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Journal articles on the topic 'Art of the opposite'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Walters, Victoria. "Working ‘in the Opposite Direction’." Anthropological Journal of European Cultures 19, no. 2 (2010): 22–43. http://dx.doi.org/10.3167/ajec.2010.190203.

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This paper will argue that revisiting the ideas and practice of the twentieth-century German artist Joseph Beuys is germane to contemporary discussions of place and human ecology in anthropology. Through an exploration of work undertaken by the artist and a discussion of the influence of Goethe on his practice, it will explore the way in which Beuys' approach to art was informed by a set of methodologies which saw the inner life of the human being and the outer world with which she or he engages as profoundly linked in both physical and psychic terms. Beuys' work points, the author will sugges

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BRASS, PETER, HYEON-SUK NA, and CHAN-SU SHIN. "GUARDING A POLYGON FROM TWO NEARLY-OPPOSITE DIRECTIONS." International Journal of Computational Geometry & Applications 20, no. 03 (2010): 327–39. http://dx.doi.org/10.1142/s0218195910003323.

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In this paper, we study a variant of the classical art-gallery problem, in which we require that each point of the art gallery is observed by two guards from nearly-opposite directions, ideally from front and back. We call a polygon P α-guarded by a set G of guards if every point p in P is visible from two guards g1,g2 in G satisfying α ≤ ∠g1pg2 ≤ π. We show that any simple n-gon is ⅔π-guarded by its n vertex guards, and there are simple n-gons that require at least n guards. Any simple n-gon can be (π – δ)-guarded by [Formula: see text] guards, and there are simple n-gons that require at leas

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Simonton, Dean Keith. "Is Bad Art the opposite of Good Art? Positive versus Negative Cinematic Assessments of 877 Feature Films." Empirical Studies of the Arts 25, no. 2 (2007): 143–61. http://dx.doi.org/10.2190/2447-30t2-6088-7752.

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Although some research suggests that negative judgments might be more complex and more potent than positive judgments, cinematic assessments may offer an instance of a genuine bipolar evaluative dimension. This is shown in an analysis of 877 feature films that received positive (Oscars) or negative (Razzie) recognition in the categories of best/worst picture, director, male and female lead, male and female supporting actor, screenplay, and original song (whether nomination or actual award). These assessments were compared with film critic evaluations, financial and box office data, and several

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4

Pilcher, Jeremy. "State Britain and the Art of (Im)proper Democratic Protest." Law, Culture and the Humanities 15, no. 2 (2016): 477–96. http://dx.doi.org/10.1177/1743872115625433.

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The installation of Mark Wallinger’s State Britain in the Duveen Galleries of Tate Britain recreated Brian Haw’s protest opposite the Houses of Parliament, which had largely been dismantled by the police under the Serious Organised Crime and Police Act 2005. Wallinger’s work bisected a boundary created by the Act inside which the police could be given greater than usual powers to control demonstrations. The intersection exemplified how, when understood in terms of the performative after Jacques Derrida, art may unsettle the ways in which both the law and aesthetics work to protect the politica

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Guellen. "Art and astronomy: my personal experience." Proceedings of the International Astronomical Union 5, S260 (2009): 286–90. http://dx.doi.org/10.1017/s1743921311002407.

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AbstractAstronomy and Art, two worlds seemingly opposite. One scientific and rigorous, the other perceived as light and whimsical. But if these two worlds were united? If art gave itself to the service of science? If fantasy became a playful pretext to transmit knowledge to young children? I recount here my experience, that of a meeting, and of an adventure. How and why an astronomy book for the very young emerged from the collaboration between a painter and an astronomer of the Observatory of Paris.

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Akšamija, Mehmed. "An Analysis of the Use of Terminological Determinants „Art of Islam“ and „Islamic Art“." Illuminatio 1, no. 1 (2020): 38–101. http://dx.doi.org/10.52510/sia.v1i1.4.

