Journal articles: 'Art nouveau'

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Weisberg, Gabriel P., and Deborah Silverman. "French Art Nouveau." Art Journal 49, no. 4 (1990): 426. http://dx.doi.org/10.2307/777145.

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Martin, Colin. "Art Nouveau unraveled." Lancet 356, no. 9226 (July 2000): 348. http://dx.doi.org/10.1016/s0140-6736(05)73638-2.

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Gumulya, Devanny, and Richard Santio. "GAYA ART NOUVEAU SEBAGAI INSPIRASI DALAM PERANCANGAN DESAIN PRODUK." Jurnal Dimensi Seni Rupa dan Desain 11, no. 2 (September 1, 2014): 123. http://dx.doi.org/10.25105/dim.v11i2.109.

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Abstract Art Nouveau is an art movement originated from France. The word "Art Nouveau" in French means "New Art". Art Nouveau reached its peak popularity in the early 20th century. Art Nouveau brought "Back to Nature" theme. Therefore, the Art Nouveau lines and shapes are not far from natural life including plants and animals. In our country Indonesia, The Art Nouveau is not as popular as The Art Deco, one of the factors because the country of Indonesia is an ex Dutch colony country. Buildings built by Dutch architect were Art Deco style buildings. On the other hand there is an increase of market interest in classic contemporary interior. PT. Dempsey Nusantara is one of example of furniture manufacture with classic contemporary style. In this paper we try understand the design spirit of Art Nouveau from the definition, character, and its application in many countries. After understanding the thinking and visual character of Art Nouveau, it is used as an inspiration for designing dining set as an apprentice project in Dempsey. Abstrak Art Nouveau merupakan gerakan seni yang berasal dari Perancis. Kata “Art Nouveau” sendiri dalam bahasa Perancis berarti “Seni Baru”. Art Nouveau mencapai puncak popularitas pada awal abad 20. Seni Art Nouveau membawa tema “Kembali ke Alam”. Maka dari itu, tarikan garis dan bentuk Art Nouveau diambil dari alam meliputi flora dan fauna. Di Indonesia sendiri, Seni Art Nouveau tidaklah sepopuler Seni Art Deco. Salah satu faktor adalah karena negara Indonesia merupakan negara jajahan Belanda dimana bangunan-bangunan yang didirikan arsitek Belanda bergaya Art Deco. Disisi lain ada peningkatan minat pasar pada interior klasik kontemporer salah satu produsen adalah PT. Dempsey Nusantara. Di makalah ini kami mencoba membahas apa yang menjadi semangat desain Art Nouveau ini mulai dari definisi, karakter, dan aplikasinya di berbagai negara. Karena dengan memahami, barulah bisa dijadikan inspirasi untuk merancang set furnitur ruang makan sebagai proyek magang di Dempsey.

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Krastiņš, Jānis. "Nancy Art Nouveau Architecture." Architecture and Urban Planning 19, no. 1 (January 1, 2023): 66–75. http://dx.doi.org/10.2478/aup-2023-0007.

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Abstract The north-eastern French city of Nancy is one of the centres of Art Nouveau. It has been analysed in detail in many classical reviews Art Nouveau, but mainly in relation to decorative applied art works produced at the Nancy School of Art. The study pays attention also to the Nancy architecture. The architectural and artistic qualities of the iconic Art Nouveau architectural monument Villa L. Majorelle are analysed in detail, and the basic data about works of É. André, H. Gutton, J. Hornecker, L. Weissenburger, and other Nancy architects are systematized, indicating their place both in the cityscape of Nancy and in the historical context of Art Nouveau architecture in general.

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Kim, Jin-A., and Yeon-Seo Lee. "Analysis of Art Nouveau-based Updo Hairstyles: Focusing on the Organic Lines of Plant." Korean Society of Beauty and Art 24, no. 3 (September 20, 2023): 91–104. http://dx.doi.org/10.18693/jksba.2023.24.3.91.

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This study attempted to use the symbolic and decorative properties of Art Nouveau in hairstyling art through the expression of updo styles, using the organic lines of plant among various styles of Art Nouveau which had a significant influence on many countries early 20th century. First, to examine the formative characteristics of Art Nouveau, this study examined related data and previous studies on diverse artworks. Second, the concept, design factors and shapes of updos were analyzed. Third, 3 different updo styles which emphasize the smoothness of curves were created by adding modern colors to mannequin based on three decorations created with the organic lines of plant in Art Nouveau style as motives. The results found that organic lines in Art Nouveau can be expressed in a diverse fashion in modern design. Updo hairstyles have unlimited potential as art from the perspective of creative art. It is anticipated that studies on the updo hairstyles created with the organic lines of plant would be used in a more diverse and unique way.

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Kuroli, Enikő, Márta Marschalkó, József Szakonyi, and Judit Csomor. "„Art nouveau” mycosis fungoides." Hematológia–Transzfuziológia 53, no. 2 (June 2020): 130–31. http://dx.doi.org/10.1556/2068.2020.53.2.11.

