Relevant bibliographies by topics / Art objects, Early Christian

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Art objects, Early Christian'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Art objects, Early Christian.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Art objects, Early Christian"

1

Serlin, David. "Virgin Territories." Radical History Review 2022, no. 142 (2022): 119–32. http://dx.doi.org/10.1215/01636545-9397101.

Full text
Abstract:
Abstract In this wide-ranging conversation, David Serlin (University of California, San Diego) and Roland Betancourt (University of California, Irvine) discuss questions of sexual consent and sexual violence in the visual culture of early Christian art as inspired by Betancourt’s recent book, Byzantine Intersectionality: Sexuality, Gender, and Race in the Middle Ages (2020). Drawing on rare manuscripts and other objects of worship from institutional archives, Betancourt analyzes and contextualizes numerous Byzantine visual texts featuring often confounding representations of sexual acts or gen
APA, Harvard, Vancouver, ISO, and other styles
2

Tiurina, Svetlana Nikolaevna. "Between image and depiction: The Second Commandment in the Context of Catacomb Painting." Философская мысль, no. 4 (April 2025): 1–25. https://doi.org/10.25136/2409-8728.2025.4.73641.

Full text
Abstract:
Catacomb painting, formed in the context of the biblical prohibition on images (the Second Commandment), is a unique phenomenon of early Christian culture. The article analyzes methodological approaches to its study: iconographic analysis, concepts of identity, artistic style, dialogue and the role of the viewer. Special attention is paid to the juxtaposition of an "image" (a material object) and an "image" (a symbol indicating the transcendent), which reveals the apophatic principle of overcoming prohibition. The author criticizes the limitations of existing methods, offering an interdiscipli
APA, Harvard, Vancouver, ISO, and other styles
3

Ermak, Elena. "Why is Jonah awake? An interpretation of the early Christian sarcophagus from the British museum in the modern art history." St. Tikhons' University Review. Series V. Christian Art 51 (September 29, 2023): 9–28. http://dx.doi.org/10.15382/sturv202351.9-28.

Full text
Abstract:
Although the sarcophagus No. 1957, 1011.1 is investigated in detail, to this day there are many questions in its study. In addition to the main problems facing the researcher in the study of early monuments the item has a unique iconographic solution: unlike other objects of this kind (3rd c.), the prophet Jonah, reproduced on the front wall, is represented awake. The authors put forward a number of hypotheses explaining this feature, but none of them is comprehensive. These aspects justify the choice of the monument as an object of study.A review of texts (2nd-4th cc.) and objects (3rd-5th cc
APA, Harvard, Vancouver, ISO, and other styles
4

Oliveira, Nycholas L. D. "Manuscript Mystique." Religion and Theology 31, no. 1-2 (2024): 29–56. http://dx.doi.org/10.1163/15743012-bja10072.

Full text
Abstract:
Abstract The following study takes its cue from a body of literature that seeks to challenge the academic discourse on “religion” as transcendent, irreducible, and unique – sui generis. Naturally, a sui generis conception of religion also views religion’s objects through a lens of transcendence and divine authority. These objects possess immense meaning potential and act as social mediators in particular social contexts. In both ancient and modern times, early Christian manuscripts are examples of such religious objects. They are evidence of the literary practices of early Christians and are w
APA, Harvard, Vancouver, ISO, and other styles
5

Parmenter, Dorina Miller. "The Iconic Book." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 2, no. 2-3 (2008): 160–89. http://dx.doi.org/10.1558/post.v2i2.160.

Full text
Abstract:
To elucidate some of the origins of what Martin Marty has called “America’s Iconic Book,” this article analyzes early Christian rituals in which the Bible functions as an icon, that is, as a material object that invokes the presence of the divine. After an introductory discussion of icons, it shows that early Christian communal rituals of Gospel procession and display as well as popular and private ritual uses of scripture as a miracle-working object parallel the uses and functions of Orthodox portrait icons while circumventing issues of idolatry. Examples come from a survey of early Christian
APA, Harvard, Vancouver, ISO, and other styles
6

Celentano, Michele. "L'Adorazione dei Magi nella brattea d'oro del Museo archeologico di Locri: aspetti e significati di un'iconografia teofanica in continuità con l'antico." Papireto 3, no. 3 (2024): 141–49. https://doi.org/10.57661/papireto/0312.