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This paper is a distinctive analysis of the phenomenological value of terms „Islamic art“ or „art of Islam“, which attempts to clarify the common treatment of such terms found in both Western and Muslim sources and which are inappropriate and ungrounded formulations from the viewpoint of traditional Islamic civilizational principles. By focusing on the cognitive and precognitive approach to the productive-reflective representation of elements of visual art within this topic (i.e. by offering a possible solution) this study „comes into conflict“ with stereotypes that contemporary theories

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Réadini, F., A. Mauviel, S. Pronost, G. Loyau та J. P. Pujol. "Transforming growth factor β exerts opposite effects from interleukin-1β on cultured rabbit articular chondrocytes through reduction of interleukin-1 receptor expression". Arthritis & Rheumatism 36, № 1 (1993): 44–50. http://dx.doi.org/10.1002/art.1780360108.

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8

Rahnamayan, Shahryar, Jude Jesuthasan, Farid Bourennani, Greg F. Naterer, and Hojjat Salehinejad. "Centroid Opposition-Based Differential Evolution." International Journal of Applied Metaheuristic Computing 5, no. 4 (2014): 1–25. http://dx.doi.org/10.4018/ijamc.2014100101.

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The capabilities of evolutionary algorithms (EAs) in solving nonlinear and non-convex optimization problems are significant. Differential evolution (DE) is an effective population-based EA, which has emerged as very competitive. Since its inception in 1995, multiple variants of DE have been proposed with higher performance. Among these DE variants, opposition-based differential evolution (ODE) established a novel concept in which individuals must compete with theirs opposites in order to make an entry in the next generation. The generation of opposite points is based on the current extreme poi

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9

Thomas, Edmund. "CHIASMUS IN ART AND TEXT." Greece and Rome 60, no. 1 (2013): 50–88. http://dx.doi.org/10.1017/s0017383512000265.

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Sixty years ago, on 25 April 1953, probably the most influential scientific article of the twentieth century appeared. Its uninviting title, ‘Molecular Structure of Nucleic Acids: A Structure for Deoxyribose Nucleic Acid’, concealed the revolutionary discovery by the molecular biologists James Watson and Francis Crick of the structure of what became known as ‘the molecule of life’. The ‘radically different structure’ that they proposed for the salt of deoxyribose nucleic acid (DNA) had ‘two helical chains each coiled round the same axis’. ‘Both chains’, they wrote, ‘follow right-handed helices

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10

Sytina, Yulia N. "P. V. Dolgorukov’s Lampoon of Odoevsky as the Potential Proto-Text of Keller’s Article in The Idiot by F. M. Dostoevsky." Неизвестный Достоевский 7, no. 1 (2020): 133–55. http://dx.doi.org/10.15393/j10.art.2020.4381.

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The paper suggests that one of the sources of the article in “defense” of “Pavlishchev’s son” against Myshkin in F. M. Dostoevsky’s novel The Idiot could have been the “Minister Lanskoy” lampoon by P. V. Dolgorukov. It was published in the émigré periodical <i>Budushnost’</i> (<i>Future</i>) and contained an extensive addendum about V. F. Odoevsky. The fact that Dostoevsky had demonstrated an interest and was sympathetic to Odoevsky’s personality and views, specifically, during his work on <i>The Idiot</i>, substantiate this hypothesis. It is further confirm

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11

Ellis, Simon, and Lee Miller. "Opposite sides of something." Choreographic Practices 12, no. 1 (2021): 3–10. http://dx.doi.org/10.1386/chor_00025_2.

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12

Kao, Chen-Yao. "How combining opposite, near-opposite, and irrelevant concepts influence creativity performance." Psychology of Aesthetics, Creativity, and the Arts 13, no. 1 (2019): 24–35. http://dx.doi.org/10.1037/aca0000166.

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13

Ferrara, Alessandro. "The art of holding opposites together." Philosophy & Social Criticism 44, no. 7 (2018): 745–47. http://dx.doi.org/10.1177/0191453718779522.

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14

Matveeva, Alla, Roman Krasnov, Ekaterina Yalunina, and Andrey Romanov. "Comparative analysis of socialist and bourgeois art in the social philosophical aspect." SHS Web of Conferences 72 (2019): 03049. http://dx.doi.org/10.1051/shsconf/20197203049.

