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1

Angar, Mabi. Byzantine head reliquaries and their perception in the West after 1204: A case study of the reliquary of St. Anastasios the Persian in Aachen and related objects. Harrassowitz Verlag, 2017.

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2

(Russia), Gosudarstvennyĭ Ėrmitazh, ed. Pami︠a︡tniki vizantiĭskogo khudozhestvennogo metalla IX-XV vekov: Katalog kollekt︠s︡ii = Byzantine Artistic Metalwork Ninth-Fifteenth Centuries : catalogue of the collection. Izdatelʹstvo Gosudarstvennogo Ėrmitazha, 2021.

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3

Gemma, Sena Chiesa, ed. Il tesoro di San Nazaro: Antichi argenti liturgici della basilica di San Nazaro al Museo diocesano di Milano. Silvana, 2009.

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4

Kosta, Balabanov, and Krstevski Cone, eds. Die Tonikonen von Vinica: Frühchristliche Bilder aus Makedonien. Prähistorische Staatssammlung, 1993.

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5

Meer, Frederik van der. Early Christian art. University Microfilms, 1995.

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6

Milburn, Robert. Early Christian art and architecture. University of California Press, 1988.

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7

Milburn, Robert. Early Christian art and architecture. Scolar Press, 1988.

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8

Grasskamp, Anna Katharina. Art and Ocean Objects of Early Modern Eurasia. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463721158.

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During the early modern period, objects of maritime material culture were removed from their places of origin and traded, collected and displayed worldwide. Focusing on shells and pearls exchanged within local and global networks, this monograph compares and connects Asian, in particular Chinese, and European practices of oceanic exploitation in the framework of a transcultural history of art with an understanding of maritime material culture as gendered. Perceiving the ocean as mother of all things, as womb and birthplace, Chinese and European artists and collectors exoticized and eroticized
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9

Lawrence, Nees, ed. Approaches to early-medieval art. Medieval Academy of America, 1998.

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10

Krautheimer, Richard. Early Christian and Byzantine architecture. 4th ed. Penguin, 1986.

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11

Krautheimer, Richard. Early Christian and Byzantine architecture. 4th ed. Penguin, 1986.

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12

Krautheimer, Richard. Early Christian and Byzantine architecture. 4th ed. Yale University Press, 1986.

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13

Marc, Pelletreau, and Museum of Islamic Art (Dawḥah, Qatar), eds. Imperfect perfection - early Islamic glass. Bloomsbury Qatar Foundation, 2012.

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14

Bernabò, Massimo. Pseudepigraphical images in early art. BIBAL Press, 2001.

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15

Koch, Guntram. Early Christian art and architecture: An introduction. SCM Press, 1996.

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16

Jensen, Robin M., and Mark D. Ellison, eds. The Routledge Handbook of Early Christian Art. Routledge, 2018. http://dx.doi.org/10.4324/9781315718835.

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17

Gary, Vikan, ed. Early Byzantine pilgrimage art. Dumbarton Oaks Research Library and Collection, 2010.

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18

Amato, Pietro. De vera effigie Mariae: Antiche icone romane : [mostra, Roma, Basilica di S. Maria Maggiore, 18 giugno-3 luglio 1988]. A. Mondadori, 1988.

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19

O'Meadhra, Uaininn. Early Christian, Viking and Romanesque art: Motif-pieces from Ireland. Almqvist & Wiksell, 1987.

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20

Charalampidēs, Kōnstantinos P. Symvolikes parastaseis tēs eirēnēs kai tēs elpidas stēn palaiochristianikē technē tēs Dysēs. Ekdoseis P. Pournara, 1990.

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21

László, Vanyó. Az ókeresztény művészet szimbólumai. Szent István Társulat, 1988.

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22

Jastrzębowska, Elżbieta. Sztuka wczesnochrześcijańska. Wydawnictwa Artystyczne i Filmowe, 1988.

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23

Stützer, Herbert Alexander. Frühchristliche Kunst in Rom: Ursprung christlich-europäischer Kunst. DuMont, 1991.

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24

Koch, Guntram. Frühchristliche Kunst: Eine Einführung. W. Kohlhammer, 1995.

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25

Achim, Riether, Eikelmann Renate, and Bayerisches Nationalmuseum, eds. Meisterwerke Bayerns von 900-1900: Kostbarkeiten aus internationalen Sammlungen zu Gast im Bayerischen Nationalmuseum. Bayerisches Nationalmuseum, 2000.

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26

Fabrizio, Bisconti, ed. Temi di iconografia paleocristiana. Pontificio istituto di archeologia cristiana, 2000.

