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Relevant bibliographies by topics / Art patterns

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Academic literature on the topic 'Art patterns'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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Journal articles on the topic "Art patterns"

1

Wooley, David. "Patterns of Art, Patterns of Life: The Rahr Collection of Native American Art." American Indian Quarterly 14, no. 3 (1990): 341. http://dx.doi.org/10.2307/1185691.

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Trevelyan, Amelia, and Barbara A. Hail. "Patterns of Life, Patterns of Art: The Rahr Collection of Native American Art." African Arts 21, no. 2 (1988): 91. http://dx.doi.org/10.2307/3336545.

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Demeshchenko, Svetlana A. "THE PALEOLITHIC ART: COMPOSITE PATTERNS." Journal of historical philological and cultural studies 2, no. 60 (2018): 177–90. http://dx.doi.org/10.18503/1992-0431-2018-2-60-177-190.

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Saidi, Acep Iwan. "Narrative Patterns in Indonesian Fine Art." Britain International of Linguistics Arts and Education (BIoLAE) Journal 3, no. 1 (2021): 77–87. http://dx.doi.org/10.33258/biolae.v3i1.411.

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This paper aims to describe the structure and pattern of narratives in art, which in this case Indonesian fine art is used as a case study. This topic is important considering that the assumption that works of fine art have narrative characteristics has become common knowledge, but the structure and narrative patterns within the genre of work of fine art that can be used as a reference have not yet been formulated. By using a structural semiotic approach, studies in this paper have found that narrative patterns in fine art are a combination of denotative visual sign units presented as works on the syntagmatic axis of language (visual) interrelated to form associations or groups of narrative connotations on the paradigmatic axis (community knowledge system). This proposition, as well as several other formulations found in the analysis, has a significant contribution to the development of fine art, both theoretically and practically, both in Indonesia and the world.

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BUCOLO, M., A. BUSCARINO, L. FORTUNA, M. FRASCA, and M. G. XIBILIA. "FROM DYNAMICAL EMERGING PATTERNS TO PATTERNS IN VISUAL ART." International Journal of Bifurcation and Chaos 18, no. 01 (2008): 51–81. http://dx.doi.org/10.1142/s021812740802015x.

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In this communication the relationship between emerging patterns generated by using CNN Universal Machine and patterns appearing in visual art masterpieces is discussed. The template based programming tools are outlined and a gallery of impressive examples is presented. The paper remarks the impressive role of Cellular Nonlinear Networks in covering the gap among art, science and information technology.

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Thalal, Abdelmalek, Youssef Aboufadil, and My Ahmed Elidrissi. "Construction of quasiperiodic patterns in the Moroccan ornamental art." Acta Crystallographica Section A Foundations and Advances 70, a1 (2014): C1430. http://dx.doi.org/10.1107/s2053273314085696.

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The similarity between the structure of Islamic decorative patterns and quasicrystal, aroused the interest of several crystallographers. They analyzed these patterns, by different approaches, various kinds of ornamental quasiperiodic patterns encountered in the Morocco and Alhambra (Andalusia) as well as in the eastern of Islamic world. In this work, we are interesting in the quasiperiodic patterns found in several Moroccan historical buildings constructed in the 14th century. We first describe the Zellige panels (fine mosaics) decorating the Madrasas (schools) Attarine and Bou Inania in Fez in term of Penrose tiling, to confirm that both panels have quasiperiodic structure (Makovicky et al, 1998). The panel Madrasas Attarine appears as a finite part of this quasiperiodic pattern (Figure 1-c). As already mentioned by several authors, we can notice the similarity of the decagonal pattern with the diffraction pattern of the quasicrystal Al Mn (Schechtman et al, 1984) (Figure 1-a and c). The multigrid method developed by De Bruijn (1981) and reformulated by Gratias (2002) to obtain a quasiperiodic paving, is used to construct known quasiperiodic patterns from periodic patterns extracted from the Madrasas Bou Inania and Ben Youssef (Marrakech). At last, we propose a method of construction of heptagonal, enneagonal, tetradecagonal and octadecagonal quasiperiodic patterns, not encountered in the Moroccan ornamental art. They are built from tiling (skeleton) generated by the multigrid method and decorated by motifs obtained by the craftsmen method.

