Journal articles: 'Art patterns'

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Wooley, David. "Patterns of Art, Patterns of Life: The Rahr Collection of Native American Art." American Indian Quarterly 14, no. 3 (1990): 341. http://dx.doi.org/10.2307/1185691.

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Trevelyan, Amelia, and Barbara A. Hail. "Patterns of Life, Patterns of Art: The Rahr Collection of Native American Art." African Arts 21, no. 2 (1988): 91. http://dx.doi.org/10.2307/3336545.

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Demeshchenko, Svetlana A. "THE PALEOLITHIC ART: COMPOSITE PATTERNS." Journal of historical philological and cultural studies 2, no. 60 (2018): 177–90. http://dx.doi.org/10.18503/1992-0431-2018-2-60-177-190.

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Saidi, Acep Iwan. "Narrative Patterns in Indonesian Fine Art." Britain International of Linguistics Arts and Education (BIoLAE) Journal 3, no. 1 (2021): 77–87. http://dx.doi.org/10.33258/biolae.v3i1.411.

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This paper aims to describe the structure and pattern of narratives in art, which in this case Indonesian fine art is used as a case study. This topic is important considering that the assumption that works of fine art have narrative characteristics has become common knowledge, but the structure and narrative patterns within the genre of work of fine art that can be used as a reference have not yet been formulated. By using a structural semiotic approach, studies in this paper have found that narrative patterns in fine art are a combination of denotative visual sign units presented as works on the syntagmatic axis of language (visual) interrelated to form associations or groups of narrative connotations on the paradigmatic axis (community knowledge system). This proposition, as well as several other formulations found in the analysis, has a significant contribution to the development of fine art, both theoretically and practically, both in Indonesia and the world.

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BUCOLO, M., A. BUSCARINO, L. FORTUNA, M. FRASCA, and M. G. XIBILIA. "FROM DYNAMICAL EMERGING PATTERNS TO PATTERNS IN VISUAL ART." International Journal of Bifurcation and Chaos 18, no. 01 (2008): 51–81. http://dx.doi.org/10.1142/s021812740802015x.

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In this communication the relationship between emerging patterns generated by using CNN Universal Machine and patterns appearing in visual art masterpieces is discussed. The template based programming tools are outlined and a gallery of impressive examples is presented. The paper remarks the impressive role of Cellular Nonlinear Networks in covering the gap among art, science and information technology.

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Thalal, Abdelmalek, Youssef Aboufadil, and My Ahmed Elidrissi. "Construction of quasiperiodic patterns in the Moroccan ornamental art." Acta Crystallographica Section A Foundations and Advances 70, a1 (2014): C1430. http://dx.doi.org/10.1107/s2053273314085696.

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The similarity between the structure of Islamic decorative patterns and quasicrystal, aroused the interest of several crystallographers. They analyzed these patterns, by different approaches, various kinds of ornamental quasiperiodic patterns encountered in the Morocco and Alhambra (Andalusia) as well as in the eastern of Islamic world. In this work, we are interesting in the quasiperiodic patterns found in several Moroccan historical buildings constructed in the 14th century. We first describe the Zellige panels (fine mosaics) decorating the Madrasas (schools) Attarine and Bou Inania in Fez in term of Penrose tiling, to confirm that both panels have quasiperiodic structure (Makovicky et al, 1998). The panel Madrasas Attarine appears as a finite part of this quasiperiodic pattern (Figure 1-c). As already mentioned by several authors, we can notice the similarity of the decagonal pattern with the diffraction pattern of the quasicrystal Al Mn (Schechtman et al, 1984) (Figure 1-a and c). The multigrid method developed by De Bruijn (1981) and reformulated by Gratias (2002) to obtain a quasiperiodic paving, is used to construct known quasiperiodic patterns from periodic patterns extracted from the Madrasas Bou Inania and Ben Youssef (Marrakech). At last, we propose a method of construction of heptagonal, enneagonal, tetradecagonal and octadecagonal quasiperiodic patterns, not encountered in the Moroccan ornamental art. They are built from tiling (skeleton) generated by the multigrid method and decorated by motifs obtained by the craftsmen method.

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Li, Dan, and Yi Nong Yan. "Design of Dig-Art Imitating Batik Pattern." Advanced Materials Research 214 (February 2011): 260–64. http://dx.doi.org/10.4028/www.scientific.net/amr.214.260.

