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Relevant bibliographies by topics / Art publishing Art Periodicals

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Academic literature on the topic 'Art publishing Art Periodicals'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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Journal articles on the topic "Art publishing Art Periodicals"

1

Allen, Gwen L. "Art Periodicals and Contemporary Art Worlds (Part I): A Historical Exploration." ARTMargins 5, no. 3 (October 2016): 35–61. http://dx.doi.org/10.1162/artm_a_00157.

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This essay explores the role of art periodicals in art worlds past and present. It examines the histories of Artforum and October within the context of the North American art world of the 1960s and 1970, and contextualizes these publications within a larger field of publishing practices, including self-published Salon pamphlets, little magazines, and artists' periodicals. It explores how the distribution form of the periodical affects the politics of art criticism, and considers how art magazines have served as sites of critical publicity, mediating publics and counterpublics within the art world. It also reflects on the role of magazines and newer online media in the contemporary, globalized art world.

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Eşanu, Octavian, and Angela Harutyunyan. "Introduction: Art Periodicals Today, Historically Considered." ARTMargins 5, no. 3 (October 2016): 3–10. http://dx.doi.org/10.1162/artm_e_00155.

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The Introduction to the Special Issue entitled Art Periodicals, Historically Considered sketches an outline of the advent of periodicals in the context of the Enlightenment demand for the public use of reason, and situates the emergence of art periodicals in the context of the advent of autonomous art since the 19th century. The article introduces the contributions to the Special Issue and opens up a way to reposition the question of critique in today's art publishing.

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Isomäki, Irmeli. "Documenting art in Finland." Art Libraries Journal 13, no. 1 (1988): 20–22. http://dx.doi.org/10.1017/s0307472200005514.

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Literature on Finnish art can be sought via the national bibliography and periodicals indexes and a bibliography of Finnish history; these bibliographies are available as databases as well as in printed form and on microfiche. A working party on art libraries is looking into ways of widening bibliographical control of art literature. The publications themselves, and unpublished information, can be found in libraries and archives of several kinds, from the Library of Helsinki University to the libraries and archives of colleges of art and architecture, museums, and artists’ associations. Many of these organisations are active in gathering and publishing information. The Fine Arts Academy of Finland administers the Art Musum of the Ateneum, Finland’s national gallery, and maintains extensive collections of visual resources, exhibition catalogues, periodicals, and press clippings.

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Melnik, N. D. "The Magazine “Zolotoe runo” (1906–1909) as a Reflection of the Artistic Life of Russia at the Beginning of the 20th Century." Vestnik NSU. Series: History and Philology 20, no. 6 (August 11, 2021): 62–73. http://dx.doi.org/10.25205/1818-7919-2021-20-6-62-73.

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Purpose. The article studies the history of the magazine “Zolotoe runo” (“Golden Fleece”) that has been publishing in Moscow from 1906 till 1909. It was a project of the young art lover, millionaire N. P. Ryabushinsky, who decided to continue the mission of “miriskusniki” (members of the “World of Art” movement) and promote the aesthetic principles of symbolism, which he saw as the most promising style of art at the beginning of the 20th century.Results. Based on the analysis of the memoirs written by contemporaries, correspondence between the representatives of the Russian cultural elite, publications in the periodical press, as well as outcomes of modern research, the author argues that the magazine “Zolotoe runo”, providing its pages to outstanding writers and publishing works of iconic artists and articles about their works, became one of the most influential periodicals about art in Russia.Conclusion. This research shows that, having said a new word in art and journalism, the magazine “Zolotoe runo” became a worthy reflection of the artistic life of Russia at the beginning of the 20th century.

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Hansen, Catherine. "Surrealism Is a Thing: Rubrics and Objectivation in the Surrealist Periodical, 1924–2015." ARTMargins 5, no. 3 (October 2016): 62–81. http://dx.doi.org/10.1162/artm_a_00158.

