SAMARA." Urban construction and architecture 2, no. 2 (2012): 6–9. http://dx.doi.org/10.17673/vestnik.2012.02.1.

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This article discusses issues related to architecture and semantics as its Crandalls part. One of the most important aspects of the work of architectural Art Nouveau decor, who was the conductor of cultural meanings and, more than any other art form. Samara modern architectural decoration not only analyzes the phenomenon of architecture and fine arts, but also as a specific cultural text - in all its ambiguity and the associative capacity, contradictory and multidimensional cultural and historical context of the era. Russian Samara Art Nouveau architecture in this work is understood not only a
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Nasir, Osama, Waqas Akhtar, Mohd Faiz Iqbal, and Mohammad Arif Kamal. "Analyzing the Architecture of Antonio Gaudí with Reference to Art Nouveau Style: An Inspiration from Nature." Architecture Engineering and Science 3, no. 4 (2022): 309. http://dx.doi.org/10.32629/aes.v3i4.1100.

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Art Nouveau was a global movement that began in the early 1890s and combined two of the most powerful elements in the world: art and nature. Although these two have been associated from the beginning of time, Art Nouveau's significance and impact are far above any earlier attempts. Worldwide, artwork, sculpture, architecture, pottery, and furniture all exhibited this new style. Although there were many supporters and benefactors of Art Nouveau, only a select handful achieved the recognition and distinction of Antoni Gaudí. Sustainability and bio-education have been the hottest topics in the gl
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9

Lochhead, Ian. "The Style of the 1890s: Art Nouveau design in New Zealand Architecture." Architectural History Aotearoa 4 (October 31, 2007): 34–39. http://dx.doi.org/10.26686/aha.v4i0.6738.

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The influence of Art Nouveau on New Zealand architecture has generally been considered to be negligible but its impact was nevertheless significant during the period from 1890 to the outbreak of the First World War. Across a wide range of building types, from large scale public buildings to modest houses, Art Nouveau-inspired door pulls, dados, embossed ceilings, leaded glass and tiles abound. This paper explores the largely hidden presence of Art Nouveau in New Zealand architecture of this period and considers the reasons why buildings that otherwise have little connection with the style inco
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Roura-Burbano, Alexandra, and Paúl Ochoa-Arias. "INFLUENCIAS DE ESTILOS ARQUITECTÓNICOS EN EL CENTRO HISTÓRICO DE CUENCA." Universidad-Verdad, no. 64 (August 15, 2014): 99–118. http://dx.doi.org/10.33324/uv.vi64.256.

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En el presente artículo se describe la influencia que ha recibido la arquitectura cuencana desde los diferentes estilos foráneos como: el Neoclásico Francés, el Art Nouveau, el Art Déco, el Racionalismo y otros, los mismos que se evidencian con notoriedad en algunas de las edificaciones del centro histórico de la ciudad.
 Palabras Clave: Centro histórico Cuenca, arquitectura, patrimonio edificado, Neoclásico Francés, Art Nouveau, Art Déco.
 AbstractThe present article describes the influence that Cuenca’s architecture has received from different foreign styles such as: French neoclas
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Collette, Quentin, Ine Wouters, Michael De Bouw, Leen Lauriks, and Abdelrahman Younes. "Victor Horta’s Iron Architecture: A Structural Analysis." Advanced Materials Research 133-134 (October 2010): 373–78. http://dx.doi.org/10.4028/www.scientific.net/amr.133-134.373.

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The internationally acknowledged Art Nouveau architect Victor Horta built remarkable artifacts of public iron architecture in Brussels. His projects display an innovative philosophy based on apparent iron frameworks used in a very efficient manner. As a supplement to the ample historical and architectural studies on Belgium’s most famous Art Nouveau architect, this paper puts Horta’s innovative structural practice of iron into the picture. To reach this goal, a structural analysis of four of Horta’s most interesting projects is carried out, going into the following topics: conceptual philosoph
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Goryunov, Vasiliy, Svetlana Goryunova, Vera Murgul, and Nikolai Vatin. "The Liberty Style-Italian Art Nouveau Architecture." Advanced Materials Research 1065-1069 (December 2014): 2681–85. http://dx.doi.org/10.4028/www.scientific.net/amr.1065-1069.2681.