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To resolve high expense and time-consuming of cashmere fabrics printing about the traditional batik, this paper summarizes existing batik patterns and analyzes the general batik styles and features and in accordance with the above styles to design the imitation of batik pattern in digital designing art in order to achieve a immediate printing result on the cashmere fabrics. While increasing cashmere fabrics printing pattern, the paper aims at offering some reference and gist for research on cashmere fabrics digital printing and design through analysis of the imitated batik patterns.

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Soussloff, Catherine M., and Edward L. Goldberg. "Patterns in Late Medici Art Patronage." Art Bulletin 71, no. 4 (1989): 697. http://dx.doi.org/10.2307/3051277.

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Davis, John. "Tangrams and patterns: Maths through art." 5 to 7 Educator 2008, no. 45 (2008): xvi—xviii. http://dx.doi.org/10.12968/ftse.2008.7.9.30980.

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Walker, John. "Plots and Patterns in Art History." Art Book 10, no. 4 (2003): 10–11. http://dx.doi.org/10.1111/1467-8357.00354.

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Balmages, Amanda, Lucille Schiffman, Adam Lyle, Elijah Lustig, Kavya Narendra-Babu, and Tamira Elul. "Quantifying patterns in art and nature." Journal of Mathematics and the Arts 15, no. 2 (2021): 188–97. http://dx.doi.org/10.1080/17513472.2021.1922238.

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Desai, Siddhi, and Diana Reeves. "Geometric Patterns in Art and Architecture." Mathematics Teacher: Learning and Teaching PK-12 114, no. 2 (2021): 168. http://dx.doi.org/10.5951/mtlt.2020.0303.

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Shin, Jae Kyun. "Application of Cellular Automata for a Generative Art System." Leonardo 49, no. 5 (2016): 431–35. http://dx.doi.org/10.1162/leon_a_00964.

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In this article, the author describes a study that proposes the use of cellular automata (CA) as a useful tool for a creative pattern-generating art system. A one-rule firing CA is used to efficiently represent basic CA patterns. The key idea in this method is to mix basic patterns in order to design complex patterns. Two types of mixing—iterative and hierarchical—are introduced. The results are demonstrated through example patterns, including ornamental and tiling patterns. The concept of an expanded neighborhood is introduced and applied to the generation of flower-like images. The author concludes with several suggestions for future research topics in relation to the proposed method.

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Crother, Brian I. "O Patterns! Wherefore art thou patterns? (with apologies to Shakespeare)." Journal of Biogeography 29, no. 9 (2002): 1263–64. http://dx.doi.org/10.1046/j.1365-2699.2002.00788_1.x.

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Ramirez Calle, Olga. "Patterns, Patterns, Patterns: Art and Meaning at the Crossroads between Two Opposing Forces." Theoria 86, no. 2 (2020): 220–44. http://dx.doi.org/10.1111/theo.12233.

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Gartus, Andreas, Mark Völker, and Helmut Leder. "What Experts Appreciate in Patterns: Art Expertise Modulates Preference for Asymmetric and Face-Like Patterns." Symmetry 12, no. 5 (2020): 707. http://dx.doi.org/10.3390/sym12050707.

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This study set out to investigate whether and how aesthetic evaluations of different types of symmetric, as well as abstract vs. representational patterns are modulated by art expertise. To this end, we utilized abstract asymmetric, symmetric, and “broken” patterns slightly deviating from symmetry, as well as more representational patterns resembling faces (also symmetric or broken). While it has already been shown that symmetry preference decreases with art expertise, it was still unclear whether an already established relationship between art expertise and preference for abstract over representational art can be similarly found as a preference for abstract over representational patterns, as these are non-art objects. Nevertheless, we found profound differences in aesthetic preferences between art experts and laypersons. While art experts rated asymmetric patterns higher than laypersons, as expected, they rated face-like patterns lower than laypersons. Also, laypersons rated all other types of patterns higher than asymmetric patterns, while art experts rated the other patterns similar or lower than asymmetric patterns. We found this both for liking and for interest ratings. As no differences between art experts and laypersons were found regarding memory recognition of new and old patterns, this effect is not likely due to differences in memory performance. In sum, this study further extends our knowledge about the influence of art expertise on aesthetic appreciation.

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Fellmann, Michael, Agnes Koschmider, Ralf Laue, Andreas Schoknecht, and Arthur Vetter. "Business process model patterns: state-of-the-art, research classification and taxonomy." Business Process Management Journal 25, no. 5 (2019): 972–94. http://dx.doi.org/10.1108/bpmj-01-2018-0021.

