Relevant bibliographies by topics / Art, romanian

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Art, romanian'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Art, romanian"

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Ţoca, Vlad. "Romanian Art Historiography in the Interwar Period. Between the Search for Scholarship and Commitment to a Cause." Artium Quaestiones, no. 30 (December 20, 2019): 93–122. http://dx.doi.org/10.14746/aq.2019.30.5.

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At the end of World War I, Romania emerged as a much stronger nation, with a greatly enlarged territory. During the two world wars, the Romanian state was permanently looking for the best way to preserve the newly created national state and defend its frontiers. This was the only matter all Romanian parties seemed to agree on. The threat of territorial revisionism coming from Hungary, the Soviet Union and, to a lesser extent, Bulgaria united all the political actors in defending the peace system of Versailles and supporting the League of Nations as the guarantor of this peace and stability. The interwar period was a remarkable time for Romania’s cultural history. Between the two world wars, the Romanian cultural scene was dominated by what Keith Hitchins calls the ‘Great Debate’ about national identity and development. The opponents were those advocating synchronism with the West, on the one hand, and those pleading for tradition, on the other, with many others looking for a third way. In Romanian interwar culture, the country’s modernity was emphasized in order to place the country within the larger family of European nations. An opposing, and at the same time, complementary line of thought was that of presenting the long and noble Romanian history, tradition and ancestral roots. These two themes have been present in Romanian culture since the mid-19th century. They were used by various authors, sometimes in a complementary fashion, while at others, in a conflicting manner in literature, historical writing or political discourse. This process did not end with the creation of the Greater Romania after the end of World War I. New threats, which are mentioned above, maintained the need to continue this discourse. In this context, historical arguments became political arguments and were used by the Romanians in order to justify the new territorial gains and the Versailles system. Art history, part of the family of historical disciplines, came to play an important part in this. Romanian art historical writing or political discourse. This process did not end with the creation of the Greater Romania after the end of World War I. New threats, which are mentioned above, maintained the need to continue this discourse. In this context, historical arguments became political arguments and were used by the Romanians in order to justify the new territorial gains and the Versailles system. Art history, part of the family of historical disciplines, came to play an important part in this. Romanian art historical writing did not exist as such until the end of the 19th century. It was only in the first years of the next century that the number of scholarly works produced following western standards steadily increased. As part of a general tendency of aligning Romanian academic practices with those in the West, art historiography established itself as a respectable academic discipline, a process which went hand in hand with the establishment of new institutions such as museums, university departments, research institutions and the Commission for historical monuments. All these institutions were founded and financed by the Romanian state, and most scholars were involved with these institutions in one way or another. Although Romanian art historiography of the period is dominated by the desire to produce academic works to the highest standards, the ideas of the Great Debate are present in the works of that time. At the same time, in several texts, the most prominent art historians of the day strongly affirm the necessity of putting their work in the service of the national cause. In this paper, we will be looking at the general histories of Romanian art written between the two world wars. The choice of these texts is motivated by the fact that these works are the result of larger research projects and have a broader scope and as such better summarise the trends of the interwar period.
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HOWARD, TERESA. "Romanian Art Renaissance." Art Book 15, no. 2 (May 2008): 60–61. http://dx.doi.org/10.1111/j.1467-8357.2008.00962.x.

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Nae, Cristian. "Constellational Modernisms: “Socialist Humanism” and “Contextual Art” in Ion Bitzan and Wanda Mihuleac's Graphic Art of the 1970s." ARTMargins 13, no. 2 (June 1, 2024): 45–64. http://dx.doi.org/10.1162/artm_a_00383.

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Abstract Art exhibitions acted as facilitators of transnational encounters among artists during the Cold War. This article analyzes the emergence and local circulation of two art critical concepts which described adaptations of art practices and techniques associated with Pop art and conceptual art in Romanian graphic arts of the 1970s as an expanded artistic medium. Focusing on the way Romanian artists Ion Bitzan and Wanda Mihuleac adjusted their experimental art practices to suit different audiences in state-supported exhibitions such as the Romanian Pavilions in Venice or the Ljubljana Graphic Arts Biennale, as well as in other large-scale exhibitions organized in Romania and abroad, the text helps undermine the distinction between official and unofficial art in art under socialism. It argues for the continuities between artistic experimentation in the two spheres of artistic activity and proposes a constellational reading of their graphic art practices as examples of modernisms in translation.
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Modreanu, Roxana. "Romanian Art History During the 1950s as a Form of Social History of Art." Art History & Criticism 19, no. 1 (November 30, 2023): 81–94. http://dx.doi.org/10.2478/mik-2023-0007.