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Schaad, Béatrice. "Santé publique, art nouveau ?" Revue Médicale Suisse 17, no. 757 (2021): 1902–3. http://dx.doi.org/10.53738/revmed.2021.17.757.1902.

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Augusta, Mariella. "Atrás do "art nouveau"." Ciência e Cultura 73, no. 1 (January 2021): 12–13. http://dx.doi.org/10.21800/2317-66602021000100013.

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Krastiņš, Jānis. "Riga, métropole art nouveau." La Revue de la BNU, no. 19 (May 1, 2019): 18–27. http://dx.doi.org/10.4000/rbnu.2117.

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Gournay, Isabelle. "Art Nouveau, 1890-1914." Journal of the Society of Architectural Historians 60, no. 3 (September 2001): 344–45. http://dx.doi.org/10.2307/991760.

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Black, Iain. "Art Nouveau 1890–1914." London Journal 25, no. 2 (November 2000): 110–18. http://dx.doi.org/10.1179/ldn.2000.25.2.110.

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De la Maza, Francisco. "Sobre arquitectura Art-Nouveau." Anales del Instituto de Investigaciones Estéticas 7, no. 26 (January 9, 2013): 5. http://dx.doi.org/10.22201/iie.18703062e.1957.26.2444.

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Durst, Elizabeth. "Russian Art Nouveau Fashion." Experiment 7, no. 1 (2001): 209–32. http://dx.doi.org/10.1163/2211730x-00701009.

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Roura-Burbano, Alexandra, and Paúl Ochoa-Arias. "INFLUENCIAS DE ESTILOS ARQUITECTÓNICOS EN EL CENTRO HISTÓRICO DE CUENCA." Universidad-Verdad, no. 64 (August 15, 2014): 99–118. http://dx.doi.org/10.33324/uv.vi64.256.

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En el presente artículo se describe la influencia que ha recibido la arquitectura cuencana desde los diferentes estilos foráneos como: el Neoclásico Francés, el Art Nouveau, el Art Déco, el Racionalismo y otros, los mismos que se evidencian con notoriedad en algunas de las edificaciones del centro histórico de la ciudad. Palabras Clave: Centro histórico Cuenca, arquitectura, patrimonio edificado, Neoclásico Francés, Art Nouveau, Art Déco. AbstractThe present article describes the influence that Cuenca’s architecture has received from different foreign styles such as: French neoclassical, Art Nouveau, Art Deco, Rationalism, and others, which are strongly evident in some of the buildings in the Historic Center of the city. Keywords: Historic Centre of Cuenca, architecture, building heritage, French neoclassical, Art Nouveau, Art Deco.

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Belova, Darya Nikolaevna. "Female images in Art Nouveau style." Культура и искусство, no. 10 (October 2021): 56–72. http://dx.doi.org/10.7256/2454-0625.2021.10.36452.

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This article analyzes the activity of the Art Nouveau artists of the late XIX – early XX centuries, and the reception of their works. The subject of this research is the works of both female and male artists, and their interinfluence. The article touches upon the topic of genders in art, difficulties of promoting the “female perspective” in the period of Art Nouveau. The article employs the comparative-historical, involving scientific materials on culturology, philosophy and art history; sociocultural approach towards historical events in the establishment of Art Nouveau. The relevance of this topic is substantiated by heightened interest to studying the phenomenon of Art Nouveau and the role of women in its formation. The novelty of this research consists in attempt to determine the specificity of female principle in Art Nouveau style, both as an artistic image that holds the leading place therein, and in the image of women artists who tried to implement their vision of female image in the art object. The conclusion is made that despite the shift in the worldview orientations and artistic paradigms of this period, women artists were experiencing major difficulties. The formation of the Art Nouveau style vividly manifested the features of the “new woman” in the works of women artists, emphasizing their uniqueness and artistic peculiarities. It is determined that the comprehension of multifacetedness of Art Nouveau style was greatly affected by women artists, whose works are still relevant today.

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Ivashko, Yulia. "APPLICATION OF SYSTEM-STRUCTURAL ANALYSIS METHOD FOR ASSESSMENT OF STYLE LAYERS OF OBJECTS IN HISTORICAL ENVIRONMENT." Current Issues in Research, Conservation and Restoration of Historic Fortifications 16, no. 2022 (2022): 15–22. http://dx.doi.org/10.23939/fortifications2022.16.015.