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What links the existing international surrealist movement—a network of groups who publish their essays and collective experiments in an array of print and online periodicals—to the 20th-century Surrealism of art history textbooks is, to a large extent, its periodical publishing practices. This article pays particular attention to the periodical rubric (defined as a heading or category under which a certain kind of text or image serially appears) and contextualizes its surrealist use within a broader poetics of “objectivation.” In Surrealism, objectivation is the creation of a “thing,” which is to say a form of doing or thinking that acquires a name and locus around which a social collectivity can coalesce. The article explores this process as it becomes manifest in the various rubrics used in surrealist periodicals past and present.

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Mattos, Aliomar Lino, José Carlos Tiomatsu Oyadomari, and Fernando Nascimento Zatta. "Pricing Research: State of the Art and Future Opportunities." SAGE Open 11, no. 3 (July 2021): 215824402110321. http://dx.doi.org/10.1177/21582440211032168.

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The most commonly used pricing approaches adopted by companies worldwide are based on costs, customer value, and competition. The purpose of the present study is to review the current status of publications on pricing globally with the addition of Brazilian literature, identify the most cited authors and highest publishing institutions, and outline further research opportunities. To this end, we use the bibliometric method to analyze relevant publications from the following four databases: Web of Science, Emerald, Elsevier, and Spell. A total of 286 papers from 195 periodicals and 31 journals (primarily from marketing, accounting, economics, and production engineering) are reviewed. The findings show that pricing is a complex and multifaceted topic involving far more than merely establishing selling prices, and that pricing managers face substantial challenges. The results also reveal that the cost-based pricing approach is superior to the perceived customer-value-based and the competition-based approaches. Finally, the findings show that pricing remains an underresearched topic, and is thus a fertile ground for further investigation.

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Kosmaty, Piotr. "Odpowiedzialność redaktora za przestępstwo prasowe (art. 49a)." Problemy Prawa Karnego 27, no. 1 (December 10, 2017): 119–31. http://dx.doi.org/10.31261/ppk.2017.01.05.

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The main aim of the article is to discuss the issue of the liability of an editor for a press offence, according to Article 49a of the press law. The analysis begins with a historical overview which shows the evolution of liability for offences committed in print by press outlets. To this end, the author introduces the concepts of the right of anonymity or the responsible editor. These two institutions, characteristic of the interwar period, performed two extremely different functions. The former allowed to conceal the identity of the author of the printed material, while the latter was instituted in order to ensure that the victims were sufficiently protected. The analysis of the current provisions of the press law showed that the legislator introduced two separate legal definitions: that of an editor and that of an editor in chief. The following part of the article discusses those two categories in more detail, paying particular attention to the decoding of their definitions as introduced in the press law from a practical standpoint. Moreover, it has been emphasized that each editor in chief is also an editor, but not vice versa, since some regulations are addressed specifically to the editor in chief. Bearing in mind that assigning liability for a press offence is dependent on determining the moment from which a person can be considered an editor in chief, the author discusses the registration system for journals and periodicals. As a result, the author determines three distinct periods of time which determine the possibility of considering a particular person as an editor in chief. The last part of the article is devoted to the rules and circumstances of prosecution of the editor for publishing a press article. The author points to the differences which stem from assuming a different subject party of the offence. In the cases of assuming negligence, it results in liability under Article 49a of the press law, whereas in the cases of assuming intentionality results in liability for an intentional offence of another type committed in complicity.

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Boitunova, S. I., S. V. Maksimova, and O. V. Shlykova. "BOOK CULTURE AND ART IN YAKUTIA." Arts education and science 1, no. 1 (2021): 164–71. http://dx.doi.org/10.36871/hon.202101019.

