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Dissertations / Theses on the topic 'Art of the Russian emigration'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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1

Winstead, Caitlin Leigh. "ART, LIFE, AND COMMUNITY IN RUSSIA ABROAD: AN EXAMINATION OF THE EMIGRE MAGAZINE TEATR’ I ZHIZN’." Miami University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=miami150163074847434.

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2

Von, Mitschke-Collande Eugénie. "L’architecte-peintre André Beloborodoff, un classique moderne (1886-1965)." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040004.

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L’architecte-peintre, scénographe et paysagiste émigré russe André Beloborodoff est un artiste oublié de la première moitié du XXème siècle. Il commence une carrière prestigieuse dans la Saint-Pétersbourg prérévolutionnaire, sous l’égide du renouveau néoclassique. En exil, il a vécu et travaillé à Londres, à Paris et à Rome, où il était connu pour ses vues d’Italie et ses chefs-d’œuvre architecturaux, le château de Caulaincourt en France et la villa Pepoli pour Maurice Sandoz à Rome. L’œuvre extrêmement originale et personnelle est influencée par les divers courants et pays dans lesquels il a

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3

Chinyaeva, Elena V. "The Russian emigration into Czechoslovakia in the interwar period." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260007.

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4

Wiederkehr, Stefan. "Die eurasische Bewegung : Wissenschaft und Politik in der russischen Emigration der Zwischenkriegszeit und im postsowjetischen Russland /." Köln : Böhlau, 2006. http://catalogue.bnf.fr/ark:/12148/cb401511455.

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5

Thompson, Rowan Douglas. "Art and authority : aspects of Russian art since 1917." Thesis, Rhodes University, 1991. http://hdl.handle.net/10962/d1007298.

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From Introduction: The Artist was denied any role in Plato's Republic because of his ability to impair reason by imitating reality through his works. Aristotle, however, welcomed the artist because of his ability to express ideas about society through artistic form. Ernst Fischer agrees with the latter view, "Art enables man to comprehend reality, and not only helps him to bear it but increases his determination to make it more human and more worthy of mankind. Art is itself a social reality, society needs the artist ... and it has a right to demand of him that he should be conscious of his so

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6

Mienert, Marion. "Grossfürtin Marija Pavlovna : ein Leben in Zarenreich und Emigration : vom Wandel aristokratischer Lebensformen im 20. Jahrhundert /." Frankfurt am Main : Peter Lang, 2005. http://catalogue.bnf.fr/ark:/12148/cb41372789k.

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7

Yugova, Ksenia. "MIGRATION POLICY OF THE RUSSIAN FEDERATION." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-125224.

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The Master's thesis investigates a range of problems of migration policy of the Russian Federation. The main goal of the thesis is to identify causes, that underlay inefficiency of implemented measures in migration field; and to develop recommendations to make the Russian migration policy more efficient. A work solution process is based on the hypothesis that goals and tools of the Russian migration policy are not enough consecutive and effective, therefore the whole system requires revision and alteration. The theoretical part discloses the impact of migration on a national economy and provid

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8

Bang, Rosaria E. "Russian Art Education: A Study on Post-Soviet Perspectives." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-07282006-130035/.

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Thesis (M.A.E.)--Georgia State University, 2006.<br>Title from title screen. Melody Milbrandt, committee chair; Mariama Ross, Teresa Bramlette Reeves, committee members. Electronic text (186 p. : col. ill.) : digital, PDF file. Deescription based on contents viewed May 10, 2007. Includes bibliographical references (p. 93-110).

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9

Clark, Toby. "Representations of Russian Art in American Art History and Criticism 1917-1939." Thesis, University of Sussex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.522624.

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This dissertation examines the critical reception and historical construction of Russian art in the United States between 1917 and 1939. The study focuses on two main types of Russian art; that of the Russian avant-garde, and that of artists who emigrated to the United States and achieved a high level of critical visibility and commercial success there during the 1920s. The discussion of the Russian emigre artists concentrates on the treatment of their work in the American curatorial system and art market. It examines the critical strategies used to promote these artists, particularly in the w

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10

Jackson, D. "Ilya Repin : ideology and aesthetics in Russian art." Thesis, University of Edinburgh, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.652898.