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This article refers the architecture of Italy of the end of the 19-the beginning of the 20th centuries. It shoes the origin of the term “Italian Liberty architecture”, its main centers, its peculiarities and the buildings of its leading representatives. The assessment of importance of such studies provide the right understanding of the processes in European architecture of this time.
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Gerasimov, A. P., and T. V. Biryukova. "INTERIOR OF ART NOUVEAU ARCHITECTURE IN SIBERIA." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 2 (April 29, 2019): 102–12. http://dx.doi.org/10.31675/1607-1859-2019-21-2-102-112.

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The article discusses the development of the interior in private and public buildings in Russia late in the 19th and early 20th centuries. Romantic trends that emerged in architecture Western Europe in the 19th century turned into the new style expressed in modernity, which fundamentally differs from the historical repetition in architecture of the early period. This article is an interdisciplinary work and describes such arts as architecture, painting, and decorative and applied arts. The main feature of modernity is the internal space, subordinating the interior to the exterior, its graphic
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14

Goriunov, Vasilii. "The Liberty Style - Italian Art Nouveau Architecture." MATEC Web of Conferences 53 (2016): 02004. http://dx.doi.org/10.1051/matecconf/20165302004.

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15

Kotliar, Elena Romanovna, and Vladimir Aleksandrovich Khlevnoi. "Representation of the Baroque Style in the Decor of the Crimean Architecture of the Art Nouveau Period." Человек и культура, no. 1 (January 2023): 33–45. http://dx.doi.org/10.25136/2409-8744.2023.1.39804.

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The subject of the study is the characteristic of the Baroque style and the integration of its elements into the decor of the architecture of the Crimea of the Art Nouveau period. The object of the study is the architecture of the Crimea and its decor of the period of the late XIX – first third of the XX century. The research uses the methods of art criticism analysis of Baroque visual forms and their integration into modernity, the method of analysis of previous studies, the method of synthesis in conclusions regarding the connotations of Baroque symbolism. The author considers such aspects o
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16

Cavlovic, Melita, Mojca Smode-Cvitanovic, and Andrej Uchytil. "Art nouveau in Zagreb: The new movement's significance to the profession of architecture." Spatium, no. 44 (2020): 37–44. http://dx.doi.org/10.2298/spat2044037c.

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This paper traces the implications of Semper's Bekleidung theory on working processes in the field of architecture in Zagreb. The idiosyncrasies of the work of freshly graduated architects in a peripheral Austro-Hungarian city are analysed, both in the context of developing and spreading the city block system and the appearance of the new Art Nouveau style. Buildings in this new modern style, which appeared in 1897, were built sporadically throughout the city's urban fabric, which generally consisted of historicist residential buildings at the time. Parallel to historicism, the demand for Art
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17

ВЛАСЕНКО, Л. В., М. О. БЕЛОВА, and Е. К. КАЛИНИЧЕНКО. "V.D. NOSOV'S MANSION AS A SYMBOL OF THE EPOCH AND A UNIQUE EXAMPLE OF ARCHITECTURAL EXCELLENCE." Экономика и предпринимательство, no. 11(160) (December 21, 2023): 982–87. http://dx.doi.org/10.34925/eip.2023.160.11.186.

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Одним из востребованных стилей в архитектуре России на рубеже XIX и XX веков становиться модерн. Это особое направление в архитектуре, влияние которого мы наблюдаем и в живописи, и в скульптуре. Модерн, проходит несколько этапов своего развития от раннего модерна (конец XIX века) до романтического (конец XIX века – начало XX века) и рационалистического модерна (1910-е годы). В статье рассматриваются архитектурные особенности особняка В. Д. Носова - уникального образца деревянного модерна, построенного известным архитектором Л. Н. Кекушевым в 1903 году (романтический этап). Поднимается вопрос о
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18

Romaniuk, Nelia. "Art Nouveau Ukrainian Architecture in a Global Context." Kyiv-Mohyla Humanities Journal, no. 6 (December 23, 2019): 137–48. http://dx.doi.org/10.18523/kmhj189056.2019-6.137-148.

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19

Gournay, Isabelle. "Art Nouveau, 1890-1914." Journal of the Society of Architectural Historians 60, no. 3 (2001): 344–45. http://dx.doi.org/10.2307/991760.