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The work reveals the specific features of book art, which integrates the achievements of artistic means and forms, as well as scientific research. The authors focus on the regional Arctic locus of book art. The article traces the origin of Yakut book illustrations from the first attempts of amateur artists on the pages of the periodical press in the 1920s to the activities of various institutions: the scientific research society "Sakha kehskileh" (1925–1930), the cultural and educational societies "Manchaary" and "Sakha omuk" (1920–1930) and The Union of Soviet Artists of Yakutia (since 1940s), that pioneered the accumulation of cultural practices and development of art trends in the region. The characteristics of the first Yakut artists-illustrators are presented: P. P. Romanov, who created illustrations to the image of the heroic Olonkho epos "Byudyuryubet Myuldzu Bege" and G. M. Turalysov, who illustrated the collection of poems and songs by Ilya Chagylgan "The Rise", thus initiating the development of professional graphic art in Yakutia. The creation of the art school in Yakutsk in 1945, the emergence of publishing houses became a new page in the development of the book graphics in the works of the first graduates of the school — E. Shaposhnikov, E. Shestakov, M. Lukin, O. Kovalevsky, V. Petrov and others. Special attention is paid to creativity of E. S. Sivtsev, the founder of Yakut prints. The First (1958) and The Second (1963) All-Union Exhibitions of prints opened to the public the names of Yakut illustrators. Later A. P. Munkhalov exhibited his series of engravings "My North" at the International Exhibition "Intergraphy — 67" in Berlin, and his engraving "Listening to the World" was included in the German school textbooks. The article also reveals the modern stage in the development of book art, from the activities of "Bichik" publishing house to graduate projects of The Arctic Institute of Culture and Arts and The Yakutsk School of Art.

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Grilli, Elisa. "Funding and the Making of Culture: The Case of the Evergreen (1895–1897)." Journal of European Periodical Studies 1, no. 2 (December 31, 2016): 19. http://dx.doi.org/10.21825/jeps.v1i2.2638.

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Sourced mostly by documents from Patrick Geddes’s archive at Strathclyde University (SUA, Glasgow), including accounts and rough drafts, this article reveals the backstage organization of the Evergreen, a Northern Seasonal (Edinburg and London, 1895-97), as well as the financial and commercial concerns the amateur editors an aesthetic magazine had to face. The economics of publishing and the various stages through which the production of the Evergreen moved are explored. Three aspects, given the original editors’ project, inform the final product: the publishing venture (printing and financial aspects); the aesthetic medium (format, lay-out and artwork, as well as the magazine’s circulation); promoting culture (a Celtic Revival through international networks). Cultural activities related to the magazine served as platform for dialogue between literature, art, science, life, tradition, and modernity. A so-called ‘little magazine’ seen from the business perspective helps better understand the networks of periodicals’ diffusion and reception and the role they may play in a cultural marketplace. As methodology, this clarifies the compromises made under the hardbound cover of an aesthetically appealing magazine, and shows how the editors adapted their aesthetic and political ideals to material matters.

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Ismajylov, Nadir I. "The Development of Azerbaijan Bibliography in the late XIX - early XX century." Bibliotekovedenie [Library and Information Science (Russia)], no. 4 (August 28, 2015): 88–91. http://dx.doi.org/10.25281/0869-608x-2015-0-4-88-91.

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The article investigates an important stage in the development of Azerbaijan bibliography at the end of XIX - the beginning of XX century. It was a period of rapid development of book publishing, periodicals issuing, development of scientific and professional societies in Azerbaijan. All that processes were accompanied by the development of bibliographic activities. In the latter half of the XIX century there took place intensive accumulation of Oriental manuscripts and printed sources in the Russian cultural centers, particularly in St. Peterburg, Moscow and Kazan. A lot of valuable culture and art objects came to Russia from Azerbaijan. Despite the significant advance in the development of bibliographic resources of Azerbaijan, the work on their formation did not become a systematic activity. It was caused primarily by the lack of state policy in that area. There was also lack of the potential personnel, engaged in library and bibliografic activities at the professional level.