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27

1943-, Maguire Henry, Duncan-Flowers Maggie J, Krannert Art Museum, and Kelsey Museum of Archaeology, eds. Art and holypowers in the early Christian house. Krannert Art Museum, University of Illinoisat Urbana-Champaign, 1989.

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28

1943-, Westenholz Joan Goodnick, and Muzeʾon artsot ha-Miḳra (Jerusalem), eds. Images of inspiration: The Old Testament in early Christian art. Bible Lands Museum Jerusalem, 2000.

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29

R, Dekoninck, Claes M. -C, and Baert B. 'Ornamenta Sacra': Late Medieval and Early Modern Liturgical Objects in a European Context. Peeters Publishers & Booksellers, 2022.

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30

'Ornamenta Sacra': Late Medieval and Early Modern Liturgical Objects in a European Context. Peeters Publishers & Booksellers, 2022.

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31

Images and Objects in Ritual Practices in Medieval and Early Modern Northern and Central Europe. Cambridge Scholars Publisher, 2013.

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32

Das Hallesche Heiltumbuch von 1520: Nachdruck zum 450. Gründsjubiläum der Marienbibliothek zu Halle. Stekovics, 2001.

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33

Nomadic Object: The Challenge of World for Early Modern Religious Art. BRILL, 2017.

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34

Denny-Brown, Andrea, and Lisa H. Cooper. Arma Christi in Medieval and Early Modern Material Culture: With a Critical Edition of 'o Vernicle'. Taylor & Francis Group, 2016.

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35

Denny-Brown, Andrea, and Lisa H. Cooper. Arma Christi in Medieval and Early Modern Material Culture: With a Critical Edition of 'o Vernicle'. Taylor & Francis Group, 2016.

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36

Denny-Brown, Andrea, and Lisa H. Cooper. Arma Christi in Medieval and Early Modern Material Culture: With a Critical Edition of 'o Vernicle'. Taylor & Francis Group, 2016.

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37

Denny-Brown, Andrea, and Lisa H. Cooper. Arma Christi in Medieval and Early Modern Material Culture: With a Critical Edition of 'o Vernicle'. Taylor & Francis Group, 2016.

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38

Arma Christi in Medieval and Early Modern Material Culture: With a Critical Edition of 'O Vernicle'. Taylor & Francis Group, 2014.

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39

Caraher, William R., Thomas W. Davis, and David K. Pettegrew, eds. The Oxford Handbook of Early Christian Archaeology. Oxford University Press, 2019. http://dx.doi.org/10.1093/oxfordhb/9780199369041.001.0001.

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The Oxford Handbook of Early Christian Archaeology brings together significant work by leading scholars of the archaeology of early Christianity in the Mediterranean and surrounding regions. The thirty-four contributions to this volume ground the history, culture, and society of the first seven centuries of Christianity in archaeological method, theory, and research. Collectively the essays emphasize the link between fieldwork, archaeological methods, and regional and national traditions in constructing our knowledge of the early church, Christian communities, and the context of the ancient Me
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40

Grabar, Andre. Early Christian Art. Braziller Incorporated, George, 1985.

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41

Art Ocean Objects Early Modern Eurasiahb. Amsterdam University Press, 2021.

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42

Bouman, Margot. Sampling and Site-Specific Practice in Contemporary Art. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350196698.

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In the early 20th century, copying, cutting and pasting entered the Western European avant-garde through collage and readymades, as artists employed found objects and ephemera to create new meaning from existing materials. This book explores how this practice has evolved in contemporary art today, looking at its important and distinct outcomes in the practice of artists such as Andrea Fraser, Douglas Gordon, Isaac Julien, Christian Marclay, Amie Siegel and Christopher Williams. It analyses the pivotal consequences of the interrelationships these artists establish between fragments of culture,
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43

Jensen, Robin Margaret. Understanding Early Christian Art. Routledge, 2013. http://dx.doi.org/10.4324/9780203407639.

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44

Understanding Early Christian Art. 2013.

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45

Understanding Early Christian Art. Routledge, 2023.

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46

Jensen, Robin Margaret. Understanding Early Christian Art. Taylor & Francis Group, 2013.

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47

Jensen, Robin Margaret. Understanding Early Christian Art. Taylor & Francis Group, 2013.

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48

Jensen, Robin Ma. Understanding Early Christian Art. Routledge, 2000.

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49

Understanding Early Christian Art. Routledge, 2000.

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50

Early Christian & Byzantine art. Phaidon, 1997.

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