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Purpose Patterns have proven to be useful for documenting general reusable solutions to a commonly occurring problem. In recent years, several different business process management (BPM)-related patterns have been published. Despite the large number of publications on this subject, there is no work that provides a comprehensive overview and categorization of the published business process model patterns. The purpose of this paper is to close this gap by providing a taxonomy of patterns as well as a classification of 89 research works. Design/methodology/approach The authors analyzed 280 research articles following a structured iterative procedure inspired by the method for taxonomy development from Nickerson et al. (2013). Using deductive and inductive reasoning processes embedded in concurrent as well as joint research activities, the authors created a taxonomy of patterns as well as a classification of 89 research works. Findings In general, the findings extend the current understanding of BPM patterns. The authors identify pattern categories that are highly populated with research works as well as categories that have received far less attention such as risk and security, the ecological perspective and process architecture. Further, the analysis shows that there is not yet an overarching pattern language for business process model patterns. The insights can be used as starting point for developing such a pattern language. Originality/value Up to now, no comprehensive pattern taxonomy and research classification exists. The taxonomy and classification are useful for searching pattern works which is also supported by an accompanying website complementing the work. In regard to future research and publications on patterns, the authors derive recommendations regarding the content and structure of pattern publications.

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Weichselbaum, Hanna, Helmut Leder, and Ulrich Ansorge. "Implicit and Explicit Evaluation of Visual Symmetry as a Function of Art Expertise." i-Perception 9, no. 2 (2018): 204166951876146. http://dx.doi.org/10.1177/2041669518761464.

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In perception, humans typically prefer symmetrical over asymmetrical patterns. Yet, little is known about differences in symmetry preferences depending on individuals’ different past histories of actively reflecting upon pictures and patterns. To address this question, we tested the generality of the symmetry preference for different levels of individual art expertise. The preference for symmetrical versus asymmetrical abstract patterns was measured implicitly, by an Implicit Association Test (IAT), and explicitly, by a rating scale asking participants to evaluate pattern beauty. Participants were art history and psychology students. Art expertise was measured using a questionnaire. In the IAT, art expertise did not alter the preference for symmetrical over asymmetrical patterns. In contrast, the explicit rating scale showed that with higher art expertise, the ratings for the beauty of asymmetrical patterns significantly increased, but, again, participants preferred symmetrical over asymmetrical patterns. The results are discussed in light of different theories on the origins of symmetry preference. Evolutionary adaptation might play a role in symmetry preferences for art experts similarly to nonexperts, but experts tend to emphasize the beauty of asymmetrical depictions, eventually considering different criteria, when asked explicitly to indicate their preferences.

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Ishak, Sherif S., and Haitham M. Al-Deek. "Fuzzy ART Neural Network Model for Automated Detection of Freeway Incidents." Transportation Research Record: Journal of the Transportation Research Board 1634, no. 1 (1998): 56–63. http://dx.doi.org/10.3141/1634-07.

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Pattern recognition techniques such as artificial neural networks continue to offer potential solutions to many of the existing problems associated with freeway incident-detection algorithms. This study focuses on the application of Fuzzy ART neural networks to incident detection on freeways. Unlike back-propagation models, Fuzzy ART is capable of fast, stable learning of recognition categories. It is an incremental approach that has the potential for on-line implementation. Fuzzy ART is trained with traffic patterns that are represented by 30-s loop-detector data of occupancy, speed, or a combination of both. Traffic patterns observed at the incident time and location are mapped to a group of categories. Each incident category maps incidents with similar traffic pattern characteristics, which are affected by the type and severity of the incident and the prevailing traffic conditions. Detection rate and false alarm rate are used to measure the performance of the Fuzzy ART algorithm. To reduce the false alarm rate that results from occasional misclassification of traffic patterns, a persistence time period of 3 min was arbitrarily selected. The algorithm performance improves when the temporal size of traffic patterns increases from one to two 30-s periods for all traffic parameters. An interesting finding is that the speed patterns produced better results than did the occupancy patterns. However, when combined, occupancy–speed patterns produced the best results. When compared with California algorithms 7 and 8, the Fuzzy ART model produced better performance.