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Dissertations / Theses on the topic "Art publishing Art Periodicals"

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Indorato, Carmen. "A marketing plan for a publication for the arts in Rochester /." Online version of thesis, 1989. http://ritdml.rit.edu/handle/1850/11303.

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Dubinsky, Lon. "Canadian visual art magazines as cultural formations." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39279.

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This study explores the relationships between four exemplary Canadian art magazines and the art world they inform and in which they are situated. The principal claim is that the visual art world has become a textual community by virtue of the premium placed on the printed word and the ties that have developed among individuals, such as artists and curators, and organizations, such as the magazines, funding agencies and the academy.
For theoretical direction the multidisciplinary study draws on communication theory, art history, the sociology of organizations and culture as well as management studies. Of principal importance are the media theories of Innis (1972, 1973) and the organizational formulations of DiMaggio (1985). Three types of investigation support the claims: (a) an historical account of the four magazines, which includes tracking the strategies the editors undertook, (b) a consideration of each periodical's rhetorical features and (c) a description of several networks in the art world which involve individuals and organizations.
The study then considers the deliberate and unintended consequences of the visual art world becoming a textual community, some of which are liberating while others are disabling. The study concludes by suggesting how the research undertaken contributes to current debates about the analysis of communications and culture.

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Waite, Noel D. "Adventure and art : literature publishing in Christchurch, 1934-95." Thesis, University of Canterbury. English, 1996. http://hdl.handle.net/10092/6652.

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This thesis charts the evolution of a publishing infrastructure in Christchurch, where a resourceful, and unusually professional commitment to the development of New Zealand literature has been exhibited. Specifically; it presents histories and preliminary bibliographical checklists of Caxton, Pegasus, Nag's Head, Hawk and Hazard Presses, as well as briefly examining the future of the publishing industry in the face of the Whitcoulls takeover and revolutionising computer technology. This examination of the development of a locally based publishing infrastructure provides insight into the development of a New Zealand literary canon, and goes some way towards contextualising the work of writers such as Allen Curnow, Janet Frame, Denis Glover, and Alan Loney. By contrasting the different dynamics that operate in the private presses of Gormack and Loney with the more commercial presses of Caxton, Pegasus and Hazard, the thesis draws attention to the complex relationships existing within institutions of literature production. The extent to which technological change is revealed to influence the development of literary movements emphasises the very public process that intervenes between author's imagination and the supposedly private act of reading. The establishment of an indigenous book culture is then located in a more international context, and is traced from its origins in the renaissance of printing in England in the late nineteenth and early twentieth centuries, through a revitalisation of small presses in the 1970s (and the accompanying re-orientation of the cultural matrix to American models), to the impact of computer technologies in the eighties and nineties. The emergence of a distinct set of bibliographic codes (as per Jerome McGann's formulation of "the textual condition") is also contrasted with contemporaneous developments in the visual arts.

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Holman, Valerie Jean. "Albert Skira and art publishing in France 1928-1948." Thesis, Courtauld Institute of Art (University of London), 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319735.

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Philippi, Simone. "International art book publishing Internationalisierungskonzepte deutscher Kunstbuchverlage seit 1990 /." [Heidelberg] : Universität Heidelberg / Universitätsbibliothek, 2006.

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Bruntjen, Sven H. A. "John Boydell, 1719-1804 a study of art patronage and publishing in Georgian London /." New York : Garland Pub, 1985. http://catalog.hathitrust.org/api/volumes/oclc/12049935.html.

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Liu, Yu-jen. "Publishing Chinese art : issues of cultural reproduction in China, 1905-1918." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:284f18b9-a0ce-4a4a-bdb4-6a1c1ece44ce.