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Kim, Kyuchin. "Czech Culture in Prague: Architecture." International Area Review 6, no. 1 (2003): 19–33. http://dx.doi.org/10.1177/223386590300600102.

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Prague's main feature is that, out of many cultural treasures, it preserved its architectural culture and put it to practical use to present day. Particularly Prague has embraced a wealth of architectural styles from many ages. From the Romanesque, the Gothic culture of Czech's pinnacle age, Baroque, Neo Classicism, the Art Nouveau style buildings that concentrated in Prague at the end of 19th century and finally to modern structures. As we have studied, Prague is a textbook of historical styles: a Romanesque rotunda, a Gothic cathedral, a constellation of Baroque churches and palaces, a Renai
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Burguete-Gil, C. "DANGER IN HERITAGE BY FORGETFULNESS. VICENTE SANCHO ARCHITECTURE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 739–44. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-739-2020.

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Abstract. We are used to considering the risks on the architectural heritage as direct attacks on it, such as abandonment, degradation of materials, … However, the loss of said assets can be caused simply by ignorance of them. This is the case of Vicente Sancho Fuster and his work. Vicente Sancho Fuster worked during the first decade of the 20th century in Valencia. His work is part of the trend of Valencian Art Nouveau, along with Vicente Ferrer and Demetrio Ribes. However, he is barely known due to his sudden death at age 35. His work continues being virtually unknown today, even by architec
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Markovskyi, Andrii. "PARALLELS OF GERMAN AVANT-GARDE ARCHITECTURE AND DEVELOPMENT IN KYIV." Current problems of architecture and urban planning, no. 58 (November 30, 2020): 302–13. http://dx.doi.org/10.32347/2077-3455.2020.58.302-313.

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The article presents a comparative analysis of some key objects of German and Kyiv architecture of the early twentieth century to determine the corresponding trends. Parallels and identities are shown and noted. An analysis of the background and context is given, as well as the author's conclusions of the respective styles. In particular, German Werkbund, international Art Nouveau, Ukrainian architectural Art Nouveau, "New Objectivity", Bauhaus, functionalism, constructivism, post-constructivism, German and Soviet neoclassicism are mentioned.
 Were analyzed in detail: The Fagus Factory (1
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Fevereiro, António Francisco Arruda de Melo Cota. "THE ART NOUVEAU TILES AS FRAMES TO ARCHITECTURE IN LISBON." ARTis ON, no. 2 (February 12, 2016): 62–74. http://dx.doi.org/10.37935/aion.v0i2.44.

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The combination of tile with architecture has been used in Portugal for centuries. It achieved a unique level of artistry by the end of the 19th century and beginning of the 20th century. The use of new colours and modern stylizations were explored during the Art Nouveau period. The tile was used as a frame for architectural features in order to enhance the building. By then all the elements were intended to be harmoniously combined as a whole.A span of case studies, chronologically ordered, illustrates the role and evolution of tiles used during this period, when tiles were designed by academ
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Mijuk, Nenad. "Art Nouveau style buildings as a chance for the development of architecture in Novi Sad." Turisticko poslovanje, no. 30 (2022): 39–51. http://dx.doi.org/10.5937/turpos0-41395.

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By the end of the 20th century, a new specific form of tourism was presented to the world by the name of architourism. Architecture, in a general sense, is science and the art of projecting and shaping buildings or, i.e., interior and exterior architectural space. Novi Sad, the second largest city in Serbia, located on Pannonian Plain, is famous for its incredibly rich historic and cultural heritage. There are various styles of architecture dominating the city itself, among which is the ever-present Art Nouveau in the Hungarian style. Novi Sad has fewer monuments and buildings erected in this
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25

Krastiņš, Jānis. "Architect Ludwig Melville and Art Nouveau Architecture in Liepāja." Architecture and Urban Planning 14, no. 1 (2018): 119–26. http://dx.doi.org/10.2478/aup-2018-0016.

