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Journal articles on the topic 'Art (peasant)'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Rodríguez, Juanita. "Picturing the Peasant in Orlando Fals Borda’s Work 1950s-1970s." Master, Vol. 5, no. 2 (2020): 60–69. http://dx.doi.org/10.47659/m9.060.art.

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Orlando Fals Borda, a renowned Colombian sociologist, who worked for both the academia and the government from the 1950s to 90s, wrote two works on Colombian peasantry and its relation with big landowners that were published with a selection of photographs of peasants, landowners, and grassroots movements. These works and their images have had an impact on the construction of peasant- and landowner visual icons in recent Colombian history, as they have been used in books, primers, and exhibitions since their creation, and they had a crucial influence on the visual propaganda of the Agrarian Re

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2

Vdovin, Alexey. "Authorial Subtitles as a Source for Studying Poetics of Genres (Stories About Peasants in 19th Сentury Russia)". Проблемы исторической поэтики 23, № 2 (2025): 118–44. https://doi.org/10.15393/j9.art.2025.15122.

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The article addresses the issue of studying the evolution and poetics of literary genres through the lens of such a rarely utilized source as genre subtitles. In this context, genre is understood as a communicative act by the author, who selects a strategy for publishing his or her text and entering the literary field. From this perspective, the genre subtitle serves as an interpretative framework for potential readers. The article demonstrates that genre subtitles can serve as a relevant source for examining the poetics of a genre, as they act as indicators of its formation, popularity, and “

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3

Ligenko, Nelli P. "THE ROLE AND THE PLACE OF PEASANT INDUSTRY IN THE LIFE OF A COMPLEX PEASANT ECONOMY OF THE SECOND HALF OF THE XIX – EARLY XX CENTURY (on the example of Seltinskaya Volost of Malmyzhsky Uyezd of Vyatka Governorate)." Historical Search 3, no. 1 (2022): 11–22. http://dx.doi.org/10.47026/2712-9454-2022-3-1-11-22.

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The importance of peasant industry in the vital activity of a complex peasant economy, the basis of which was arable farming, is shown on the example of Seltinsky volost of Malmyzhsky Uyezd of Vyatka governorate. The integral branches were animal husbandry and extra-agrarian occupations, among which the main burden was borne by extractive and processing works. The role of natural-geographical, socio-economic conditions, legal norms, trade relations, the creative potential of the people in the process of forming and functioning of a sustainable, balanced, integrated peasant economy is considere

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4

Lionis, Chrisoula. "Peasant, Revolutionary, Celebrity." Middle East Journal of Culture and Communication 8, no. 1 (2015): 69–84. http://dx.doi.org/10.1163/18739865-00801005.

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In the last decade, the international profile of Palestinian art has grown at an unprecedented rate. In the context of international exhibitions, the work of contemporary Palestinian artists is consistently framed as inherently political and is almost always discussed in terms of the conflict with Israel. This article examines the ways that a new generation of Palestinian artists have used their work to problematize the iconography of Palestinian nationalism developed by previous generations and the international framing of their work as inherently political. It considers the role of art in th

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5

Kurisoo, Merike, and Aivar Põldvee. "The Appearance of Hans and Jaan. A 17th Century Epitaph Painting Donated by Estonian Peasants." Baltic Journal of Art History 14 (December 27, 2017): 117. http://dx.doi.org/10.12697/bjah.2017.14.05.

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The epitaph donated by Hans and Jaan, two peasants from Türi parish, is evidence of the acceptance of ecclesiastic values and religious devotion among the Estonian peasantry. Other examples of this tendency from the Swedish era also exist. For instance, the grand wheel crosses, typical for North Estonia, that were once located in the Türi churchyard; and a chandelier (1659) donated by a peasant in the Keila church, the size of which exceeds those gifted by manor lords. From a later period, the stained-glass coats of arms of the peasantry in the Ilumäe chapel (1729) are also an example of this

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6

Lagutenko, O. А., A. О. Puchkov, and M. R. Selivatchov. "The Artistic Specificity of the Transcarpathian Material Culture in the Works by Sergey Makovsky: A Look at the Historical Tradition as a Fact of Modernity." Rusin, no. 66 (2021): 232–47. http://dx.doi.org/10.17223/18572685/66/13.