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Baixinho, Cristina Lavareda, Isabel Carvalho Beato Ferraz, Óscar Manuel Ramos Ferreira, and Helga Marilia da Silva Rafael. "The art and learning patterns of knowing in nursing." Revista da Escola de Enfermagem da USP 48, spe2 (2014): 164–70. http://dx.doi.org/10.1590/s0080-623420140000800024.

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Objective To identify the perception of the students about the use of art as a pedagogical strategy in learning the patterns of knowing in nursing; to identify the dimensions of each pattern valued in the analysis of pieces of art. Method Descriptive mixed study. Data collection used a questionnaire applied to 31 nursing students. Results In the analysis of the students’ discourse, it was explicit that empirical knowledge includes scientific knowledge, tradition and nature of care. The aesthetic knowledge implies expressiveness, subjectivity and sensitivity. Self-knowledge, experience, reflective attitude and relationships with others are the subcategories of personal knowledge and the moral and ethics support ethical knowledge. Conclusion It is possible to learn patterns of knowledge through art, especially the aesthetic, ethical and personal. It is necessary to investigate further pedagogical strategies that contribute to the learning patterns of nursing knowledge.

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Phillips, David. "Patterns in Pictures for Art and Science." Leonardo 24, no. 1 (1991): 31. http://dx.doi.org/10.2307/1575466.

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Grünbaum, Branko, G. C. Shephard, and Branko Grunbaum. "Interlace Patterns in Islamic and Moorish Art." Leonardo 25, no. 3/4 (1992): 331. http://dx.doi.org/10.2307/1575859.

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Kang, H. J., Y. Katagiri, Q. V. Neri, R. Baergen, Z. Rosenwaks, and G. D. Palermo. "Altered gene expression patterns in ART offspring." Fertility and Sterility 82 (September 2004): S292. http://dx.doi.org/10.1016/j.fertnstert.2004.07.788.

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Necefoglu, Hacali. "Crystallographic patterns in nature and Turkish art." Crystal Engineering 6, no. 4 (2003): 153–66. http://dx.doi.org/10.1016/j.cryseng.2004.03.001.

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Hagiwara, Masafumi. "Time-Delay ART for spatio-temporal patterns." Neurocomputing 6, no. 5-6 (1994): 513–21. http://dx.doi.org/10.1016/0925-2312(94)90003-5.

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Lee, Anthony J., Ronald J. Bosch, Scott R. Evans, et al. "Patterns of peripheral neuropathy in ART-naïve patients initiating modern ART regimen." Journal of NeuroVirology 21, no. 2 (2015): 210–18. http://dx.doi.org/10.1007/s13365-015-0327-1.

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David, Bruno, and Noelene Cole. "Rock art and inter-regional interaction in northeastern Australian prehistory." Antiquity 64, no. 245 (1990): 788–806. http://dx.doi.org/10.1017/s0003598x00078881.

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The Cape York peninsula, in tropical Queensland, shows distinct regional pattern in its recent rock art. And there is regional pattern also in the exchange networks of ethnohistorical times. Do these patterns bear a relationship?

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Grogan, Shawn P., Stuart F. Duffy, Chantal Pauli, et al. "Zone-specific gene expression patterns in articular cartilage." Arthritis & Rheumatism 65, no. 2 (2013): 418–28. http://dx.doi.org/10.1002/art.37760.

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BELLUOMO, PAOLA, CRISTOFORO CAMERANO, LUIGI FORTUNA, and MATTIA FRASCA. "FROM KINETIC ART TO IMMATERIAL ART THROUGH CHAOTIC SYNCHRONIZATION." International Journal of Bifurcation and Chaos 20, no. 10 (2010): 3379–90. http://dx.doi.org/10.1142/s0218127410027787.

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In this paper, the idea of using simple robots and nonlinear dynamics based devices is strengthened in order to create an interactive platform to generate artistic patterns incorporating the concept of relating kinematic art with immaterial art paradigm.

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Ay, Hardiansyah. "Analysis of Besaman Music Rhythm Patterns." Journal of Music Science, Technology, and Industry 3, no. 1 (2020): 15–24. http://dx.doi.org/10.31091/jomsti.v3i1.960.