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Summary The Romanian Workers’ Party – the political party that led Romania from 1947 until 1965 – need for legitimisation led to the rewriting of history in a way that the history of Romania was presented as a linear progression finally leading to communism. In art history, art also became a linear phenomenon, progressively advancing towards Socialist Realism. The tactics of constructing the new narrative in art history during the 1950s and the beginning of the 1960s can be read as a form of the social history of art. Although the methodology could have led to remarkable results, ethical boundaries were violated: only some historical episodes and moments from artists’ biographies were selected. Within this context, this study investigates whether papers and monographs about Romanian painters active in the second half of the 19th century and the beginning of the 20th century can be read as a form of social history of art.
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Danga, Mihaela. "Art libraries in Romania." Art Libraries Journal 20, no. 1 (1995): 24–25. http://dx.doi.org/10.1017/s0307472200009214.

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Specialised art libraries emerged in Romania during the 19th century. Today, all of Romania’s art libraries are facing similar problems, the result of years of isolation from the international community and from one another, compounded by an absence (until recently) of education for librarianship, and by a continuing lack of money and adequate accomodation. In addition, different kinds of art library are confronted by problems specific to their functions. However, the renewal of contact with the wider world is bringing many benefits; work has started on a common automated system, initially involving a handful of art libraries; and three art libraries are trying to establish a Romanian art libraries society. (The text of a paper presented to the Annual Conference of ARLIS/NA at San Francisco, January 28th — February 3rd 1993. Please note that this report dates from over two years ago. We eagerly await further news.)
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Pascar, Mihai. "Orthodox aesthetics on modern and contemporary Art. Between Redemption and Art for Art’s sake: The Romanian case." Revista CICSA online, Serie Nouă, no. 8 (2022): 147–65. http://dx.doi.org/10.31178/cicsa.2022.8.8.

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This paper aims to outline the current Orthodox aesthetics vision on modern and contemporary art, based on a thorough exploration of relevant Orthodox theological writings published in Romania. After going through a significant part of the theological literature that deals with aesthetics written by Romanian authors such as Nichifor Crainic, Dumitru Stăniloae, Ioan Bizău, Mihaela Palade, etc., and by internationally well-known Orthodox theologians translated into Romanian such as Paul Evdokimov and Leonid Uspensky, we are able to highlight the main features of a coagulated Orthodox vision on modern and contemporary artists, art movements and artistic phenomena. There is a general agreement among Orthodox theologians that Renaissance was the age when the spirit of individuality and formal freedoms entered art, which led to a distancing of artworks and artists from God. Also, modern art and contemporary art are usually regarded as harmful to the human soul and to its Salvation. These views also reverberate among some circles of Romanian visual artists and art critics with strong Orthodox personal beliefs. Furthermore, this aesthetic vision might partially explain why the Romanian Orthodox Church has remained fairly uninterested in recent art phenomena and why it hasn’t tried to establish a theological or practical dialogue with the artworld, in the past few decades.
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Spiridon, Ioana-Cristina. "M. H. Maxy: de la avangardă la socialism." Revista Muzeelor 1 (2023): 216–23. http://dx.doi.org/10.61789/rm.2023.13.

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„M. H. Maxy: from avant-garde to socialism”, opened on the 28th of December 2023 at the Romanian National Museum of Art, uses a chronological line of events to bring up to date the image of Max Herman Maxy (1895 – 1971), seen as a leading artist with a significant role in the Romanian Avant-garde, but also as the first director of the Romanian National Museum of Art. Subsequently, his contribution to the development of the national art scene can’t be denied in art history. Furthermore, the opening was carefully chosen to mark a symbolic anniversary of 145 years since the first Romanian Jew obtained his citizenship, therefore enhancing the role that the Jew community had in the bloom and spread of the Avant-garde in Europe. The exhibition has a tacit dialogue to the main artistic events which celebrate Timișoara as The Cultural Capital of Europe 2023, the retrospectives dedicated to Victor Brauner and Constantin Brâncuși, suggesting the main artistic pillars in the dawn of Modern Romania.
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Modreanu, Cristina. "Elements of Ethics and Aesthetics in New Romanian Theatre." New Theatre Quarterly 29, no. 4 (November 2013): 385–93. http://dx.doi.org/10.1017/s0266464x13000705.