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In the article, the life and many-sided activities of the historian, ethnographer and art critic Sergey Konstantinovich Makovsky (1877–1962) serves as the background to focus on his book Peasant Art of Subcarpathian Russia, published in Prague in Russian, Czech (1925) and English (1926) languages. Although not banned in Soviet Ukraine, it was not promoted either because of the writer’s emigre past and his proximity to the House of Romanov. However, the book was well known to specialists: the predominantly aesthetic approach to folk art, first applied in it, echoes in the studies of the 1960s a

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7

SENCHENKOV, NIKOLAI P., and TATIANA A. PANKOVA. "THE CONTRIBUTION OF S. A. RACHINSKY IN MUSIC AND ART EDUCATION IN SMOLENSK PROVINCE OF THE LATE XIX CENTURY." Cherepovets State University Bulletin 4, no. 109 (2022): 197–207. http://dx.doi.org/10.23859/1994-0637-2022-4-109-17.

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The article examines the organization features of music and art education in Smolensk province at the end of the 19th century based on Tatevskaya School by S. A. Rachinsky. The authors highlight the principles of musical and art education of peasant children; determine pedagogical conditions, contributing to the primary art education for talented peasant children at school of S. A. Rachinsky. The article concludes that the ideas of teaching at Tatevskaya School of S. A. Rachinsky contributed to the development of music and art education in Smolensk province of the 19th century, since it was at

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8

Vanegas, Raúl, Fabrice Demoulin, Guido Ruivenkamp, and Sabine Henry. "Analysis of the peasants’ livelihood strategies in the Paute basin of Ecuador." MASKANA 11, no. 2 (2020): 70–80. http://dx.doi.org/10.18537/mskn.11.02.07.

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The article analyses the livelihood of peasant farmers in the rural area of three parishes in the Paute basin in Ecuador. First, the article presents the gathered empirical data of the study sites, respectively the Pichacay in the Santa Ana parish, Caldera in the Javier Loyola parish, and Llavircay in the Rivera parish. Applying the Chayanovian and van der Ploeg interpretation frames, three types of peasant households could be distinguished, based upon their specific organizational forms of producing and reproducing their livelihoods. The article concludes that a more in-depth analysis is need

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9

Ayad, Lara. "Homegrown Heroes: Peasant Masculinity and Nation-Building in Modern Egyptian Art." ARTMargins 11, no. 3 (2022): 24–68. http://dx.doi.org/10.1162/artm_a_00324.

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Abstract On January 18, 1938 the Fuad I Agricultural Museum in Cairo opened its palatial doors to the local public and featured four untitled portraits (1934–1937) of peasant men sporting distinctive costumes and handicrafts. The artist behind these prominent paintings was an Egyptian named Aly Kamel al-Deeb (1909–1997), whose early career combined commissions at official museums and participation in anti-establishment artist groups in Egypt. What could explain al-Deeb's transition from creating art in opposition to national museums, to painting for such institutions? This essay analyzes al-De

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10

Rozin, Vadim Markovich. ""The Peasant Lady": an Existential Choice, Super-Difficult in Life, but Possible in Art." Культура и искусство, no. 2 (February 2023): 33–42. http://dx.doi.org/10.7256/2454-0625.2023.2.39727.

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The article offers a new, in fact, cultural and psychological version of Pushkin's famous story "The Peasant Lady". Various assessments of this work are given, including the author's, teenage. The author argues that the modern understanding of works of art involves an analysis of the culture in which it was created, as well as the author of this work. Realizing this installation, he discusses why Pushkin shifted to the reader the consideration of the consequences that followed from the last scene of the "Peasant Girl", when the deception-Lisa's game was revealed. According to the author, this

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11

Yi, Gu. "The “Peasant Problem” and Time in Contemporary Chinese Art." Representations 136, no. 1 (2016): 54–76. http://dx.doi.org/10.1525/rep.2016.136.1.54.

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This article examines the time-based artworks involving peasants as participants, coworkers, and fellow artists that were created by Chinese artists during the first decade of the millennium. These works bring into relief China’s postsocialist reality and socialist legacy, offering a unique perspective on the politics of time in global contemporary art.

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Noriega Mesa, Tamis Carolina, and Natalia Sarmiento Nuñez. "Abordaje de la participación de los hombres rurales-campesinos dentro de la Localidad de Sumapaz en la crianza, cuidado y protección de sus hijas e hijos, así como su influencia en las relaciones de género y nuevas masculinidades." Revista Digital de Educación Discimus 3, no. 1 (2024): 90–120. http://dx.doi.org/10.61447/20240601/art04.