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One of the main problems of monument protection and restoration is to determine the value of the object of protection, including its stylistic purity. The method of system-structural analysis helps to investigate and substantiate the manifestations of the main features of style at different levels - urban level, object level and level of a single element, and thus argue whether a building is an example of a particular style. The application of the method of system-structural analysis is shown on the example of objects of Ukraine in the Art Nouveau style. It was determined in the thesis the group of factors and conditions, which predominated the beginning and spreading of a cultural phenomena of Art-Nouveau style architecture in Ukraine. The investigation of street-line architecture in the Ukrainian cities with historical Art-Nouveau style buildings concentration allowed to ground the influence of Art-Nouveau style on the formation of squares and habitats architectural ensembles, individual buildings and their facades details. At the base of methodology of the systematic-structural analyze there were investigated for the first time the semantic properties of the architectural forms of Art-Nouveau style buildings in Ukraine. Also there were investigated the regional peculiarities of the typical composition methods of dwelling, public and industrial buildings creation in concentrating the attention on their facades that in this case mostly express the main characteristic of Art-Nouveau style. In the base of comparatively study of the Ukrainian Art-Nouveau style architecture with West-European and Russian examples there were determined the borders of two main architectural Art-Nouveau streams in Ukraine. Within these two main streams it can be found several basic and local centers of Art-Nouveau style in Ukraine that poses their individual features and specific of formation.

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Santo, Santo. "PERPADUAN SENI FOTOGRAFI DAN GAYA ART NOUVEAU." Jurnal Dimensi Seni Rupa dan Desain 15, no. 2 (February 1, 2019): 219. http://dx.doi.org/10.25105/dim.v15i2.5647.

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Abstract Feminine style inspiration in art media is built as one of the learning media in photography. The artistic concept of combining beauty / beauty with photography as one of the mediums of art. Photography is a medium that displays visual art, and artistic creation which are connected with the Art Nouveau style. Whereas, art nouveau is a design style featuring ornaments or decorations that embody a feminine impression. Through art nouveau photography, photography is displayed with digital techniques so that it can create a photography with a feminine impression. <div> </div><div> </div>Abstrak Inspirasi gaya feminim dalam media seni dibangun sebagai salah satu media pembelajaran pada fotografi. Konsep artistik dalam menggabungkan sebuah keindahan / kecantikan dengan media fotografi sebagai salah satu medium seni. Fotografi adalah sebuah medium yang menampilkan seni visual, melalui kreasi artistik melalui fotografi sebagai medium dalam penciptaan fotografi dihubungkan dengan gaya Art Nouveau, dimana art nouveau adalah sebuah gaya desain yang menampilkan ornament atau hiasan yang mewujudkan kesan feminim. Melalui fotografi gaya art nouveau ditampilkan dengan tehnik digital sehingga dapat mewujudkan fotografi yang menampilkan keindahan dengan kesan feminim yang dapat dinikmati.

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Krastiņš, Jānis. "Less Known Art Nouveau: Orleans, Dunkirk, Lille." Architecture and Urban Planning 19, no. 1 (January 1, 2023): 38–43. http://dx.doi.org/10.2478/aup-2023-0004.

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Abstract Art Nouveau architecture during the last century experienced drastic change of attitude – from complete denial to glorification. However, many publications still repeat the same stereotypes of style assessment, focusing on the decorative layer as the seemingly main feature of style. Some significant values of Art Nouveau heritage are still only partially or incompletely recognized. In this paper, several less known examples of Art Nouveau heritage in France, in particular, in the cities of Orléans, Dunkirk and Lille are analysed. The architectural-artistic qualities of these buildings are revealed in the context of both French and wider cultural heritage. Art Nouveau, having been the origin and basis of the entire stylistic system of modern architecture, completely meets the principles of contemporary Baukultur ideas.

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Sommer, Sally, Marcia Ewing Current, and Richard Nelson Current. "The Soul of Art Nouveau." Women's Review of Books 15, no. 2 (November 1997): 18. http://dx.doi.org/10.2307/4022880.

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Martin, Colin. "Evolution's influence on art nouveau." Nature 460, no. 7251 (July 2009): 37. http://dx.doi.org/10.1038/460037a.

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Mancoff, Debra N. "Art Nouveau, 1890-1914 (review)." Victorian Studies 44, no. 2 (2002): 297–99. http://dx.doi.org/10.1353/vic.2002.0024.

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Misiorowski, Elise B., and Dona M. Dirlam. "Art Nouveau: Jewels and Jewelers." Gems & Gemology 22, no. 4 (January 1, 1986): 209–28. http://dx.doi.org/10.5741/gems.22.4.209.

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Weisberg, Gabriel P. "Book Reviews: French Art Nouveau." Art Journal 49, no. 4 (December 1990): 426–29. http://dx.doi.org/10.1080/00043249.1990.10792727.

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Pascu, Nicoleta Elisabeta, Victor Adir, and George Adir. "Art and logo design." New Trends and Issues Proceedings on Humanities and Social Sciences 8, no. 1 (June 4, 2021): 81–86. http://dx.doi.org/10.18844/prosoc.v7i4.5792.