Full text
Abstract:
This paper is dedicated to the image of the Adoration of the Magi imprinted in the center of a thin golden bractea exposed at the Archaeological Museum of Locri, in Calabria. Dating back to the early Byzantine period, the lamella is not an isolated case, rather, it fits into a wider context of bracteates made with the same technique and bearing different sacred representations dating back to the same time (6th – 10th-century) and found throughout the southern part of the Peninsula, especially in the Ionian Calabria. It also belongs to a wider context of precious artifacts (coins, amulets
APA, Harvard, Vancouver, ISO, and other styles
7

Louria-Hayon, Adi. "A Post-Metaphysical Turn: Contingency and Givenness in the Early Work of Dan Flavin (1959–1964)." Religion and the Arts 17, no. 1-2 (2013): 20–56. http://dx.doi.org/10.1163/15685292-12341253.

Full text
Abstract:
Abstract Dan Flavin’s fluorescent light installations have long served art historians by marking the turn from the late modernist illusionist space of painting to the new immanence of specific objects. In the narration of this genealogy, the crux of minimalism, as Hal Foster calls it, rests on a nominal approach that proclaims metaphysical relations as an obstacle and calls out to evade any notion of meaning. By contrast, this essay asserts the primacy of metaphysics in Flavin’s [en]lighted work. By tracing the artist’s scholastic education, his contemporary theo-political stance, and his reje
APA, Harvard, Vancouver, ISO, and other styles
8

Ternovaya, Galina. "Images of Characters with Folded Arms in art of Semirechye and South Kazakhstan 6th—10th centuries (based on archeology materials)." Stratum plus. Archaeology and Cultural Anthropology, no. 5 (October 2022): 217–32. http://dx.doi.org/10.55086/sp225217232.

Full text
Abstract:
A collection of objects with images of characters, whose arms are folded crosswise on their chest, has been collected over many years of research into the medieval urban culture of Semirechye and South Kazakhstan. These objects are made of terracotta, clay, bronze. Considering the total number of finds dated to the 6th—10th centuries, the popularity of these images can be noted. Their appearance is associated with the influence exerted by the Sogdians. The images correlate with the cult of ancestors, ideas about the afterlife, the posthumous existence and the subsequent resurrection of the dea
APA, Harvard, Vancouver, ISO, and other styles
9

Fromont, Cécile. "Foreign Cloth, Local Habits: Clothing, Regalia, and the Art of Conversion in the Early Modern Kingdom of Kongo." Anais do Museu Paulista: História e Cultura Material 25, no. 2 (2017): 11–31. http://dx.doi.org/10.1590/1982-02672017v25n02d01-2.

Full text
Abstract:
ABSTRACT From their king’s decision to embrace Catholicism at the turn of the sixteenth century to the advent of imperial colonialism in the late eighteen hundreds, the men and women of the central African kingdom of Kongo creatively mixed, merged, and redefined local and foreign visual forms, religious thought, and political concepts into the novel, coherent, but also constantly evolving worldview of Kongo Christianity. Sartorial practices and regalia in particular showcased the artful conversion of the realm under the impetus of its monarchs and aristocrats. In their clothing and insignia, t
APA, Harvard, Vancouver, ISO, and other styles
10

Shakhnovich, Marianna M. "Presentation of the cult of Christian saints in anti-religious museum exhibitions during the era of the “Great Turn”." Vestnik of Saint Petersburg University. Philosophy and Conflict Studies 37, no. 4 (2021): 706–17. http://dx.doi.org/10.21638/spbu17.2021.410.