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This thesis aims to seek a more judicious appreciation of Repin's worth through a comprehensive survey of his life and work, utilising as reference points the twin constituents of painting, form and content, which find reflection in the East/West proclivity towards ideology and aesthetics. The first chapter deals with Repin's early development, from his birth in 1844 into a provincial military settlement, to his enrolment in 1864 at the Imperial Academy in St. Petersburg, and considers the relative influences of the Academy, the secessionist <i>Artel</i> based around Ivan Kramskoy, and the eme

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11

Henderson, Robert. "Vladimir Burtsev and the Russian revolutionary emigration : surveillance of foreign political refugees in London, 1891-1905." Thesis, Queen Mary, University of London, 2008. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1461.

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The thesis describes the early life in emigration of the Russian revolutionary, historian and radical journalist Vladimir L'vovich Burtsev (17/29 November 1862 - 21 August 1942). Particular emphasis is placed on the nature and extent of the police surveillance of Burtsev and the émigré community in Europe during the period. The relationship between the Criminal Investigation Department of London's Metropolitan Police and their Russian counterparts in Europe - the Zagranichnaia agentura, ('Foreign Agency') - is examined in detail. Burtsev's biography has great contemporary relevance, unfolding,

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12

Posner, David M. "Reviving a lost art : piano music of Russian-Jewish origin /." Access Digital Full Text version, 1988. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10809193.

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13

Pivniouk, Oksana. "Teaching Methods and Pedagogical Ideas of Pavel Petrovich Chistyakov - A Talented Russian Artist and Exceptional Art Educator." Thesis, The University of Arizona, 2013. http://hdl.handle.net/10150/301476.

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The following paper is an opportunity for me to introduce Pavel Petrovich Chistyakov and his pedagogical ideas to English-speaking educators. His life's accomplishments seem even more remarkable when considering the fact that he was born into a family of serfs and later became a professor at the Russian Academy of Fine Arts. Among his students were well-known Russian artists such as Valentin Serov, Mikhail Vrubel, Vasily Surikov, Victor Vasnetcov, and Vasily Polenov. In this paper, I present you with a brief analytical summary of his methodology on teaching drawing and painting, his pedagogica

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14

Crist, Tessa J. "Vladimir Makovsky| The politics of nineteenth-century Russian realism." Thesis, Northern Illinois University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1590999.

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<p> This thesis examines the political work produced by a little-known Russian Realist, Vladimir Makovsky (1846-1920), while he was a member of the nineteenth-century art collective <i>Peredvizhniki.</i> Increasingly recognized for subtle yet insistent opposition to the tsarist regime and the depiction of class distinctions, the work of the <i>Peredvizhniki</i> was for decades ignored by modernist art history as the result of an influential article, "Avant-Garde and Kitsch," written by American art critic Clement Greenberg in 1939. In this article, Greenberg suggests the work of Ilya Repin, th

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15

Hunt, Laura A. "From Performer to Petrushka: A Decade of Alexandra Exter's Work in Theater and Film." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/art_design_theses/70.

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The subject of my thesis is Russian artist Alexandra Exter’s work in the performing arts, with a focus on her theatrical set and costume designs in the Kamerny Theater, her creations for Iakov Protazanov’s 1924 science fiction film, Aelita, and finally her exquisitely fabricated set of approximately forty marionettes. Within these colorful wooden figures are reconciled conflicting notions of stasis and dynamism, sculpture and performer, human and object. Drawing upon Victor Shklovskiĭ’s formalist definition of “enstrangement,” I examine her introduction of the object in place of the human per

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16

Roy, Nina Tamara. "Harvest of memories : national identity and primitivism in French and Russian art, 1888-1909." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37827.

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This dissertation analyses the convergence of primitivism and nationalism in late-nineteenth and early-twentieth century French and Russian art. The discourse of primitivism has yielded a number of critical studies focusing on the artistic appropriation of aesthetics derived from "tribal" arts, Asian arts, medieval icons, outsider art, and peasant arts and crafts. Within that scholarship, modern European art that appropriates the aesthetics of folk arts and themes of the peasantry is frequently considered to be representative of national identity and myth. The artistic elucidation of the peasa

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17

Brod, Heather Christine. "Colorist art, contemporary Russian art, and Neue Slowenische Kunst in the collection of Neil K. Rector." Connect to resource, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1210265694.