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Besaman (bersaman) is a daily mention of the Gayo people for art activities which are currently only known as saman dance. saman is a traditional Gayo art which includes music, dance and literature. Within the elements of music, dance and literature have an equally important portion, in which each type of art takes place in mutualism, such as the motion of creating music, music (melodic form of song and poetic structure) is considered in creating the rhythm of motion. In the perspective of dance music, saman is a dance that uses a form of music presentation internally, internally what is meant is music that arises or is produced by the dancer itself (without accompaniment of music). Music in besaman is produced by clapping hands, chest, thighs, finger flicks and vocals. Clapping hands, chest, thighs and flick fingers form a choreography in the dance. The forms of song melodies and literary structures adjust and are also adjusted in creating a form of musical rhythm as well as dance moves. Therefore, the Gayo community calls this form of art activity with the plait not just dancing saman, because the three types of music, dance and literature take an equally important role in doing this art.

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Mosz, Jakub. "Ancient Patterns of the Sporting Body." Physical Culture and Sport. Studies and Research 47, no. 1 (2009): 137–43. http://dx.doi.org/10.2478/v10141-009-0041-x.

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Ancient Patterns of the Sporting BodyIn the world of ancient culture you can find images of corporeality which may be recognised as patterns of the sporting body. They come from Greek sculpture and vase painting. Among the preserved Greek cultural artefacts there can be pointed out three examples of patterns of male corporeality and one example of female corporeality connected with the world of sport. These are Polyclitus's sculptures "Doryphorus" and "Diadoumenos", Myron's sculpture "Discus Thrower", Lysippus's sculpture of "Heracles Farnese" and painting presenting Atalanta. They constitute ancient patterns of the sporting body, which are recognisable in the world of the European culture from the age of Renaissance to the 20th century. Each of those cultural artefacts points out to separate aspects of the world of sport: Polyclitus's sculptures are pictures of beauty of the body, Myron's sculpture expresses sporting movement, Lysippus's sculpture symbolises power and the figure of Atalanta is the first gender pattern in the world of sport. Ancient patterns of the sporting body perform functions of cultural archetypes in the contemporary world of sport. The contemporary sporting body is a corporeal form which is perceived and interpreted through the prism of the symbolic layer of ancient images of corporeal forms. A part of those corporeal patters has lost in European culture their sporting references, which were visible for Greek civilization. It refers to Polyclitus's sculptures and the figure of Atalanta, which was provided by Renaissance and Baroque art with a different semantic context. Research into cultural aspects of sport requires reconstruction of their sporting genealogy making it possible to construct wider interpretative contexts of contemporary corporeality. The notion of the "archetype of the sporting body" in European culture is enriched with a differentiated objective layer, which is composed of ancient patters of the sporting body encountered in social consciousness of the world of European art.

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Sulli, Alberto, Carmen Pizzorni, Vanessa Smith, Giuseppe Zampogna, Francesca Ravera, and Maurizio Cutolo. "Timing of transition between capillaroscopic patterns in systemic sclerosis." Arthritis & Rheumatism 64, no. 3 (2012): 821–25. http://dx.doi.org/10.1002/art.33463.

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Jana, I. Made, I. Wayan Sujana, and I. Ketut Muka. "Drawing Pattern On Novels In Contemporary Art." Lekesan: Interdisciplinary Journal of Asia Pacific Arts 2, no. 1 (2019): 40–47. http://dx.doi.org/10.31091/lekesan.v2i1.751.

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This study is prompted by the concern over stagnant rates of creation in producing contemporary statues in Bali, both in the northern and southern regions, by using stone, wood, and metal mediums. The technology of using gips (plaster of Paris) is easier in statue production, however dismisses innovation in the process. The researcher took interest in I Wayan Sujana’s 10 years long research (2007-2017) on transferring of the unconscious onto art from novels (books). Based on that research I Wayan Sujana produced thousands of drawings with rich periodicity patterns. Those patterns are reviewed and selected to be made as contemporary statues. The production method for the contemporary statues, using Drawing Pattern on Novel, was participatory, involving traditional art carving experts. User Participation Method, an approach with user involvement in the art, judgment and creation methods by SP Gustami, was employed to conduct this study. The data was gathered with interviews, observation, documentation, and then exploration, planning and embodiment. This study aimed to create innovation of the fine arts, based on research, using Drawing Pattern on Novels, and can be recognized as part of Indonesian fine arts development. Indonesian contemporary fine arts focuses on local genius as the spirit of its creation. This research generated innovative statutes from stone with Indonesian national culture’s aesthetic motifs.

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Wang, Ze-Liang, and Eun-Mi Choi. "Production of Art Makeup & Nail Art Design Using Chinese Traditional Geometry Patterns." Korean Society of Beauty and Art 18, no. 2 (2017): 283–92. http://dx.doi.org/10.18693/jksba.2017.18.2.283.