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This thesis is an enquiry into the conditions in which various understandings of the newly introduced but vaguely grasped Western notion of ‘art’ emerged and sustained themselves in the name of cultural reproduction in early twentieth-century China. This Western concept of art was translated into Chinese as ‘meishu’, a neologism originally coined in Japanese kanji, and regarded as the embodiment of the ‘national essence’. Through a close examination of five art-related publishing events—the publication of the nationalistic journal Guocui xuebao; the launch of the art periodical Shenzhou guoguangji; the endeavours to compile a book collection on art, Meishu congshu; the making of the text Zhonguo yishujia zhenglüe which claimed to be a history book of Chinese ‘meishu’; and an example of image appropriation from Stephen Bushell’s Chinese Art—this thesis explores the ways in which different ‘neologistic imaginations’ of the term ‘meishu’ were constructed through publishing practices attempting to preserve and reproduce the ‘national essence’, by creating from the existent tradition a category of ‘art’ equivalent to that in the European West. Unlike previous scholarship, which deems any understanding of ‘meishu’ that deviated from the ‘authentic’ European model a ‘misconception’, this thesis sees these disparate understandings of ‘meishu’ as equally valid statements competing for dominance in the discursive field of art. This thesis thus argues that there existed at least three modes of utterances regarding the notion of ‘meishu’ in early twentieth-century China, and that the success of any such given utterance depended upon the acceptance of the authentic quality argued in its strategy of cultural reproduction. This thesis hence not only offers a detailed analysis of each publishing event, but also provides an interpretative framework within which the recognition of these utterances can be analysed by their strategic approaches to claiming cultural authenticity.

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Thomas, Shannon L. "“An Obtrusive Sense of Art”: The Poetess and American Periodicals, 1850–1900." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1280934312.

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Johnson, Gwendolyn L. "Art in motion : a poster book on CD-ROM /." Online version of thesis, 1994. http://hdl.handle.net/1850/12195.

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Lin, Su-Hsing. "Feng Zikai's Art and the Kaiming Book Company: art for the people in early twentieth century China." Columbus, Ohio : Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1079634774.

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Thesis (Ph. D.)--Ohio State University, 2003.
Title from first page of PDF file. Document formatted into pages; contains xxxiii, 445 p.; also includes graphics (some col.). Includes abstract and vita. Advisor: Julia F. Andrews, Dept. of History of Art. Includes bibliographical references (p. 317-251).

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Books on the topic "Art publishing Art Periodicals"

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The art of making magazines: On being an editor and other views from the industry. New York: Columbia University Press, 2012.

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De l'art pour tous: Les éditions F. Bruckmann et leurs revues d'art dans Munich ville d'art vers 1900. Frankfurt am Main: P. Lang, 2002.

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Agli amatori delle belle arti Gli autori: Il laboratorio dei periodici a Roma tra Settecento e Ottocento. Roma: Campisano, 2012.

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Art for the middle classes: America's illustrated magazines of the 1840s. Jackson [Miss.]: University Press of Mississippi, 2010.

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Kunstpopularisierung und Kunstwissenschaft: Die Wiener Kunstzeitschrift "Die Graphischen Künste" (1879-1933). Berlin: Deutscher Kunstverlag, 2011.

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Intellectuals incorporated: Politics, art, and ideas inside Henry Luce's media empire. Philadelphia: University of Pennsylvania Press, 2010.

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White, Jan V. Editing by design: For designers, art directors, and editors : the classic guide to winning readers. 3rd ed. New York: Allworth Press, 2003.

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The Germ: Origins and progenies of Pre-Raphaelite interart aesthetics. Oxford: Peter Lang, 2012.

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Restrike. Stamford, CT: The Story Plant, 2013.

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McCloud, Scott. Understanding comics: The invisible art. Northampton, MA: Tundra Pub., 1993.

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Book chapters on the topic "Art publishing Art Periodicals"

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Palaoglu, Ö. "The Art of Scientific Presentation." In Research and Publishing in Neurosurgery, 105–8. Vienna: Springer Vienna, 2002. http://dx.doi.org/10.1007/978-3-7091-6743-4_17.