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Li, Dan, and Yi Nong Yan. "Design of Dig-Art Imitating Batik Pattern." Advanced Materials Research 214 (February 2011): 260–64. http://dx.doi.org/10.4028/www.scientific.net/amr.214.260.

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To resolve high expense and time-consuming of cashmere fabrics printing about the traditional batik, this paper summarizes existing batik patterns and analyzes the general batik styles and features and in accordance with the above styles to design the imitation of batik pattern in digital designing art in order to achieve a immediate printing result on the cashmere fabrics. While increasing cashmere fabrics printing pattern, the paper aims at offering some reference and gist for research on cashmere fabrics digital printing and design through analysis of the imitated batik patterns.

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Soussloff, Catherine M., and Edward L. Goldberg. "Patterns in Late Medici Art Patronage." Art Bulletin 71, no. 4 (1989): 697. http://dx.doi.org/10.2307/3051277.

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Davis, John. "Tangrams and patterns: Maths through art." 5 to 7 Educator 2008, no. 45 (2008): xvi—xviii. http://dx.doi.org/10.12968/ftse.2008.7.9.30980.

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Walker, John. "Plots and Patterns in Art History." Art Book 10, no. 4 (2003): 10–11. http://dx.doi.org/10.1111/1467-8357.00354.

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Dissertations / Theses on the topic "Art patterns"

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Spickard, Kristen R. "Patterns." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343703458.

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Costello, Eleanor Dale. "Kaleidoscope patterns : art education in an elementary classroom." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28030.

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In September 1985, a new Fine Arts Curriculum Guide/Resource Book was introduced in elementary schools throughout British Columbia. The purpose of this study was to investigate a practitioner's use of the guide within her classroom. Enquiry into the quality of the practitioner's living within the tensionality between this curriculum-as-plan and her curriculum-as-lived experience provided a counterpoint for the researcher's personal reflections on her experiences as a school art specialist and district resource person. An art education evaluation model based on art criticism concepts provided a flexible framework for this study. Classroom observations and reflective dialogue between teacher and researcher raised these issues: the lack of integration and balance between artistic, linguistic, and mathematical modes of learning within the overall school curriculum; the nature of school art, child art and art appreciation as each relates to curriculum goals for art education; evaluation in art education; and the "being" of children and the "being" of women teachers within present educational institutions. The study generated reflections on possible changes in the roles of learners, teachers, art specialists, and educational researchers as they adapt to curriculum change.<br>Education, Faculty of<br>Curriculum and Pedagogy (EDCP), Department of<br>Graduate

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Kenning, Gail Joy Art College of Fine Arts UNSW. "Pattern as process: an aesthetic exploration of the digital possibilities for conventional, physical lace patterns." Awarded by:University of New South Wales, 2007. http://handle.unsw.edu.au/1959.4/39898.

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Pattern is a familiar concept ever present in our daily lives, existing in many material forms, observable in varied states, and able to be created from a diverse range of processes and events. Natural pattern forms, such as biological and chemical patterns, have been extensively studied, often within the digital environment because of its capacity to process large amounts of data which aids investigation of not only their characteristics but their potentiality. However, human designed physical patterns, while having been investigated extensively in terms of their historical, geographic and cultural significance and their aesthetic and/or mathematical characteristics, have not been fully investigated in terms of their evolutionary potential. This project explores one example of human designed physical patterns, crochet lace patterns ??? which have remained largely stable and consistent throughout various technological transformations such as the industrial revolution ??? in order to explore pattern as a process and investigate the potential for these patterns to become emergent. This exploration translated the patterns into the digital environment where, as data, the patterns become available for manipulation using a generative art practice approach. By translating the patterns into a digital environment and engaging with the pattern forms at their systematic core, where crochet pattern instructions and software programming scripts operate similarly as ???code???, this research provided a deeper understanding of the patterns and allowed exploration of whether a pattern???s developmental path can be altered to create new emergent patterns. This research draws on systems theory and systems aesthetics and their application within contemporary generative art practice and informs visual arts in several areas including showing how aesthetic values shift as work becomes cross-disciplinary and enters the digital environment, and how the introduction and location of innovation affects the relationship between the original and its copy.

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Wear, Eric Otto. "Patterns in the collecting and connoisseurship of Chinese art in Hong Kong and Taiwan." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21734653.