Full text
Abstract:
The article describes the goals, principles and different forms of the presentation of the cult of saints in the exhibitions of anti-religious and local history museums in the context of the ideological and cultural tasks of museum construction in the early 1930s. The issue of the presentation of icons and objects of church worship for anti-religious purposes was extremely acute: on the one hand, it was impossible to create an exposition about religion without exhibiting artifacts related to it, on the other, these artifacts were supposed to expose religion. After the campaign to uncover the “
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Art objects, Early Christian"

1

Leatherbury, Sean Villareal. "Inscribed within the image : the visual character of early Christian mosaic inscriptions." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:9ea6f425-7010-4820-b35d-bed33c658b60.

Full text
Abstract:
Between the fourth and the seventh centuries CE, Christian patrons erected thousands of churches, chapels, and monasteries in cities and villages across the Mediterranean, decorating the apses, walls and floors of many of these structures with figural and geometric mosaics. These late antique Christian mosaics have been studied for their iconography, their Graeco-Roman components, and as evidence for the religious beliefs of newly-Christian patrons. However, art historians largely have ignored the ways that texts, inscribed within the visual field and composed of the same mosaic material, func
APA, Harvard, Vancouver, ISO, and other styles
2

Jefferson, Lee M. "The image of Christ the miracle worker in early Christian art." Diss., Freely available online, 2008. http://etd.library.vanderbilt.edu/ETD-db/available/etd-09052008-145010/.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Friesen, Alysha Brayer. "Etiquette and the Early Roman Christian Basilica: Questions of Authority, Patronage, and Reception." Master's thesis, Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/197991.

Full text
Abstract:
Art History<br>M.A.<br>The genesis of the early Roman Christian basilica occurred at a moment of historical transition as the emperor and the empire began the process of converting to the Christian religion. Typically, this era has received scholarly treatment either as the end of a time in which the emperor held supremacy or the beginning of one dominated by bishops. The exact moment of `redefinition,' however, has rarely attracted attention because of the assertive oligarchies that bookended this transitional period, the Roman emperor and the Christian pontificate. Richard Krautheimer, who f
APA, Harvard, Vancouver, ISO, and other styles
4

Tatham, Gail Constance, and n/a. "Stories of Moses and visual narration in Jewish and early Christian art (3rd century AD)." University of Otago. Department of Classics, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080318.163116.

Full text
Abstract:
This thesis considers the evolution of narrative art in Judaism and early Christianity, and deals in particular with narrative figure scenes in which Moses is the principal figure. Current theories, espoused by the late Kurt Weitzmann, posit the existence of a Jewish illustrated manuscript tradition dating back to the Hellenistic period, which could have been the source for Old Testament scenes in art. In the light of these proposals and taking into account more recent narrative theory, this study of early Moses scenes in art takes up the suggestion that a large range of visual narrative scene
APA, Harvard, Vancouver, ISO, and other styles
5

Michael, Georgia. "Imaging divinity : the 'invisible' Godhead in early Christian art c.300-c.730." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7318/.

Full text
Abstract:
Representations of the Holy Trinity have increasingly come under scrutiny, exposing two competing paradigms at opposite ends of the theological spectrum: the legitimacy and the illegitimacy of imaging the Triune God with focus on the invisible Father who was imaged as an individual from Late Antiquity and beyond. An overview of these two conflicting views has unveiled a number of inconsistencies in how the Early Christian iconography of God the Father and the Trinity has been interpreted. This thesis provides a unique re-evaluation of the surviving Trinitarian visual material between c.300 to
APA, Harvard, Vancouver, ISO, and other styles
6

Dascal, Elana. "Reading Midrash as graphic artistic activity : the compilation of Midrash Rabbah as possible influences on early Jewish and Christian art." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28257.

Full text
Abstract:
Midrash is a genre of rabbinic Bible exegesis, composed by various authors and compiled in anthologies during the first seven centuries of the Common Era. This thesis explores the reading of Midrash and its possible influence on early artistic activity. Examples of early Jewish and Christian biblical representations that display some degree of midrashic impact, are presented in order to establish the existence of a relationship between Midrash and art. Finally, by a systematic reading of the corpus of midrashic literature found in Midrash Rabbah, Midrashim that suggest graphic representation,
APA, Harvard, Vancouver, ISO, and other styles
7

Spencer, Justina. "Peeping in, peering out : monocularity and early modern vision." Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:b8854565-ce57-4c83-9cdb-64249d171142.