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Young Romanian theatre artists are very concerned to address issues from the recent past and in using collaborative art to educational and therapeutic ends. The implications of the increased ethical consciousness in their work is addressed here by Cristina Modreanu, who focuses on the productions of directors Gianina Cӑrbunariu and David Schwartz. She analyzes the relationship between ethics and aesthetics in contemporary work against the backdrop of post-Communist Romanian society and in a global context, as well as the dynamics connecting the new wave of Romanian theatre to internationall tendencies in contemporary art, as observed by authors such as Jaques Rancière and Claire Bishop. Cristina Modreanu's doctorate on Romanian theatre after 1989 is from Bucharest University of Theatre and Film, and she has also developed the subject in lectures at Tel Aviv University and Plymouth University. A Fulbright alumna and former Visiting Scholar at New York University, Performance Studies Department, Modreanu currently lectures in Contemporary Performance at Bucharest University. Her publications include articles on Romanian and Eastern European theatre for journals such as Theater, Theater der Zeit, and Alternatives Théâtrales, and for the anthology Romania after 2000: Five New Plays, edited by Martin E. Segal.
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CIUBOTARU, Smaranda. "Recent and Radical: Excess, Absence, and Erasure in the Museum of Recent Art." Martor. The Museum of the Romanian Peasant Anthropology Review 26 (2021): 93–113. http://dx.doi.org/10.57225/martor.2021.26.06.

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Inaugurated in 2018, the Museum of Recent Art (MARe) in Bucharest has rapidly become one of the leading contemporary art institutions in Romania. Rivaling state-financed museums, MARe’s approach to exhibiting contemporaneity is dialectical, exchanging the conventional, chronologically determined museological method for anachronism. This approach provides a framework through which the perpetual theoretical correspondence between past, present, and future artistic practices is facilitated. Focusing on art that circumvented the official visual discourses of the communist regime and on art that emerged after the Romanian Revolution of 1989, MARe’s novel museological method has, however, been impaired by the museum’s failure to fully account for the country’s totalitarian history. The absence of context, an unethical silence that can be seen as a symptom of Romania’s unresolved tension towards its communist past, underpins both the conception of the museum’s building and that of its permanent collection. Impeding discussions of nationalization, coercive state mechanisms, and the imposition of Socialist Realism, MARe further limits the emergence of art historical narratives by reaffirming the traditional, hierarchical superiority attributed to fine art forms.
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Stykalin, Alexander. "The mood of the Romanian intelligentsia in the early 1960s through the eyes of a young Soviet writer." Slavic World in the Third Millennium 18, no. 1-2 (2023): 33–47. http://dx.doi.org/10.31168/2412-6446.2023.18.1-2.02.

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The Russian State Archive of Literature and Art (RGALI) contains reports of Soviet writers and cultural figures who traveled in the 1950s-1980s on creative business trips to socialist countries. Not yet in high demand by researchers, they are at the same time of undoubted interest as a historical source, since they reflect information related to the establishment of bilateral and multilateral cultural ties, the development of literature and art in foreign (in particular, Eastern European) countries, as well as the mood of foreign intelligentsia. The article deals with the report on the trip to Romania in the spring of 1962 by the young playwright Mikhail Filippovich Shatrov (1932–2010). A sincere supporter of the genuine renewal and democratization of the Soviet system, M. Shatrov was pleased with the reception given to him in Romania and highly appreciated the state of theatrical performances in this country. At the same time, he got the impression based on communication with Romanian interlocutors (writers and theatrical figures) that the Romanian society was lagging behind the Soviet one in its readiness to break with the Stalinist legacy. In his view, those responsible for cultural policy preferred to play it safe when it came to staging the Soviet plays in Romania that were critical of Stalin's personality cult, as they might lead the public to undesirable parallels with the current situation in Romania. Moreover, according to M. Shatrov, an atmosphere of fear continued to flourish in Romania, “a terrible legacy of the era of the cult of personality”. On the other hand, he drew attention to the reluctance of some Romanian cultural figures to advertise their old Soviet connections in the face of public opinion, because they were afraid of being compromised in the eyes of their colleagues in the conditions when the Romanian communist regime began to keep distance from the USSR.
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Dissertations / Theses on the topic "Art, romanian"