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This state of the art emerges from research work conducted on rural peasant fatherhood specifically in the Sumapaz moorland of Colombia. For This purpose a tracking of academic production and bibliography was carried out at the international, national and regional levels from the years 2010 to 2023. Therefore it is structured in three parts. The fist part outlines the methodology that details the step by step process that guided the construction of the state of the art. In the second stage, various categories are addressed to contextualize, understand, and Approach caregiving, fatherhood and m

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13

Dementyeva, Tatyana. "The Population of Darovoe Based on Revision Tales of the 1830s — 1850s." Неизвестный Достоевский 10, no. 1 (2023): 106–44. http://dx.doi.org/10.15393/j10.art.2023.6561.

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Interaction with the serfs of the Darovoe estate, which belonged to the parents of F. M. Dostoevsky in the first half of the 19th century, made a strong impression on the future writer. Some peasants were close to the Dostoevsky family, they were mentioned in family correspondence and even became prototypes of the characters in the works of the writer and his older brother Mikhail. Dostoevsky met again with his childhood acquaintances from the village during his last visit to Darovoe in the summer of 1877. Until now, the only sources that gives an idea of the inhabitants of Darovoe were church

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14

Bonnell, Victoria E. "The Peasant Woman in Stalinist Political Art of the 1930s." American Historical Review 98, no. 1 (1993): 55. http://dx.doi.org/10.2307/2166382.

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15

Nagy-Sándor, Zsuzsa, and Pauwke Berkers. "Culture, Heritage, Art: Navigating Authenticities in Contemporary Hungarian Folk Singing." Cultural Sociology 12, no. 3 (2018): 400–417. http://dx.doi.org/10.1177/1749975518780770.

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In Hungary, the decline of traditional peasant culture and its heritage has prompted urban revivals, leading to the acceptance of traditional Hungarian folk singing as a performing arts genre. Drawing from a series of in-depth interviews, this study shows how contemporary Hungarian folk singers navigate (define, learn, police) different forms of authenticity within the field of folk music. While we find that objectified authenticity – heritagized classification systems – is the dominant form of symbolic capital, the broader symbolic economy of authenticity is complicated by competing definitio

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16

Terentyev, Aleksey V. "On Some Issues of Management in Peasant (Farm) Enterprises Established under Article 86.1 of the Civil Code of the Russian Federation." Civil law 6 (December 17, 2020): 35–38. http://dx.doi.org/10.18572/2070-2140-2020-6-35-38.

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This article is devoted to the management of peasant (farmer) farms, established as a legal entity. The author of this article identifies a number of legal problems (legal conflicts) existing in the sphere under consideration. Based on the analysis of the current legislation of the Russian Federation, legal doctrine and judicial practice, the author concludes that there are no special legal norms directly regulating the management process (determining the structure of management bodies, their competence, etc.) in peasant (farm) farms established as a legal entity. After that, the author brings

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17

SUN, XIAOHAN. "Harmony in Art: Sun Yinchang's Journey from Rural Realism to Contemporary Symbolism." Pacific International Journal 7, no. 1 (2024): 119–24. http://dx.doi.org/10.55014/pij.v7i1.532.

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The study explores the multifaceted artistic journey of Sun Yinchang, a self-taught "peasant painter" from rural northern China, whose fusion of realism and symbolism in oil paintings forms a captivating narrative. The study explores his unconventional artistic development, emphasizing his departure from academic paths and the attainment of professional competence through personal perception. Operating as an outsider within the artistic system, Sun's career as a freelance artist without a fixed income serves as a valuable case study for contemporary youth aspiring to become oil painters outsid

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18

Лагранская, Софья Антоновна. "Village Festivals and Rites in Croatian Naive Art." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 2 (August 14, 2021): 134–42. http://dx.doi.org/10.26158/tk.2021.22.2.011.

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Хорватское наивное искусство, зародившееся в небольшом селе Хлебине, неотделимо от обрядности, без которой невозможно представить течение деревенской жизни. Яркие и декоративные работы крестьянских художников крепко спаяны не только с народным искусством, но и с самим сельским бытом, с его ритмично повторяющимися циклами. В картинах хорватских живописцев особое внимание уделяется изображению различных семейных и календарных праздников. Прослеживаются в творчестве хлебинской школы и элементы архаических обрядов, сохранившиеся в культуре южных славян. Традиционные для хорватской деревни ритуалы

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Христина, Приймак. "Ткацтво i килимарство Сокальщини кінця XIX — початку XX ст.: розвиток в умовах етнокультурного порубіжжя та художні особливості". ВІСНИК Львівської національної академії мистецтв, № 28 (19 травня 2016): 119–30. https://doi.org/10.5281/zenodo.51658.

