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Dissertations / Theses on the topic 'Art pottery'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Moore, Fergus P. "Pottery art as relationship /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2005. http://hdl.handle.net/10355/4294.

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Thesis (M.F.A.)--University of Missouri-Columbia, 2005.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (July 10, 2006) Vita. Includes bibliographical references.

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2

Stumpf, Jonathan Lee. "Pottery In Everyday Life." Kent State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=kent1272910473.

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3

Anthony, Janice C. "The challenge of functional art /." Online version of thesis, 1986. http://hdl.handle.net/1850/8843.

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4

Ballard, Daniel Isaiah. "Traditional Pottery in Ghana." Digital Archive @ GSU, 2007. http://digitalarchive.gsu.edu/art_design_theses/19.

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5

Davis, Emily Elizabeth. "The pottery notebook of Maude Robinson a woman's contribution to art pottery manufacture, 1903-1909 /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 155 p, 2007. http://proquest.umi.com/pqdweb?did=1397899441&sid=4&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Thesis (M.A.)--University of Delaware, 2007.<br>Principal faculty advisors: J. Ritchie Garrison and Ronald W. Fuchs, II, Winterthur Program in Early American Culture. Includes bibliographical references.

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6

Waite, Sally Ann. "Representing gender on Athenian painted pottery." Thesis, University of Newcastle Upon Tyne, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327231.

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7

Bothamley, Ryan J. "Pottery, the multi-sensual medium /." Online version of thesis, 2010. http://hdl.handle.net/1850/11887.

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8

Atkins, Ashley. "Pamunkey Pottery and Cultural Persistence." W&M ScholarWorks, 2009. https://scholarworks.wm.edu/etd/1539626585.

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9

Ifejika-Obukwelu, Kate Omuluzua. "Igbo pottery in Nigeria : issues of form, style and technique /." Access Digital Full Text version, 1990. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10939362.

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10

Fadorsen, Stephanie Alexandra. "American Art Pottery: Ohio's Influence on Transforming a Local Craft into a World Renowned Fine Art." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1342890450.

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11

Bonga, Lily A. "Late Neolithic pottery from mainland Greece, ca. 5,300--4,300 B.C." Thesis, Temple University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3564797.

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<p> The Late Neolithic (defined here as the LN I of Sampson1993 and Coleman 1992) is both the culmination and the turning point of Greek Neolithic culture from the preceding phases. It lasts some 1,000 years, from approximately 5,300 to 4,300 B.C. The ceramic repertoire of the Late Neolithic period in Greece is a tremendously diverse body of material. Alongside this diversity, other aspects of the ceramic assemblage, such as Matt-painted and Black-burnished pottery, share broad similarities throughout regions, constituting a "<i> koine.</i>" The commanlities, however, are most apparent during

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12

Chen, Suifeng. "Cultural Exchange Centre & Chinese Ceramics Museum in Shenzhen." Click to view the E-thesis via HKUTO, 1997. http://sunzi.lib.hku.hk/hkuto/record/B31983236.

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Thesis (M.Arch.)--University of Hong Kong, 1997.<br>Title also in Chinese : Zhong Guo Shenzhen : Wen Hua Jiao Liu Zhong Xin Ji, Zhong Guo Tao Ci Bo Wu Guan. Includes special report study entitled : Lighting for museum & courtyard space. Includes bibliographical references. Also available in print.

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13

Ming, Mei. "The evolution of Buddhism and the development of ceramic art in China." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38574718.

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14

Mills, Lori. "Floralware /." Online version of thesis, 1989. http://hdl.handle.net/1850/10924.

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15

Lyons, Mark W. "American dreams /." Online version of thesis, 1990. http://hdl.handle.net/1850/11237.

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16

Mantzourani, Eleni. "Pictorial pottery of the LMIA period on Crete and Thera." Thesis, Royal Holloway, University of London, 1985. http://repository.royalholloway.ac.uk/items/7d1f0181-591e-4778-89ee-0482fc7b890d/1/.