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Ionescu, Daniela. "The Romanian Blouse| From Matisse to Queen Marie of Romania and Yves Saint Laurent." Thesis, California State University, Long Beach, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10979593.

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Between 1937 and 1943 the Romanian blouse plays a more pivotal role than previously acknowledged in Matisse's development of a pictorial sign language. Its embroidered oak leaf motif eventually evolves into an abstract symbol of élan vital that animates the artist's late cutouts. By tracking the Romanian blouse, this thesis offers a counter-narrative to the standard monographic study or formal reading of Matisse’s work. We learn the back story of how the blouse becomes a fashion trend set by Queen Marie of Romania who used her celebrity and national dress to promote the welfare of the Romanian people following WWI. We also see how appropriation turns into misappropriation when fashion designer Yves Saint Laurent’s 1981 collection inspired by Matisse’s images of the blouse introduce a broadly defined ethnic fashion into haute couture.

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Brebenel, Mihaela. "Moving images in Romanian critical art practice and recent history." Thesis, Goldsmiths College (University of London), 2016. http://research.gold.ac.uk/19103/.

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This thesis approaches contemporary moving image artworks from Romania in order to critically revisit key events, moments and situations in the country’s recent history. Responding to a gap in the literature on Romanian art, it addresses the relations between moving image practices and the socio-political transformations that have taken place in the country over the last three decades. This is achieved by considering the role of moving images in two major events – the Romanian 1989 revolution and the June 1990 anti-government protests – and by mapping critical moving image art practice from the communist period to the “postcommunist condition” and the context of post-2008 economic crisis. In addition, this thesis investigates how moving image art can be used to assess the contemporary Romanian situation. The main argument is that responding to these recent transformations is an urgent political task, one that few artists have addressed themselves to date. A constellation of moments from the recent Romanian past is thus assembled in order to explore the possibilities of thinking and writing about history that are evoked through moving images. The analysis focuses on a selection of works by artists Ion Grigorescu, Harun Farocki and Andrei Ujică, Mona Vătămanu and Florin Tudor, and, Joanne Richardson, each of whom have responded to this political task in a particular way.
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Lazarescu, Irene. "Teach yourself Romanian : konsten att exotisera sig själv." Thesis, Konstfack, Institutionen för Bildpedagogik (BI), 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-3273.

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Jag har arbetat med pålar eftersom det är ett objekt som kan associeras med Rumänien genom Vlad Tepes (Pålspetsaren) och Dracula-myten. Men det finns ytterligare en, mindre känd, koppling mellan pålar, vässade pinnar, och Rumänien. Under det som kom att bli Ceausescus sista tal började folk skrika, men det var inte bu-rop utan bara skrik, rakt ut. Min pappa berättade för mig att några i den stora folkmassan hade börjat stickas med vässade pinnar och att skriken som hördes var skrik av smärta– ingen hade vågat börja annars. Två dagar senare var Ceausescu död. Jag har kombinerat vässade träpålar och virkade, droppande bloddroppar. Installationen hänger i taket och vissa utav pålarna blöder ner i virkade pölar av varierande storlekar. Naturmaterial som mossiga pinnar, kombinerat med rött virkat blod, i ett oavbrutet flöde, fungerat mycket bra både symboliskt och estetiskt. Man skulle kunna se det som att pålarna töms på mening, stereotyperna urholkas. Jag gjorde även en liten bildserie med "pålen i hemmet", där en påle används som fjärrkontroll av min pappa i familjens vardagsrum. Jag har även fortsatt med en serie teckningar i tusch med ett möte mellan Vlad Tepes och Dracula. Två myter som samtalar, men vem är mest verklig? Gammal och nytt, öst och väst.
BI
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Lowe, Shona. "Eclectic and neo-national aspects of Romanian art and design, 1878-1930." Thesis, University of St Andrews, 2001. http://hdl.handle.net/10023/7299.