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Koch, Nadia J. "Persuading the eye: sophistic patterns in visual art." Archeologia e Arte Antica 9788879168977 (December 2019): 15–32. http://dx.doi.org/10.7359/897-2019-koch.

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Ruobing Wu, Wenping Wang, and Yizhou Yu. "Optimized Synthesis of Art Patterns and Layered Textures." IEEE Transactions on Visualization and Computer Graphics 20, no. 3 (2014): 436–46. http://dx.doi.org/10.1109/tvcg.2013.113.

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Yunhe, Pan, and He Zhijun. "A system to create computer-aided art patterns." Computer-Aided Design 18, no. 7 (1986): 395. http://dx.doi.org/10.1016/0010-4485(86)90265-4.

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Mason, William K. "Art from cellular automata and symmetrized dot-patterns." Computers & Graphics 16, no. 4 (1992): 439–41. http://dx.doi.org/10.1016/0097-8493(92)90033-r.

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Tait, Jack. "Secondary, Near Chaotic Patterns from Analogue Drawing Machines." Mathematics 7, no. 1 (2019): 86. http://dx.doi.org/10.3390/math7010086.

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Chaos is now recognized as one of three emergent topics of study in the 21c. It is seen as appropriate to examine this in art practice. Accordingly, this paper is written from an art perspective. It does not mimic a traditional mathematical or science format, presenting hypothesis, repeat testing, and a conclusion. The art process operates differently, and chaos is seen in graphic terms, veers more to philosophy, and is obviously subjective. The intent in researching secondary patterns, near the edge of chaos, is to make expressive graphic art images as art works, testing how close they might come to a chaotic state whilst retaining visual coherence. This underpins the author’s current research, but it is recognised as being a very narrow and specialized subset of analogue art activity. The way in which analogue generative art differs from the more common use of digital computers is addressed. Unlike the latter, the work involves designing and making the machines, making the programmers, and writing the algorithms; this is implicit in the text. A brief look at drawing machine history is presented, demonstrating how the author’s machines differ from others. A contextual cross refence is also made, where appropriate, to artists using digital means. The author’s research has documented practitioners who choose an analogue route to make art. However, hardly any of them create programmes to generate coherent images. This shortage creates problems when attempting to cite similar work. Whilst the general principle underlying the work presented is algorithmic, a significant element of quasi-random input is incorporated, consistent with a study of chaos. Emergent facets are implicit, such as the art process, design problem solving, the relationship between quasi-random and determinism, the psychology of evaluation, and the philosophy of how art works. From the author’s Programmable Analogue Drawing Machines, two are selected for this paper which draw Lissajous figures, use X:Y axes, turntables, Direct Current motors, and an asynchronous pen-lift mechanism. Simple instructions generate complex patterns in a similar vein to Alan Turings topics of phyllotaxis and morphogenesis. These aspects will be discussed, presenting two machines that demonstrate these properties.

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Wilson, Hilary D., James P. Robinson, and Dennis C. Turk. "Toward the identification of symptom patterns in people with fibromyalgia." Arthritis & Rheumatism 61, no. 4 (2009): 527–34. http://dx.doi.org/10.1002/art.24163.

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Weyand, Cornelia M., Naomi Tetzlaff, Johannes Björnsson, Alexander Brack, Brian Younge, and Jörg J. Goronzy. "Disease patterns and tissue cytokine profiles in giant cell arteritis." Arthritis & Rheumatism 40, no. 1 (1997): 19–26. http://dx.doi.org/10.1002/art.1780400105.

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Tie, Yunfeng, Jacek Skarbinski, Gengsheng Qin, and Emma L. Frazier. "Prevalence and Patterns of Antiretroviral Therapy Prescription in the United States." Open AIDS Journal 12, no. 1 (2018): 181–94. http://dx.doi.org/10.2174/1874613601812010181.