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At the beginning of the XX century, bourgeois theorists of artistic culture declared dehumanization as one of the main features of the modernism art, one of the main tasks of the contemporary artists’ artwork. Getting to the scientific understanding of the complex and complicated phenomena of modern art culture, it is necessary to reveal not only the socio-economic reasons for their appearance; the philosophical prerequisites for the development of modern bourgeois art, the ideological orientation of its movements should be identified. In the article, the authors argue that modern bourgeois ae

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15

Castleden, Susanna. "Intimate Distances: an artwork made on opposite sides of the world." cultural geographies 28, no. 4 (2021): 681–87. http://dx.doi.org/10.1177/14744740211020512.

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Intimate Distances is an art project created in two parts – 6 months and 20,000 km apart. As a creative research project, it was conceived as a way to physically and conceptually explore distance through the intimate gesture of touch. It sought to visually communicate the spatial, temporal and embodied experiences of being on opposite sides of the world through the humble process of frottage. Grand ideas were intended to be galvanised by even grander distances. However, as this article recounts, the 12-month project took unexpected turns, which were generated by a series of failures and finall

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16

Seigfried, Hans. "Opposing Science with Art, Again?" International Studies in Philosophy 21, no. 2 (1989): 105–11. http://dx.doi.org/10.5840/intstudphil198921273.

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Gee, Malcolm, and Jill Steward. "Art and the modern European city: survey and conference report." Urban History 22, no. 2 (1995): 181–86. http://dx.doi.org/10.1017/s0963926800000456.

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Arguably, art history has always had an interdisciplinary vocation, though this was at times underplayed during its establishment as an academic subject. Recent intellectual trends have tended to work in the opposite sense, encouraging art historians to highlight the relationship between visual art and a range of cultural and economic discourses. This has often involved discussion of specifically urban contexts, since cities have been the principal sites for the production, distribution and interpretation of works of art, and their fabric a means by which cultural practices have been allied to

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18

Baetens, Jan, and Domingo Sánchez-Mesa. "A Note on “Demediation”: From Book Art to Transmedia Storytelling." Leonardo 52, no. 3 (2019): 275–78. http://dx.doi.org/10.1162/leon_a_01541.

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This article discusses two opposite meanings of the concept of “demediation”: on the one hand, the very specific and strongly materializing reading given by Garrett Stewart, who coined the notion in an essay on book art qua visual art; on the other hand, the general and more intuitive reading of the term, as sometimes used in the broader debate on digital culture as immaterialization. Putting a strong emphasis on the (broad) notions of materiality and medium-specificity, the article offers a critique of certain immaterializing tendencies in transmedia storytelling theory, while ending with the

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19

Cooke, Paul. "Packing the affective moment." Short Film Studies 7, no. 2 (2017): 211–14. http://dx.doi.org/10.1386/sfs.7.2.211_1.

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If much contemporary German-language art-house cinema exploits film’s potential to use space and time to extend the affective moment, focusing on the gap between action and emotional resolution, The Jacket does the opposite. Instead, it creates a moment of claustrophobic intensity, that nonetheless similarly pivots on the function of affect in film.

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Meier, Maria, Eva Unternaehrer, Sabine M. Schorpp, et al. "The Opposite of Stress." Experimental Psychology 67, no. 2 (2020): 150–59. http://dx.doi.org/10.1027/1618-3169/a000483.

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Abstract. Cognition is affected by psychophysiological states. While the influence of stress on cognition has been investigated intensively, less studies have addressed how the opposite of stress, a state of relaxation, affects cognition. We investigated whether the extent of parasympathetic activation is positively related to divergent thinking. Sixty healthy female participants were randomly allocated to a standardized vagus nerve massage ( n = 19), a standardized soft shoulder massage ( n = 22), or a resting control group ( n = 19). Subsequently, participants completed the Alternative Uses

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Barkin, J. Samuel, and Laura Sjoberg. "The Queer Art of Failed IR?" Alternatives: Global, Local, Political 45, no. 4 (2020): 167–83. http://dx.doi.org/10.1177/0304375421989572.