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According to the words chiselled into its foundation stone in 1875, Castle Peles, the summer residence of King Carol I, was intended to represent the 'cradle' of the newly arrived Hohenzollern-Sigmaringen dynasty in Romania. Its construction coincided with the formation of the modern Romanian state and embodied a similar striving towards a convincing visual language of self-justification and definition. Initially employing international vocabularies, this language turned increasingly to possible 'national' sources of expression. This thesis examines the relationship between international influence and notions of a 'national style' in Romanian art at the turn of the twentieth century. It concentrates on a number of salient, but little studied factors in the search to define the multi-layered cultural identity of the newly formed kingdom. Firstly, it explores the artistic activity of the royal family. King Carol's 'transplanting' of weighty German tradition is contrasted with the British-born Crown Princess Marie's imaginative rejection of eclectic historicism and romantic reinvention of Arts and Crafts, Art Nouveau and 'primitive' sources. Artistic links with Vienna, Munich, Bohemia, Britain, Paris and Darmstadt, together with the significant contributions of individuals like the British designer Mackay Hugh BailIie Scott, the Czech architect Karel Liman and the Viennese Kiinstlerkompanie of Gustav and Ernst Klimt and Franz Matsch, are highlighted. Royal projects are examined against the backdrop of the emerging national style debate in the Romanian arts as a whole. Attempts to express Romanian identity in both the fine and applied arts are compared and evaluated. Particular attention is paid to the role of national and international exhibitions, together with the forum for artistic discussion provided by independent societies like Ileana and Artistic Youth. The thesis concludes with a comparison of public and private royal responses to neo- national ideas: firstly, in the grandiose monuments constructed for the Coronation of Ferdinand and Marie as King and Queen of Greater Romania in 1922 and, secondly, in the series of unusual country retreats created by Marie in the 1920s.
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Carstocea, George. "Reality, language, and history: three facets of contemporary Romanian cinema." Thesis, Boston University, 2012. https://hdl.handle.net/2144/12312.

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Thesis (M.F.A.)--Boston University PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
The purpose of this thesis is to closely analyze some of the individual authorial voices that have emerged from contemporary Romanian cinema. Billed by the international critical establishment as a "New Wave," the recent slate of Romanian productions, while very successful on the international festival circuit, still lacks an apt conceptualization of the precise characteristics that set these new filmmakers apart, not only from other international directors, but also from one another. The analysis focuses on six recent productions: Stuffand Dough (2001), The Death of Mr. Lazarescu (2005) and Aurora (2010) by Cristi Puiu, 12:08 East of Bucharest (2006) and Police, Adjective (2010) by Corneliu Porumboiu, and The Autobiography of Nicolae Ceausescu (2010) by Andrei Ujica, breaking down the individual authorial characteristics and thematic and stylistic concerns of each filmmaker and contextualizing them within the larger history of Romanian film, as well as the trajectories of international art cinema.
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Lazarescu, Irene. "En diktator, en vampyr och färgen grå : Förutsättningar för rumänsk samtidskonst före och efter 1989." Thesis, Södertörn University College, The School of Culture and Communication, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1525.

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The conditions for art in Romania have gone through big changes since the collapse of the regime in December of 1989. Under the Communist regime the artists had to work within a dualistic system completely unlike the one that developed in the West during the same period.

Similar to the other countries of the former Eastern block, the communist Romanian state had understood the great potential that art has as a form of propaganda. Thus the regime secured full control over the art that would be allowed into the public space. In response to the confines set on the artistic expressions, a non-official art began to develop alongside the official art of the state.

These two layers of Romanian art history were dissolved when Ceausescu’s regime finally came to an end in 1989. The underground art was suddenly available to an audience, while the official art was discredited. Out of the chaos that followed, a new Romanian art was born. During the 1990’s many Romanian artists started to process the past to try to understand their present situation, while others investigated Romanian identity as perceived from the outside.

The main focus of this paper has been to look at the conditions for contemporary Romanian art under Communism, and how they have changed since 1989.