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Abstract The article analyzes the works of Liepāja’s architect Ludwig William Melville, who was previously unknown but in fact is really remarkable and sets his place in the legacy of Liepāja Art Nouveau architecture. Several historical documents have been used in the study and L. Melville as a potential architect of many buildings has been identified through a broad formally-stylistic comparative analysis.
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Doucet, Hervé. "Existe-t-il une architecture art nouveau à Strasbourg ?" La Revue de la BNU, no. 19 (May 1, 2019): 44–51. http://dx.doi.org/10.4000/rbnu.2148.

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Krastiņš, Jānis. "Architecture and Urban Development of Art Nouveau—Metropolis riga." International Review of Sociology 16, no. 2 (2006): 395–425. http://dx.doi.org/10.1080/03906700600709327.

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Mačiulis, Algimantas M. "IRACIONALUMO APRAIŠKOS XX A. UŽSIENIO IR LIETUVOS ARCHITEKTŪROJE." JOURNAL OF ARCHITECTURE AND URBANISM 34, no. 3 (2010): 151–60. http://dx.doi.org/10.3846/tpa.2010.15.

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The paper analyses irrationality as an expression of modern architecture, overviews the concept of irrational architecture. Various art and philosophical trends, that influenced the development of architecture in the 20th century, are analysed. Influences of global and Lithuanian analogues of irrational architecture on the development of architectural styles are presented. Since the concept of irrational architecture hasn’t been widely analysed, the paper suggests several approaches of analysis of irrational forms in architecture. The author arrives at the following conclusions: – Irrationalit
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Clericuzio, Peter. "Art Nouveau and Bank Architecture in Nancy: Negotiating the Re-Emergence of a French Regional Identity." Architectural History 63 (2020): 219–56. http://dx.doi.org/10.1017/arh.2020.6.

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AbstractArt nouveau design is one of the principal markers of the identity of the French city of Nancy, which became internationally renowned as one of the most important centres for the development of this artistic style around 1900. Like other strands of the style, especially in Spain, Germany and parts of the Austro-Hungarian empire, art nouveau in eastern France has been linked to long-standing regionalist sentiments that resisted centralised Parisian control over local affairs typical in nineteenth-century France. This article examines the evolving bank architecture in central Nancy, a ma
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Davydova, Olga. "“Dreaming of Russia”." Experiment 25, no. 1 (2019): 189–206. http://dx.doi.org/10.1163/2211730x-12341338.

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Abstract The National-Romantic trend in Russian Art Nouveau is characterized by a lyrical approach to the past, including imagery from folklore. This tendency is also identifiable within the global development of Art Nouveau, each country expressing its national identity in highly characteristic forms in design and architecture. Art Nouveau coincided with the zenith of Symbolism and, therefore, transmitted both its universal ideas and the unique creative psychology of the individual artist, who often based personal quest upon local traditions and innate cultural memory. This article analyzes t
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Slieptsov, Oleh, Mykola Dyomin, and Olena Kozakova. "THE INFLUENCE OF CHINA AND JAPAN ON EUROPEAN ARCHITECTURE AND ART AT THE END OF THE 19TH AND EARLY 20TH CENTURIES." Spatial development, no. 5 (November 24, 2023): 103–9. http://dx.doi.org/10.32347/2786-7269.2023.5.103-109.

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Europe turned to Eastern cultures at the stage of oversaturation with its own traditions or at the stage of finding ways out of the crisis in the cultural and artistic life of society. Obviously, the fascination with Chinese cultural traditions - first at the mundane level, and later at the level of art and architecture - during the Baroque and Rococo period testified to the oversaturation that gradually grew in the Baroque and Rococo styles, and therefore the appeal to China became a hidden attempt to find something fundamentally new, non-standard. It is quite clear that without a deep unders
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Ivanova, Alina, and Judit Csanadi. "“Oriental” trends in Russian and Hungarian architecture." проект байкал 19, no. 72 (2022): 140–49. http://dx.doi.org/10.51461/projectbaikal.72.1996.

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The article is devoted to three directions of oriental architecture – cult, palace and park. Its main part concerns the architecture of the Budapest synagogues. As an example of Russian orientalism, the phenomenon of Black Sea palaces of the highest St. Petersburg aristocracy is given. The Hungarian masterpiece of park oriental architecture, the elephant house in the zoo of Budapest, is analyzed. It is concluded that Orientalism had influence on the formation of national styles and fostered the development of Art Nouveau, Art Deco and Modernism.
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KARACSONY, Noemi. "Art-Nouveau and the Portrait of the Fin de Siècle Woman in Jules Massenet’s Cléopâtre." BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 13 (62), SI (2021): 155–66. http://dx.doi.org/10.31926/but.pa.2020.13.62.3.17.

