Academic literature on the topic 'Art of the Russian emigration'

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Dissertations / Theses on the topic "Art of the Russian emigration"

1

Winstead, Caitlin Leigh. "ART, LIFE, AND COMMUNITY IN RUSSIA ABROAD: AN EXAMINATION OF THE EMIGRE MAGAZINE TEATR’ I ZHIZN’." Miami University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=miami150163074847434.

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2

Von, Mitschke-Collande Eugénie. "L’architecte-peintre André Beloborodoff, un classique moderne (1886-1965)." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040004.

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L’architecte-peintre, scénographe et paysagiste émigré russe André Beloborodoff est un artiste oublié de la première moitié du XXème siècle. Il commence une carrière prestigieuse dans la Saint-Pétersbourg prérévolutionnaire, sous l’égide du renouveau néoclassique. En exil, il a vécu et travaillé à Londres, à Paris et à Rome, où il était connu pour ses vues d’Italie et ses chefs-d’œuvre architecturaux, le château de Caulaincourt en France et la villa Pepoli pour Maurice Sandoz à Rome. L’œuvre extrêmement originale et personnelle est influencée par les divers courants et pays dans lesquels il a
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3

Chinyaeva, Elena V. "The Russian emigration into Czechoslovakia in the interwar period." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260007.

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Wiederkehr, Stefan. "Die eurasische Bewegung : Wissenschaft und Politik in der russischen Emigration der Zwischenkriegszeit und im postsowjetischen Russland /." Köln : Böhlau, 2006. http://catalogue.bnf.fr/ark:/12148/cb401511455.

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Thompson, Rowan Douglas. "Art and authority : aspects of Russian art since 1917." Thesis, Rhodes University, 1991. http://hdl.handle.net/10962/d1007298.

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From Introduction: The Artist was denied any role in Plato's Republic because of his ability to impair reason by imitating reality through his works. Aristotle, however, welcomed the artist because of his ability to express ideas about society through artistic form. Ernst Fischer agrees with the latter view, "Art enables man to comprehend reality, and not only helps him to bear it but increases his determination to make it more human and more worthy of mankind. Art is itself a social reality, society needs the artist ... and it has a right to demand of him that he should be conscious of his so
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Mienert, Marion. "Grossfürtin Marija Pavlovna : ein Leben in Zarenreich und Emigration : vom Wandel aristokratischer Lebensformen im 20. Jahrhundert /." Frankfurt am Main : Peter Lang, 2005. http://catalogue.bnf.fr/ark:/12148/cb41372789k.

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7

Yugova, Ksenia. "MIGRATION POLICY OF THE RUSSIAN FEDERATION." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-125224.

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The Master's thesis investigates a range of problems of migration policy of the Russian Federation. The main goal of the thesis is to identify causes, that underlay inefficiency of implemented measures in migration field; and to develop recommendations to make the Russian migration policy more efficient. A work solution process is based on the hypothesis that goals and tools of the Russian migration policy are not enough consecutive and effective, therefore the whole system requires revision and alteration. The theoretical part discloses the impact of migration on a national economy and provid
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Bang, Rosaria E. "Russian Art Education: A Study on Post-Soviet Perspectives." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-07282006-130035/.

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Thesis (M.A.E.)--Georgia State University, 2006.<br>Title from title screen. Melody Milbrandt, committee chair; Mariama Ross, Teresa Bramlette Reeves, committee members. Electronic text (186 p. : col. ill.) : digital, PDF file. Deescription based on contents viewed May 10, 2007. Includes bibliographical references (p. 93-110).
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Clark, Toby. "Representations of Russian Art in American Art History and Criticism 1917-1939." Thesis, University of Sussex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.522624.

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This dissertation examines the critical reception and historical construction of Russian art in the United States between 1917 and 1939. The study focuses on two main types of Russian art; that of the Russian avant-garde, and that of artists who emigrated to the United States and achieved a high level of critical visibility and commercial success there during the 1920s. The discussion of the Russian emigre artists concentrates on the treatment of their work in the American curatorial system and art market. It examines the critical strategies used to promote these artists, particularly in the w
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10

Jackson, D. "Ilya Repin : ideology and aesthetics in Russian art." Thesis, University of Edinburgh, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.652898.

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This thesis aims to seek a more judicious appreciation of Repin's worth through a comprehensive survey of his life and work, utilising as reference points the twin constituents of painting, form and content, which find reflection in the East/West proclivity towards ideology and aesthetics. The first chapter deals with Repin's early development, from his birth in 1844 into a provincial military settlement, to his enrolment in 1864 at the Imperial Academy in St. Petersburg, and considers the relative influences of the Academy, the secessionist <i>Artel</i> based around Ivan Kramskoy, and the eme
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