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Knox, Page. "Publishing and Promoting a New York City Art World." In New York: Art and Cultural Capital of the Gilded Age, 90–104. New York : Routledge, 2018. | Series: Routledge research in art history: Routledge, 2018. http://dx.doi.org/10.4324/9781351027588-6.

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Williams, Kim. "Publishing Complete Works of the Great Scientists: An International Undertaking." In Crossroads: History of Science, History of Art, 117–25. Basel: Springer Basel, 2011. http://dx.doi.org/10.1007/978-3-0348-0139-3_9.

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Connors, Linda E., Sara Lynn Henry, and Jonathan W. Reader. "From Art to Corporation: Harry N. Abrams, Inc., and the Cultural Effects of Merger." In The Structure of International Publishing in the 1990s, 39–70. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429339394-4.

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Rosnan, Shalida Mohd, Siti Farhana Zakaria, and Muhammad Yusof Masod. "An Overview of the Book Printing and Publishing Industry in Malaysia." In International Colloquium of Art and Design Education Research (i-CADER 2014), 551–57. Singapore: Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-287-332-3_56.

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Costas, Rodrigo, and Márcia R. Ferreira. "A Comparison of the Citing, Publishing, and Tweeting Activity of Scholars on Web of Science." In Evaluative Informetrics: The Art of Metrics-Based Research Assessment, 261–85. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47665-6_12.

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Wenderski, Michal. "Polish, Belgian and Dutch Avant-Garde Formations, their Mutual Contacts and Cultural Mobility within the International Network of Groups and Periodicals." In Cultural Mobility in the Interwar Avant-Garde Art Network, 12–50. New York : Routledge, 2018. | Series: Routledge research in art history: Routledge, 2018. http://dx.doi.org/10.4324/9781351027908-2.

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Wue, Roberta. "The Shanghai Artist in Advertising and Mass Media." In Art Worlds. Hong Kong University Press, 2014. http://dx.doi.org/10.5790/hongkong/9789888208463.003.0003.

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Examines the relationships between Shanghai artists and their public and the establishment of these relationships through Shanghai’s growing mass media outlets. By exploiting the city’s burgeoning newspaper and publishing industries, artists promoted themselves as public figures and marketed themselves, their products and activities; through the mass media, they were able to access audiences on local, national and even international levels. By using newspaper advertising and articles, guide books, popular periodicals and collected writings, this chapter reveals the formation of the art world’s public image, promoted for consumption by an urban audience and mass readership.

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Nijhawan, Shobna. "The Hindi Literary Sphere (1920s–1940s) from the Micro-Perspective of Lucknow." In Hindi Publishing in Colonial Lucknow, 19–58. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199488391.003.0002.

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Chapter 1 investigates periodical publishing in the Hindi belt of the 1920s and sets a selected few influential periodicals of the time in relationship to publishing activities emerging out of Lucknow. It shows how the Hindi periodicals Mādhurī (1922–50) and Sudhā (1927–41) as well as the publishing house Gaṅgā Pustak Mālā (est. 1918/1919) along with its press and book depot, that is, Ganga Fine Art Press (est. 1927/1928) and Gaṅgā Granthāgār (c.1931), established Lucknow as the new centre for Hindi publishing in the 1920s and 1930s. This information is embedded into the production of literature by Gaṅgā Pustak Mālā’s combatants in the Hindi public sphere, that is, small and large printers, publishers, and distributors whose epitexts were advertised in Sudhā.

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Codell, Julie. "Art Periodicals." In The Routledge Handbook to Nineteenth-Century British Periodicals and Newspapers, 377–89. Routledge, 2016. http://dx.doi.org/10.4324/9781315613345-29.

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Conference papers on the topic "Art publishing Art Periodicals"

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Senthil Kumar. "The Art of Copy Editing." In Workshop on Publishing for Biomedical Journal Editors and Reviewers. Kuala Lumpur, Malaysia: Department of Biomedical Imaging, University of Malaya, 2006. http://dx.doi.org/10.2349/biij.2.4.e54-15.