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Moodey, Meredith Campbell. "Ceramics from the Franklin Glassworks: Acquisition Patterns and Economic Stress." W&M ScholarWorks, 1988. https://scholarworks.wm.edu/etd/1539625438.

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Rundare, Alfeous. "Patterns and associations with immunologic response in patients accessing ART in Khayalitsha." Master's thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/9327.

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Includes bibliographical references ( leaves 69-74).<br>[Introduction] This study formed part of an existing prospective cohort study describing the outcomes of treatment of patients accessing ART in Khayelitsha. Despite the reported favorable outcomes in terms of immunologic responses, the actual variations in patterns of and associations with immunologic response over time among adult patients accessing the community based antiretroviral treatment programme in Khayelitsha are largely unknown. [The aim of the study] The aim of this study focused on describing the patterns of and associations with immunologic response, together with some of their subsequent outcomes among adult patients accessing community based antiretroviral treatment programme in Khayelitsha. [Study design and population] The analysis of this study formed part of an existing prospective cohort study describing the outcomes of antiretroviral treatment of patients in Khayelitsha. The study population included patients accessing ART in Khayelitsha, Cape Town, South Africa. A sample size of 400 HIV positive ART naïve patients was sufficiently powered for the analysis. The socio-demographic and clinical information required for the an alysis was already captured, validated and entered in a database. Summary measures, logistic regressions, survival analysis, simple linear regression and population average models were used to make the analysis and report the findings.

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Perryman, Jorica. "Art through exile : thematic patterns in the work of Henry James and Thomas Mann /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0005/NQ42967.pdf.

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Wear, Eric Otto, and 華立強. "Patterns in the collecting and connoisseurship of Chinese art in Hong Kong and Taiwan." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B43894392.

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Wrapson, Lucy Jane. "Patterns of production : a technical art historical study of East Anglia's late medieval screens." Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.695227.

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Clayton, Leanne. "Patterns and motifs in the Va: a Samoan concept of a space between." Click here to access this resource online, 2007. http://hdl.handle.net/10292/366.

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This project is an exploration of the endless negotiation of the va, the relationships that consistently define and redefine themselves in the space between two cultures. The va consists of relationships between people and things, unspoken expectations and obligations: the inherent and changeable patterns, of obligations and expectations between people and their environment. The va space can be viewed as the stage upon which all patterns and motifs carry meaning. How the patterns and motifs change meanings are subject to other elements in the va. Meaning in my work will evoke the interweaving connections of past and present through oral history, genealogy, and fagogo¹ (story telling) memory and artist sentiment. As participant, the artist reflects through the remembrance of sifting through images, person, family, events, time, and space. An emphasis will be placed on the exploration of pattern and motif as a signifier of events and sign of respect, with a focus on notions of the va. The project explores notions of visual patterns and motifs to be utilized as a vehicle to signify in that all patterns and motifs carry meaning in that they signify an event, person, time, and space. Written from a Samorians² perspective of one who lives in the space between. ¹ See Sean Mallon (2002) for an explanation on fagogo in Samoan Art and Artists O Measina a Samoa p. 163). ² The term ‘Samorians’ refers to a play on words of Samoans and an American treat called ‘samores’ containing a marshmallow that is cooked in the microwave or roasted in the fire and then placed in between two chocolate biscuits. It can also refer to an afakasi (half-caste).

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Books on the topic "Art patterns"

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Art nouveau patterns and designs. Crescent Books, 1988.

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Verneuil, Ad. Abstract art: Patterns and designs. Bracken, 1988.

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Akiyama, Minoru. Micro art: Designs and patterns. Kawade Shobo Shinsha, 1992.

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Beauclair, R. Art nouveau: Patterns and designs. Bracken, 1988.

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Signature: Patterns in Gond art. Tara Books, 2010.

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Leonhart, Charlotte Ann. Collective quilt and art patterns. C.A. Leonhart, 2001.

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Original art deco allover patterns. Dover Publications, 1989.

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Morgan, Alex. Jewish patterns from Kurdish folk art: [patterns adapted for the art of henna]. TapDancing Lizard, 2003.

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Schwarz, Gregory C. Patterns of life, patterns of art: The Rahr Collection of Native American Art. Hood Museum of Art, Dartmouth College, 1987.

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Abas, S. J. Symmetries of Islamic geometrical patterns. World Scientific, 1995.

