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Dissertations / Theses on the topic 'Art, romani'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Hughes, Theodore Brooks. "An Analysis of Wars of the Romani, a Flemish Tapestry From the Late Sixteenth Century." The University of Montana, 2007. http://etd.lib.umt.edu/theses/available/etd-05312007-134933/.

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Among the treasures of the Montana Museum of Art and Culture is a lovely and elaborate work of art entitled Wars of the Romani, a Flemish tapestry woven in the last third of the 16th century. It is a large weaving, 10 x 15, portraying two armies intertwined in merciless combat. The specific subject matter of Wars of the Romani is unknown, but a standard displaying the Roman eagle held aloft in the background indicates the presence of the Roman legions. The tapestry displays rushing horsemen mounted on vigorous horses, marching spearmen, and supine warriors, imagery common to Flemish battle tap

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2

Moretti, Valentina <1983&gt. "San Paolo filosofo: universalismo e coscienza morale nella Lettera ai Romani." Master's Degree Thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/2008.

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3

Cafici, Giorgia. "Funzionari egizi come Cives Romani: prospettive sulla ritrattistica privata in Età Tolemaica." Doctoral thesis, Scuola Normale Superiore, 2017. http://hdl.handle.net/11384/85767.

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4

Da, Tos Loussia. "Orner le forum : décor des centres civiques d'Aquitaine, de Narbonnaise et de Tarraconaise sous le Haut-Empire." Thesis, Toulouse 2, 2017. http://www.theses.fr/2017TOU20127/document.

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Les recherches portant sur les fora provinciaux effectuées au cours des dernières décennies ont permis de redéfinir un certain nombre de leurs caractéristiques. L’étude du décor de ces centres civiques dans sa globalité constitue alors une approche susceptible d’apporter une meilleure compréhension de ces espaces. Cette première approche du sujet a pour objectif d’aborder la question du dialogue entre les images présentes sur le forum et leurs contextes. Le décor figuratif permet de définir les principales thématiques, qui sont souvent complétées par des décors non figuratifs, et qui participe

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5

Da, Tos Loussia. "Orner le forum : décor des centres civiques d'Aquitaine, de Narbonnaise et de Tarraconaise sous le Haut-Empire." Electronic Thesis or Diss., Toulouse 2, 2017. http://dante.univ-tlse2.fr/id/eprint/9210.

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Les recherches portant sur les fora provinciaux effectuées au cours des dernières décennies ont permis de redéfinir un certain nombre de leurs caractéristiques. L’étude du décor de ces centres civiques dans sa globalité constitue alors une approche susceptible d’apporter une meilleure compréhension de ces espaces. Cette première approche du sujet a pour objectif d’aborder la question du dialogue entre les images présentes sur le forum et leurs contextes. Le décor figuratif permet de définir les principales thématiques, qui sont souvent complétées par des décors non figuratifs, et qui participe

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6

Versluys, Miguel John. "Aegyptiaca romana : Nilotic scenes and the Roman views of Egypt /." Leiden : Brill, 2002. http://catalogue.bnf.fr/ark:/12148/cb389468502.

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7

Kim, Hyun-hee. "La figure de l'artiste et le rôle de l'art dans les romans de Romain Gary." Thesis, Clermont-Ferrand 2, 2013. http://www.theses.fr/2013CLF20017.

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La conception du « roman total » proposé par Romain Gary met fin au « chef d’œuvre ». Traversant « le siècle des ténèbres », Romain Gary trouve une part de responsabilité de l’art et de l’artiste dans l’impuissance de la culture face à l’horreur existante. Pourtant, bien qu’il mette l’accent sur la fonction sociale de l’art, Romain Gary n’adhère pas à l’art engagé, ni au roman réaliste ou au Nouveau roman. Il ne cherche pas à imposer ses idées au lecteur, mais veut lui ouvrir un espace de liberté. L’art doit être une jouissance pour qu’il finisse par devenir une force éthique. Il amène une pri

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8

Chung, Seung-Hee. "L'Union des contraires dans les romans de Romain Rolland." Brest : [s.n.], 1995. http://catalogue.bnf.fr/ark:/12148/cb357397391.