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Cunha, Sara, and Adriano Rangel. "Visual Poetry. Illustration in digital publishing." In 2nd International Conference of Art, Illustration and Visual Culture in Infant and Primary Education. São Paulo: Editora Edgard Blücher, 2012. http://dx.doi.org/10.5151/edupro-aivcipe-45.

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Tissot, Jean-Luc. "Uncooled IRFPA technologies: state of the art and developments at LETI/LIR." In SYBEN-Broadband European Networks and Electronic Image Capture and Publishing, edited by Thierry M. Bernard. SPIE, 1998. http://dx.doi.org/10.1117/12.324014.

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Zellerbach, Gary A. "Analysis of the Holart Report project: recording and publishing sales data for fine art holograms." In Display Holography: Fifth International Symposium, edited by Tung H. Jeong. SPIE, 1995. http://dx.doi.org/10.1117/12.201942.

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Veraksa, Aleksander N., and Anastasia N. Sidneva. "Psychological journal in English among other scientific periodicals (on the example of the journal Psychology in Russia: State of the Art)." In World-Class Scientific Publication – 2019: Strategy and Tactics of Management and Development. Association of Science Editors and Publishers (ASEP), 2019. http://dx.doi.org/10.24069/konf-23-26-04-2019.05.

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Engelhardt, Markus. "Musik zwischen Nation Building und Internationalität. Italien um 1900." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.54.

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In this article German contributions to periodicals of the International Musicological Society focussing on Italian musical life in Italy around 1900 are analyzed as testimonies of Italy’s new importance as a music nation at that time. The German perspective on musical culture in the Kingdom of Italy follows hierarchies that are closely linked to political and economic rivalry between the two nations. At different levels (music education, formation of composers and musicians, local repertories, musical genres) well-known concepts of German supremacy can be recognized. Nevertheless, the national music debates include also phenomena which strongly confirm music as art of great potential for international consensus.

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Vassallo, V., E. Athanasiou, S. Hermon, and I. Eliades. "Publishing cultural heritage content for digital libraries: The case of the collections of the Byzantine Museum and Art Gallery of the Archbishop Makarios III foundation." In 2013 Digital Heritage International Congress (DigitalHeritage). IEEE, 2013. http://dx.doi.org/10.1109/digitalheritage.2013.6744816.

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Maruyama, William Takahiro, and Luciano Antonio Digiampietri. "Co-authorship prediction in academic social network." In Brazilian Workshop on Social Network Analysis and Mining. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/brasnam.2016.6445.

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The prediction of relationships in a social network is a complex and extremely useful task to enhance or maximize collaborations by indicating the most promising partnerships. In academic social networks, prediction of relationships is typically used to try to identify potential partners in the development of a project and/or co-authors for publishing papers. This paper presents an approach to predict coauthorships combining artificial intelligence techniques with the state-of-the-art metrics for link predicting in social networks.

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Vilela, Allyson, André Almeida, and Frederico Lopes. "OpenData Processor: An Automation tool for the process of extracting and publishing open data to CKAN." In XXIV Simpósio Brasileiro de Sistemas Multimídia e Web. Sociedade Brasileira de Computação - SBC, 2018. http://dx.doi.org/10.5753/webmedia.2018.4576.

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Public access to government information is an important aspect of modern society that allows an active participation of the population in monitoring government actions. Decree No. 8.777, signed on May 11, 2016, establishes the Open Data Policy of the Brazilian Federal Government. From this, the entities of the federal public administration, autarchic and foundational are obliged to make data available in open format. However, many of these institutions are failing to meet the commitments set out in the Decree. One possible explanation for this low number is the need for the technical team to have a good knowledge of their information systems and current legislation, allied to the difficulty of extracting the data, since in most institutions the whole process of data extraction, processing and publication of open data is done manually. In this sense, this work presents the OpenData Processor, an automation tool for the process of extracting, publishing and updating open data that brings agility in the publication and periodical updating, saving time and facilitating the management of open data portals.