Full text
Abstract:
One of the central theoretical tenets of linear perspective is that it is based upon the idea of a monocular observer. Our lived perception, also referred to in the Renaissance as perspectiva naturalis, is always rooted in binocular vision, however, the guidelines for perspectiva artificialis often imply a single peeping eye as a starting point. In the early modern period, a number of rare art forms and instruments follow the prescriptive character of linear perspective to ludic ends. By focusing on this special class of what I would call 'monocular art forms', I will analyse the extent to whi
APA, Harvard, Vancouver, ISO, and other styles
8

Edsall, Benjamin A. "'As I said to you before' : Paul's witness to formative early Christian instruction." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:9f613e23-7197-40d8-836c-d0e478be2636.

Full text
Abstract:
This study addresses the question of formative early Christian preaching and teaching. Unlike previous approaches, I eschew synthesis across a broad range and focus instead on the earliest extant Christian source: the letters of Paul. My method draws on ancient communication practices, primarily represented in ancient rhetoric, wherein communicators rely on knowledge they presume their interlocutors to possess. Passages are analyzed according to the type of appeal to Paul's initial teaching: (1) explicit reminders of previous teaching, (2) direct appeals to knowledge not explicitly linked to p
APA, Harvard, Vancouver, ISO, and other styles
9

Brändli, Adrian. "Inimica amicitia : friendship and the notion of exclusion in early Christian Latin literature." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:39da4c95-9dfe-4d97-9ecf-eed19d0c5c06.

Full text
Abstract:
This thesis discusses the notion of amicitia in early Christian literature. By examining letters and normative texts ranging from the third to the early fifth century, the study illuminates not only how contemporary authors shaped friendship conceptually but also how these concepts relate to the actual social practice. Typically, scholars confine their reading of Christian friendship to the late antique period. In so doing, they approach amicitia either as a particular kind of relationship performing crucial social functions or as a subject for theorization that followed the example of a longs
APA, Harvard, Vancouver, ISO, and other styles
10

Ingle, Gabriela Elzbieta. "The significance of dining in Late Roman and Early Christian funerary rites and tomb decoration." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25949.

Full text
Abstract:
The presented thesis examines dining practices associated with ancient funerary rites, and representations of meals that decorated Roman tombs. Evidence for dining, and its significance in mortuary rites, comes from various sources: from pagan, Christian and Jewish literary examples that describe funerary and commemorative events, and archaeological material of food remains and dining installations at the cemeteries, to pictures of meals depicted on different media: cinerary urns and altars, gravestones, frescoes, mosaics and sarcophagi. The aim of this thesis is to investigate available sourc
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Art objects, Early Christian"

1

Angar, Mabi. Byzantine head reliquaries and their perception in the West after 1204: A case study of the reliquary of St. Anastasios the Persian in Aachen and related objects. Harrassowitz Verlag, 2017.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

(Russia), Gosudarstvennyĭ Ėrmitazh, ed. Pami︠a︡tniki vizantiĭskogo khudozhestvennogo metalla IX-XV vekov: Katalog kollekt︠s︡ii = Byzantine Artistic Metalwork Ninth-Fifteenth Centuries : catalogue of the collection. Izdatelʹstvo Gosudarstvennogo Ėrmitazha, 2021.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Gemma, Sena Chiesa, ed. Il tesoro di San Nazaro: Antichi argenti liturgici della basilica di San Nazaro al Museo diocesano di Milano. Silvana, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Kosta, Balabanov, and Krstevski Cone, eds. Die Tonikonen von Vinica: Frühchristliche Bilder aus Makedonien. Prähistorische Staatssammlung, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Meer, Frederik van der. Early Christian art. University Microfilms, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Milburn, Robert. Early Christian art and architecture. University of California Press, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Milburn, Robert. Early Christian art and architecture. Scolar Press, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Grasskamp, Anna Katharina. Art and Ocean Objects of Early Modern Eurasia. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463721158.