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9

Jullian, Martine. "Formalisme et réalisme dans la sculpture romane en France : les occupations des mois." Paris 10, 1995. http://www.theses.fr/1995PA100196.

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Le corpus des calendriers sculptes romans en France qui fait l'objet de la thèse est constituée de 33 cycles, répartis dans 32 monuments. Chaque calendrier fait l'objet d'une notice ou sont exposes les principaux problèmes propres à chacun, et où chaque scène est décrite minutieusement et identifiée (volume II). L'étude de ce corpus (volume I) s'articule en quatre points et a conduit aux conclusions suivantes. La situation tant dans l'espace que dans le temps des calendriers est très groupée : la majeure partie est implantée dans un croissant allant des landes au bourgogne et a été sculptée en

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10

Petit, Aimé. "L'anachronisme dans les romans antiques du XIIe siècle : le "Roman de Thèbes", le "Roman d'Énéas", le "Roman de Troie", le "Roman d'Alexandre /." Paris : H. Champion, 2002. http://catalogue.bnf.fr/ark:/12148/cb388862146.

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11

Takimoto, Miwa. "Représenter l’espace habité par les dieux ? La Méditerranée de la mosaïque aux Îles d’Ammaedara (Haïdra, Tunisie)." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040006.

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Que cherchent à représenter et à percevoir les Romains, lorsqu’ils décrivent un parcours topographique ou géographique dans le cadre de l’art figuré ? Comment construisent-ils mentalement les déplacements géographiques réels ou imaginaires ? Comment se construit la carte mentale entre l’image et le récit ? La « mosaïque aux Îles » d’Haïdra est un parfait exemple qui nous permet de réfléchir sur ces questions. Elle a été découverte en 1995 sur le sol d’une pièce d’un grand édifice dans le quartier suburbain de la cité antique d’Ammaedara en Afrique proconsulaire. Attribuée à la fin du IIIe ou a

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12

Domes, Ingeborg. "Darstellungen der Africa : Typologie und Ikonographie einer römischen Provinzpersonifikation /." Rahden (Westfalen) : Marie Leidorf, 2007. http://catalogue.bnf.fr/ark:/12148/cb41345539k.

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13

Lynch, Pamela. "The people of Roman Britain : a study of Romano-British burials." University of Western Australia. School of Humanities, 2010. http://theses.library.uwa.edu.au/adt-WU2010.0101.

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This thesis utilises the evidence from mortuary archaeology to explore the identity of the inhabitants of Britain during the period of Roman rule. It assimilates burial evidence from diverse sources both published and unpublished and integrates it with other material and literary evidence to investigate the people of the province and examine aspects of their lives. By assessing the extent and reliability of the mortuary evidence and by combining this evidence from major cemeteries, smaller burial sites and individual or isolated burials it has been possible to determine aspects of their lives

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14

Granzotto, Cinzia <1993&gt. "Mulieres Romanae insignes: la funzionalità dell’exemplum romano nell’Adversus Iovinianum di San Girolamo." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/12733.

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Adversus Iovinianum: un trattato in due libri del dottrinale, dogmatico, intransigente San Girolamo, il quale, con vigore ed energia, alterna l’argomentazione di due questioni ‘carnali’ ad altrettante di più ‘teologiche’: dalla verginità come condotta esclusiva da privilegiare, al Battesimo che non libera definitivamente dalla tentazione e dal peccato; dall’alimentazione votata al ‘minimo indispensabile’, alla corrispondenza tra i gradi delle virtù e dei peccati e il loro relativo Giudizio. In questo contesto, quale può essere l’apporto della romanità? Come può inserirsi l’esperienza della civ

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15

Roux, Caroline. "Portails romans de Haute-Auvergne : études de sites /." [Aurillac] (rue Arsène-Vermenouze, 15000) : Société des lettres, sceinces et arts La Haute-Auvergne, 2005. http://catalogue.bnf.fr/ark:/12148/cb399210584.