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The present paper strives to evoke the context in which one of Jules Massenet’s last operas, “Cléopâtre” was created: the Belle Époque period with its various stylistic orientations. Among the numerous art movements of the fin de siècle, Art Nouveau establishes itself as one of the most important styles, gradually becoming an international style often associated with the Belle Époque. Characterized by curving forms and undulating lines, Art Nouveau was used in architecture, fine and applied arts. One of the aims of this style was to dissolve the distinction between the various forms of art. Ar
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Slepukhin, Victor V. "Soviet Architecture of the 1930-1950s." Scientific and analytical journal Burganov House. The space of culture 18, no. 1 (2022): 37–52. http://dx.doi.org/10.36340/2071-6818-2022-18-1-37-52.

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The article is devoted to the Stalinist Empire style, a unique phenomenon in the architecture of the Soviet period. The author defines its place among such architectural styles and movements as Art Nouveau, Rationalism and Constructivism, as well as among foreign architectural movements of the middle of the 20th century. In aesthetic essence, the Stalinist Empire style was closely associated with Imperial Classicism. It was called upon to perform the functions of glorifying the power of the new young state. Stylistically, it inherited the Baroque, Napoleonic Empire style, late Classicism, Art
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Pudelska, Krystyna, and Anna Mirosław. "The richness of plants in Art Nouveau gardens." Acta Agrobotanica 32, no. 2 (2015): 99–108. http://dx.doi.org/10.5586/aa.2014.055.

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<p>The turn of the 19th and the 20th centuries signified the appearance of a new trend in art called Art Nouveau in England, <em>Stile floreale</em> in Italy, and in Poland – <em>secesja</em>. It was an attempt to escape from the style that copied historical forms and set a new direction of development. The main inspiration for the creators of this period became nature, its asymmetry, variety of textures, subtle colors or smooth, and wavy lines. Artistic motifs were drawn from the richness of native flora and fauna. Flowering shrubs, perennials and creepers were e
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Rusevych, Tetiana, and Hanna Zavadska. "MEDIA ART IN MODERN SYNTHESIS OF ARTS IN ARCHITECTURE." Architectural Bulletin of KNUCA, no. 22-23 (December 12, 2021): 26–32. http://dx.doi.org/10.32347/2519-8661.2021.22-23.26-32.

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The article substantiates the problem of synthesis of media art in the modern synthesis of arts in architecture, provides a definition of the term " Media Art" as a higher form of artistic development. Attention is paid to the analysis of recent research and publications devoted to the study of the artistic component of interactive design in the synthesis of the arts of architectural space, the influence of media technologies on the formation of the architectural image of art centers, describing trends in media technology in architecture. The purpose of the article is to consider the forms of
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IVANOVA, Ludmila I., and Denis V. LITVINOV. "THE PHENOMENON OF ART NOUVEAU: TOWARDS A TYPOLOGY OF DECORATIVE ELEMENTS IN THE ARCHITECTURE OF SAMARA MODERN." Urban construction and architecture 8, no. 2 (2018): 108–13. http://dx.doi.org/10.17673/vestnik.2018.02.18.

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Modernism is considered as a phenomenon of world culture at the turn of the XIX-XX centuries, its features in the architecture of European countries, in Russia and, in particular, in Samara. The stages of development of the Samara Art Nouveau and its composition-decorative and color features are highlighted in detail. The existing semantic typology of decorative elements of modern style is analyzed. Particular attention is paid to the compositional aspects of the shaping of decorative elements of modernism with the identifi cation of the simplest geometric forms. The main color principles and
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Nazaruk, Mykola. "ARCHITECTURE OF THE RAILWAY STATIONS HOLOBY AND KOVEL IN THE WORK OF O. M. VERBYTSKYI." Current problems of architecture and urban planning, no. 59 (March 1, 2021): 80–88. http://dx.doi.org/10.32347/2077-3455.2021.59.80-88.