Full text
Abstract:
During the early modern period, objects of maritime material culture were removed from their places of origin and traded, collected and displayed worldwide. Focusing on shells and pearls exchanged within local and global networks, this monograph compares and connects Asian, in particular Chinese, and European practices of oceanic exploitation in the framework of a transcultural history of art with an understanding of maritime material culture as gendered. Perceiving the ocean as mother of all things, as womb and birthplace, Chinese and European artists and collectors exoticized and eroticized
APA, Harvard, Vancouver, ISO, and other styles
9

Lawrence, Nees, ed. Approaches to early-medieval art. Medieval Academy of America, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Krautheimer, Richard. Early Christian and Byzantine architecture. 4th ed. Penguin, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Art objects, Early Christian"

1

Couzin, Robert. "“Early” “Christian” “Art”." In The Routledge Handbook of Early Christian Art. Routledge, 2018. http://dx.doi.org/10.4324/9781315718835-23.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Jensen, Robin M. "Art." In The Early Christian World. Routledge, 2017. http://dx.doi.org/10.4324/9781315165837-35.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Stokstad, Marilyn. "The Early Christian Period." In Medieval Art, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9780429037184-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Jensen, Robin M. "Early Christian Symbols." In Understanding Early Christian Art, 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003216094-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Leader-Newby, Ruth. "Early Christian Silver." In The Routledge Handbook of Early Christian Art. Routledge, 2018. http://dx.doi.org/10.4324/9781315718835-15.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Jensen, Robin M. "Jesus's Crucifixion, Resurrection, and Ascension." In Understanding Early Christian Art, 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003216094-6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Jensen, Robin M. "Biblical Stories in Early Christian Art." In Understanding Early Christian Art, 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003216094-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Jensen, Robin M. "Overview of the Evidence and Methodological Questions." In Understanding Early Christian Art, 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003216094-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Jensen, Robin M. "Depicting the Divine." In Understanding Early Christian Art, 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003216094-5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Jensen, Robin M. "From Christ the Miracle Worker and Teacher to Christ the King and Lawgiver." In Understanding Early Christian Art, 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003216094-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Art objects, Early Christian"

1

Голофаст, Л. А. "CHRISTIANITY IN PHANAGORIA. ARCHAEOLOGICAL EVIDENCE." In Hypanis. Труды отдела классической археологии ИА РАН. Crossref, 2023. http://dx.doi.org/10.25681/iaras.2022.978-5-94375-381-7.69-106.

Full text
Abstract:
Крайняя малочисленность связанных с христианством находок и их неравномерное распределение во времени создает значительные трудности при восстановлении истории Фанагорийской христианской общины. Восполнить лакуны до некоторой степени помогают имеющиеся сведения об истории христианства в других центрах Северо-Восточного Причерноморья, неотъемлемой частью которого являлась Фанагория. Несомненно, новая религия проникает в Фанагорию, как и в другие центры Боспорского царства, в последней четверти 3 в. из Малой Азии, откуда готы, возвращаясь из своих пиратских набегов, привозили пленных христиан. И
APA, Harvard, Vancouver, ISO, and other styles
2

Sandra, Pereira Gomes, and Rodrigues Durval. "Enhancing early childhood music education through interactive learning objects." In International conference Czech republic and lusophonic countries 2024: Education, art and digital technology in teaching. University of West Bohemia, Czech Republic, 2024. http://dx.doi.org/10.24132/zcu.2024.12426.67-68.

Full text
Abstract:
Introducing interactive learning objects into early childhood music education revolutionizes how young learners engage with music, emphasizing creativity and cognitive growth. This research evaluates the impact of such tools on enhancing musical understanding and appreciation beyond traditional methods. By incorporating interactive games and digital resources, educators can offer immersive experiences that bridge pedagogical gaps in teaching complex musical concepts. These innovative approaches encourage children to explore music through play, significantly boosting their engagement and foster
APA, Harvard, Vancouver, ISO, and other styles
3

Spasova, Maria. "Трапезната метафора в Учителното евангелие на Константин Преславски и нейните византийски източници/ The Table Metaphor in Constantine of Preslav’s Didactic Gospel (Učitelno evangelie) and its Byzantine Sources". У Учителното евангелие на Константин Преславски и южнославянските преводи на хомилетични текстове (IX-XIII в.): филологически и интердисциплинарни ракурси / Constantine of Preslav’s Uchitel’noe Evangelie and the South Slavonic Homiletic Texts (9th-13th century): Philological and Interdisciplinary Aspects. Institute of Balkan Studies and Centre of Thracology – Bulgarian Academy of Sciences, 2024. http://dx.doi.org/10.62761/491.sb37.03.