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The present study examines the pictorial style of pottery made in Thera and Crete in the LCI/LMIA period. The work is in two volumes. Volume I is divided into three parts. Part I comprises the introductory chapter in which there is a summary of previous research on the subject and the aims of the thesis are set out. Chapter II the context of the pictorial style of pottery is examined. Chapter III contains analysis of the forms of vases with pictorial decoration. Part II includes three chapters dealing with the Analysis of Motifs. The plants are analysed in Chapter IV, the living creatures in C

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17

Peterson, Sarah Elizabeth. "Selected Diagnostic Pottery From Destruction Deposits on the Citadel of Mycenae: Building Kappa." Master's thesis, Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/120399.

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Art History<br>M.A.<br>This study presents a preliminary examination of the pottery from Building Kappa, a recently excavated building on the citadel of Mycenae. Resulting from a formal detailed analysis of a portion of the recovered ceramic assemblage, this research corrects several errors recorded in notebooks at the time of excavation before the pottery was washed and studied. The excavated area of Building Kappa contained three different levels: Stratum 4/6, a deposit associated with the structure that shows it went out of use in the LH IIIB period; Level 3, a deposit consisting of baulks

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18

Champagne, Eva Lys. "Animal vegetable mineral." Diss., [Missoula, Mont.] : The University of Montana, 2009. http://etd.lib.umt.edu/theses/available/etd-06012009-204704.

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19

Wheeler, Joseph M. "Fetish and the object." Thesis, The University of Sydney, 2009. https://hdl.handle.net/2123/28924.

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Dissertation: The dissertation has evolved from an interest about the various nuances of the term fetish. It is a term, which can cause embarrassment, or a ‘giggle’. This I believe is because the idea of the sexual fetishist holds a certain curiosity to a wide cross section of society. The word usually conjures up images of people clad in studded, leather outfits in dimly lit cellars. It is a term however that has entered into the modern vernacular. It is a concept, which seems highly applicable to hand crafted objects and to their makers. I have sought with this research to find reasons

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20

Peterson, Sarah Elizabeth. "Late Helladic IIIC Pottery at Mycenae: Production Trends after the Collapse of Palatial Administration." Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/442089.

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Art History<br>Ph.D.<br>This dissertation examines trends in the production of pottery at Mycenae in the Late Helladic (LH) IIIC period (ca. 1200–1125 B.C.E) through the analysis of published ceramic material from the site. It includes my own study of select unpublished material from recent excavations on the Citadel (Building Kappa) and in the Lower Town. The LH IIIC period, considered the beginning of the Dark Ages in Greece, immediately followed the end of the Mycenaean palatial system, a phenomenon referred to as the Collapse. The Collapse is characterized by the complete destruction of ma

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Bonga, Lily Alexandra. "Late Neolithic Pottery from Mainland Greece, ca. 5,300-4,300 B.C." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/236215.

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Art History<br>Ph.D.<br>The Late Neolithic (defined here as the LN I of Sampson 1993 and Coleman 1992) is both the culmination and the turning point of Greek Neolithic culture from the preceding phases. It lasts some 1,000 years, from approximately 5,300 to 4,300 B.C. The ceramic repertoire of the Late Neolithic period in Greece is a tremendously diverse body of material. Alongside this diversity, other aspects of the ceramic assemblage, such as Matt-painted and Black-burnished pottery, share broad similarities throughout regions, constituting a "koine." The commonalities, however, are most ap

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22

Campbell, Emily G. "Bracquemond, Ruskin, the Haviland-Hayes Service, and Rookwood: Japonisme and Permanence in Art Pottery." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3771.

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There are two principle arguments in this thesis. First, this thesis will show that Félix Bracquemond had a profound impact on late-nineteenth-century and early-twentieth-century ceramics in America. Second, this thesis will illustrate how John Ruskin’s principle that pottery is “more permanent than the Pyramids” encouraged reform of the ceramic arts and shaped the Art Pottery Movement of the late nineteenth century. After this thesis introduces Bracquemond as an innovator in ceramic decoration and the dissemination of Ruskin’s principle, the thesis will examine two instances in the America

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23

Deakins, Lahla K. "Women, Art, and Community: A Proposal for a Non-Profit Pottery Program in Appalachia." Digital Commons @ East Tennessee State University, 2008. https://dc.etsu.edu/etd/1997.