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What is missing from the debate about the “end of IR theory” or the rejection of the now infamous “isms”? Queer theory. Those who declare that IR theory is over and those who see it as making a comeback; those who reject the “isms” and those who champion them seem like they are on opposite sides of a very wide spectrum. This article argues, however, that all is not as it seems. Instead, the various “sides” of the debates about the futures of IR all take for granted a common set of understandings of what research is, what research success is, that research success is valuable, and how those thi

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22

Andrade, Pedro. "Communication of art via open research: on cultural policies, heritage and reception of innovation in art." Comunicação e Sociedade 31 (June 29, 2017): 361–76. http://dx.doi.org/10.17231/comsoc.31(2017).2623.

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This article debates some main modes of art communication within the urban public space, and their interpretation through Open Research. In particular, it discusses communication regimes in places where cultural and artistic events occur, such as the museum. One of the communicative phenomena circulating there is informal art literacy, which is a different and sometimes opposite process in relation to the formal education at school. Having this aim in mind, firstly two core concepts within Art Communication Studies, which are crucial to this debate, are defined: Public Communication of Art-PCA

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23

Kurland, O., and E. Krikon. "The Opposite of Smoothing: A Language Model Approach to Ranking Query-Specific Document Clusters." Journal of Artificial Intelligence Research 41 (July 29, 2011): 367–95. http://dx.doi.org/10.1613/jair.3327.

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Exploiting information induced from (query-specific) clustering of top-retrieved documents has long been proposed as a means for improving precision at the very top ranks of the returned results. We present a novel language model approach to ranking query-specific clusters by the presumed percentage of relevant documents that they contain. While most previous cluster ranking approaches focus on the cluster as a whole, our model utilizes also information induced from documents associated with the cluster. Our model substantially outperforms previous approaches for identifying clusters containin

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24

Purchla, Jacek. "Andrzej Wajda – reżyser przestrzeni." Przestrzenie Teorii, no. 27 (December 15, 2017): 19–26. http://dx.doi.org/10.14746/pt.2017.27.2.

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At the end of the 20th century in Kraków Andrzej Wajda began to implement his architectural vision. With the Manggha Museum of Japanese Art and Technology he created a counterpoint to the Wawel hill on the opposite bank of the Vistula. Another precedent was the intimate “Wyspiański 2000 Pavilion”, finally erected between 2005–2007 at plac Wszystkich Świętych. Through his architectural vision and creations he etched himself permanently in the identity of Kraków. Wajda proved that it is possible to understand the city as a creation, as a living work of art. His imagination and determination prov

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Kyseliuk, N., and V. Pryhodko. "IMPLEMENTATION OF THE AMBIVALENT POTENTIAL OF LEXICAL UNITS IN OPPOSITE COMMUNICATIVE SITUATIONS (BASED ON ENGLISH-LANGUAGE ART DISCOURSE)." International Humanitarian University Herald. Philology 2, no. 43 (2019): 117–20. http://dx.doi.org/10.32841/2409-1154.2019.43.2.30.

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Yavuz, Nuri, and Ayhan Helvacı. "“Discontinuity” as a Concept that affects today’s Art Practice." European Journal of Social Sciences Education and Research 3, no. 1 (2015): 138. http://dx.doi.org/10.26417/ejser.v3i1.p138-141.

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It has been experienced an alteration which has affected the art environment as in every single area of our lives through the last quarter of the 20th century. When reviewing the artistic works of that time, we encounter “discontinuity” as a fundamental concept in which the philosophers such as Foucault and Baudrillard have constructed its philosophical basis. Discontinuity is defined as the opposite of the “continuity” notion. It corresponds to an environment at which the understanding of continuity predominated on a certain period of time is interrupted and disrupted. This way of thinking al

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ETARYAN, Yelena. "Irony As “Ferment Of Philosophical And Aesthetic Speculation” (By Friedrich Schlegel And Thomas Mann)." WISDOM 14, no. 1 (2020): 88–97. http://dx.doi.org/10.24234/wisdom.v14i1.309.