Full text
Abstract:
The article presents examples for the table metaphor (the table spiritual) in the Didactic Gospels by Constantinе of Preslav (Učitelno evangelie). Its prototype can be found in two homilies by Gregory of Nazianzus and Hexameron by John Chrysostom, but gradually it is widely spread and used as an art motive in the Christian homiletic literature. To follow strictly the set example of the early Christian Great Fathers in the compilations of sermons is proclaimed, established and put into effect according to the Rule 19 of the decisions of The Sixth Ecumenical Council (The Trullan Council). Archbi
APA, Harvard, Vancouver, ISO, and other styles
4

Nuere, Silvia, Esperanza Macarena Ruiz Gómez, and Laura de Miguel Álvarez. "Sketch as a Tool of Thought in Art and Science." In 80th International Scientific Conference of the University of Latvia. University of Latvia Press, 2022. http://dx.doi.org/10.22364/htqe.2022.69.

Full text
Abstract:
Professors from different studies such as fine arts, engineering in industrial design and digital graphic design and from different universities (Politécnica de Madrid, Complutense de Madrid and Internacional de La Rioja) have participated in an educational innovation project dealing with sketching as a starting point to creation. Teachers from the Universidad Complutense de Madrid and the Universidad Politécnica de Madrid proposed to their students exchange experiences. Students from industrial design went to classes to the Fine Art Faculty and fine art students had to deal with an industrial
APA, Harvard, Vancouver, ISO, and other styles
5

Preradović, Dubravka. "THE CONTRIBUTION OF GABRIEL MILLET TO THE RESEARCH OF KING MILUTIN’S ENDOWMENTS." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.489p.

Full text
Abstract:
Gabriel Millet was one of the first university-educated researchers that studied Serbian medieval monuments in the early 20th century. Thanks to this French Byzantinist, those monuments were included in broader overviews of Christian art early on. Millet’s work primarily set solid academic foundations for the research of Serbian medieval architecture. The endowments of King Milutin, above all Staro Nagoričino and Gračanica, had a prominent place in those studies both in terms of their painted program and architecture. This paper aims to present and valorize Gabriel Millet’s contribution to the
APA, Harvard, Vancouver, ISO, and other styles
6

Nitu, E. C., O. Cirstina, F. I. Lupu, M. Leu, A. Nicolae, and M. Carciumaru. "PORTABLE ART OBJECTS DISCOVERED IN THE UPPER PALEOLITHIC OF ROMANIA." In Знаки и образы в искусстве каменного века. Международная конференция. Тезисы докладов [Электронный ресурс]. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-308-4.22-23.

Full text
Abstract:
In addition to their undeniable aesthetic value, ornaments are the element that may differentiate the various social groups or individuals belonging to certain groups. More specifically, body decoration is closely related to social identity. The ornament, as a form of communication, has a certain advantage over other means of communication because, once displayed, perhaps even more than language itself, the individual wearing it need not make any effort to deliver his/her message, social sta-tus, their belonging to a group etc. The first adornments used during the Paleolithic are beads, while
APA, Harvard, Vancouver, ISO, and other styles
7

Dutkiewicz, E., and C. Bentz. "SIGNBASE: A DATA-DRIVEN APPROACH TO ABSTRACT SIGNS IN THE PALEOLITHIC." In Знаки и образы в искусстве каменного века. Международная конференция. Тезисы докладов [Электронный ресурс]. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-308-4.13-14.