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Nowadays in Ukrainian history of art the question of applied and decorative art of the bordering territorial regions of our country which were under the invaders occupation are still not lightening enough. This article shows the character and specific of the development native art of weaving in local center Sokal’shchyna. Viewed how political, economic and demographic situations influenced on evolution of this type of folk art, elucidated the mechanisms of changes that happened with them during showing period. Outlined characteristics of shaping and decorating in the national carpet weav

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20

Bardsley, Sandy. "A Slice of Life: Selected Documents of Medieval English Peasant Experience by Edwin Brezette Dewindt." Arthuriana 8, no. 3 (1998): 98–100. http://dx.doi.org/10.1353/art.1998.0037.

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21

Zanegina, A. B., V. K. Smolenskaya, and E. N. Leventseva. "Rural life in the art of Palekh lacquer miniature." Zemleustrojstvo, kadastr i monitoring zemel' (Land management, cadastre and land monitoring), no. 9 (September 1, 2020): 18–23. http://dx.doi.org/10.33920/sel-4-2009-02.

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The article offers the analysis of the art of Palekh lacquer miniature, a phenomenon unique in the nature of the material, in the strength of the images, and in the methods of creating an artistic object that turns into a jewel and in which the epic beginning peculiar to folklore is strongly expressed. The specific examples of rural life, glorifying the beauty of working on land are presented in this type of art. In addition, the authors underline the necessity to preserve the identity of traditional crafts that are closely related to peasant life.

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22

Crăciunescu, Pompiliu. "An Immobile Nomad: “the Peasant from the Danube”." Human and Social Studies 7, no. 3 (2018): 69–79. http://dx.doi.org/10.2478/hssr-2018-0025.

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Abstract European writer of Romanian origin, Vintila Horia (1915-1992) - Goncourt Prize in 1960 for the novel Dieu est né enexil - was a truly awakened consciousness of his time. Wherever he was - in Bucharest or Florence, Buenos Aires or Paris, Rome or Madrid - this “polyglot nomad” (Jean-François-Malherbe) never left the unyielding values of the spirit and of knowledge. His work of literary epistemology, hisnovelistic creation - fed by exile, love and by the divine -, as well as the Journal d’un paysan du Danube (1966), stand as testimony. Focal point of my approach, this text sheds light on

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23

Janonienė, Rūta. "Du vyrai smuklėje." XVIII amžiaus studijos T. 8: Lietuvos Didžioji Kunigaikštystė. Vyrai ir moterys, T. 8 (December 19, 2022): 208–19. http://dx.doi.org/10.33918/23516968-008011.

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Two Men in a Tavern The article addresses the theme of peasants in the work of Pranciškus Smuglevičius (Franciszek Smuglewicz, 1745–1807) and discusses the most significant works on this theme extant in the collections of Lithuania and Poland. Special attention is devoted to the compositions depicting two Cracowians in a tavern. It is noted that a group of paintings of a similar composition exists and most of them are attributed to P. Smuglevičius. In this article, an attempt is made to figure out which works were painted by P. Smuglevičius himself, which paintings should be attributed to copi

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24

Ayaz, Mohammad. "The Role of Proletarian Poetry in Peasant Movement of Pakhtunkhwa: A Critical Study of the Selected Poetry of Sayyid-Ul-Abrar Ghar." Global Language Review VIII, no. II (2023): 456–66. http://dx.doi.org/10.31703/glr.2023(viii-ii).37.

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Sayyid-ul-Abrar (1948-79) alias, Ghar was one of the prominent proletarian poets of the former NWFP (Khyber Pakhtunkhwa), Pakistan, who’s poetry played a significant role in the evolution and growth of socialist realism in Pashtu literature. The historic Peasant Movement of 1970s especially the Hashtnagar Peasant’s uprising and agrarian struggle elsewhere in other parts of the province, were directly influenced through the proletarian poetry produced by Ghar and his contemporary Master Sultan Khalakyar. This study attempt to engage the selected poetry from Ghar’s two books; Sparghai [ Embers]

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25

Chepelevskaya, Tatyana. "Art historical time in the works of Ivan Сankar". Slavic Almanac, № 1-2 (2019): 383–99. http://dx.doi.org/10.31168/2073-5731.2019.1-2.6.01.