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18

Issiyeva, Adalyat. "Russian orientalism: from ethnography to art song in nineteenth-century music." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121101.

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Russia's ambivalent geo-political and socio-cultural position, as a self-avowed intermediary between the East and the West, shaped its double identity and played an important role in the creation of Russia's own Oriental Other. This dissertation examines the political and cultural resonance of nineteenth-century Russian art songs with oriental or Asian subjects, both within and outside of Edward Said's theoretical construct of "Orientalism." It also addresses how Russian art song composers adapted, transformed and assimilated music drawn from ethnographic sources published during the century.

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19

Rose, Katherine Mae. "Multivalent Russian Medievalism: Old Russia Through New Eyes." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493416.

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This thesis explores representations of medieval Russia in cultural and artistic works of the late nineteenth and early twentieth centuries, with an eye to the shifting perceptions of Russia’s cultural heritage demonstrated through these works. The thesis explores the history of medievalism as a field of study and interrogates the reasons that medievalism as a paradigm has not been applied to the field of Russian studies to date. The first chapter is an investigation of architectural monuments incorporating Old Russian motifs, following the trajectory of the “Russian Style” in church architect

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20

Friedman, Julia P. "Alexei Remizov's threshold art : the illustrated albums of the 1930s /." View online version; access limited to Brown University users, 2005. http://wwwlib.umi.com/dissertations/fullcit/3174602.

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21

Medvedev, Natasha. "The contradictions in Vereshchagin's Turkestan series visualizing the Russian Empire and its others /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1835633981&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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22

Bilu, Elina. "La poésie contemporaine russophone israélienne." Thesis, Grenoble, 2012. http://www.theses.fr/2012GRENL019.

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Ce travail est consacré à la poésie en langue russe écrite sur le territoire d'Israël à partir de la fin des années 80 du XX siècle. La période marquée correspond à la quatrième, la dernière et la plus grande vague d'émigration russe qui est devenue possible grâce à la perestroïka. La poésie russophone israélienne reproduit tous les genres, les prosodies et les sujets principaux de la poésie russe et en même temps elle est capable de profiter de sa présence au Proche Orient, afin d'introduire dans la littérature russe des sujets et des styles nouveaux. Durant la période envisagée, un nombre im

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23

Geusa, Antonio. "The history of Russian video art : on the birth, growth and institutionalisation of video as an art form in Ruissia." Thesis, Royal Holloway, University of London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.502605.

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24

MILLER, KATHLEEN A. "Valery Gavrilin: A Theoretical and Historical Analysis of Select Works for Voice and Piano." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1201116646.

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25

Potvin, Allison Leigh. "Bodies in Transition:Physical Transformation in Postmodern Russian Fiction and Visual Culture." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1316111770.

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26

Howard, Barbara C. "Modern designs of women's apparel based upon Russian fairy tales and the art work by various Russian illustrators depicting Pre-Empire style of garments." Online version, 1998. http://www.uwstout.edu/lib/thesis/1998/1998howardb.pdf.

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27

Hans, Ella. "DEFYING THE MODERNIST CANON: MIKHAIL LARIONOV’S ARTISTIC EXPERIENCE BEYOND THE CANVAS." UKnowledge, 2011. http://uknowledge.uky.edu/gradschool_theses/648.

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In the contemporary art-historical vision, Mikhail Larionov is renowned as the author and the main figure in the polemical discourse of Neoprimitivism and the inventor of the Rayonism style. These aspects, although crucial to his career, are far from exhausting the artist’s legacy. During his most industrious period, from 1910 to 1915, he was equally, if not more, engaged in the development of new forms of art than in the practice of painting; in fact, the conventional cornerstone of the high art in the era of Modernism – a painting – lost its central position and receded to the status of the

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28

Fer, B. A. "Russian art and theory in France 1918-25 : A comparative study of artistic avant-gardes." Thesis, University of Southampton, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.380552.