Full text
Abstract:
In the Paleolithic around 100,000 to 10,000 years ago, abstract motives also referred to as signs, patterns, or marks are abundant in parietal art as well as on mobile objects. In the case of parietal art, several studies have been dealing with such abstract signs. However, studies scrutinizing signs on mobile objects, such as figurines, tools, or personal ornaments, are rare and mostly limited to either single objects, or to particular assemblages. Our project SignBase aims to enable large-scale comparisons by collecting abstract motives on mobile objects from all over the European Paleolithi
APA, Harvard, Vancouver, ISO, and other styles
8

Рукавишникова, И. В. "OBJECTS OF ANCIENT ART IN CENTRAL ASIA: THE SEARCH FOR THE ORIGIN OF ELEMENTS OF THE EARLY ANIMAL STYLE (the work of the Tuva expedition of the IA RAS)." In Труды Сибирской Ассоциации исследователей первобытного искусства. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-202-01433-8.291-300.

Full text
Abstract:
В статье обобщаются результаты исследований курганов раннего железного века в Туве с применением аэрофотосъемки для поиска курганов начала I тыс. до н. э., близких по конструкции кургану Аржан-1. Был выявлен курган Аржан-5, находящийся вблизи кургана Аржан-1. Курганная каменная насыпь сильно повреждена, но сохранилась каменно-деревянная конструкция, как и в Аржане-1, и предметы упряжи в зверином стиле. После проведения анализа проб деревянных конструкций, состава бронз и антропологических определений удалось сделать вывод, что Аржан-5 принадлежит к кругу Аржана-1, формирует с ним единую группу
APA, Harvard, Vancouver, ISO, and other styles
9

Ermolovici-Dașcinschii, Dmitrii. "EXPERIMENTAL PERFORMANCES OF THE MONOTHEATRE OF UKRAINE AND BELARUS IN THE LATE 20TH CENTURY — THE FIRST DECADES OF THE 21ST CENTURY." In Conferinţa ştiinţifică internaţională „Învăţământul artistic – dimensiuni culturale“ 2023. Academy of Music, Theater and Fine Arts, 2024. http://dx.doi.org/10.55383/iadc2023.27.

Full text
Abstract:
The purpose of the article is to study the solo performance as an independent expressive phenomenon of theatrical art of Eastern Europe in the late 20th early 21st century. The subject of the research is the modern monotheatre of Ukraine and Belarus. The objects of the study are the mono performances in the repertoire of theaters at the turn of the 20th-21st centuries. As a result of the study, it was revealed that the problematic and thematic field of a solo performance is determined by the search for identities and includes the following areas: the introduction of significant historical figu
APA, Harvard, Vancouver, ISO, and other styles
10

Карманов, В. Н. "THE IRRATIONAL IN THE STONE AGE AND EARLY METAL AGE CULTURES OF THE FAR NORTH-EAST OF EUROPE: DETAILS." In Материалы 23–25-го заседаний научно-методического семинара «Тверская земля и сопредельные территории в древности». Crossref, 2024. https://doi.org/10.70203/6896.2024.77.77.053.

Full text
Abstract:
В статье обобщены и систематизированы сведения об источниках для изучения иррационального в культурах эпохи камня и периода раннего металла Крайнего Северо-Востока Европы. Определены три группы источников: необычные, аномальные ситуации, выявляемые на фоне изучения синхронных контекстов; остатки – поделки, игрушки или предметы первобытного искусства; следы обработки и разного вида износа. Из-за высокой мобильности охотников-собирателей тайги и тундры, особенностей сохранности материалов источники об иррациональном в культурах этих людей пока ещё крайне скудны. Кроме того, некоторые доступные д
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Art objects, Early Christian"

1

Two Visions of El Salvador. Inter-American Development Bank, 2000. http://dx.doi.org/10.18235/0006436.

Full text
Abstract:
29 paintings and 1 sculpture by artists (including two women) from the early to late modern period of the 20th century, and 36 contemporary folk objects form this exhibition which juxtaposes the art of two different sectors of society ­the formally trained and the spontaneous, reflecting the circumstances and the social environments of each, but making all part of the national memory. The works come from the National Collection, the Julia Díaz Foundation-Museo Forma, and the INAR Foundation collection.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Art objects, Early Christian' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography