Relevant bibliographies by topics / Art public

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Art public'

Author: Grafiati
Published: 4 June 2021
Last updated: 22 June 2024

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Journal articles on the topic "Art public"

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Antoine, Jean-Philippe. "Art, publics, art public." Multitudes 4, no. 1 (2001): 53. http://dx.doi.org/10.3917/mult.004.0053.

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Ruby, Christian. "Art en public ou art public ?" Le Débat 98, no. 1 (1998): 49. http://dx.doi.org/10.3917/deba.098.0049.

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Sanader, Daniella E. "Service Media: Is it ‘Public Art’? Or is it Art in Public Space?" Public 26, no. 52 (December 1, 2015): 259. http://dx.doi.org/10.1386/public.26.52.259_5.

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Bell, Jacqueline. "ART + CARE = A FUTURE." Public 26, no. 52 (December 1, 2015): 256–58. http://dx.doi.org/10.1386/public.26.52.256_5.

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Glahn, Philip. "Public Art." Afterimage 28, no. 3 (November 2000): 10–12. http://dx.doi.org/10.1525/aft.2000.28.3.10.

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McGonagle, Declan. "Public Art." Circa, no. 50 (1990): 42. http://dx.doi.org/10.2307/25557515.

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Parsley, Connal. "Public Art, Public Law." Continuum 19, no. 2 (June 2005): 239–53. http://dx.doi.org/10.1080/10304310500084509.

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Baldini, Andrea. "The Public-Art Publics: An Analysis of Some Structural Differences among Public-Art Spheres." Open Philosophy 2, no. 1 (January 18, 2019): 10–21. http://dx.doi.org/10.1515/opphil-2019-0002.

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AbstractIn this paper, I argue for what I define as the multiplicity thesis (MT). According to MT, there is not a single public of public art, but a multiplicity of them. I defend MT both as a descriptive and a normative claim. I explore different types of publics of public art that can be distinguished from one another in terms of their different sizes. I expand my analysis of the differences among separate publics of public art by considering temporary and enduring ones.
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Anderson, Heather. "Retreating in/from art institutions." Public 25, no. 50 (September 1, 2014): 59–74. http://dx.doi.org/10.1386/public.25.50.59_1.

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Mills, Josephine. "Public Art On-lineArtexte’s Public Art Database: www.artexte.ca/publicart." TOPIA: Canadian Journal of Cultural Studies 8 (September 2002): 133–34. http://dx.doi.org/10.3138/topia.8.133.

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Dissertations / Theses on the topic "Art public"

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Dear, Jackie. "What possibilities for art are represented by the 'new' and the 'public' of new genre public art." Thesis, University of Essex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310054.

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Williams, Stephanie Danielle. "ART AT THE AIRPORT AND THE INTERSECTION OF PUBLIC ART AND PUBLIC HISTORY." Master's thesis, Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/448628.

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History
M.A.
This thesis is a study of the intersection of public art and public history in Philadelphia. This project looks at Philadelphia based case studies to see how the intersection of public art and public history can bring in new audiences, act as a form of advertisement, and shape interactive experiences for visitors. Connecting to a body of literature that deals with the power of place, I ask in this study how public history in unexpected places has the power to bring in new audiences that may not have the chance or even want to visit a traditional history museum or historic site. How do these projects and programs serve a community? The study features the history of Art at the Airport, an international series of art exhibits and programs at major airports. Among these, the Philadelphia International Airport’s Art at the Airport program exhibits traditional and innovative art and regularly features historic content. Any airport today is a place of high stress, but surveys of airport visitors indicate that for some art has the ability to relieve anxieties. So what happens when public art and public history collide in this space? While studying Art at the Airport as an intern, I witnessed people who stopped, learned, and gained knowledge of history in a public setting without a book, a teacher, or tour guide. This study allows me to show the power of public history and public art.
Temple University--Theses
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Higgins, Darcy. "Marked Space: Public Art and the Public Sphere." Ohio University Honors Tutorial College / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1307382998.

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Cartiere, Cameron. "RE/placing public art : the role of place specificity in new genre public art." Thesis, University of the Arts London, 2003. http://ualresearchonline.arts.ac.uk/2301/.