My research has been based on literature such as The History of the Romanian People (1970), Primary Documents (2002) and Actionism in Romania during the Commuinist Era (2002), as well as on my own interviews with artists Constantin Mara, Ion Grigorescu, Matei Lazarescu, Kuki Constantinescu and Stefan Constantinescu.

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Beissinger, Margaret H. "The art of the lăutar : the epic tradition of Romania /." New York : Garland, 1991. http://catalogue.bnf.fr/ark:/12148/cb371466593.

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Nicolescu, Gabriela. "Art, politics and the museum : tales of continuity and rupture in modern Romania." Thesis, Goldsmiths College (University of London), 2015. http://research.gold.ac.uk/12491/.

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This thesis provides an exploration of moments of abrupt political change in modern Romania through an analysis of the multiple transformations that have occurred in the National Museum of the Romanian Peasant (NMRP). It traces the paradoxical process by which a museum, perceived as an ‘immutable institution’ not only reflected, but also became a stage for supporting the shift from monarchy to communism and the ensuing of the post-communist order. It reveals how the present-day NMRP is a mixture of institutions, fragments and deletions, a problematic assemblage of people and practices. This mix has resulted in the formation of conflicting and often contradictory views on representation: be they views of the peasant, the past, or the aesthetics of display. Such conflicts in turn exemplify tensions about Romanian identity and modernity more generally. The thesis is based on an analysis of a broad range of contemporary and archival material, such as photography relating to exhibitions and events, films, descriptions of museum displays, labels, and artefacts themselves. This analysis works in combination with ethnography and with reflection on the experience of curating a contemporary exhibition within the museum. In this exhibition, objects and words were used to explore the juxtaposition of concurrent views about the past and the co-existence of different pasts in the present. It is suggested that an understanding of how oppositions work together in the confined space of the museum enables clearer perceptions of social and political tensions within contemporary Romanian society.
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MUZZIN, SILVIA. "LA SCULTURA ROMANICA NELL'ALTO NOVARESE: CATALOGO E CONSIDERAZIONI CRITICHE SULLE MAESTRANZE." Doctoral thesis, Università degli Studi di Milano, 2012. http://hdl.handle.net/2434/172667.

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Romanic sculpture in the Northern area of Novara: catalogue and critical considerations about the workmen PhD thesis by Silvia Muzzin The purpose of this thesis is to study the sculptural decoration in the Romanic buildings of the Northern area of Novara. The author places this decoration inside a specific production context and she focuses on the lapicide workmen that have realized it , on their displacement and their background. The text is composed by three sections. The first two want to create a catalogue of the sculptural residues that are divided according to the their contexts. Another purpose of these sections is to study these contexts in an historical and structural way and to elaborate on the knowledge of their decoration through some comparative suggestions about Romanic sculpture considered in a larger area and in the specific one. On the other hand, in the third section it is possible to find a visual confirmation about these suggestions. Moreover the last section gives some historical and geographic elements for an elaboration of the area and, in the meantime, it provides the useful instruments for a revaluation of the previous data for the knowledge of the lapicides’ workmen that have directly handled on the considered buildings.
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Sikora, Edmund. "Romanica wratislaviensia." Wrocław : Wydawnictwa Uniwersytetu Wrocławskiego, 1989. http://catalogue.bnf.fr/ark:/12148/cb35468212g.

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Books on the topic "Art, romanian"

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Pârvu, Sorin. The art of the Romanian novel. Iași: Romanian Cultural Foundation, 1994.

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Văetiși, Adela. Brancovan art. București: Noi Media Print, 2010.

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Muzeul Național de Artă (Romania). Guide of the gallery of Romanian medieval art. Bucharest: National Museum of Art of Romania, 2002.

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Cândea, Virgil. Prezențe culturale românești. [București]: Editura Sport-Turism, 1987.

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Cândea, Virgil. Prezențe culturale românești. [București]: Editura Sport-Turism, 1987.

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Rezeanu, Paul. Contribuţii la istoria artei româneşti: Istoria artelor plastice în Oltenia : (1800-2000). Craiova: Editura Alma, 2010.

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Grigorescu, Dan. Idea and sensitivity: Trends and tendencies of Romanian contemporary art. Bucharest: Meridiane Pub. House, 1991.