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The focus of our scientific contribution is German Romanticism with its early romantic concept of self-referentiality or romantic irony. In the article, according to Safransky (Safranski, 2007, p. 12), romanticism is considered not only as a literary era, but also as a ”mental attitude“ that can be imprinted in any era. Using the work of Thomas Mann as an example, we illustrate it by looking at the epoch of modernity. In the Romantic period irony became a philosophy of life and art. It is also a central concept for Thomas Mann. The goal of this scientific article is to demonstrate the conseque

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Porceddu Cilione, Pier Alberto. "Towards an artistic Account of Nature: Morphology, Hylology, Hylomorphism." Revista Archai, no. 29 (March 31, 2020): e02907. http://dx.doi.org/10.14195/1984-249x_29_7.

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A long philosophical tradition has claimed the fact that the concepts of physis and techne should remain radically distinct. But an equally important tradition has instead considered the question in less abstract terms. What can encourage us to rethink the question of hylomorphism is the radical rethinking of the terms at stake. How should the relationship between matter and form (two fundamental Aristotelian concepts) be thought? How should the distinction between natural form and artificial form be considered? The attempt that is proposed here is to consider art as the conceptual mediator th

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Carciofi, Estelle. "Art in the Face of Evil: Analogies between the Conceptions of Two French Resistance Fighters." Philosophies 4, no. 2 (2019): 18. http://dx.doi.org/10.3390/philosophies4020018.

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I present two conceptions of the human being and art: that of Renaud—the main fictional character of a short novel written by Vercors—and that of Albert Camus. Although these French resistance fighters experienced the same war, the same terrible events surprisingly lead them to opposite extremes: the first one to despair and the rejection of art perceived as an unbearable lie, the second one to hope and to artistic commitment. Analogical reasoning allows us to show both the similarities and the distinctions between these two men or, more precisely, between what they tell us about human beings

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Lukiyanets, B., and D. Matulka. "Quantum mechanical effects in the Coulomb interaction of electrons which are localized in opposite double electron layers." Mathematical Modeling and Computing 3, no. 2 (2016): 173–76. http://dx.doi.org/10.23939/mmc2016.02.173.

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Mirea, Lucia, Junmin Yang, Andrew D. Paterson, et al. "Relationship of Mode of Conception and Sex Concordance With Mortality/Morbidity in Preterm Twins." Twin Research and Human Genetics 16, no. 5 (2013): 985–93. http://dx.doi.org/10.1017/thg.2013.61.

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Objective: To assess the association of mode of conception and sex concordance with neonatal outcomes in very preterm twins. Study design: Twin pairs born at gestational age ≤32 weeks and admitted to a Level 3 neonatal intensive care unit (NICU) in 2010–2011 were retrospectively identified from the Canadian Neonatal Network™ database. A composite outcome representing neonatal mortality or any severe morbidity (intraventricular hemorrhage grades ≥3 or periventricular leukomalacia, retinopathy of prematurity stages ≥3, bronchopulmonary dysplasia, or necrotizing enterocolitis stages ≥2) was compa

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Dydenko, A. V., O. M. Pysarev, and M. N. Lanina. "Characteristics of some features of drawings of convicts who have committed sexual crimes against minors, according to the associative drawing test." Psychology and Law 8, no. 4 (2018): 236–51. http://dx.doi.org/10.17759/psylaw.2018080420.

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The purpose of the study: to study the possibility of using the associative drawing test (ART) on sexual offenders who have committed crimes against minors and serving criminal sentences in prisons. Object of research: analysis of specific manifestations of graphic phenomena and their interpretation in the aspect of the relationship of the individual to the opposite sex, characteristics of his image, the severity and direction of aggression, as well as features of subjective perception and evaluation of the surrounding reality. The study included 34 male convicts, of which sex offenders made u

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Yang, Yong Gang, Qiao Zhuo Gao, and Fu Ping Liu. "Effects of Paper Properties on Printing Dot Gain and Color Gamut." Advanced Materials Research 236-238 (May 2011): 1238–41. http://dx.doi.org/10.4028/www.scientific.net/amr.236-238.1238.