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This research is an exploration of the development and influence of place-specificity within the field of new genre public art. Over the last several years the term place-specificity and its variance, place-specific has occurred frequently in art reviews and exhibition catalogues particularly in relation to installations, permanent public art works, and public interventions. While place-specificity is now a recognised term in the current lexicon of public art discussion, within many texts the phrase place-specific is often indiscriminately interchanged with site-specific, implying that the two terms are synonymous. While the relationships between site, space, and place are actively explored within fields such as geography,cultural studies and architecture, distinctions between site-specificity and place-specificity have rarely been critically addressed in discussions of public art. Based on both theory and curatorial practice, this thesis explores a range of perspectives on the role of place within socially engaged public art practice. The study examines the difference between site and place and how place influences our perceptions of specific locations through memory, history and experience. The thesis explores place as a subject, an artistic influence, and a social and cultural signifier. Also examined is how artists use place as a means of connecting to specific locations and audiences, as well as a way of exploring their personal histories and memories. Utilising a combination of approaches, this study incorporates naturalistic enquiry, conversation as a method, a think-tank, interviews, and video documentation to uncover how a group of public art practitioners reflect on place-specificity within their work, how they utilise place, and are influenced by place. The research reflects on the potential of place-specific public art to celebrate unique cultural differences, inspire international collaboration, and provide a forum for local distinctiveness in the face of globalization The study also serves as one model for practice-based research utilising curatorship as a practice. This study identifies further areas for potential research within various aspects of art and design as well as other disciplines. The thesis is accompanied by a suite of DVD's which document the curatorial practice and address place-specific themes that emerged from the research.
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Cavendish, Maia. "Public Art and Residual Urban Spaces : The Case for Informal Public Art in Stockholm." Thesis, KTH, Urbana och regionala studier, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-256316.

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While Stockholm has made significant investments in formal public art throughout the inner city and suburbs, the city has a lack of informal public art. Defined as a feature or work produced by a person who considers themselves to be an artist or craftsperson, located in a place accessible to and used by the public, public art can be either formal or informal. Informal public art generally has no formal process, with flexibility on the temporal nature of the work, materials and subject. This allows the artwork to inhabit spaces which are overlooked or underinvested in by formal public art commissioning bodies, and not have to follow formal public art requirements which are part of the broken “public art machine”. (Phillips, 1988). Much of Stockholm’s urban environment is considered beautiful, has heritage value and/ or is protected. But Stockholm also hosts many spaces in between – spaces that hold the city together, including infrastructure, bridges, alleys, and the places under and between them. These spaces can be labelled as a city’s residual spaces (Villagomez, 2010), and are where informal public art can be utilised to make these spaces into places. This study outlines the importance of and background to public art in the context of Stockholm. A survey of Stockholm’s residents, visitors and potential future visitors established how they feel about public art in the city, as well as in residual urban spaces, and to what extent it assists with establishing a place connection. This was accompanied by onsite interventions and observational analysis which challenged the way residual urban spaces are being used in Stockholm, and developed a case for how informal public art can be incorporated in the city’s residual urban spaces.
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Bennett, Josephine. "Marketing public art : public art, urban cultural policy and the role of relationship marketing." Thesis, Queensland University of Technology, 2000.

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Cheung, Wai-ting Stephanie, and 張慧婷. "Public art in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29521749.

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Badger, Paul Allen. "Some thoughts on public art." The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1314892610.

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Baldini, Andrea. "Public Art: A Critical Approach." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/240857.

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Philosophy
Ph.D.
In this dissertation, I provide a philosophical analysis of public art. I focus on its "publicness," and draw implications at the level of public art's ontology, appreciation, and value. I uphold the view that an artwork is public when received within a public sphere rather than within artworld institutions. I further argue that, as a consequence of the peculiar nature of its reception, public art possesses an essential value that is distinctively non-aesthetic: to promote political participation and to encourage tolerance. By examining how public art and its value(s) relate to the public domain in the context of pluralistic democracies, this dissertation also contributes to a fuller understanding of an important aspect of our social world. Chapter 1 introduces the scope and nature of the dissertation and emphasizes few important caveats. Chapter 2 develops a general characterization of public art's "publicness." It argues that what makes an artwork public is the context within which it is received: public artworks are received within a public sphere, that is, the public-art sphere, rather than within artworld institutions. Chapter 3 expands the account of the public-art sphere as developed in Chapter 2, and argues that public artworks address a multiplicity of publics and are received within a multiplicity of public-art spheres. Chapter 4 offers a sustained account of the pluralistic logic by means of which participants evaluate opinions expressed in discussions within public-art sphere. Chapter 5 explores the role that emotional reactions play in public-art spheres. It argues that warranted emotional reactions can function as premises of arguments proposed in public-art spheres. Chapter 6 discusses the ontology of public artworks. It suggests that some of the real properties that a public artwork has are a function of some features of the public-art sphere within which that artwork is received. Chapter 7 explains the value of public art. It holds that public art's value is a function of its capacity to promote political participation and to encourage tolerance.
Temple University--Theses
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Norman, Garrett Tyler. "Pismo Beach Public Art Program." DigitalCommons@CalPoly, 2014. https://digitalcommons.calpoly.edu/theses/1182.

