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Books on the topic 'Art – Political aspects – Zimbabwe'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Klanten, Robert. Art & agenda: Political art and activism. Berlin: Gestalten, 2011.

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2

Kunstschaffen in Zimbabwe: Zwischen Werkskunst und Kunstwerk. Berlin: Lit Verlag, 2009.

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3

Zimbabwe Institute of Development Studies., ed. The political economy of hunger in Zimbabwe. Harare: Publications Office, ZIDS, 1985.

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4

McKay, Ian. Writings on art & politics. Southampton, United Kingdom: Hatchet Green Publishing, 2012.

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5

Art & politics. Sonoma, CA: eXile press, 1994.

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6

Dzimba, John. South Africa's destabilization of Zimbabwe, 1980-89. New York: St. Martin's Press, 1997.

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7

South Africa's destabilization of Zimbabwe, 1980-89. London: MacMillan Press, 1998.

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8

Postmodernism, politics and art. Manchester, UK: Manchester University Press, 1990.

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9

Groĭs, Boris. Art power. Cambridge, MA: MIT Press, 2008.

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10

Selected errors: Writings on art and politics, 1981-90. London: Pluto Press, 1992.

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11

Political aesthetics. Ithaca: Cornell University Press, 2010.

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12

Antliff, Allan. Anarchy and Art. New York: Arsenal Pulp Press, 2009.

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13

Bourgineau, François. Art et argent: Les liaisons dangereuses. [Paris]: Hugo, 2009.

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14

Tàpies, Antoni. La réalité comme art. Paris: D. Lelong, 1989.

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15

Price-Smith, Andrew T. Downward spiral: HIV/AIDS, state capacity, and political conflict in Zimbabwe. Washington, D.C: United States Institute of Peace, 2004.

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16

1942-, Fisher Jean, ed. A certain lack of coherence: Writings on art and cultural politics. London: Kala Press, 1993.

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17

Curnier, Jean-Paul. L' art ultimo: La démocratie prouvée par l'absurde. [Paris]: Sens & Tonka, 1997.

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18

Werner, Hofmann. Wegblicken: Zwölf Polemiken zur Kunst und ein Brief. Hamburg: Europäische Verlagsanstalt, 1993.

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19

The aesthetics of power: Essays in critical art history. Cambridge: Cambridge University Press, 1993.

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20

L'or des images: Art, monnaie, capital. Montreuil]: La Ville brûle, 2013.

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21

Policy paradox: The art of political decision making. New York: Norton, 2002.

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22

1943-, Ames-Lewis Francis, Paszkiewicz Piotr, and Instytut Sztuki (Polska Akademia Nauk), eds. Art and politics: The proceedings of the Third Joint Conference of Polish and English Art Historians, Warsaw, September 1996. Warszawa: Instytut Sztuki Polskiej Akademii Nauk, 1999.

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23

Powers, Martin Joseph. Art & political expression in early China. New Haven: Yale University Press, 1991.

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24

Bilder auf Weltreise: Eine Globalisierungskritik. Berlin: Wagenbach, 2006.

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25

Schlingensief, Christoph. Zum Kapital: Als Christoph Schlingensief das Unsichtbare gesucht hat ; Treffen im Kulturzentrum Achberg anlässlich des Wochenendgipfels "Vom Chaos zur Form" am 29./30. April 2000. Wangen/Allgäu: FIU-Verlag, 2000.

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26

Muller, Joan. Under the cloak of justice: The work of Ned Cartledge. [Richmond]: Anderson Gallery, School of the Arts, Virginia Commonwealth University, 1994.

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27

Golomshtok, Igor. Totalitarian art in the Soviet Union, the Third Reich, Fascist Italy and the People's Republic of China. New York, N.Y: IconEditions, 1990.

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28

Mangone, Carlos. El manifiesto: Un género entre el arte y la política. Buenos Aires: Editorial Biblos, 1992.