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Many Appalachian women are creative individuals who enjoy making and sharing quilts, songs, paintings, poetry, and other art. However, many women in rural areas of Central Appalachia lack access to basic resources because of poverty. While many agencies help poor women find shelter, clothing, and food, there are few that help them find their creative voices. I assert that women who are given the tools to practice creative expression can overcome the mental oppression of poverty to become self-assured individuals who benefit their communities. This thesis examines the socioeconomic condition of

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24

Worth, Janet. "The distinctive fish motif on a 14th century Iranian bowl in the Art Gallery of South Australia's William Bowmore Collection of Islamic ceramics /." Title page, table of contents and abstract only, 2004. http://web4.library.adelaide.edu.au/theses/09ARAHM/09arahmw932.pdf.

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25

De, Muro Theodore Edward. "Making a case for clay in art education /." Access Digital Full Text version, 1992. http://pocketknowledge.tc.columbia.edu/home.php/bybib/1130215x.

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Thesis (Ed.D.)--Teachers College, Columbia University, 1992.<br>Typescript; issued also on microfilm. Sponsor: David S. Nateman. Dissertation Committee: Judith Burton. Includes bibliographical references (leaves 203-216).

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26

Kaha, Myra. "The vessel and the sacred." Morgantown, W. Va. : [West Virginia University Libraries], 2006. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=4791.

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Thesis (M.F.A.)--West Virginia University, 2006.<br>Title from document title page. Document formatted into pages; contains v, 15 p. : col. ill. Vita. Includes abstract. Includes bibliographical references (p. 13).

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27

Stellaccio, Anthony E. "The Past is Open to the Future: Lithuanian Folk Pottery 1861 - Present." TopSCHOLAR®, 2016. http://digitalcommons.wku.edu/theses/1645.

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In 2011, following several years of in-country research, I published a book on Lithuanian folk pottery. I enrolled in the Folk Studies master’s program at Western Kentucky University (WKU) in 2014, well after my research and book had been completed. In the present study, I use my newly acquired knowledge of folklore In my previous work to revisit Lithuanian folk pottery. In my previous work, I had sought to create a picture of “authentic” Lithuanian folk pottery that was confined to the narrow temporal borders of 1861-1918. Here I deconstruct conventional ideas about authenticity, as well as c

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28

Ming, Mei, and 明梅. "The evolution of Buddhism and the development of ceramic art in China." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B38574718.

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29

Knowles, Jannette Marie Jelen. "Out of the hands of orators: Mary Louise McLaughlin, Adelaide Alsop Robineau, the American art pottery movement, and the art education of women." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1250706319.

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30

Knowles, Janette Marie Jelen. "Out of the hands of orators : Mary Louise McLaughlin, Adelaide Alsop Robineau, The American Art Pottery Movement, and the art education of women." Connect to resource, 1997. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1227549126.

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31

Mark-Ng, Elsa. "Public Art in Outdoor Space: How Environmental Art Can Influence Notions of Place." Oberlin College Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1559347543553644.

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32

Murphy, Eric. "Five earthenware vessels with mixed media for reflection and contemplation." Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/941719.

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As humans and society have evolved, living has become more abstract and individualized. This report on the creative project discusses the artistic process and how each of the five works personalized or called attention to the abstractness of a beholder's existence. Each of the mixed-media works centered around a hand-built ceramic granary form which referenced the human drive to store resources. During exhibition at Ball State University, beholders would construct an association to storage by resolving the disparities caused by the mix of images and materials in each artwork.The artistic proce

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33

Wagh, Vaishali D. "Assembling form and space : ceramics as an assemblage." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1355258.