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Public art plays a significant role in communities around the world. It embodies a close relationship between the artist, the space in which it’s being exhibited, and the public. The development of this project examined various literary sources that demonstrated the importance of public art and how cities, artists, and community members may benefit from the incorporation of public art. This project included the framework for development of a Public Art Program for the City of Pismo Beach, California, which outlined the critical steps of a planning process and implementation of the program.
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Books on the topic "Art public"

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Agency, Public Art Commissions. [Public art]. Birmingham: Public Art Commissions Agency, 1994.

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Amanda, Crabtree, ed. Public art. London: Academy Editions, 1996.

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Public art. Sea Girt, NJ: Dingles, 2008.

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Public art. Detroit: Lucent Books, a part of Gale, Cengage Learning, 2014.

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Stan, Ries, ed. Public art for public schools. New York: Monacelli Press, 2009.

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Mayor's Commission on Art, Culture and Film., ed. Public art master plan of the public art process. Denver: Mayor's Commission on Art, Culture and Film, 1993.

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O?Callaghan, Genevieve, and Mark Gowing. Making art public. Kaldor Public Art projects, 1969?2019. Köln: Walther König (Verlag), 2020.

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Dudley (England). Metropolitan Borough Council. Public art guide. Dudley: Dudley MBC, 1990.

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Ian, Banks, Forrest Alison, and Lewis Penny, eds. Public art Northwest. Glasgow: Carynx Group, 2003.

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Rose, Charles Thomas. Public art, public space: A discussion on the rationale of public art. Oxford: Oxford Brookes University, 2002.

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Book chapters on the topic "Art public"

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Al-Kodmany, Kheir. "Public Art." In Humanizing the High-Rise City, 298–316. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003331032-14.

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Sheehy, Colleen J. "Yard Art as Public Art." In The Flamingo in the Garden, 3–33. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003249979-2.

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Arandelovic, Biljana. "Temporary Public Art." In Public Art and Urban Memorials in Berlin, 241–55. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73494-1_5.

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Zebracki, Martin. "Digital Public Art." In The Routledge Companion to Urban Media and Communication, 314–25. New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781315211633-33.

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Jackson, Penelope. "Copies in Public Collections." In The Art of Copying Art, 131–56. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-88915-9_6.

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Seldes, Gilbert. "The Useful Art." In The Public Arts, 61–66. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429339325-6.

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Aksel, Erdağ. "“Art for demos”." In Public Space Democracy, 277–83. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003193753-20.

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Avgitidou, Angeliki. "Performing in public space." In Performance Art, 146–68. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003197904-9.

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Crawshaw, Julie. "From public art to art-planning." In Art Worlding, 1–28. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003046752-1.

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Zebracki, Martin, and Joni M. Palmer. "On encountering public art." In Public Art Encounters, 3–12. Abingdon, Oxon : New York, NY : Routledge is an imprint of the Taylor & Francis Group, an Informa Business, [2018]: Routledge, 2017. http://dx.doi.org/10.4324/9781315602837-1.

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Conference papers on the topic "Art public"

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Liu, Kexin. "Public Art Dialogue." In The 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210106.029.

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Mustafa, M., M. Begum, A. Backer, and J. Dollah. "Questioning public art." In ECO-ARCHITECTURE 2012. Southampton, UK: WIT Press, 2012. http://dx.doi.org/10.2495/arc120101.

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Gorichanaz, Tim. "Engaging with Public Art." In CHI '20: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3313831.3376640.

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Faghihi, Parinaz, Teresa Almeida, and Fernando Quintas. "PUBLIC GLASS ART: EXPLORING THE IMPACTS OF GLASS ART IN PUBLIC SPACES." In VIII World Congress on Communication and Arts. Science and Education Research Council (COPEC), 2015. http://dx.doi.org/10.14684/wcca.8.2015.21-24.

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Shemza, Aphra. "Public Interactive Art: Environmental Challenges." In Electronic Visualisation and the Arts (EVA 2017). BCS Learning & Development, 2017. http://dx.doi.org/10.14236/ewic/eva2017.19.