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In the article on the example of the work of the biggest Slovenian writer Ivan Cankar (1876-1918) the subject of art historical time is studied. It raises the question of the place and role of historical time in the literary texts whose authors use it to organize plot, characters and art space. I. Cankar, as a rule, does not give expanded descriptions of one or another significant event. The historic time is presented in his works in the form of digressions, in the memories of the characters. Sometimes it refers to very recent history, presciently anticipating the importance of a phenomenon fo

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Géger, Melinda. "Az elveszett paradicsom. A vidéki táj és vidéki élet ábrázolása a somogyi képzőművészetben a 20. század első felében I." Kaposvári Rippl-Rónai Múzeum Közleményei, no. 7 (2020): 337–50. http://dx.doi.org/10.26080/krrmkozl.2020.7.337.

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The depiction of Hungarian village and rural life ap-peared as a motif of outstanding significance in 20th-century painting. The representation of the hungarian village and ru-ral life appeared as an outstanding motif in the 20th century painting. The variations in the appearance of the topic are closely related to the transformations of Hungarian society in the 20th century (vagy 20th century helyett:era). The focus is on each in artistic oeuvres to depict the rural sites of civic life and to the myth of a peasant living in harmony with nature and folklorization, elsewhere a new, pantheistic

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Іваневич, Віталій. "До витоків Кам’янець-Подільської художньо-промислової школи". Scientific Papers of the Vinnytsia Mykhailo Kotsyiubynskyi State Pedagogical University Series History, № 6 (28 жовтня 2003): 134–38. https://doi.org/10.31652/2411-2143-2003-06-134-138.

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The article explores the life and work of Vyacheslav Rozvadovskyi, a prominent Ukrainian artist, educator, and public figure who became the founder of the Kamianets-Podilskyi Art and Industrial School, the first educational institution in Ukraine for children of peasant origin to teach in the Ukrainian language. Particular attention is paid to his activities in organizing traveling art exhibitions in the early twentieth century aimed at popularizing art among the rural population, and the author analyzes the artist's contribution to the development of folk decorative and applied arts of Podill

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Rusnock, K. Andrea. "All the Folk Art News Fit to Print." Experiment 25, no. 1 (2019): 244–57. http://dx.doi.org/10.1163/2211730x-12341341.

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Abstract Neo-nationalism was concerned with a new aesthetic, not just in the fine arts but also in the crafts, particularly needlework. One way that this aesthetic was disseminated for needle art was through publications—magazines, pattern books, how-to-manuals, guides for schools, and the like. Publications on needlework were produced throughout the nineteenth century, and their output increased toward the end of the 1800s, with many portraying peasant imagery and patterns associated with this new style of Neo-nationalism. This article explores how needlework publications propagated Neo-natio

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Ye, Dehui, and Chenzi Ma. "A Survey of Peasant Paintings in the Slope Areas of Hunan, Guizhou, Guangxi Zhuang Autonomous Region." BCP Social Sciences & Humanities 15 (March 13, 2022): 96–107. http://dx.doi.org/10.54691/bcpssh.v15i.368.

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Through several decades of inheritance and development, the folk peasant paintings in the slope areas of Guizhou, Guangxi Zhuang Autonomous Region and Hunan provinces have exerted a great influence and developed into a wide range of traditional art forms. Has become the Hunan Guizhou Guangxi Zhuang Autonomous Region Province Slope area culture model and the outstanding national culture brand. The development of industrialization has promoted the cultural construction, economic and social development in the slope areas of Guizhou, Guangxi Zhuang Autonomous Region and Hunan provinces, and has be

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Starygina, Natalya N. "Christian Semantics of the Story Christ Visits a Peasant by Nikolay Leskov." Проблемы исторической поэтики 18, no. 2 (2020): 238–59. http://dx.doi.org/10.15393/j9.art.2020.8362.

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<p>The article reveals the Christian meaning of the story <em>Christ Visits a Peasant</em> by Nikolay&nbsp;Leskov. Intended for children&rsquo;s reading, the story is unique in its ability to open new semantic horizons, which makes the work interesting for readers of any age. The plot-forming motif &ldquo;to descend in order to ascend&rdquo; can be interpreted as a motif of spiritual rebirth (or healing). The hero-narrator reproduces the story of the main character&rsquo;s spiritual struggle, the meaning of which is revealed in the context of the Christian

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Poltavets, Nataliia. "Theatre life in the village – a new kind of leisure for peasant youth in the 1920s." Universum Historiae et Archeologiae 3, no. 2 (2020): 71. http://dx.doi.org/10.15421/26200207.

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The purpose of the article is to highlight theatrical art as a form of organized cultural leisure of peasant youth during the 1920s. Research methods: problem-chronological, historical-systemic and analytical. Main results. It is found that drama circles and rural theatre were in great demand among young people and became the most popular form of leisure in the village. The organizers of group theatrical work were Komsomol activists and teachers. It is found that the latter, being an educated part of the rural environment, became more productive and effective in setting up appropriate work wit

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Yureva, Olga Yu. "The Category of Sobornost." Проблемы исторической поэтики 18, no. 2 (2020): 271–97. http://dx.doi.org/10.15393/j9.art.2020.7702.

