Relevant bibliographies by topics / Art patronage – norway

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Academic literature on the topic 'Art patronage – norway'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Art patronage – norway"

1

Mulcahy, Kevin V. "Cultural Patronage in Comparative Perspective: Public Support for the Arts in France, Germany, Norway, and Canada." Journal of Arts Management, Law, and Society 27, no. 4 (1998): 247–63. http://dx.doi.org/10.1080/10632929809597270.

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Golat, Rafał. "OVERVIEW OF 2018 AMENDMENTS TO THE ACT ON ORGANIZING AND RUNNING CULTURAL ACTIVITY AND THE ACT ON MUSEUMS." Muzealnictwo 60 (March 4, 2019): 33–38. http://dx.doi.org/10.5604/01.3001.0013.0765.

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The year 2018 did not yield any breakthrough amendments to the Act on Museums. Those adopted were essentially meant to either adjust or complement the existing acts, and were adopted as the consequence of the amendments to other laws. However, the Act on Organizing and Running Cultural Activity, which actually stands as the systemic reference, particularly when it comes to museums operating as cultural institutions, was amended in 2018 to a greater extent. The widest range of the above amendments related to the organizational aspects of the operation of Polish cultural institutions. Firstly, t
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3

Foxcroft, Nigel H., and Christian Høgsbjerg. "The Earle Birney – Malcolm Lowry Connection." University of Toronto Quarterly 91, no. 2 (2022): 49–77. http://dx.doi.org/10.3138/utq.91.2.03.

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The eminent Canadian poet, Earle Birney (1904–95), and the late modernist writer, Malcolm Lowry (1909–57), shared not only a supportive friendship in Vancouver (ignited by Sybil Hutchinson in 1947) involving the patronage of each other’s verses. Their deeper connections were rooted in shared experiences under the influence of Marxist ideas in 1930s England. A self-proclaimed “working-class boy,” Birney was radicalized toward Marxism whilst studying for a Toronto doctoral degree during the Great Depression. Attracted to the Young Communist League, he was won over to Trotskyism in 1933 by Kennet
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Kvåle, Gro, and Zuzana Murdoch. "Making Sense of Stigmatized Organizations: Labelling Contests and Power Dynamics in Social Evaluation Processes." Journal of Business Ethics, April 12, 2021. http://dx.doi.org/10.1007/s10551-021-04810-7.

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AbstractHow do social audiences negotiate and handle stigmatized organizations? What role do their heterogenous values, norms and power play in this process? Addressing these questions is important from a business ethics perspective to improve our understanding of the ethical standards against which organizations are judged as well as the involved prosecutorial incentives. Moreover, it illuminates ethical concerns about when and how (the exploitation of) power imbalances may induce inequity in the burdens imposed by such social evaluations. We address these questions building on two event-base
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Books on the topic "Art patronage – norway"

1

Lillehammer, Høgskolen i., and Universitetet i Oslo. Institutt for medier og kommunikasjon, eds. "Ikke førenn der er grodd mose på deres talent": Musikkpolitikken 1859-1905. Unipub, 2005.

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2

Antonio, Giuliano, ed. Studi normanni e federiciani. L'Erma di Bretschneider, 2003.

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3

Tronzo, William. The cultures of his kingdom: Roger II and the Cappella Palatina in Palermo. Princeton University Press, 1997.

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4

Gran, Anne-britt. Kunst Og Kapital: Nye Forbindelser Mellom Kunst, Estetikk Og Næringsliv. Pax, 2005.

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5

Melfi normanna. Libria, 2018.

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6

Sterling and Francine Clark Art Institute, ed. Orchestrating elegance: Alma-Tadema and the Marquand music room. Clark Art Institute, 2017.

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7

Wani, Aijaz Ashraf. What Happened to Governance in Kashmir? Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199487608.001.0001.

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What Happened to governance in Kashmir? studies the state of Jammu and Kashmir from the perspective of an ‘exceptional state’ rather than a ‘normal state’, a periphery on the margins of the centre, and thus shifts the focus from the central grid to the local arena. It contains a mass of information on what successive governments did to manage the conflicted state of Jammu and Kashmir. It identifies the various issues and problems the state has been confronted with since the transfer of power to ‘popular’ government in 1948 to 1989. The book makes a critical study of the engagement of Indian st
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