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Tzigara-Samurcaș, Al. Scrieri despre arta românească. București: Editura Meridiane, 1987.

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Muzeul Național de Artă (Romania). Gallery guide of the National Museum of Art of Romania: Medieval and early modern Romanian art. 2nd ed. Bucharest: National Museum of Art of Romania, 2008.

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Solcanu, Ion I. Romanian art and society: 14th-18th century. București: Editura Enciclopedică, 2004.

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Book chapters on the topic "Art, romanian"

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Dima, Ramona. "Romanian Queer Contemporary Art." In Queer Culture in Romania, 1920–2018, 127–51. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-38849-1_5.

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Asavei, Maria Alina. "Godless Religious Art of Romanian National Communism." In Art, Religion and Resistance in (Post-)Communist Romania, 63–87. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56255-7_3.

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Asavei, Maria Alina. "Art, Nature and Ecologies of Transfiguration during Romanian National Communism." In Art, Religion and Resistance in (Post-)Communist Romania, 89–109. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56255-7_4.

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Burlacu, Irina, Sorina Soare, and Daniela Vintila. "Migrants’ Access to Social Protection in Romania." In IMISCOE Research Series, 361–77. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51241-5_24.

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Abstract This chapter examines to what extent the Romanian welfare system covers resident citizens compared to foreigners residing in Romania and Romanians living abroad. In doing so, we analyse existing social policies aiming to ensure their coverage against a variety of risks at different life-cycle stages, including unemployment, poverty, sickness and old-age. The main conclusion is that the Romanian welfare state is open to all residents, regardless of their nationality, thus providing everyone equal grounds for accessing social benefits. The criterion of residence on the Romanian soil is, however, prevalent. This implies that relatively few social provisions are extended for non-resident Romanians, which represent an increasingly sizeable community given the intensity of migration outflows in recent years. Furthermore, the Romanian social protection system has had relatively little impact on reducing the risk of poverty and income inequality in the country, despite regular amendments during the last years.
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Asavei, Maria Alina. "On the Varieties of Cultural Resistance During Romanian Late Communism." In Art, Religion and Resistance in (Post-)Communist Romania, 35–61. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56255-7_2.

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Minea, Cosmin. "Habsburg Scholars and Writings about Romanian Historical Monuments in the Late Nineteenth Century." In East Central European Art Histories and Austria, 39–64. Bielefeld, Germany: transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839473634-003.

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Noth, Juliane. "The Romanian Oil Painting Training Class and Modernist Undercurrents in Chinese Art Education of the Socialist Period." In Art and Modernism in Socialist China, 200–215. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003450535-15.

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Ferenczi, Andreea, and Cornel Micu. "Low Attachment to an EU that Is Associated with Mobility. Students’ EU Perceptions in Two Romanian Peripheral Towns." In The Future of Europe, 99–107. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-29793-9_8.

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AbstractIn Romania, the EU accession was overwhelmingly supported by the people but over time the support, although still high, started to dwindle. As a contribution to understand the opinions regarding the EU in Romanian society, this chapter reports the empirical findings of group discussions with students aged 16 and 17 in two Romanian small towns in peripheral areas. The two selected towns, Moreni in the southern part of Romania and Caransebeș in Transylvania, are rather different with regard to their general layout and history. Despite these differences, the students viewed the debated issues in broadly the same way. As the report reveals, they emphasised the lack of information regarding the EU and the rights associated with EU citizenship, and expressed interest in learning more about these topics. They didn’t fully relate to the European identity values and prioritised their national or local identity instead.
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Hâj, Cezar Mihai, and Petrişor Laurenţiu Ţucă. "Access to Higher Education: Losing Precious Human Resources Before the Start Line." In Higher Education in Romania: Overcoming Challenges and Embracing Opportunities, 35–51. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-94496-4_3.