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Book chapters on the topic "Art patterns"

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Perry, Michael L. "Patterns." In The Art of Immutable Architecture. Apress, 2020. http://dx.doi.org/10.1007/978-1-4842-5955-9_8.

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Dhall, Chander. "Scaling – An Art and a Science." In Scalability Patterns. Apress, 2018. http://dx.doi.org/10.1007/978-1-4842-1073-4_2.

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Painter, Kevin. "Patchwork Patterns." In The Art of Theoretical Biology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33471-0_20.

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Akiyama, Jin, and Kiyoko Matsunaga. "Art From Tiling Patterns." In Treks into Intuitive Geometry. Springer Japan, 2015. http://dx.doi.org/10.1007/978-4-431-55843-9_1.

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Nawawi, Norwani Md, Rafeah Legino, Norakmal Abdullah, Mohd Firdaus Md Khalid, Ruzaika Omar Basaree, and Mohd Yusof Ahmad. "Symmetrical Pattern: Analysing Songket in Wallpaper Patterns." In International Colloquium of Art and Design Education Research (i-CADER 2014). Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-287-332-3_34.

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Geng, Weidong. "Computer-aided Design of Art Patterns." In Advanced Topics in Science and Technology in China. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-04891-3_3.

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McIntosh, Harold V. "Patterns in Cellular Automata." In Designing Beauty: The Art of Cellular Automata. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-27270-2_28.

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Zorloni, Alessia. "Collecting: Motivations and Patterns of Consumption." In The Economics of Contemporary Art. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-32405-5_5.

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Gökçe, Aytül, Daniele Avitabile, and Stephen Coombes. "Labyrinths: Exotic Patterns of Cortical Activity." In The Art of Theoretical Biology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33471-0_16.

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Bergmann, Gábor, Ábel Hegedüs, Ákos Horváth, István Ráth, Zoltán Ujhelyi, and Dániel Varró. "Integrating Efficient Model Queries in State-of-the-Art EMF Tools." In Objects, Models, Components, Patterns. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-30561-0_1.

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Conference papers on the topic "Art patterns"

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Kaplan, Craig S. "Islamic patterns." In ACM SIGGRAPH 2008 art gallery. ACM Press, 2008. http://dx.doi.org/10.1145/1400385.1400409.

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Koblin, Aaron. "Flight patterns." In ACM SIGGRAPH ASIA 2009 Art Gallery & Emerging Technologies: Adaptation. ACM Press, 2009. http://dx.doi.org/10.1145/1665137.1665156.

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"Cover Art." In 2011 24th SIBGRAPI Conference on Graphics, Patterns and Images (Sibgrapi). IEEE, 2011. http://dx.doi.org/10.1109/sibgrapi.2011.60.

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"[Cover art]." In 2012 XXV SIBGRAPI - Conference on Graphics, Patterns and Images (SIBGRAPI). IEEE, 2012. http://dx.doi.org/10.1109/sibgrapi.2012.57.

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"Cover Art." In 2015 28th SIBGRAPI Conference on Graphics, Patterns and Images (SIBGRAPI). IEEE, 2015. http://dx.doi.org/10.1109/sibgrapi.2015.55.

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Guerrero Balarezo, Maria Laura, and Kayvan Karimi. "Urban Art and place. Spatial patterns of urban art and their contribution to urban regeneration." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6069.

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Cities face several challenges regarding public space and urban regeneration. Some of them are the depersonalization and lack of interest of citizens in their own city, privatization, gentrification, technologization and gender-insecurity. Public spaces lose their character as articulator and generator of human relations, while neighborhoods lose their role as the basic unity of community and urban identity. Nowadays, many bottom-up strategies have arisen as expressions of neighborhood’s inhabitant’s will, producing cultural diversity and civic engagement, with a placemaking effect. Urban art is one of them. Social and economic products of urban art have been studied, but the spatial manifestation and impact have been largely absent from the discourse of urban morphology. Spatial conditions are representational of social practices like art, by structuring patterns of movement, encounter and separation in the city (Cartiere &amp; Zebracki, 2016). This study aims to discover the spatial relation between urban art displays and the network of public spaces, and whether this pattern has a role in neighborhood regeneration. To identify these relations in Shoreditch, London, Space Syntax analysis and spatial clustering were used, combined with a survey of geographically located public urban art (extracted from social networks data). Also, the spatial patterns of land prices and land uses from 1995 to 2016 were examined. Research showed that various types of artwork have a strong relation with certain spatial network characteristics and visibility of locations from each other. Economic and use outcomes were also related to the development of the art pattern through the years.