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This paper aims to present a research study concerning the graphics and symbols in logo design exhibited in an art program dubbed ‘Golden Ages of Art Nouveau and Art Deco’. It was important for us to understand these trends, their characteristics and graphics, to create many times beautiful masterpieces of art. We have noticed a lot of differences between these two art movements related to symbols, signs and colours which were used. It was ‘a special art travel’ to study, theoretically and practically, the field of logo design connected to these ages. Starting from our research study, we have tried to make ‘a basket’ of features which characterises each trend. We have tried to explain the diversity of elements used as an art graphic design focused on logos. And, of course, we have tried to create logos using the features of Art Nouveau and Art Deco. Keywords: Art Nouveau, Art Deco, logo design, feature, symbols, colours.

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Belobratov, Alexander V. "Art nouveau period: borders and concepts." Semiotic studies 1, no. 1 (April 19, 2021): 33–41. http://dx.doi.org/10.18287/2782-2966-2021-1-1-33-41.

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The article offers an extensive overview of modern approaches to definition of art nouveau as a literary era and to establishing its chronological boundaries. There have been analyzed main variations of the self-definition of the era as well as researchers attempts to find an appropriate definition to this complex aesthetic phenomenon. The extended interpretation of art nouveau as a macroepoch is examined, the period dating back to the end of the 18th century and connected primarily with the artistic system of Romanticism. Based on the aesthetic manifestos of German Naturalism, the meaning of the literary situation in 1880th Germany is examined, where the widespread proclamations of the aesthetic revolution and modern attitudes coexisted with the adherence to the deterministic aesthetics of the previous decades. The leading trends in the culture of the fin de sicle are connected with the onset of the first stage of art nouveau in the art and literature of 1890-1900, soon to be replaced by avant-garde art at the turn of the second decade of the new century. Avant-garde, which associated itself with modernity, was mainly destroying already established art forms. This article suggests that the literary avant-garde as a project of the future manifests a utilitarian approach to the attitudes of the art nouveau on the brink of the new century, making art nouveau accessible for the audience and bringing the artist into the space of political interaction with the society.

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Cavlovic, Melita, Mojca Smode-Cvitanovic, and Andrej Uchytil. "Art nouveau in Zagreb: The new movement's significance to the profession of architecture." Spatium, no. 44 (2020): 37–44. http://dx.doi.org/10.2298/spat2044037c.

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This paper traces the implications of Semper's Bekleidung theory on working processes in the field of architecture in Zagreb. The idiosyncrasies of the work of freshly graduated architects in a peripheral Austro-Hungarian city are analysed, both in the context of developing and spreading the city block system and the appearance of the new Art Nouveau style. Buildings in this new modern style, which appeared in 1897, were built sporadically throughout the city's urban fabric, which generally consisted of historicist residential buildings at the time. Parallel to historicism, the demand for Art Nouveau from clients grew, especially around the turn of the 20th century. At the time, typical migration processes resulted in the arrival of a well-educated populace that would commission Art Nouveau buildings in the coming years. The unique characteristics of Art Nouveau style, especially its ability to directly engage citizens and transmit messages of modern times, proved to be an important determinant in its increasing popularity in the city. Many professions and products were advertised on the fa?ades and ornamentation of buildings, the main bearers of Art Nouveau style.

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Touš, Radek. "Pojem secese v české literární vědě." Stylistyka 31 (February 6, 2023): 215–30. http://dx.doi.org/10.25167/stylistyka31.2022.10.

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The presented study deals with the concept of Art Nouveau in Czech literary studies. In the first part, we try to outline the meaning that literary critics assigned to the term Art Nouveau at the turn of the 19th and 20th centuries, when this term first began to appear in the Czech language environment. In the second part, we introduce the basic approaches to the term Art Nouveau, which numerous literary historians have applied in their works in many variations over the years. The aim of the paper is to point out the ambiguity of the term Art Nouveau, the core of which lies in the insufficient distinction between the original meaning of the term(from the turn of the 19th and 20th centuries) and the later meanings that literary historians began to ascribe to it. The aim of the thesis is also to infer criteria from the presented analyses and interpretations, the observance of which would lead to a clearer usage of the term Art Nouveau and, consequently, to its introduction as a justified literary-historical category

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Andreeva, Olga P., Evelina V. Mikhailova, and Svetlana P. Akhmetova. "ART NOUVEAU ARCHITECTURE IN THE MODERN URBAN IMAGE OF CHUVASHIA." Arts education and science 2, no. 35 (2023): 128–35. http://dx.doi.org/10.36871/hon.202302128.

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Art Nouveau architecture attracts the interest of contemporary researchers with its formative natural elements, plastic ornament, decorative lines, and unique options complementing and organically fitting into the modern urban environment. The few buildings in medium and small towns with Art Nouveau features and links to the local architectural traditions, with their unique decorative elements, deserve special attention. This interest is primarily due to the aesthetic perception of architectural space, the study and preservation of modern monuments. Today, many buildings have lost their Art Nouveau decorative elements, and their original appearance has been changed as a result of alterations. The reason for such transformations were historical events that significantly influenced the architectural image of the towns. The analysis of Art Nouveau architecture in the towns of the Chuvash Republic, such as Cheboksary, Alatyr, and Yadrin, reveals the distinctive features of compositional solutions and decorative finishing of buildings, as well as changes in their image. The study relies on the architecture of the mansions of the merchants Yefremov in Cheboksary, the houses of the timber dealer Burashnikov and the merchant Talantsev in Yadrin, and the consumer culture buildings in Alatyr. Based on the study of Art Nouveau architecture, the authors try to show the irreversible changes made to the original appearance of the buildings by some reconstructions, and identify the problem of preserving the architectural heritage of the Art Nouveau style in the cities of the Chuvash Republic.