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29

Kotkavaara, Kari. "Progeny of the icon : emigre Russian revivalism and the vicissitudes of the Eastern Orthodox sacred image /." Åbo : Åbo akademic Förlag, 1999. http://catalogue.bnf.fr/ark:/12148/cb391514005.

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30

Kostetskaya, Anastasia G. "The Water of Life and the Life of Water: the Metaphor of World Liquescence in Russian Symbolist Poetry, Art and Film." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1367511847.

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31

Gogytė, Ernesta. "Kelioninių rankinių grupė - "Re - Voyage"." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100902_235358-70476.

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Ne kiekvienas žmogus turi galimybę keliauti, bet beveik kiekvienas norėtų. Taip yra greičiausiai dėl to, jog kelionė yra suvokiama tarsi poilsio forma, tačiau ji neabejotinai turi ir kitokį aspektą, kadangi tai kelionė yra ir iššūkis, išbandymas, priverčiantis galvoti apie gyvenimo naujas kategorijas. Baigiamąjį diplominį darbą „Re – Voyage“, sudaro dviejų kelioninių rankinių grupė ( viena didelė, kita maža ), teorinis darbo aprašas ir video pristatymas. Diplominiam darbui pasirinkta aktuali šiems laikams kelionių, žmonių migracijos tematika. Ją atskleisti ir įprasminti siekiama panaudojant kl

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32

Salitan, Laurie P. "An analysis of Soviet Jewish emigration in the 1970s." Thesis, University of Oxford, 1992. http://ora.ox.ac.uk/objects/uuid:f984e4b9-f578-4ee9-89d5-b26a65cca29b.

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Domestic, not foreign affairs drove Soviet policy on Jewish emigration during the period of 1968-1989. This study challenges the prevailing view that fluctuating levels of exit from the USSR were correlated to the climate of relations between the USA and the USSR. The analysis also considers Soviet-German emigration for comparative perspective. Extensive historical background, with special emphasis on Soviet nationality policy is provided.

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33

Radunovic, Dusan. "Debates on Form in Russian Studies of Language and Art (1915-1929): Theoretical and Institutional Dynamic." Thesis, University of Sheffield, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.489743.

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The thesis Debates on Form in Russian Studies of Langua!!e and Ali (1915-1929): Theoretical and Institutional Dynamic seeks to unearth and interpret the complex nexus between social and cognitive trends in Russian humanities in the period between 1915 and 1930. Its principal objective is to reassess the cliched scholalry perception of the period, which fosters the mirage that intellectual production in Soviet Russia was chiefly or exclusively located in the so-called 'unofficial, sphere': the official circles are in this equation mled out as ideologically opportunistic and intellectually fmitl

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34

Schenk, Caress Rene. "A Typical Country of Immigration? The Russian Immigration Regime in Comparative Perspective." Oxford, Ohio : Miami University, 2010. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1274997400.

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35

Schick, Christine Suzanne. "Russian Constructivist Theory and Practice in the Visual and Verbal Forms of "Pro Eto"." Thesis, University of California, Berkeley, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3616250.

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<p> This dissertation aims in part to redress the shortage of close readings of Vladimir Mayakovsky and Aleksandr Rodchenko's joint project, the book <i> Pro Eto.</i> It explores the relationship between the book's visual and verbal aspects, treating the book and its images as objects that repay attentive looking and careful analysis. By these means this dissertation finds that the images do not simply illustrate the text, but have an intertextual relationship with it: sometimes the images suggest their own, alternative narrative, offering scenes that do not exist in the poem; sometimes they a

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36

Miguel, Jair Diniz. "Arte, ensino, utopia e revolução: os ateliês artísticos Vkhutemas/Vkhutein (Rússia/URSS, 1920-1930)." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-02022007-171251/.