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The properties of art paper and offset paper were measured, including whiteness, smoothness, gloss and absorbability. And these paper samples were printed using machine proofing with the uniform printing processes. Dot percentage and the tri-stimulus values (X, Y and Z) of dot areas and solid areas were tested with the spectrophotometer X-Rite 530 on the print paper samples. At last, dot gain curve and chromatic diagram were drawn after data analyzing and processing, and then the influences of paper properties on printing dot gain and gamut of color were analyzed. The results showed less dot g

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Maistrovskaya, Mariya T. "EXHIBITION AS A GENRE OF PLASTIC ART: "DIOR"." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 2 (2020): 138–50. http://dx.doi.org/10.28995/2073-6401-2020-2-138-150.

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The article is the second part of the research that consider and analyze two exhibitions held in recent years at the A.S. Pushkin Museum of Fine Arts named, “Chanel: according to the laws of art” (2007) and “Dior: under the sign of art” (2011), dedicated to the largest fashion designers of our time. The original concepts and artistic solutions of the exhibition design of these exhibitions became events not only in the fashion world, but also in the art of the exhibitiaon. These exhibitions presented various exhibition solutions, vivid artistic images, expressive spatial organization, conceptua

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Borowski, Krzysztof. "Sensitivity of the Art Market to Price Volatility." Finanse i Prawo Finansowe 2, no. 26 (2020): 11–36. http://dx.doi.org/10.18778/2391-6478.2.26.02.

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The purpose of the article: The art market becomes very popular among investors, when there is strong turbulence on the stock market. In times of calm, the art market is used by investors to diversify risk and build more efficient investment portfolios according to the Markovitz’s theory. The aim of this paper is to: (i) present the peculiarity of investment on the art market, represented by art market indexes in comparison to traditional investments in other financial market segments (money market, equity indexes and commodity market), (ii) to verify the hypothesis of normality of the distrib

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Massah, G., W. Zhang, J. Birungi, et al. "Gender disparities operate in opposite directions for hospitalizations and mortality among individuals receiving long‐term ART in rural Uganda." HIV Medicine 22, no. 6 (2021): 512–18. http://dx.doi.org/10.1111/hiv.13080.

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Saputra, Andri, and Syeilendra Syeilendra. "PENYAJIAN TAMBUA TANSA D PALANO’S ART PADA UPACARA PESTA PERKAWINAN DI LUBUK BASUNG KABUPATEN AGAM." Jurnal Sendratasik 9, no. 4 (2020): 27. http://dx.doi.org/10.24036/jsu.v9i1.109537.

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This study aims to describe the presentation of TambuaTansaD'palanos Art at a wedding party in LubukBasung, Agam Regency.This study belongs to a qualitative research using descriptive method. The object of this research was the TambuaTansa D palano's Art Group in LubukBasung, Agam Regency. The instrument of this research was the researcheritself and was assisted by supporting instruments such as stationery, laptops, and cellphones. The data were collected through observation, interview, and documentation.In the results of the study, the author concludes that the presentation of TambuaTansa D p

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Bokarev, Aleksey Sergeevich. "A Cumulative Principle in the Figurative Structure of the Lyric Poetry of Leonid Aronzon and Joseph Brodsky." Проблемы исторической поэтики 27, no. 1 (2020): 315–41. http://dx.doi.org/10.15393/j9.art.2020.7103.