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Krastins, Janis. "Architecture of Charles Carr in Liepāja." Landscape architecture and art 15 (March 23, 2020): 31–37. http://dx.doi.org/10.22616/j.landarchart.2019.15.03.

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Contribution of civil engineer Charles Carr to the development of Liepāja's Art Nouveau architecture is analysed in the article. Art Nouveau in Liepāja is one of the greatest values of architectural heritage of the city. Buildings of this style determine the cityscape in many places, but data on Liepāja's Art Nouveau architects until recent past were extremely sparse. Ch. Carr was known only as the author of the design of the building at Graudu iela 45. Two more his designs, including the one for the building at Graudu iela 44, were found during research. Analysis of planning principles, methods of artistic composition and architectural detailing of these works allowed identifying several other notable Liepāja Art Nouveau buildings as possible creations of Ch. Carr and to determine the place of this personality in the history of Latvian culture.

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Nasir, Osama, Waqas Akhtar, Mohd Faiz Iqbal, and Mohammad Arif Kamal. "Analyzing the Architecture of Antonio Gaudí with Reference to Art Nouveau Style: An Inspiration from Nature." Architecture Engineering and Science 3, no. 4 (December 30, 2022): 309. http://dx.doi.org/10.32629/aes.v3i4.1100.

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Art Nouveau was a global movement that began in the early 1890s and combined two of the most powerful elements in the world: art and nature. Although these two have been associated from the beginning of time, Art Nouveau's significance and impact are far above any earlier attempts. Worldwide, artwork, sculpture, architecture, pottery, and furniture all exhibited this new style. Although there were many supporters and benefactors of Art Nouveau, only a select handful achieved the recognition and distinction of Antoni Gaudí. Sustainability and bio-education have been the hottest topics in the globe today. Hence, providing everyone with a search box for a solution. Let's take a look at the natural world around us, which is a never-ending source of lessons in effectiveness and a never-ending source of architectural inspiration. Moreover, what we actually need is learning, not just inspiration, which comes in second. As a result, and particularly for us as architects, it is within our power and duty to address sustainability in this plot — the architecture — with which we have been entrusted. The paper explores Antonio Gaudí’s philosophies and works, the effectiveness, the bio-learning, the self-sufficiency of nature, and other specific lessons that can be extracted from nature in order to be applied to architecture and to human life itself in order to help understand these inspirations from nature. The masterpieces by Gaudí reveal what made him special: his faultless exploitation of nature, extremely religiously inspired design, and unheard-of modernism. This combination not only helped Gaudí become famous around the world, but it also helped Art Nouveau become one of the most significant trends in art and architectural history.

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Putri Radityasari, Raden Roro, Ajeng Ayu Nurulrahma, Dea Ramdhani, and Muhammad Hilmi Yahya. "Review Penggayaan Bangunan Casa Batllo: Art Nouveau." JURNAL SYNTAX IMPERATIF : Jurnal Ilmu Sosial dan Pendidikan 4, no. 4 (September 22, 2023): 453–59. http://dx.doi.org/10.36418/syntax-imperatif.v4i4.275.

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Casa Batllo merupakan bangunan yang pada awalnya merupakan sebuah tempat tinggal namun sekarang sudah beralih menjadi sebuah museum terletak di Barcelona, Spanyol. Casa Batllo dirancang oleh Antoni Gaudi yang merupakan desainer terkenal asal spanyol. Proyek rumah ini dilakukan tahun 1904 dengan pengerjaan konstruksi dari tahun 1904 hingga 1907. Casa Batllo diidentifikasi sebagai bangunan dengan gaya modernisme dan art nouveau. Art Nouveau merupakan gerakan internasional yang menggabungkan dua hal yang sangat berpengaruh di dunia yaitu: seni dan alam. Di Barcelona, art nouveau selain memadukan alam dan seni, juga sangat dipengaruhi dengan gaya modern. Casa Batllo disebut juga sebagai “the most emblematic work” atau karya paling simbolis di Barcelona. Salah satu fitur yang sangat mencolok adalah fasad yang berwarna dengan bentuknya yang melengkung. Hal yang sangat menarik dan menunjukkan gaya art nouveau lainnya adalah pemakaian tulang. Kolom tinggi dengan warna kulit menyerupai tulang menghiasi bagian jendela di fasad. Hal ini membuat Casa Batllo mendapat julukan “The House of Bones” (Rumah Tulang). Dengan dibuatnya artikel ini diharapkan terciptanya pengetahuan tentang elemen-elemen dan penggayaan yang digunakan dalam bangunan Casa Batllo. Data dalam penelitian ini diambil dan dikumpulkan dari berbagai literatur kepustakaan dan jenis data yang diperoleh bersifat kualitatif.