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This project examines the relationship between form and the resultant space that it encloses, through a process of assembly. The process consists of assembling materials in Phase 1, and assembling parts cut-out from a homogenous ceramic form in Phase 2. Embedded in the act of assembly is the designer's ability to construct the object in multiple formal configurations. Manipulating the form (solid) results in mutation of the space (void) held within and in-between the solid, and vice-versa. Four formal concepts guide the process of assembly in this study: interplay of solid and void, manipulati

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34

Holden, Maxwell L. "Pandemonium and Succession." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1595497411059288.

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35

Roper, Gary G. "A sense of Sp(Pl)ace." Morgantown, W. Va. : [West Virginia University Libraries], 2000. http://etd.wvu.edu/templates/showETD.cfm?recnum=1387.

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Thesis (M.F.A.)--West Virginia University, 2000.<br>Title from document title page. Document formatted into pages; contains iv, 27 p. : col. ill. Vita. Includes abstract. Includes bibliographical references (p. 21).

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36

McCreary, Kevin. "Chickenware." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1240153974.

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Thesis (M.F.A.)--Kent State University, 2009.<br>Title from PDF t.p. (viewed Jan. 21, 2010). Advisor: Kirk Mangus. Keywords: Chickenware, ceramics, craft, pottery, Kevin, McCreary. Includes bibliographical references (p. 15).

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37

Pena, Jose Luis. "Pottery Production during the Late Horizon in the Huancabamba Valley, Cajamarca - Peru." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4559.

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Elemental analysis of pottery sherds provided insights on the ceramic production in the Huancabamba Valley (northern highland-Peru) and the way in which the Incas administrate the provinces. The pottery sherds from six archaeological sites selected for elemental analysis indicated the use of similar clay sources in the manufacture of pottery. The production of ceramic vessels took place at the local level without the strict control of the Inca state. The Incas built administrative structures in the Huancabamba Valley in order to maintain control of their road system, which connected the north

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38

Gluckman, Amie. "Minoan Barbotine Ware: Styles, Shapes, and A Characterization of the Clay Fabric." Master's thesis, Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/337064.

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Art History<br>M.A.<br>This paper examines the styles, shapes, and chemical composition, and ceramic fabric of Minoan Barbotine Ware. During the Middle Minoan period, Barbotine Ware exemplifies the creative ingenuity of the Minoan potter. The vessels’ elaborate decorative motifs play an integral part in the development of Minoan pottery. Barbotine Ware remains an ill-defined tradition. This paper will analyze the styles and shapes of Barbotine Ware vessels, as well as provide a chemical and petrographic study of Barbotine Ware from Kommos. The ultimate goal is to provide a thorough study of al

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39

Kemp, Kassie Christine. "Pottery Exchange and Interaction at the Crystal River Site (8CI1), Florida." Scholar Commons, 2015. http://scholarcommons.usf.edu/etd/5971.

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The Crystal River site (8CI1) is a Woodland-period mound (ca. 1000 BC to AD 1050) complex located on the west-central Gulf coast of Florida. Links to the Hopewell Interaction Sphere suggest that the people of Crystal River had connections with a broad range of communities, yet little is known concerning the role the site played in local, regional, or long-distance exchange networks. Pottery traditions vary amongst different communities of practice, therefore the level of interaction at Crystal River can be measured by looking at variation in the ceramic assemblage. I combine type/attribute, ve

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40

Busby, Jim Burton Carson. "Intrinsic motivation." Thesis, University of Iowa, 2014. https://ir.uiowa.edu/etd/1298.

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Art, for all its apparent simplicity is anything but straightforward. I admire and strive to make work that, when first introduced is both comfortable and exciting. I aim for work that is true to its medium. I want my work to be approachable, inviting, though questioning and introspective just the same. I think art should make the world a better place. I admire the technicality that is inherent to minimalism. I think at the least, an acceptable piece of art should be an insight into the world of the viewer.

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41

Gerleigner, Georg Simon. "Writing on archaic Athenian pottery : studies on the relationship between images and inscriptions on Greek vases." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610545.