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<p>The study defines the tendency of modern poetry to gravitate towards enumeration and registers as an attempt to &ldquo;restore&rdquo; the cumulative figurative language, which has not a conditionally poetic, but mythologically real status. From the standpoint of historical poetics, such a language is interpreted as a series of outwardly heterogeneous, but semantically identical phenomena, rooted in the archaic consciousness. The specifics of the worldview in the lyrics of L.&nbsp;Aronzon and J.&nbsp;Brodsky, namely, a complex of motifs represented with the help of cumu

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Zavgorodnyaya, Galina Yu. "The Images of Mary of Egypt, Mary Magdalene and Cleopatra in Russian Literature: the Christian and the Pagan." Проблемы исторической поэтики 18, no. 2 (2020): 42–63. http://dx.doi.org/10.15393/j9.art.2020.8062.

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<p><span lang="EN-US">The article examines the orthodox tradition of paying homage to Venerable Mary of Egypt. The perception of the image of Mary of Egypt is compared with that one of Mary Magdalene in the West-European World, particularly in literature and art. The different forms of interaction between the hagiography of Mary of Egypt and Russian literature are traced: adaptation of the plot, allusions, insertion of the motif of a repented whore. The plot of Cleopatra, as of an impenitent whore, is opposite to a hagiographic plot (by its semantic pole of attraction). Two female

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Junaidi, Junaidi. "Leadership characters in shadow puppet show." Harmonia: Journal of Arts Research and Education 17, no. 2 (2017): 181. http://dx.doi.org/10.15294/harmonia.v17i2.7731.

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<p>Good leadership characters have been conveyed through the art of puppet. However, in practice, many of us have encountered the opposite fact. This study aims to analyze the leadership characters in the art of puppet. This research is a descriptive qualitative research which uses hermeneutical method to analyze the data gathered from the library research and field study. The data then passes data reduction step, data classification, and data verification. The results show that leadership characteristics in puppet can be formulated into five leadership concepts: (1) dwikridha, (2) tripa

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Kelly, Alexander. "Inspiration Exchange: The value of sitting opposite." Performance Research 18, no. 2 (2013): 27–30. http://dx.doi.org/10.1080/13528165.2013.807162.

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Whiting, Cécile. "More Than Meets the Eye: Archibald Motley and Debates on Race in Art." Prospects 26 (October 2001): 449–76. http://dx.doi.org/10.1017/s0361233300001009.

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In 1933, Archibald J. Motley Jr., an African-American artist from Chicago who enjoyed a moderate level of national and international renown, issued his only formal public statement concerning the relationship he perceived between his art and race. His words, resonating with confidence, assert his conviction that painting could capture the truth of race through pigment. Reproduced opposite this declaration,Bluesof 1929 (Figure 1), which depicts well-coiffed men and women dancing in the Petite Cafe in Paris to tunes played by musicians seated in the foreground, would seem to reinforce Motley's p

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Rukavina, Katarina. "„Relacijska forma” kao umjetnički jezik: pristupi i prijepori." Ars Adriatica 8, no. 1 (2018): 211–26. http://dx.doi.org/10.15291/ars.2763.

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The paper aims at mapping and theoretically conceptualizing the controversies around the “relational form.” It does not, however, seek to conciliate the different positions or take “sides” in the debate; instead, it is based on concept-based methodology as an instrument offering a better insight into the researched object. Even though the form of contemporary art, be it as a process or as a procedure, is “broken” according to the traditional idea, the aim of this work is to examine the opposite. In the first part, the notion of “relational form” and the discourses related to its articulation a

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Van Strydonck, Mark, Antoine De Moor, and Dominique Bénazeth. "14C Dating Compared to Art Historical Dating of Roman and Coptic Textiles from Egypt." Radiocarbon 46, no. 1 (2004): 231–44. http://dx.doi.org/10.1017/s0033822200039552.

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A representative selection of Roman and Coptic textiles is used to compare the radiocarbon dating results with the chronology proposed by art historians. In some cases, the comparison was made on individual objects, but in other cases, groups of stylistically and/or technologically related textiles were compared. In the case of the latter, the interquartile range was calculated. The results of this comparison show that some individual samples and groups are dated older than expected, while for another group the opposite is the case. One group was matching well with the presumed period as a who

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Downey, Hilary, and John F. Sherry. "Public art and ritual transformation in Northern Ireland." Arts and the Market 10, no. 3 (2020): 187–203. http://dx.doi.org/10.1108/aam-04-2020-0008.