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Shi, Yu. "What can robots bring to public art? - The integration of robotics in public art." In C&C '23: Creativity and Cognition. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3591196.3596825.

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Kahn, Sabzali Musa, Zahir Ahmad, Maslinor Ismai, Azizah Hamzah, and Nik Nairan Abdullah. "ART THERAPY FOR PEOPLE WITH AUTISM." In International Conference on Public Health. Masters Program in Public Health, Sebelas Maret University, 2017. http://dx.doi.org/10.26911/theicph.2017.043.

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Katz, Neil. "Weaving public and private." In ACM SIGGRAPH 2008 art gallery. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1400385.1400408.

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Wang, Haoxin. "Analysis on the Urban Public Art." In 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/iccese-17.2017.121.

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Biermann, BC. "Augmented reality, art, and public space." In SIGGRAPH '18: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3214745.3214747.

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Reports on the topic "Art public"

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Conklin, Tiffany. Street Art, Ideology, and Public Space. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.761.

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Skinner, Bradley D. Public Affairs: A Facet of Operational Art? Fort Belvoir, VA: Defense Technical Information Center, February 1997. http://dx.doi.org/10.21236/ada325041.

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Stephen Goss, Stephen Goss. Youth on the Move: Re-Storying Urban Communities with Public Art and Digital Media. Experiment, November 2016. http://dx.doi.org/10.18258/8558.

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Mileti, D. S., and J. H. Sorensen. Communication of emergency public warnings: A social science perspective and state-of-the-art assessment. Office of Scientific and Technical Information (OSTI), August 1990. http://dx.doi.org/10.2172/6137387.

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Stanley, Sharon A. Operational Art and the Incident Command System: Public Health's Bridge in Bioterrorism Preparedness and Response. Fort Belvoir, VA: Defense Technical Information Center, March 2003. http://dx.doi.org/10.21236/ada414149.

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Bellwood-Howard, Imogen, Peter Taylor, and Aminata Niang. How to Use Collaborative Art-Making for Dialogue and Communication. Institute of Development Studies, August 2023. http://dx.doi.org/10.19088/ids.2023.035.

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Artists have often used artworks to express emotions and thus prompt public dialogue about contemporary challenges. At the same time, it has been suggested that collaborative art-making can be used in environmental deliberation processes, where stakeholder groups discuss contentious challenges such as the effects of flooding. Policy actors have rarely been deeply involved in these processes. Our recent research showed that collaborative art could be used to develop relationships between groups, including policy actors, in deliberation processes, by creating artworks to bring concerns into the public domain.
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Ferrari, Maria-Aparecida, and Ana-María Durán. El estado del arte de las Relaciones Públicas y Sustentabilidad en organizaciones brasileñas y ecuatorianas / The state of the art of public relations and sustainability in Brazilian and Ecuadorian organizations. Revista Internacional de Relaciones Públicas, December 2018. http://dx.doi.org/10.5783/rirp-16-2018-08-129-150.

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Bocalandro, Laura, and Rafael Villa. A Blueprint for a Regional Public Goods Monitoring and Evaluation System. Inter-American Development Bank, September 2011. http://dx.doi.org/10.18235/0009039.

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This technical note presents a blueprint for a Monitoring and Evaluation System for the Regional Public Goods Program. The blueprint took into consideration the improvements and continued deficiencies of the monitoring and evaluation function currently applied to the RPG Program and projects, and the state of the art in monitoring and evaluation of integration programs, particularly those focused on the software aspects of integration. The scope of the proposed system includes both monitoring and evaluation of impact and performance, and auditing results and processes (or technologies). Its design follows a principled pragmatic approach, paying particular attention to the cost effectiveness of the M&E function and a balanced governance and collaborative process in each proposed activity. The strategic approach for its implementation is that of risk management orientation, with a focus on sustainability and scalability, promoting feedback and engagement, and taking advantage of self-monitoring and collaborative evaluation.
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Soler Humanes, Ana. La Gestión de la Comunicación Externa Online con los Visitantes en los Museos y Centros de Arte en Málaga / The Online External Communication Management with the Visiting Public in Museums and Art Centers in Malaga. Revista Internacional de Relaciones Públicas, December 2013. http://dx.doi.org/10.5783/rirp-6-2013-11-197-216.

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Gordon, Roger. Do Publicly Traded Corporations Act in the Public Interest? Cambridge, MA: National Bureau of Economic Research, March 1990. http://dx.doi.org/10.3386/w3303.

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