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Em vinte anos de vanguarda russa, entre 1910 e 1930, seus artistas experimentaram diversas linguagens artísticas, do futurismo italiano ao mais vigoroso produtivismo (uma vertente radical de fusão da arte com a vida), em busca da expressão perfeita da modernidade, da realidade por eles vivida e da história em construção no período. Ao concentrar tantos caminhos e esforços em uma só instituição de ensino de artes, estava aberta a passagem para a inovação e a revolução que o VKhUTEMAS/VKhUTEIN operou dentro da história da arte soviética. A Seção de Base com suas disciplinas amplas e integradoras

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37

Harrison, Richard W. "The development of Russian-Soviet operational art, 1904-1937, and the imperial legacy of Soviet military thought." Thesis, King's College London (University of London), 1994. https://kclpure.kcl.ac.uk/portal/en/theses/the-development-of-russiansoviet-operational-art-19041937-and-the-imperial-legacy-of-soviet-military-thought(5800e0a9-42d4-44bf-ad6d-1f24bf63729f).html.

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38

Portevin, Jeanne-Marie. "L'art moderne à l'épreuve du nazisme : historiographie critique de sa réception ( 1945-2015)." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H029.

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Nombreux sont les ouvrages – et ce dans tous les domaines du savoir – qui traitent de l’Allemagne nationale-socialiste. Depuis 1947, et le livre d’Adolf Behne (Entartete Kunst), le sort des artistes dans le Troisième Reich suscite l’intérêt, si ce n’est la compassion, des historiens de l’art. Néanmoins, seuls les persécutés, ceux que le régime nazi avait taxé de "dégénérés", retiennent l’attention, célébrés comme autant de héros. Ce sont eux qui vont être appelés par les Alliés pour "décontaminer" un peuple tout entier corrompu par douze ans de dictature, et racheter la faute. C’est précisémen

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39

Tóthné, Kriza Ágnes Rebeka. "Depicting orthodoxy : the Novgorod Sophia icon reconsidered." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/275821.

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The Novgorod icon of Divine Wisdom is a great innovation of fifteenth-century Russian art. It represents the winged female Sophia flanked by the Theotokos and John the Baptist. Although the icon has a contemporaneous commentary and it exercised a profound influence on Russian cultural history (inspiring, among others, the sophiological theory of the turn of the twentieth century), its meaning, together with the dating and localisation of the first appearance of the iconography, has remained a great art-historical conundrum. This thesis sheds new light on this icon and explores the message, roo

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Cull, Logan P. "The Mysteries of Spirit: Cross-Currents in Russian Modernism (Alexander Scriabin & Nikolai Shperling)." Ohio University Honors Tutorial College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1494013315151203.

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Shaikh, Fariha Najwa. "'It is merely crossing [...] the distance is quite imaginary' : textual cultures of settler emigration in nineteenth-century British literature and art." Thesis, King's College London (University of London), 2014. https://kclpure.kcl.ac.uk/portal/en/theses/it-is-merely-crossing--the-distance-is-quite-imaginary(9ed53c53-0791-4019-85cc-ed663ea6e713).html.

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During the nineteenth century hundreds of thousands of men, women and children moved away from Britain in search of better lives in the colonies of Canada, Australia and New Zealand and in North America. This demographic shift was also a textual enterprise. Emigrants themselves wrote about their experiences in their diaries and letters. Their accounts were published in periodicals, memoirs and travel accounts, pamphlets and leaflets. This thesis interrogates the intersections between nineteenth-century colonial emigration and its textual encounters. Settler emigration produced a monumental shi

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Olsen, Trenton B. "Fallen Womanhood and Modernity in Ivan Kramskoi's Unknown Woman (1883)." BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/4198.

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My thesis investigates Ivan Kramskoi's well-known work Unknown Woman (1883). In reviewing the criticism concerning Unknown Woman written in the wake of the eleventh peredvizhniki exhibition in which it was first shown, Kramskoi's painting attracted praise, perplexity, and condemnation. One of the major interpretations (though not commonly discussed) was that this work was meant to allude to female sexuality or prostitution in Russian society. The purpose of my thesis is to reinstate the pertinence of this reading, one which has been obfuscated or ignored in the majority of ensuing twentieth an

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43

Walworth, Catherine. "Making Do for the Masses: Imperial Debris and a New Russian Constructivism." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366044910.