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29

Münkler, Herfried. Politische Bilder, Politik der Metaphern. Frankfurt am Main: Fischer Taschenbuch, 1994.

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30

Art et événement: Spéculation et jugement des Grecs à Heidegger. Paris: Belin, 2005.

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31

Salcedo, Doris. Unland. San Francisco, Calif: San Francisco Museum of Modern Art, 1999.

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32

Yotsrim be-ʻomes yeter: Retsaḥ Rabin, omanut u-foliṭiḳah. Yerushalayim: Betsalʾel, 2005.

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33

Beuys, Joseph. Kunst und Politik: Ein Gespräch. Wangen: Freie Volkshochschule Argental, 1989.

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34

Durana, Javier González de. Ideologías artísticas en el País Vasco de 1900: Arte y política en los orígenes de la modernidad. [Bilbao]: EKIN, 1992.

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35

Untitled: Art, culture, gender, law. New York: Columbia University Press, 2012.

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36

Politische Kunst Begriffe in den 1990er Jahren im deutschsprachigen Raum. Wien: Edition Selene, 2002.

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37

Political landscape: The art history of nature. Cambridge, Mass: Harvard University Press, 1995.

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38

Warnke, Martin. Political landscape: The art history of nature. London: Reaktion, 1994.

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39

Robinson, Julie. Ann Newmarch: The personal is political. Adelaide: Art Gallery of South Australia, 1997.

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40

Institute, Policy Studies, ed. The benefits of public art: The polemics of permanent art in public places. London: Policy Studies Institute, 1995.

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41

1940-, Cicotello Louis, ed. Political blind spots: Reading the ideology of images. Lanham, MD: Lexington Books, 2005.

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42

Art/museums: International relations where we least expect it. Boulder: Paradigm Publishers, 2009.

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43

1966-, Szatkowski Wojciech, ed. Sztuka, która wznieca niepokój: Manifest artystyczno-polityczny sztuki szczególnej = Art that sparks unrest : the artistic-political manifesto of particular art. Warszawa: Instytut Wydawniczy Książka i Prasa, 2012.

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44

Frascina, Francis. Art, politics and dissent: Aspects of the art left in sixties America. Manchester: Manchester University Press, 1999.

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45

Dialogue: Writings in art history. North Sydney, NSW: Allen & Unwin, 1991.

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46

Gucht, Daniel vander. Art et politique: Pour une redéfinition de l'art engagé. Bruxelles: Labor, 2004.

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47

Rich Dorman, Sara. Understanding Zimbabwe. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190634889.001.0001.

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Abstract:

This book seeks to understand the state, nation and political identities that are being forged in modern Zimbabwe, and the nature of control that Robert Mugabe’s ZANU exercises over those political institutions. Focusing on the perspective and experiences of societal groups including NGOs, churches, trade unions, students and academics the book explores how the construction of consent, threat of coercion and material resources are used to integrate social groups into the ruling nationalist coalition, but also how they resist and frame competing discourses and institutions. Taking seriously the discursive and institutional legacies of the nationalist struggle and the liberation war in shaping politics, it explores how independent Zimbabwe’s politics were molded by discursive claims to foster national unity that delegitimize autonomous political action outside the ruling party. Building a new societal coalition entailed the "demobilization" of ZANU(PF)’s original nationalist constituency which had backed it during the liberation war, and the "inclusion" of new groups including donors, white farmers and business interests. It also shows how legal practices and institution-building defused and constrained opportunities for contestation, even while the regime used the security forces to suppress those who challenged its political monopoly or who otherwise resisted incorporation. It thus presents a complex picture of how individuals and groups became bound up in the project of state- and nation-building, despite contesting or even rejecting aspects of it.

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48

Wole, Soyinka. Climate of art. 1986.

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49

Art et politique. Paris: L'Harmattan, 2006.

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50

Duty free art. Verso, 2017.

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