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<p>The article presents for the first time a complete analysis of the ethnopoetic features of the story <em>Antonov&rsquo;s apples</em> by I.&nbsp;A.&nbsp;Bunin. The idea of <em>sobornost'</em> (conciliarism) as a world-forming principle in the story correlates with the idea of unity. The conciliar consciousness reflected in Bunin&rsquo;s works is based on the unity of the Orthodox faith, the everyday realities of the peasant and landowner world, and Russian nature. These areas of the Cathedral life contain basic national images-symbols and archety

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Yi, Fengao. "Performance Style under the Traditional Realist Director Concept of Chinese Films in the 1980s." Highlights in Art and Design 4, no. 3 (2023): 69–71. http://dx.doi.org/10.54097/hiaad.v4i3.19.

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Since the new era, Chinese films have been hovering between art and politics. While they are striving to find the subject status of film art, they are difficult to completely separate from politics. From 1979 to 1980, characters such as intellectuals, workers, and farmers in Chinese films lived as ordinary people in specific situations in the film, and they demonstrated the political character endowed by the times. An important feature of Chinese film performance culture under the concept of traditional realist directors is that the creation of intellectual characters has become mainstream, su

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Chang, Yaqian, Liming Zhou, Peng Lu, and Samina Yasmeen. "Ansai peasant paintings: inheritance of chinese primitive culture and primitive philosophy." Trans/Form/Ação 46, spe (2023): 367–90. http://dx.doi.org/10.1590/0101-3173.2023.v46esp.p367.

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Abstract: Chinese primitive philosophy, as the unity of cosmological ontology, epistemology and methodology of the Chinese philosophical system, is a complete and mature philosophical system formed in the late primitive society as early as before the Xia, Shang and Zhou Dynasties. It is also the unity of the concept of Yin and Yang and constant life that is sublimated from the human-beings’ basic cultural consciousness: life consciousness and reproduction consciousness. The Chinese primitive culture, from the painted pottery culture 7,000 years ago to today, from the underground archaeological

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Ursachi, Rodica. "Nicolae Grigorescu – marele rapsod al plaiului românesc." Revistă de Ştiinţe Socio-Umane = Journal of Social and Human Sciences 42, no. 2 (2019): 56–61. http://dx.doi.org/10.46727/jshs.2019.v42.i2.p56-61.

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The article aims at the creation of the Romanian artist Nicolae Grigorescu, which through his work has made a considerable contribution to the national painting. His creation introduced in Romanian painting a new conception, vision and plastic language, the artist being considered as a pioneer of modern art. Nicolae Grigorescu, through his „peasant” painting, has highlighted the Romanian spirituality (man, nature, the joy of life), and highlighted the beauty of his native plateau.

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Hilton, Alison. "From Abramtsevo to Zakopane: Folk Art and National Ideals in Russia and Eastern Europe." Russian History 46, no. 4 (2019): 241–61. http://dx.doi.org/10.1163/18763316-04604002.

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Abstract Folk art revivals were incubators for modernist movements in painting, sculpture, architecture, applied arts, and performing arts. The upsurge of national sentiment in late Imperial Russia and official economic support of handicraft industries (known as kustar’) promoted the marketing of wood crafts and textiles made at Abramtsevo, Talashkino, and other centers in western Russia and Ukraine. Parallel developments drew upon both folk traditions and patriotic ideals in the central and eastern European countries that had suffered territorial encroachments by Russia, Prussia, and the Aust

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Fedorova, Elena. "CHURCH CALENDAR, GOSPEL AND LITURGICAL TEXT IN THE NOVEL THE RAW YOUTH AND A WRITER'S DIARY (1876) BY FYODOR DOSTOEVSKY." Проблемы исторической поэтики 19, no. 1 (2021): 258–82. http://dx.doi.org/10.15393/j9.art.2021.9182.