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Jones, Daniel O. "The Soul That Thinks: Essays on Philosophy, Narrative and Symbol in the Cinema and Thought of Andrei Tarkovsky." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1194999476.

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Miežytė, Ugnė. "Emigracija." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120702_110953-22905.

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Diplominis darbas susideda iš dviejų dalių: teorinio aprašo ir praktinio kūrybinio darbo.Teorinėje dalyje apžvelgiama asambliažo koncepcija, idėja, analogai. Aprašoma darbo eiga, priemonės, atlikimo technika.Kūrybinis darbas susideda iš trijų darbų kolekcijos. Kiekvienas darbas (130cm. x 130cm.) atliktas ant MDF - vidutinio tankio medienos plaušų plokštės, naudojant: popierinius rankšluosčius - „paloma“, universalius klijus - „lipalas“, gipsinį tinką - „knauf rotband“, aliejinius dažus.Kūrybinio darbo – asambliažo - kolekcijoje „Emigracija“ nagrinėjama problema – jaunų žmonių išvykimas svetur

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Nucci, Angela. "O trabalho pedagogico de Kazimir Malievitch : uma abordagem a partir da teoria do elemento adicional em pintura." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279110.

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Orientador: Nelson Alfredo Aguilar<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-12T10:48:51Z (GMT). No. of bitstreams: 1 Nucci_Angela_M.pdf: 7815232 bytes, checksum: 25b80efe49c9c1047077c0c6b988ee38 (MD5) Previous issue date: 2009<br>RESUMO: A obra de Kazímir Sievierínovitch Maliévitch (1878-1935) compõe um dos relatos mais significativos que se relacionam tanto ao declínio das concepções tradicionais da arte e a eclosão das vanguardas modernistas quanto ao confronto entre as diversas tendência

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Silva, Fabio Roberto Porto. "Arca russa, arca da memoria." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/252123.

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Orientador: Milton Jose de Almeida<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-09T12:04:10Z (GMT). No. of bitstreams: 1 Silva_FabioRobertoPorto_M.pdf: 11291326 bytes, checksum: 14c22ed2fda7a9aaa942cfcbc3eb8d37 (MD5) Previous issue date: 2007<br>Resumo: Este trabalho é uma interpretação do filme ¿Arca Russa¿, dirigido pelo cineasta Alexander Sokurov, como construção de um espaço da memória sob a luz dos escritos do autor italiano Giulio Camillo. ¿Arca Russa¿ remete a imagens literárias, imagens de um palácio, imag

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Dunaeva, Cristina Antonioevna 1975. "De sistemas novos na arte de Kazimir Malievitch : da historiab da arte a analise da lingagem artistica." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281797.

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Orientador: Nelson Alfredo Aguilar<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-04T02:08:28Z (GMT). No. of bitstreams: 1 Dunaeva_CristinaAntonioevna_M.pdf: 563718 bytes, checksum: 9e1ff31ec246ac81abb6304ae37d9f1b (MD5) Previous issue date: 2005<br>Resumo: De Sistemas Novos na Arte (O nóvikh sistiémakh v isskûstvie), 1919, é o primeiro tratado teórico de Kazímir Sievierínovitch Maliévitch (1878, Kíiev ¿ 1935, Leningrado), um dos principais artistas da vanguarda russa, criador do suprematismo, te

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Strugnell, James Paul. "Paintings by numbers : applications of bivariate correlation and descriptive statistics to Russian avant-garde artwork." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/10722.

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In this thesis artwork is defined, through analogy with quantum mechanics, as the conjoining of the nonsimultaneously measurable momentum (waves) of artwork-text (words within the primary sources and exhibition catalogues) with the position (particles) of artwork-objects (artist- productivity/exhibition-quantities). Such a proposition allows for the changes within the artwork of the Russian avant-garde to be charted, as such artwork-objects are juxtaposed with different artwork-texts from 1902 to 2009. The artwork of an initial period from 1902 to 1934 is examined using primary-source artwork-

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Knapp, Melkowits Amanda Therese. "Art Therapy with an Adoptive Family: A Case Study of Adoptee Children with Reactive Attachment Disorder." Ursuline College / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=urs1210348357.

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