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Mousseau, Normand, Laurent Karim Béland, Peter Brommer, Jean-François Joly, Fedwa El-Mellouhi, Eduardo Machado-Charry, Mihai-Cosmin Marinica, and Pascal Pochet. "The Activation-Relaxation Technique: ART Nouveau and Kinetic ART." Journal of Atomic, Molecular, and Optical Physics 2012 (April 19, 2012): 1–14. http://dx.doi.org/10.1155/2012/925278.

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The evolution of many systems is dominated by rare activated events that occur on timescale ranging from nanoseconds to the hour or more. For such systems, simulations must leave aside the full thermal description to focus specifically on mechanisms that generate a configurational change. We present here the activation relaxation technique (ART), an open-ended saddle point search algorithm, and a series of recent improvements to ART nouveau and kinetic ART, an ART-based on-the-fly off-lattice self-learning kinetic Monte Carlo method.

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FROISSART-PEZONE, ROSSELLA, and Richard Wittman. "Felix Aubert, Art dans Tout, and Art Nouveau Lace." Studies in the Decorative Arts 8, no. 2 (April 2001): 37–76. http://dx.doi.org/10.1086/studdecoarts.8.2.40662780.

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Gumulya, Devanny. "PERANCANGAN FURNITURE DESIGN DARI INSPIRASI GAYA DESAIN SEZESSIONSTIL DENGAN METODE “PRODUCT GIST”." Jurnal Patra 3, no. 2 (August 19, 2021): 95–105. http://dx.doi.org/10.35886/patra.v3i2.231.

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Art Nouveau merupakan salah satu gerakan seni yang sangat berpengaruh pada masanya. Hal ini terbukti dari adanya berbagai macam versi Art Nouveau di berbagai negara dan salah satunya di Austria. Di Austria, Art Nouveau dikenal dengan istilah “Sezessionstil” dimana gaya tersebut dikembangkan oleh suatu perkumpulan para seniman di Vienna yaitu “Vienna Secession”. Gaya tersebut cenderung menggunakan rectilinear dan curvilinear sehingga karya bergaya Sezessionstil ini terkesan modern dan minimalis. Hal ini dapat dilihat dari karya-karya seorang anggota dari Vienna Secession yaitu Josef Hoffmann. Product gist adalah metode untuk menganalisa ringkasan tampilan suatu objek 3d. Dengan metode ini karya – karya Hoffmann dianalisa dan ditemukan beberapa elemen desain yang menjadi ciri khas karya Hoffmann. Elemen – elemen inti dari karya Hoffman yang penting untuk dipertahankan adalah elemen kotak, garis vertikal, garis lengkung, detail bentuk bola dengan tone warna gelap. Elemen ini dikembangkan dalam proses desain menghasilkan suatu desain produk rancangan. Hasil akhir yang didapatkan berupa kursi yang terinspirasi dari karya sejarah seorang tokoh pada era Art Nouveau yaitu Josef Hoffmann.

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Szumigała, Paweł Piotr, Przemysław Tomczak, and Karolina Szumigała. "Plant ornaments in the architectural detail of Art Nouveau tenement houses and villas of Jeżyce and Łazarz in Poznań." Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych 17, no. 3 (September 30, 2021): 91–107. http://dx.doi.org/10.35784/teka.2860.

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The article presents the issues related to the use of plant ornaments in decorations and details of Art Nouveau tenement houses in Poznań. Elements of decoration and detail of selected examples of Art Nouveau buildings were discussed in terms of the most frequently used plant prototypes.

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Szumigała, Paweł Piotr, and Karolina Olenia Szumigała. "Plans Ornaments in The Architectural Details of Art Nouveau Townhouses And Villas in Sopot." Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych 18, no. 2 (December 27, 2022): 55–69. http://dx.doi.org/10.35784/teka.3117.

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The article presents the issues related to the use of plant ornaments in decorations and details of Art Nouveau tenement houses in Sopot. Elements of decoration and detail of selected examples of Art Nouveau buildings were discussed in terms of the most frequently used plant prototypes.

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Karaliova, Larysa. "Ålesund—The Art Nouveau City." Voice of the Publisher 01, no. 01 (2015): 8–16. http://dx.doi.org/10.4236/vp.2015.11002.

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Pena, Jose Maria, and Jon R. Snyder. ""Art-Nouveau" Stained Glass and Ironwork." Journal of Decorative and Propaganda Arts 18 (1992): 222. http://dx.doi.org/10.2307/1504097.

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Proklov, I. N. "The Vitality of Viennese Art Nouveau." Art & Culture Studies, no. 4 (December 2021): 40–67. http://dx.doi.org/10.51678/2226-0072-2021-4-40-67.