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16

Rocco, Marco. "Persistenze e cesure nell'esercito romano dai Severi a Teodosio I: ricerche in ambito socio-politico, istituzionale, strategico." Doctoral thesis, Università degli studi di Padova, 2011. http://hdl.handle.net/11577/3427397.

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This work aims at clarifying the most important stages in the evolution of the Roman army, between the Severan age and the death of Theodosius I. The purpose is to give new hints in the history of the Roman army during the III and IV centuries AD. Therefore we collected and examined significant information from all kinds of ancient and later sources, from many different areas of the empire. By comparing them we came up with a few general questions on the subject, to which we tried to give original answers, suggesting new points of view, sometimes different from the traditional ones. In particu

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17

Ferris, Iain M. "Studies in Roman archaeology, art and religion." Thesis, University of Birmingham, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573912.

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18

Jacob, Thierry. "Art et histoire : l'iconographie religieuse romane dans les églises du Forez et du Livradois : persitances pai͏̈ennes et pédagogie monastique aux XIe et XIIe siècles." Lyon 3, 2000. http://www.theses.fr/2000LYO31019.

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Si la région regroupant le Forez et le Livradois n'eut jamais d'existence politique (aujourd'hui département de la Loire et du Puy-de-Dôme), on constate qu'elle semble avoir possédé une identité humaine. En étudiant l'iconographie romane de ce secteur, on observe une ceertaine homogénéité des thèmes de sculpture persitantes. En effet, les thèmes proprement "chrétiens" y sont quasi inexistants, supplantés par ceux de traditions pai͏̈ennes. Ces sculptures se répartissent en trois groupes : les symboles protohistoriques et celtiques, gréco-romains et enfin orientaux. Il se pourrait que ces thèmes

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19

Coates, Jason McKrindey. "Times New Roman." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/1192.

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It is difficult to say that anything will be proven in this thesis of mine. I think of it more as an account of some things that happened in my artwork over the course of graduate school and my earlier development as an artist. Some influences are listed, but certainly not all of them. Likewise, the work that is mentioned in this paper represents a sampling rather than an in-depth survey. I don't have any tables or charts.

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20

Malizia, Eleonora. "Programmes décoratifs des villas impériales du suburbium de Rome." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL157.

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Ce projet de recherche porte sur l’étude du décor des villas impériales dans le suburbium de Rome, avec le but de comprendre, à l’aide des sources littéraires, archéologiques et épigraphiques, comment se caractérisaient ces villas tant du point de vue de leur conception architecturale que de leur décoration. Chaque villa a fait l’objet d’un dossier dans lequel tous les éléments du décor ont été organisés, classifiés et interprétés. Par la suite, on a procédé à une comparaison entre les éléments décoratifs caractérisant les villas du suburbium et ceux des autres grandes résidences impériales co

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21

Soustre, Robert. "Art et nature dans quelques romans de l'insularité." Poitiers, 1992. http://www.theses.fr/1992POIT5007.

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La dialectique de la nature et l'art - au sens etymologique de ces termes - est celle des deux expressions contradictoires de l'etre humain, l'affectivite et la rationalite. La premiere domine dans la production des mythes, des religions et celle des "beaux-arts", alors que la seconde s'impose dans les productions techniques, dans les systemes philosophiques et dans les sciences. Il s'agit, dans cette etude, de montrer que les ecrits romanesques prenant l'ile pour theme sont, sous des formes diverses, le "roman" devenu inconscient de l'insularite de chacun, auteur ou lecteur. Dans cette perspe

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22

Mikocki, Tomasz. "Sub specie deae : les impératrices et princesses romaines assimilées à des déesses : étude iconologique /." Roma : G. Bretschneider, 1995. http://catalogue.bnf.fr/ark:/12148/cb35789035r.