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Background: The use of Antiretroviral Therapy (ART) in HIV-infected persons has proven to be effective in the reduction of risk of disease progression and prevention of HIV transmission. Objective: U.S. Antiretroviral Therapy (ART) guidelines specify recommended initial, alternative initial, and not-recommended regimens, but data on ART prescribing practices and real-world effectiveness are sparse. Methods: Nationally representative annual cross sectional survey of HIV-infected adults receiving medical care in the United States, 2009-2012 data cycles. Using data from 18,095 participants, we assessed percentages prescribed ART regimens based on medical record documentation and the associations between ART regimens and viral suppression (most recent viral load test <200 copies/ml in past year) and ART-related side effects. Results: Among HIV-infected adults receiving medical care in the United States, 91.8% were prescribed ART; median time since ART initiation to interview date was 9.8 years. The percentage prescribed ART was significantly higher in 2012 compared to 2009 (92.7% vs 88.7%; p < 0.001). Of those prescribed ART, 51.6% were prescribed recommended initial regimens, 6.1% alternative initial regimens, 29.0% not-recommended as initial regimens, and 13.4% other regimens. Overall, 79.5% achieved viral suppression and 15.7% reported side effects. Of those prescribed ART and initiated ART in the past year, 80.5% were prescribed recommended initial regimens. Conclusion: Among persons prescribed ART, the majority were prescribed recommended initial regimens. Monitoring of ART use should be continued to provide ongoing assessments of ART effectiveness and tolerability in the United States.

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Abdullaev, Masharib. "Khorezm sahhoflik art." Infolib 25, no. 1 (2021): 72–74. http://dx.doi.org/10.47267/2181-8207/2021/1-049.

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The Khorezm sakhkhaflik (master of book covers) is one of the unique types of art, a special rise in the days of the Khiva Khanate. In Khorezm, colorful covers were made for manuscripts from various animal skins with floral and geometric patterns. Hundreds of handwritten works, «dressed» in those distant times in leather, are now kept in various museums and libraries around the world.

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Kamath, Ajith M. "Signal Rich Art: Improvements and Extensions." Electronic Imaging 2020, no. 4 (2020): 23–1. http://dx.doi.org/10.2352/issn.2470-1173.2020.4.mwsf-023.

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Signal rich art is an application of watermarking technology to communicate information using visible artistic patterns. In this paper we show new methods of generating signal carrying patterns, simplifications of earlier methods, how to embed a vector watermark signal in applications and how to use signal symmetries to expand the detection envelope of a watermark reader.

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Zaslavsky, Claudia. "Symmetry In American Folk Art." Arithmetic Teacher 38, no. 1 (1990): 6–12. http://dx.doi.org/10.5951/at.38.1.0006.

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Symmetrical designs and repeated patterns are important elements in the arts of many cultures—in fabrics, masks, pottery, and wood carvings, to mention just a few examples (Appleton 1971; Chatley 1986; Harris 1987; Krause 1983; Larsen and Gull 1977; Zaslavsky 1973, 1979, 1981, 1987). Many examples can be found in the textile arts alone. Symmetrical patterns in quilts and rugs, the subject of this article, often have symbolic meaning and play a role similar to writing in conveying ideas. The artist, who is usually anonymous, may introduce variations on the traditional themes or may boldly create new designs.

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Sutherland, Jenifer. "Rhyming Patterns and Structures of Meaning in the Stanzaic Morte Arthur." Arthuriana 12, no. 4 (2002): 1–24. http://dx.doi.org/10.1353/art.2002.0006.

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de Lange-Brokaar, B. J. E., A. Ioan-Facsinay, E. Yusuf, et al. "Association of Pain in Knee Osteoarthritis With Distinct Patterns of Synovitis." Arthritis & Rheumatology 67, no. 3 (2015): 733–40. http://dx.doi.org/10.1002/art.38965.

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Assassi, Shervin, William R. Swindell, Minghua Wu, et al. "Dissecting the Heterogeneity of Skin Gene Expression Patterns in Systemic Sclerosis." Arthritis & Rheumatology 67, no. 11 (2015): 3016–26. http://dx.doi.org/10.1002/art.39289.

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Curtis, Jeffrey R., Andrew O. Westfall, Jeroan J. Allison, et al. "Longitudinal patterns in the prevention of osteoporosis in glucocorticoid-treated patients." Arthritis & Rheumatism 52, no. 8 (2005): 2485–94. http://dx.doi.org/10.1002/art.21194.

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Wallace, Carol A., Bin Huang, Marcia Bandeira, Angelo Ravelli, and Edward H. Giannini. "Patterns of clinical remission in select categories of juvenile idiopathic arthritis." Arthritis & Rheumatism 52, no. 11 (2005): 3554–62. http://dx.doi.org/10.1002/art.21389.

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Journal articles on the topic 'Art patterns'

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