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Sabella, Maria Paola. "Le Corbusier et Christian Zervos dans Cahiers d’art." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1018.

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Abstract: The search has as purpose to notice the importance of Christian Zervos (Argostoli 1889 – Paris 1970), a greek art historian and founder of the magazine and publishing house Cahiers d’art, that lived in Paris from 1907 to the end of his life) with Le Corbusier, inserted in the contest of Cahiers d’art. The exceptional versatility of Zervos’s mind had allowed him to realize, through Cahiers d’art, a intellectual environment that exceeded the ordinary publishing house of that period, beacuse it was enchanted and nourished by all sector of knowledge. Zeros, inside the Cahiers d’art, made Le Corbusier protagonist of the section of Architecture, that submits to Sigfried Giedion. In fact since the first number of Cahiers d’art the work of Le Corbusier was broadly taken in examination. The articles related to the work of the Architect have gone since 1926 to 1954; the themes that touch these texts can be separate in four major topics: design, private house, great public buildings, painting. La recherche a le but de relever l’importance de Christian Zervos (Argostoli 1889-Parigi 1970), historien de l’art et fondateur des Éditions Cahiers d’art, qui vécut à Paris depuis 1907 à sa mort, et Le Corbusier, insérée dans le contexte de Cahiers d’art. L’exceptionnel éclectisme de Zervos a permis de réaliser dans Cahiers d’art un excellent milieu intellectuell qu’il va au-delà des Éditions, car uni et nourri par chaque domaine de la connaissance. Dans les Cahiers d’art, Zervos rend Le Corbusier le protagoniste de la section d’architecture, soignée par Siegfried Giedion. Keywords: Cahiers d’art; Christian Zervos; projects. DOI: http://dx.doi.org/10.4995/LC2015.2015.1018

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Reports on the topic "Art publishing Art Periodicals"

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Yablonskyy, Maxym. «NEW DAYS» WEEKLY AND PETRO VOLYNIAK, PUBLISHER AND AUTHOR. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11058.

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In the article on the material of the Salzburg weekly «New Days» (1945–1947) various spheres of activity of Peter Volyniak are presented. It is noted that this edition was a business card of the publishing house of the same name and had a history of continuation: in Toronto Petro Volyniak restored the publishing house of the same name and continued the publication in the format of the universal monthly «New Days» (1950–1969). The article also presents periodicals («Latest News», «New Days», «Timpani», «Our Way») and literary, artistic and scientific collection «Steering Wheel», which were published in the Salzburg publishing house of Peter Volyniak «New Days». The purpose of the publication is to trace the path of Petro Volyniak from a writer to a literary critic, journalist and publisher. This trend is reproduced in chronological order. Peter Volyniak as a writer is informed in the article «Literary Evening of P. Volyniak» (author – M. Ch-ka). O. Satsyuk’s literary-critical article is devoted to the coverage of ideological and artistic aspects of Petro Volyniak’s collection «The Earth Calls» (Salzburg, 1947). Petro Volyniak as a literary critic is presented in an article devoted to a collection of literary tales by A. Kolomiyets (Salzburg, 1946), which was published by «New Days». Petro Volyniak as a journalist presents the essay «This is our song…». With the help of content analysis it was observed that the text is divided into two parts: the first contains the author’s reflections on the Ukrainian song, its role in the life of the Ukrainian people; in the second, main, Peter Okopny’s activity abroad is presented. The publisher Petro Volyniak in 1947 in a separate publication of the February issue of the weekly summarizes the third year of activity, providing statistics on the publication of periodicals, books, postcards, calendars, various small format materials. The analyzed material demonstrated the experience of combining creative work and commercial activity.

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