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F. M. Dostoevsky's novel The Raw Youth (1874-1875) and A Writer's Diary (1876) were created in the tradition of Christian calendar prose, which is aligned with sacred time. The two works are united by the idea of the religious transformation of personality, the salvation of the soul and unification around the Gospel Truth, the search for ideal foundations in the Russian people, and reflections on their purpose. Dostoevsky introduces Easter narratives into the novel and into A Writer's Diary in 1876: the story of Makar Dolgoruky about the merchant Skotoboinikov, the opera by Trishatov, the stor

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Zanegina, A. B., V. K. Smolenskaya, E. N. Leventseva, and E. I. Mironova. "Memory and monuments – labor on earth. Monumental sculpture." Zemleustrojstvo, kadastr i monitoring zemel' (Land management, cadastre and land monitoring), no. 5 (May 2, 2023): 304–15. http://dx.doi.org/10.33920/sel-04-2305-06.

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The article provides a detailed analysis of the development of sculpture in works dedicated to the glorification and admiring the beauty of the farmer's work. The authors talk about the problems facing artists in this sphere, give a general definition of this direction, its boundaries and connections with other types of art. The authors claim that the task of the sculpture is not to exhibit, but to live, give the examples of the theme of rural labor used by artists, and glorifying the beauty of work on the land. The paper concludes that it is necessary to preserve both traditional and innovati

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Gelencsér, Gábor. "Continuing the deviating tradition of Hungarian experimental film art." Alphaville: Journal of Film and Screen Media, no. 9 (October 27, 2015): 23–37. http://dx.doi.org/10.33178/alpha.9.02.

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This article places Joseph and His Brothers—Scenes from a Peasant Bible (József és testvérei—Jelenetek egy parasztbibliából, 2003) by Hungarian experimental filmmaker András Jeles within the social, institutional and cultural context of Hungarian film production. It surveys the sociopolitical conditions that gave rise to the formal and political radicalism of Hungarian experimental cinema; it provides an insight into the workshop of the Béla Balázs Studio, which played a determining role in shaping the various alternative discourses of Hungarian filmmaking, and suggests that András Jeles’s wor

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McKeown, Simon, and Larry Silver. "Peasant Scenes and Landscapes: The Rise of Pictorial Genres in the Antwerp Art Market." Sixteenth Century Journal 38, no. 4 (2007): 1211. http://dx.doi.org/10.2307/20478732.

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van der Ploeg, J. D. "THE ROLE OF CHAYANOVIAN IDEAS IN PEASANT STUDIES, AND IN THE ART OF FARMING." Russian Peasant Studies 2, no. 3 (2017): 6–27. http://dx.doi.org/10.22394/2500-1809-2017-2-3-6-27.

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Ярослав, Кравченко. "Юхим Михайлів і Охрім Кравченко: точки дотику життєвого та творчого шляху". Ярослав Кравченко, № 31 (10 травня 2017): 182–87. https://doi.org/10.5281/zenodo.573829.

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Analyzed life by Ukrainian artist symbolist Efim Myhayliva and future artist boychukisty Ohrid Kravchenko peasant boy from the Kiev region, who came to study quota Komnezam who crossed the Kyiv artistic and industrial Industrial School in autumn 1921 on the basis of notes of "biographies" Alexander Kravchenko brief teaching career highlights Yu Myhayliva in industrial Kiev Art industrial school. Presented as a period of artistic and industrial school when she was appointed Director J. Michael, who had a good technique of oil painting, watercolor and pastel.

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Gubareva, Marita. "Bisognerebbe fare qualcosa: Interview with Lora Guerra." Journal of Italian Cinema & Media Studies 11, no. 1 (2023): 11–23. http://dx.doi.org/10.1386/jicms_00154_7.

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In this wide-ranging interview, Lora Guerra talks of her meeting and marrying Tonino Guerra; of Guerra’s relationship to Russia, Lora’s homeland; of Tonino and Lora’s relationships with Michelangelo and Enrica Antonioni, Federico Fellini and Andrei Tarkovsky, among many others; of Guerra’s international interests beyond Russia; of his favourite writers; his years in Rome and his move back (with Lora) to Romagna in the 1980s; his methods of collaboration with different directors; his environmentalism, particularly in his later years; the nature of his art and vision – ‘peasant’ despite its cosm

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Rittig Šiško, Tea. "Musealisation of folk art - on the occasion of the 100th anniversary of the Ethnographic Museum." Etnološka istraživanja, no. 24 (December 5, 2019): 17–42. http://dx.doi.org/10.32458/ei.24.9.

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Starting from the concept of folk art as a historical phenomenon that refers to par- ticular civic processes of valorisation, selection and representation of peasant painting traditions, its role can be considered against the backdrop of specific economic, social and political circumstances of congenial cultural activities, which, from the end of the 19th century to the World War II, included the practices of gathering of ethnographic collections, the formation of the first museum collections and museum activities, the development of artistic crafts, encouragement of home-based handicraft busi

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Günör, Tuğba. "The Place of Special Women in the Art of Poetry for Russian Poet Nekrasov." Cankaya University Journal of Humanities and Social Sciences 18, no. 2 (2024): 320–31. https://doi.org/10.47777/cankujhss.1490274.