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The article develops the problem of vitality in art on the basis of the so-called Viennese Art Nouveau, in particular on the basis of the works of Arthur Schnitzler, Gustav Klimt, Koloman Moser and critical works of Hermann Bahr. The concept of vitality is seen as the foundation of that artistic anthropology, which united all types of art within the framework of Viennese Art Nouveau, giving them a single intention. The heightened interest in Man as a psychophysiological phenomenon, in the instinctive nature of man and the chaos of his inner — mental — life, in the borderline states of human existence in the space of the eternal antinomy of Eros and Thanatos — all this led to the unprecedented originality of the art of Vienna at the turn of the 19th-20th centuries.

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Khudyakov, I. O. "LESSONS OF UKRAINIAN ARCHITECTURAL ART NOUVEAU." Regional problems of architecture and urban planning, no. 15 (December 24, 2021): 117–24. http://dx.doi.org/10.31650/2707-403x-2021-15-117-124.

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Beddoe, Stella. "Art Nouveau 1890-1914. Paul Greenhalgh." Studies in the Decorative Arts 10, no. 2 (April 2003): 160–62. http://dx.doi.org/10.1086/studdecoarts.10.2.40663054.

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Fontbona de Vallescar, Francesc. "Las raíces simbolistas del Art Nouveau." Anales de Literatura Española, no. 15 (December 31, 2002): 213. http://dx.doi.org/10.14198/aleua.2002.15.13.

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Leclerc, Florence, and Pierre Labrude. "Les pharmacies Art Nouveau à Nancy." Revue d'histoire de la pharmacie 90, no. 335 (2002): 387–94. http://dx.doi.org/10.3406/pharm.2002.5395.

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Bertels, Inge. "Expressing Local Specificity: The Flemish Renaissance Revival in Belgium and the Antwerp City Architect Pieter Jan Auguste Dens." Architectural History 50 (2007): 149–70. http://dx.doi.org/10.1017/s0066622x00002914.

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While globalizing trends stimulate the creation of entirely new regions, established regional and local identities remain. Architectural historians, among others, explore the ways in which regionalism has been — and continues to be — defined and redefined. Current issues in this debate include what regional architectural traditions might be; whether regions can be defined by architecture; and how regional traditions of architecture have been defined and interpreted by artists, authors and scholars. Nineteenth-century Belgian architecture is particularly relevant in this context. The formation of Belgian Art Nouveau’s style and identity have both been the object of numerous studies, but while Art Nouveau is probably the best-known creation of Belgian nineteenth-century architecture, it is hardly the only one, nor indeed the only interesting one. One of the sources identified for Belgian Art Nouveau has been the milieu of the so-called Flemish Renaissance Revival, which produced such architectural gems as Emile Janlet’s (1839–1919) Belgian pavilion at the World Exhibition in Paris (1878) and Jean Winders’ (1849–1936) own house and studio (1882–83) in Antwerp (Fig. 1).

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Davydova, Olga. "“Dreaming of Russia”." Experiment 25, no. 1 (September 30, 2019): 189–206. http://dx.doi.org/10.1163/2211730x-12341338.

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Abstract The National-Romantic trend in Russian Art Nouveau is characterized by a lyrical approach to the past, including imagery from folklore. This tendency is also identifiable within the global development of Art Nouveau, each country expressing its national identity in highly characteristic forms in design and architecture. Art Nouveau coincided with the zenith of Symbolism and, therefore, transmitted both its universal ideas and the unique creative psychology of the individual artist, who often based personal quest upon local traditions and innate cultural memory. This article analyzes the poetics of this style in Russia. The lyrical and mythological approach towards artistic images, influencing design, form, and meaning, is studied through an examination of the works of artists close to the Abramtsevo circle and the innovative experiments of the World of Art group (1898-1904).

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Belova, Darya Nikolaevna. "Female artists in the context of Viennese Art Nouveau." Культура и искусство, no. 8 (August 2021): 54–70. http://dx.doi.org/10.7256/2454-0625.2021.8.36071.

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This article analyzes the activity of female artists and the problems of their relationships in the society during the period of Viennese Art Nouveau of the late XIX – early XX centuries. The subject of this research is the works of female artists of the Vienna Secession and the materials of the Belvedere art exhibitions. It is noted that the problem of gender relationship during the period of Viennese Art Nouveau was given considerable attention; the cultural and artistic creativity were viewed from the perspective of the impact of this problem upon the mentality and minds of the society. The relevance of the selected topic is substantiated by the heightened interest in studying the specificity of the phenomenon of Viennese Art Nouveau and the role of woman in its formation. The novelty of this research lies in the attempt to determine the specificity of the impact of female beginning upon the culture of Viennese Art Nouveau, both as an artistic image that is the centerpiece, and in the image of female artists who supported its development. The conclusion is made that despite the shift in worldview orientations and artistic paradigms fin-de-siècle, the problem of gender relationship and apparent competition between female and artists for their position remained strongly pronounced. The author determines the considerable impact of female artists (many of whom were of Jewish descent immigrated or deceased during the World War II) upon comprehension of the phenomenon of Viennese Art Nouveau.