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Annotation text. Architecture of the late XIX – early ХХ century causes great interest in researchers. At this time, railways and railway stations were actively built all over the world. At this time also, a new architectural style, called Art Nouveau, has distributed around the world. The representative of this style in Ukraine is the architect O. M. Verbytskyi, whose work is largely reflected in the architecture of railway station complexes.
 Today, the question arises of restoring the original appearance of historic architectural objects, including railway stations. Therefore, the rese
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Lyudmirskaya, Alexandra. "“Brick” rationalism architecture in the eclecticism of religious buildings, public buildings and industrial enterprises of the Taganrog city in the late 19th and early 20th centuries." E3S Web of Conferences 281 (2021): 02012. http://dx.doi.org/10.1051/e3sconf/202128102012.

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The article analyzes the eclectic tradition in the architecture of religious buildings, public buildings and industrial enterprises of Taganrog, the peculiarities of its manifestation in the diverse stylistic palette of the city, including neo-Gothic and Art Nouveau, touches upon the specifics of the stylistic trends’ manifestation in the “brick style” rationalist architecture.
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Gaiduk, M. Yu. "Art Nouveau and Neoclassicism of buildings in Tyumen financed by merchants late in the 19th and early 20th centuries." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 23, no. 6 (2021): 56–64. http://dx.doi.org/10.31675/1607-1859-2021-23-6-56-64.

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The problem of preservation of the historical and architectural environment in Russian cities is currently rather relevant. Research and popularization of the different architectural styles play an important role in preservation of the unique historical environment of the city. Architectural styles of buildings in Tyumen are from Siberian Baroque to large-scale buildings of neoclassicism, which is characteristic of the architecture of this period.The paper describes the buildings the construction of which is financed by the merchants. The building architecture belongs to a particular stye typi
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Foth, Gyöngyvér. "Friedrich Balthes - An Attempt to Reconstruct the Oeuvre of a Transylvanian Saxon Artist." Studia Universitatis Babeș-Bolyai Historia 67, Special Issue (2022): 87–109. http://dx.doi.org/10.24193/subbhist.2022.spiss.06.

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"Friedrich Balthes was a young master of the national architectural style of the Transylvanian Saxons. Being a victim of the First World War (he died at the age of only 32, on the Serbian front, in 1914), he was almost completely forgotten during the century. Only the architectural monuments created at the beginning of the 20th century, of a remarkable modernity, are left behind by Balthes. These works are part of the German architectural movement, which was the forerunner of modern and also traditionalist architecture of the 20s of last century. Balthes designed many buildings in the national
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Bagina, Elena. "On undying classicism and subverters of foundations." проект байкал, no. 79 (April 6, 2024): 96–103. http://dx.doi.org/10.51461/issn.2309-3072/77.2294.

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Directions (styles) in culture have different reserves of strength and different inertia. Among them there is a unique one capable of revival. It is classicism, which is characterized by a timeless understanding of the laws of harmony and beauty based on the forms and images of ancient art of Greece and Rome. Classicist thinking and classicism did not leave European culture in the 20th and 21st centuries, but its forms changed. The grafting of art nouveau, avant-garde and postmodernism into classical art and architecture did not pass without a trace. Antagonists shook the established norms and
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Polyakov, E. N., and T. V. Donchuk. "FORMATION OF FRENCH ART NOUVEAU STYLE IN EARLY WORKS OF HECTOR GUIMARD." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 21, no. 5 (2019): 9–35. http://dx.doi.org/10.31675/1607-1859-2019-21-5-9-35.

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The article is devoted to the early activity of the famous architect Hector Guimard (1867–1942), the creator of French Art Nouveau. During this period (1891–1900) he successfully combined project work with teaching at the École Nationale Supérieure des Beaux-Arts. He searched for own directions in the architecture. Testing a variety of eclectic styles, in 1894 year Guimard acquainted himself with the work of Belgian architect Victor Horta (1861–1947) and adopted the main elements of the Art Nouveau. The article considers the earliest design works of E. Guimard, which reflected the main directi
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Lyudmirskaya, Alexandra. "Eclecticism of rationalism in the pre-revolutionary architecture of civil public buildings in the city of Novocherkassk." E3S Web of Conferences 281 (2021): 02008. http://dx.doi.org/10.1051/e3sconf/202128102008.