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23

Louison, Lydie. "Le roman gothique : analyse des romans en vers des XIIIe et XIVe siècles dits "réalistes"." Lyon 3, 2001. http://www.theses.fr/2001LYO31016.

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L'analyse des romans qualifiés jusqu'à présent de " réalistes" permet de mettre en évidence l'existence d'un courant esthétique naissant à la fin du XIIe siècle et s'épanouissant au cours du XIIIe siècle jusqu'au début du XIVe. A cette période en effet, la réalité concrète bénéficie d'un statut nouveau et exerce un attrait inhabituel. Nommée "tournant de 1200" par les historiens, une conjoncture historique et économique favorable, sous-tendue par un contexte philosophique très particulier, marqué par la redécouverte des textes d'Aristote et le recul du néoplatonisme chrétien, a ainsi pu donner

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24

Elsner, John Richard. "Art and the Roman viewer : the transformation of art from Augustus to Justinian." Thesis, University of Cambridge, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359557.

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25

Buchannan, Sophie Christina Rose. "The art of violence in Roman visual culture." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608069.

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26

Reeder, Jane Clark. "Agyieus and baluster, aniconic monuments in Roman art /." Providence (R.I.) : Louvain-la-Neuve : Center for old world archaeology and art, Brown university ; Institut supérieur d'archéologie et d'histoire de l'art, Collège Erasme, 1995. http://catalogue.bnf.fr/ark:/12148/cb39142317n.

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27

Petersen, Lauren Hackworth. "Questioning Roman "freedman art" : ancient and modern constructions /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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28

Wright, Nigel Richard Reginald. "Separating Romans and barbarians : rural settlement and Romano-British material culture in North Britain." University of Western Australia. School of Humanities, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0124.

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This thesis investigates the role which Roman artefacts played within rural settlements in North Britain during the Romano-British period. The possibility that Roman artefacts were used by native Britons as markers of prestige is explored through the presence or absence of Roman artefact types. The more prestigious the occupants of the rural settlements were, the more likely they were to have access to a variety of exotic trade items. The methodology employed in this study has been adapted from previous studies on pottery types and settlement remains from Scotland. This thesis examines an area

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Ako-Adounvo, Gifty. "Studies in the iconography of Blacks in Roman art." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ50980.pdf.

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30

Webb, Emily Violet. "'We are a Roma nation' : support for Romani nationalism amongst Britain's Romani populations." Thesis, University of Leeds, 2017. http://etheses.whiterose.ac.uk/17649/.

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This study is a sociological analysis of Romani nationalism in Britain. It explores the extent to which Britain’s Romanies support, and identify with, the notion of a “Roma Nation”. It is guided by questions regarding how Britain’s Romanies negotiate otherness, home and belonging within the context of increasing Roma migration to Britain. It looks for instances of “groupness” or “collective identity” between previously disconnected Romani populations who have been brought together by migration. Fifty-two Romanies participated in this research. They belong to three waves of Romani diaspora: Rom

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31

Petit, Aimé. "Naissance du roman : les techniques littéraires dans les romans antiques du XIIe siècle /." Paris ; Genève : Champion : Slatkine, 1985. http://catalogue.bnf.fr/ark:/12148/cb37398123k.

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32

Blanchard, Florian. "Iuppiter in Gallia : recherches sur le culte, l'iconographie et l'essence de Jupiter en Gaule romaine." Brest, 2011. http://www.theses.fr/2011BRES1017.

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33

Scalco, Luca. "RITRATTI DI FAMIGLIA SUI MONUMENTI FUNERARI ROMANI: COMMEMORAZIONE E RAPPRESENTAZIONE SOCIALE DI LEGAMI AFFETTIVI." Doctoral thesis, Università degli studi di Padova, 2017. http://hdl.handle.net/11577/3425357.