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Wishaupt, Maggy. "Art Nouveau and ‘Nieuwe Kunst’: books and book collections in the Netherlands." Art Libraries Journal 25, no. 1 (2000): 25–30. http://dx.doi.org/10.1017/s030747220001141x.

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‘Nieuwe Kunst’ is the Dutch variant of what is known as Art Nouveau or Jugendstil in other parts of Europe. As far as book art is concerned, the highlight of this style was between 1892 and 1903. When interest in Art Nouveau began to flourish again in the 1960s, private individuals and libraries in the Netherlands started to collect Nieuwe Kunst books; these collections reflect a varied production, in form as well as in content.

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ВЛАСЕНКО, Л. В., М. О. БЕЛОВА, and Е. К. КАЛИНИЧЕНКО. "V.D. NOSOV'S MANSION AS A SYMBOL OF THE EPOCH AND A UNIQUE EXAMPLE OF ARCHITECTURAL EXCELLENCE." Экономика и предпринимательство, no. 11(160) (December 21, 2023): 982–87. http://dx.doi.org/10.34925/eip.2023.160.11.186.

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Одним из востребованных стилей в архитектуре России на рубеже XIX и XX веков становиться модерн. Это особое направление в архитектуре, влияние которого мы наблюдаем и в живописи, и в скульптуре. Модерн, проходит несколько этапов своего развития от раннего модерна (конец XIX века) до романтического (конец XIX века – начало XX века) и рационалистического модерна (1910-е годы). В статье рассматриваются архитектурные особенности особняка В. Д. Носова - уникального образца деревянного модерна, построенного известным архитектором Л. Н. Кекушевым в 1903 году (романтический этап). Поднимается вопрос о сохранности и использовании данного объекта, выдвигается альтернативное проектное предложение, помогающее осуществить приспособление генплана под предлагаемую функцию объекта с наименьшими материальными затратами. One of the most popular styles in Russian architecture at the turn of the XIX and XX centuries is Art Nouveau. This is a special direction in architecture, the influence of which we see in painting and sculpture. Art Nouveau, passes several stages of its development from early Art Nouveau (end of XIX century) to romantic (end of XIX century - beginning of XX century) and rationalistic Art Nouveau (1910s). The article deals with the architectural features of a unique example of wooden Art Nouveau, the mansion of V. D. Nosov, built by the famous architect L. N. Kekushev in 1903 (romantic stage). The question of the preservation and use of this object is raised, and an alternative project proposal is put forward, which helps to adapt the general plan to the proposed function of the object with the least material costs.

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KARACSONY, Noemi. "Art-Nouveau and the Portrait of the Fin de Siècle Woman in Jules Massenet’s Cléopâtre." BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 13 (62), SI (January 20, 2021): 155–66. http://dx.doi.org/10.31926/but.pa.2020.13.62.3.17.

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The present paper strives to evoke the context in which one of Jules Massenet’s last operas, “Cléopâtre” was created: the Belle Époque period with its various stylistic orientations. Among the numerous art movements of the fin de siècle, Art Nouveau establishes itself as one of the most important styles, gradually becoming an international style often associated with the Belle Époque. Characterized by curving forms and undulating lines, Art Nouveau was used in architecture, fine and applied arts. One of the aims of this style was to dissolve the distinction between the various forms of art. Art Nouveau representations gave birth to a particular feminine type, also represented in Massenetțs “Cléopâtre”, an opera inspired by the vocal and dramatic endowments of French singer Lucy Arbell. The analysis focuses on the vocal characterization of Cléopâtre as sonorous representation of the fin de siècle woman, highlighting some of the musical innovations employed by Massenet in this final work.

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Dyachenkova, Olga V. "LINE AS THE ORNAMENTAL MATRIX OF DUTCH ART NOUVEA: JAN TOOROP AND JAN THORN-PRIKKER." Articult, no. 2 (June 28, 2023): 23–36. http://dx.doi.org/10.28995/2227-6165-2023-2-23-36.

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This article examines the line as a means of artistic expression in the Dutch variant of Art Nouvea. Inspired by natural motifs, techniques of the English, French and Belgian schools, as well as Egyptian and Indonesian aesthetics, the line marked a break with traditional forms and an exit to abstract art. The aim of this article is to analyze the pictorial and graphic works of Jan Toorop and Jan Thorn-Prikker. Particular attention will be paid to how a pictorial motif develops into ornamentation. The theoretical works of Humbert de Superville and Johannes Vloten on the problem of the relationship between line and image are considered as part of the analysis. The relevance of the article is due to the insufficient study of Dutch Art Nouveau morphology.

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Journal articles on the topic 'Art nouveau'

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