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The article analyzes the little-studied eclectic tradition in the architecture of civil public buildings in Novocherkassk, the peculiarities of its manifestation in the diverse stylistic palette of the city, including neo-Gothic and Art Nouveau, touches on the specifics of the stylistic trends’ manifestation in the rationalist architecture of the “masonry style”, as well as the historical timing of changes in style in a temporary context.
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Bulakh, Andrey, Olavi Selonen, and Heikki Pirinen. "Soapstone in Jugend (Art Nouveau) architecture of northern European cities (1890s–1910s)." Geological Society, London, Special Publications 486, no. 1 (2019): 287–94. http://dx.doi.org/10.1144/sp486-2017-158.

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AbstractSoapstone occurs in Finland within Precambrian greenstone belts in the eastern parts of the country. Nunnanlahti and other deposits near Lake Pielinen are the best known and most important of these occurrences. This soft stone is highly workable. Soapstone was one of the most popular ornamental rocks used in architecture of the Jugend (Art Nouveau) style in St Petersburg, Russia, Helsinki, Finland, and in other northern European cities at the end of the nineteenth and into the early twentieth centuries.
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Pujadas i Matarín, Anna. "The decoration of Art Nouveau buildings in Catalonia and the architecture treatises." Locus Amoenus 4 (December 1, 1998): 229. http://dx.doi.org/10.5565/rev/locus.95.

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Petukhova, N. M., and Yu A. Nikitin. "The search for a new artistic image in the architecture of the Far North pavilion at the All-Russia Industrial and Art Exhibition in 1896 in Nizhny Novgorod." Вестник гражданских инженеров 18, no. 1 (2021): 27–35. http://dx.doi.org/10.23968/1999-5571-2021-18-1-27-35.

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The Far North Pavilion was built by the Moscow-Yaroslavl-Arkhangelsk Railway Joint-Stock Company headed by S. I. Mamontov. The pavilion was supposed to draw public attention to the necessity of continuing the construction of the existing road to the North. The Far North pavilion, along with the Shukhov Tower, was one of the most conceptual structures of this exhibition, showing promising directions in the development of architecture and art, in which new principles of morphogenesis in architecture were first manifested. The article is aimed at identifying the morphogenetic factors that influen
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Kashtanova, Elena. "Vasilii Polenov’s Architectural Projects." Experiment 25, no. 1 (2019): 158–74. http://dx.doi.org/10.1163/2211730x-12341336.

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Abstract Vasilii Polenov can be described as one of the most “architectural” Russian artists of the late nineteenth century. In his sketches and paintings of the Gospel cycle, his historical works, theatrical scenery, and landscape paintings, the artist could not imagine realizing the main themes of his work without reference to architecture. Polenov’s architectural work can be divided into three types: church projects—such as those at Abramtsevo, the school at the Kologriv monastery in Kostroma province, and the Church of the Holy Trinity in Bekhovo in Tula province; manor architecture in the
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Hernandez Tudela, Anna. "Furniture and Interior Design in Joan Amigo's Architecture: between the Viennese Secession, the Glasgow School and Art Deco." Res Mobilis 10, no. 13-3 (2021): 118–33. http://dx.doi.org/10.17811/rm.10.13-3.2021.118-133.

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One of the most unknown sides of the art nouveau architect Joan Amigó Barriga is his role as interior designer. In this article, we would like to introduce the indoors created by the architect through the years, where we can observe the harmony between façades, insides and furniture. Besides, we also focus on his peculiar influence from the Vienna Secession, Glasgow School and later in the ’30s by the art déco style.
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Remizova, Olena. "ARCHITECTURAL MEMORY AND FORMS OF ITS EXISTENCE." JOURNAL OF ARCHITECTURE AND URBANISM 44, no. 2 (2020): 97–108. http://dx.doi.org/10.3846/jau.2020.13053.

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The article attempts to highlight the traces of memory in the theory, history and practice of architecture. The subject of research is the existing forms of memory in architecture. It is traditionally accepted that the “history of architecture” as a science is the main repository of knowledge about the evolution of architecture. Facts and artifacts, descriptions of monuments and cities are retained in it. The article emphasizes that the traditional “history of architectural objects” is not the only form of memory. Another equally important and complicated aspect of the architectural memory is
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