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The thesis analyses the family portraits on Roman funerary monuments (reliefs, altars, tombstones and statuary groups), coming from Rome and the Italian territory up to the Alps (Regiones V-XI) and dating from the 1st century BC to the early 4th AD. It aims to investigate the household composition and its relations with the funerary realm, by identifying the codification of iconographical features related to kin. After a short introduction on family in Roman time, the analysis moves through the different types of monuments and delineates their complex geographical and chronological distributi

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34

Bossert-Radtke, Claudia. "Die figürlichen Rundskulpturen und Reliefs aus Augst und Kaiseraugst /." Augst : Römermuseum, 1992. http://catalogue.bnf.fr/ark:/12148/cb388956299.

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35

Auanger, Lisa. "A catalog of images of women in the official arts of ancient Rome /." free to MU campus, to others for purchase, 1997. http://wwwlib.umi.com/cr/mo/fullcit?p9841130.

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36

Langstaff, Holly. "Maurice Blanchot : art and technology." Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/101267/.

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Maurice Blanchot (1907-2003), writer of fiction, literary critic, political journalist and thinker, is one of the most influential figures in twentieth-century literature and thought. The relationship between art and technology is a largely unexplored aspect of Blanchot’s writing; this thesis examines his engagement with the question of techne in criticism and fiction over a fifty-year period and demonstrates that he is far from subscribing to the technophobia of probably the most influential thinker of technology, Martin Heidegger. It is argued that writing for Blanchot is a mode of techne wh

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37

Beissinger, Margaret H. "The art of the lăutar : the epic tradition of Romania /." New York : Garland, 1991. http://catalogue.bnf.fr/ark:/12148/cb371466593.

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Bellomo, M. "IMPERIALISMO E ISTITUZIONI POLITICO-MILITARI A ROMA NELL'ETÀ DELLE PRIME DUE GUERRE PUNICHE (264-201 A.C.)." Doctoral thesis, Università degli Studi di Milano, 2015. http://hdl.handle.net/2434/283460.

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The work starts from Polybius’ point about 202 B.C. being the moment when world-conquest became practical for Rome, and then analyze how the conflict with Carthage (i.e. 264 B.C. onwards) was fundamental in transforming the Roman State in various ways to reach this point. A particular emphasis is given to the institutional element, in order to take into account and unite in one place all those developments that took place both prior to and during the Hannibalic War (prorogation, institutional expansion, step-changes in military deployment, increasing flexibility, etc.) that clearly affected Ro

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Gilliver, Catherine M. "The Roman art of war : theory and practice : a study of the Roman military writers." Thesis, University College London (University of London), 1993. http://discovery.ucl.ac.uk/1317953/.

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This thesis is a comparative study of the theory and practices of Roman warfare. The content of the various treatises, both extant and lost, is described, along with a discussion of the ancient traditions of textbook composition, their role in education and their possible practical use. The following chapters consider various aspects of Roman warfare for which sufficient historical and archaeological evidence exists and which are dealt with fully in the treatises. The size and internal organization of the different units of the Roman army are discussed with particular reference to the de munit

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Stumpf, Joseph A. "Tourism in Roman Greece /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3115593.

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Didonè, Alessandra. "La pittura romana nella Regio X: dalla schedatura informatizzata all'analisi degli aspetti artistici e culturali." Doctoral thesis, Università degli studi di Padova, 2015. http://hdl.handle.net/11577/3424290.

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The study is part of the TECT project, which originated from the collaboration between research groups of the universities of Padova and Bologna. The goal is the creation of a database to systematically record the presence of Roman wall paintings in Cisalpine Gaul. This research aims to analyze and examine all the Roman wall-paintings that have been recovered in Regio X, ranging from the 2nd century BC to the 4th century AD, using the database and the glossary developed for the TECT project. The study aims to test the database through processing data which had never been analysed as a whole

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CARBONI, TIZIANA. "La parola scritta al servizio dell'imperatore e dell'impero: l'AB Epistulis e l'A Libellis nel II secolo D.C." Doctoral thesis, Università degli Studi di Cagliari, 2016. http://hdl.handle.net/11584/266734.