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"[Cover art]." In 2010 23rd SIBGRAPI Conference on Graphics, Patterns and Images (SIBGRAPI 2010). IEEE, 2010. http://dx.doi.org/10.1109/sibgrapi.2010.61.

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Heinzel, Tincuta. "PATENTED PATTERNS: On the art and science of patterns. A critical inquiry." In Politics of the Machines - Art and After. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/evac18.8.

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"Cover Art." In 2011 24th SIBGRAPI Conference on Graphics, Patterns and Images Tutorials (SIBGRAPI-T). IEEE, 2011. http://dx.doi.org/10.1109/sibgrapi-t.2011.16.

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"[Cover art]." In 2012 XXV SIBGRAPI Conference on Graphics, Patterns and Images Tutorials (SIBGRAPI-T). IEEE, 2012. http://dx.doi.org/10.1109/sibgrapi-t.2012.16.

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Reports on the topic "Art patterns"

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Edwards, Sebastian. The Economics of Latin American Art: Creativity Patterns and Rates of Return. National Bureau of Economic Research, 2004. http://dx.doi.org/10.3386/w10302.

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Gallagher, B. The State of the Art in Graph-Based Pattern Matching. Office of Scientific and Technical Information (OSTI), 2006. http://dx.doi.org/10.2172/895418.

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Ben Eisenkop, Ben Eisenkop. What are the patterns and effects of American crow movements? Experiment, 2014. http://dx.doi.org/10.18258/1850.

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Nicolas Locatelli, Nicolas Locatelli. Are certain genotypes of Hawaiian corals associated with local oceanographic patterns? Experiment, 2018. http://dx.doi.org/10.18258/12358.

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Karen L. Blair, PhD, Karen L. Blair, PhD. Are prejudiced reactions to same-sex couples characterized by specific physiological patterns? Experiment, 2013. http://dx.doi.org/10.18258/1003.

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Levitis, Daniel A., and Laurie Bingaman Lackey. Human longevity and post-fertile survival are not predicted by primate allometric patterns. Max Planck Institute for Demographic Research, 2010. http://dx.doi.org/10.4054/mpidr-wp-2010-031.

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Krausman, Andrea s., and Timothy L. White. Tactile Displays and Detectability of Vibrotactile Patterns as Combat Assault Maneuvers are Being Performed. Defense Technical Information Center, 2006. http://dx.doi.org/10.21236/ada459260.

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Chevalier, Judith, and Glenn Ellison. Are Some Mutual Funds Managers Better Than Others? Cross-Sectional Patterns in Behavior and Performance. National Bureau of Economic Research, 1996. http://dx.doi.org/10.3386/w5852.

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Clotfelter, Charles. Are Whites Still "Fleeing"? Racial Patterns and Enrollment Shifts in Urban Public Schools, 1987-1996. National Bureau of Economic Research, 1999. http://dx.doi.org/10.3386/w7290.

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Flici, Farid, and Nacer-Eddine Hammouda. Mortality evolution in Algeria: What can we learn about data quality? Verlag der Österreichischen Akademie der Wissenschaften, 2021. http://dx.doi.org/10.1553/populationyearbook2021.res1.3.

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Mortality in Algeria has declined significantly since the country declared its independence in 1962. This trend has been accompanied by improvements in data quality and changes in estimation methodology, both of which are scarcely documented, and may distort the natural evolution of mortality as reported in official statistics. In this paper, our aim is to detect these methodological and data quality changes by means of the visual inspection of mortality surfaces, which represent the evolution of mortality rates, mortality improvement rates and the male-female mortality ratio over age and time. Data quality problems are clearly visible during the 1977–1982 period. The quality of mortality data has improved after 1983, and even further since the population census of 1998, which coincided with the end of the civil war. Additional inexplicable patterns have also been detected, such as a changing mortality age pattern during the period before 1983, and a changing pattern of excess female mortality at reproductive ages, which suddenly appears in 1983 and disappears in 1992.

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