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42

Åkerman-Engström, Linus. "A palette of cultural traces : A sample study of Predynastic animal depictions on palettes and D-ware pottery." Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-354742.

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There are no written sources are available from the Predynastic period, but an array of art decorated artefacts has been found. This essay will take a closer look at one type of these artefact; the animal shaped stone palette to see what art of this artefact can tell us about the culture that made them. I will do so by looking at the animal depictions found on the palettes, to allow comparison I will include D-wear, a decorated Predynastic pottery type. I have put together two data sets for the respective artefact that forms the base for this study. My theoretical perspective is that the

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43

Lewis-Nash, Robert J. "Old Fields and New Fields: Ceramics and the Expanded Field of Sculpture." Oberlin College Honors Theses / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin150695125608167.

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44

Nostrom, Rachel. "Portable X-ray Fluorescence Analysis of Pottery at the Bayshore Homes Site in Pinellas County, Florida." Scholar Commons, 2014. https://scholarcommons.usf.edu/etd/5285.

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The Bayshore Homes site was occupied intermittently over a period of approximately twelve hundred years, with the two main occupation periods being CE 150-550 and CE 900-1350. During those lengthy occupations a substantial amount of plain and decorated pottery was discarded at the site. A portable X-ray fluorescence (pXRF) spectrometer was utilized to analyze the elemental composition of 133 sherds, both decorated and plain. The resulting elemental composition data were then analyzed using multivariate statistics in an attempt to discern discrete clay sources that may have been exploited by in

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45

Kettunen, Harri J. "Nasal motifs in Maya iconography." Diss., Helsinki : Helsinki University Printing House, 2005. http://ethesis.helsinki.fi/julkaisut/hum/renva/vk/kettunen/.

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46

Laforge, Travis. "Specialization in Small-Scale Societies: The Organization of Pottery Production at Kolomoki (9ER1), Early County, Georgia." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4115.

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Investigating the organization of production systems can reveal much about a society, in particular how resources and labor were allocated, and the influence that economic, political, social, and ceremonial institutions had on the production process. Interpreting the nature of specialized production is useful for understanding how production was organized. In turn, the degree of standardization exhibited by the goods being produced is used to determine the nature of specialization. While archaeological research regarding specialized production has expanded over time to incorporate a wide range

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47

Scansani, Marco. "Giovanni De Fondulis : un protagonista dell’arte della terracotta nel Quattrocento tra Lombardia e Veneto." Doctoral thesis, Scuola Normale Superiore, 2020. http://hdl.handle.net/11384/85778.

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48

Simmons, John Daniel. "Newfangled." Digital Commons @ East Tennessee State University, 2010. https://dc.etsu.edu/etd/1702.

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This thesis paper supports the Master of Fine Arts exhibition at the B. Carroll Reece Museum, East Tennessee State University, from March 9th through April 22nd, 2010. The exhibit is comprised of 62 unique ceramic pieces, which are presented on pedestals and wall mounted shelves. The exhibition presents the artist's exploration of form and surface used to create functional pottery. Topics discussed are the influences, concepts, techniques, and methods used to create the work. Included are process images, detail images, and images of selected works from the exhibition.

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Saccente, Julie Rogers. "Archaeology of the Early Eighteenth-Century Spanish Fort San José, Northwest Florida." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4572.

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The Spanish Fort San José, located on the St. Joseph Peninsula, was occupied from 1719 until 1723. This site is significant as it preserves key details on Spanish settlement, trade, and ethnic diversity on the northern Gulf Coast and relationships with aboriginal and other European peoples of the region. The first archaeological testing of this site was conducted in the 1960s, but limited information exists on this work, and the fort's structural remains are now gone. My research examines a recently discovered artifact collection from this site and combines the new data with information from e

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Schwartz, Rachel. "Edwin Atlee Barber collecting Pennsylvania, defining America /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 34 p, 2007. http://proquest.umi.com/pqdweb?did=1691249371&sid=7&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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