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This study examines the office ab epistulis and the office a libellis, which were two offices of the Roman imperial administration that played a significant role in the communication between the Emperor and the Empire. While investigating these offices, particularly in the second century CE (from the age of Hadrian to the age of the Severan dynasty), I analyze epigraphical, literary, and juridical sources in order to illuminate the true functioning of each office. Moreover, I contextualize each one of them both within the framework of the imperial policy of the time, and within the framework o

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43

Calik, Ayse. "Roman Imperial sculpture from Cilicia." Thesis, King's College London (University of London), 1997. https://kclpure.kcl.ac.uk/portal/en/theses/roman-imperial-sculpture-from-cilicia(52fdf4d0-393f-42f3-8373-470393fac704).html.

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Mackintosh, Marjorie. "The divine horseman in the art of the western Roman Empire." n.p, 1991. http://ethos.bl.uk/.

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Roudil, Roland. "Correspondance Romain Rolland - Gaston Thiesson (1915-1919)." Thesis, Montpellier 3, 2011. http://www.theses.fr/2011MON30059.

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Romain Rolland et Gaston Thiesson se rencontrent en août 1912 en Suisse mais leur amitié se renforce lors des deux séjours du peintre dans ce pays durant la première Guerre mondiale, entre septembre 1915 et avril 1916. Sur les 166 lettres présentées ici, 86 lettres sont échangées durant cette période. La venue de Thiesson, au moment où Rolland décide de se retirer de la mêlée, est un réconfort pour l’écrivain attaqué par la presse nationaliste qui l’accuse de défaitisme à la suite de ses articles parus au Journal de Genève. Rolland voit en lui un homme courageux et dévoué qui, après la parutio

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Rivest, Mélanie. "Nouveau théatre et nouveau roman : la quête d'un art perdu." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79975.

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The histories of the Theater and of the Novel have rarely been linked to one another. Nevertheless, studying the evolution of the two arts as of the seventeenth century, allows us to pinpoint and define the sources of contamination. It is more precisely in the nineteenth century that the history of both the Theater and the Novel became envenomed, going from fresh influences to disloyal relations during which time the Theater faded by admitting romanesque realism to take the stage. By denying its capacity to reveal the "real", the Theater failed its possibilities and let its art be disin

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Platt, Verity J. "Epiphany and representation in Graeco-Roman culture : art, literature, religion." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.422525.

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48

Romani, Anna Maria. "Your hands are on my eyes." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/mq25353.pdf.

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Morelli, Angela R. "Representation of gender and sexuality in Roman art, with particular reference to that of Roman Britain." Thesis, University of South Wales, 2005. https://pure.southwales.ac.uk/en/studentthesis/representation-of-gender-and-sexuality-in-roman-art-with-particular-reference-to-that-of-roman-britain(fb4e7985-7ef0-4c8c-b8ce-5da20d010d2c).html.

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Abstract:

The subject matter for this research is the representation of femininities and masculinities in Roman art with particular reference to that of Roman Britain. The study focuses on the visual presentation of gender for specific deities, personifications and figural images in funerary art; this includes concepts of sexuality that in some cases become entwined with the study of gender. I have endeavoured to demonstrate how socially constructed values add to the understandings of gender and Roman art. The first chapter concentrates on Roman concepts relating to masculinities and femininities, detai

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Kretschme, Marek Thue. "Rewriting Roman history in the Middle Ages : the 'Historia Romana' and the Manuscript Bamberg, Hist. 3 /." Leiden : Brill, 2007. http://catalogue.bnf.fr/ark:/12148/cb411011516.

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