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Nikolay Alexeyevich Nekrasov, who had a very important place in the 19th century Russian literature, existed as a poet in the literary scene of his period, apart from his identity as a literary authority and publisher. Despite being an aristocrat, the artist, who grew up with slave peasant children, is closely acquainted with the problems and understanding of slave peasants, who were considered the lowest class of the Russian people. He integrated these experiences with realism, one of the widespread movements of his time, and tried to be the voice of these people who were ignored in their cou

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Seregina, Svetlana A. "S.A. Yesenin and N.V. Pokrovsky: on the History of Studying the Poet’s Reading Circle and his Ideas about Art." Studia Litterarum 7, no. 1 (2022): 282–97. http://dx.doi.org/10.22455/2500-4247-2022-7-1-282-297.

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The article introduces a hitherto unaccounted source of Yesenin’s ideas about art — the work of N.V. Pokrovsky “Church archeology in connection with the history of Christian art” (Petrograd, 1916), which was in the poet’s personal library, in academic circulation. The essay examines the biographical circumstances that explain how Yesenin learned about this research and how he obtain it. The author of the article proves that traces of Yesenin’s acquaintance with Pokrovsky’s work are found in his treatise on art — “Keys of Mariya” (1918). She concludes that the poet’s ideas about the culture of

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Bekkerman, Sonya. "Mikhail Larionov's Still Life with Crayfish." Gastronomica 2, no. 4 (2002): 10–12. http://dx.doi.org/10.1525/gfc.2002.2.4.10.

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Mikhail Larionov's Still-Life with Crayfish is a result of the artist sintense engagement with Russian folk art traditions. In attempting to liberate Russian art from the influence of the West, Larionov discovered new formal languages by looking to his heritage and bringing into his paintings images derived from icons, lubki (popular prints) as well as painted shop signs and children sart. Although Larionov did not spearhead the Russian crafts revival, his participation became critical for its dissemination. Still-Life with Crayfish exemplifies Larionov's insistence on russifying Western forms

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Lyapin, Denis. "Cases of Peasants in the South of Russia in the 20s of the 17th Century." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 5 (December 2020): 162–71. http://dx.doi.org/10.15688/jvolsu4.2020.5.13.

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Introduction. Among the materials of the Belgorod Stol of the Russian State Archive of Ancient Acts (RGADA), there is an extensive set of documents related to disputes over peasants who fled to the South of Russia from uyezds of other regions of the state. These are “cases of peasants” which were created in the 1620s. They are an important episode of the overall picture of the economic development of Southern Russia in the 17th century. These documents are of great interest for the study of the Russian peasantry. Methods. The author uses the problem-historical method and traditional methods of

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Asatiani, Revaz, Guram Rogava, and Elizabeth Gadzadze Elizabeth Gadzadze. "Social-Economic and Political Contexts of Georgian Romanticism." Economics 106, no. 9-10 (2024): 24–31. http://dx.doi.org/10.36962/ecs106/9-10/2024-24.

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The given article explains Georgian Romanticism, its period of origin, and its influence not only on various directions of art (painting, music, architecture, etc.) but also on the socio-economic and political situation of the country. The article discusses the forms of Romanticism's manifestation in Georgia, which were conditioned by several processes, including geopolitical occasions and socio-economic determinants. Specific preconditions that influenced the formation of Georgian Romanticism are analyzed. In particular, the abolition of Georgia's statehood in 1801; the 1804 rebellion in Mtiu

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Lanszki-Széles, Gabriella. "Egyházi öltözékek, miseruhák Gölle és Kisgyalán községekben a 18–21. században." Kaposvári Rippl-Rónai Múzeum Közleményei, no. 7 (2020): 305–20. http://dx.doi.org/10.26080/krrmkozl.2020.7.305.

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The paper was written about the church attires of the two villages of Outer-Somogy County from the 18th to the 21st century, taking into account ecclesiastical art and lo-cal history aspects. During the Counter-Reformation period, Baroque art was destined to conquer believers in the Catholic religion. A good example of this is the more than 250-year-old mass chasuble, which is a latent applied art value in Gölle. This chasuble bears several common similarities with the mass dresses from Maria Theresa ‘s embroidery workshop: it is very richly embroidered with scotch, its pattern and color are a

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