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PurposeThe actual uses to which public art is put have been virtually ignored, leaving multifarious dynamics related to its esthetic encounters unexplored. Both audience agency in placemaking and sensemaking and the agentic role of place as more than a mere platform or stage dressing for transformation are routinely neglected. Such transformative dynamics are analyzed and interpreted in this study of the Derry–Londonderry Temple, a transient mega-installation orchestrated by bricoleur artist David Best and co-created by sectarian communities in 2015.Design/methodology/approachA range of ethnog

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Unger, David J. "Antiplane point load solution for a linear slot with rounded ends." Journal of the Mechanical Behavior of Materials 29, no. 1 (2020): 124–32. http://dx.doi.org/10.1515/jmbm-2020-0013.

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AbstractAn exact linear elastic solution is derived for a pair of opposing point loads, which act in the middle of a straight slot having rounded ends. This problem is analogous to the mode III crack problem where two concentrated forces act in opposite directions to open the surfaces of a finite-length crack. The corresponding path independent J integral for this slot problem is also determined.

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Milin, Melita. "After zero hour: States as “custodians of universal human culture,” or “guardians of advanced art”." Muzikologija, no. 23 (2017): 41–57. http://dx.doi.org/10.2298/muz1723041m.

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The emergence of radically new, avant-garde movements in German music and throughout Western Europe after WW2 has often been seen as expressing a strivings to create on a tabula rasa, in order to create distance from the horrors of the recent past. In the countries of the communist bloc, the imposed ideology of socialist realism also created a sharp break, similar to that in the West, except that Zero Hour was conceived in quite a different fashion, as a move in the opposite direction from Western modernism. The case of post-war music in Yugoslavia is examined under the light of the fact that

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MAVROIDIS, PETROS C. "Highway XVI re-visited: the road from non-discrimination to market access in GATS." World Trade Review 6, no. 1 (2007): 1–23. http://dx.doi.org/10.1017/s1474745606003077.

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The GATS (General Agreement on Trade in Services) is a highly complicated legal instrument and prone to various interpretations because of the embedded ambiguity. It should not come as a surprise that in the context of all disputes concerning services, WTO panels and the Appellate Body reached diametrically opposite conclusions on the same issues. Un-appealed panel reports, on the other hand, have not been welcome either. One of the major, if not the major, issue is the legal relationship between Arts. XVI and XVII GATS, which regulate market access. The manner in which this relationship has b

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Hammond, Joseph. "William S. Bucklin and George P. Bartle: Accomplished Artists of Phalanx, New Jersey." New Jersey Studies: An Interdisciplinary Journal 7, no. 2 (2021): 188–200. http://dx.doi.org/10.14713/njs.v7i2.256.

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This narrative describes the lives and artistic careers of William Savery Bucklin (1851–1928) and George Parker Bartle (1853–1918), both of Phalanx, a hamlet in Colts Neck, Monmouth County, New Jersey. Three of the works illustrated come from the art collection of the Monmouth County Park System. They acquired them because the paintings depict woodland scenes on the opposite side of the Swimming River Reservoir from their Thompson Park campus, the back areas of which still retain this wooded character.

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Tarasova, Natalia A. "“Voskresenie” and “Voskreshenie” in Fedor Dostoevsky’s Novel Crime and Punishment." Проблемы исторической поэтики 18, no. 2 (2020): 190–216. http://dx.doi.org/10.15393/j9.art.2020.7962.

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<p>The article deals with the history of studying Christian images and motifs in the novel of Fedor Dostoevsky <em>Crime and Punishment</em>. The novel&rsquo;s conflict and the image of the main character for a long time have had different, often directly opposite, interpretations&nbsp;&mdash; first of all, in the matter of Raskolnikov&rsquo;s repentance and his spiritual rebirth. The subject of the research is the resurrection as the central theme of the novel <em>Crime and Punishment</em>. Special attention is paid to the analysis of lexical vari

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