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AbstractIn the last five years in Romania, a series of measures and policies have been adopted that aimed to increase the enrolment and participation of Romanian citizens in higher education. However, we are still witnessing a decline in the number of students even though Romania has the lowest proportion of graduates (30–34 years) with a higher education diploma in the EU. Through this paper, we will follow the educational path of students in final grades in upper secondary education to analyse how many of them graduated from the national baccalaureate exam and later became students. The data come from the interconnection of two important databases from the Romanian education system, the National Student Register (RMUR) and the Integrated Information System of Education in Romania (SIIIR). Access to higher education must be viewed not only from the perspective of the admissions process but also from the perspective of generational losses that have a direct impact on the human resources eligible for higher education. Thus, we will insist on analysing the “losses” of human capital registered in the national education system in the last year of study in pre-university education, looking at the same time at the characteristics of students who manage to enter higher education. The current analysis is based on the work done within the project “Quality in higher education: internationalization and databases for the development of Romanian education” (code POCU/472/6/8/126766/21.11.2018, implemented by the Executive Agency for Higher Education, Research, Development and Innovation Funding (UEFISCDI) in partnership with the Ministry of Education (ME).
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Fiţ, Cristina Ramona, Cristian Andrei Panţir, and Bianca-Florentina Cheregi. "Romanian Universities: The Use of Educational Marketing to Strengthen Internationalization of Higher Education." In Higher Education in Romania: Overcoming Challenges and Embracing Opportunities, 169–91. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-94496-4_9.

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AbstractWith the European Universities Initiative underway, the COVID-19 pandemic and various national or European strategies reaching their initially designated timeline, 2021 is a good moment to take stock of how Romania fulfilled its commitments regarding internationalization. One of the key dimensions of internationalization of higher education, both in Romania and global terms, is marketing and promotion, especially if one looks at the institutional efforts to attract talent. The article aims to show how Romanian universities use educational marketing to promote their study programs offer, in order to attract both international students and national students in the context of a steep student population decrease. The paper addresses two main research questions: How do universities use media and other mechanisms to promote their educational offer globally? Which are the main strengths allowing Romanian higher education to better attract international students? The article presents the main findings of the SWOT analysis for the Romanian higher education system, with information from 47 public universities. It compares the current findings with those from a similar SWOT analysis performed in 2015, while also putting forward a cost-benefit analysis of attracting international students and developing internationalization of higher education. The paper also underlines several areas where universities can focus their efforts in attracting international students (such as the www.studyinromania.gov.ro portal) and policy recommendations based on the data analyzed
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Conference papers on the topic "Art, romanian"

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Cocieru, Mariana. "Values of Romanian ethnological photographic art: Joseph Berman." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/filomod.2023.17.20.

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In this article, the author refers to one of the elite representatives of Romanian photographic art, Joseph Berman, a distinguished personality in the field of visual documentation, who contributed enormously to the development of ethnological field research. From a theoretical and practical perspective, a visual image immortalizes a moment in space and time, facilitating the recourse to the information it holds whenever needed. The photography can communicate to you several types of information, on the one hand, about the personality of the one who made this immortalization, revealing details about the preferences and skill of the master photographer, and on the other hand, it expresses realities, historical, social, ethnographic details of eternal temporal moments and habitats, motivating us to become critical consumers of visual images. For these reasons, the rhetoric of the image (Roland Barthes) becomes emblematic for ethnological research. Researchers in the field of Romanian ethnological photography delimit the period of flourishing (development) of visual documentation from the first half of the 20th century into two segments, the first up to Joseph Berman and the second – after him. With its affirmation in the photographic field, ethnological documentation took on color, becoming „alive”, loaded with deep meaning. The famous sociologist Dimitrie Gusti, appreciating his talent, called him: „co-author of the image of the Romanian village and peasant” and, rightly, did not accept a monographic campaign through the villages of Romania without Berman’s skill and talent, considering any other type of ethnological research compromised from the start.
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Adascalița-Crigan, Lucia, and Viorica Cazac-Scobioala. "Perpetuating the rhombus in traditional Romanian art." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.01.

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The rhombus as an ornamental motif of traditional art can be found both among the signs sewn on popular costumes or in interior textiles, on household objects, and among the shapes found in traditional cuisine. Being a geometrical motif with an archaic symbolic charge, characterized by perpetuity and cosmic sacredness, it was exploited and integrated into all the daily, celebratory and ceremonial circumstances of man. In this context, the objective of the study was directed towards the presentation of the multicriteria interpretation of this motif. On the one hand, the Rhombus carries a special semantic load, varied by the chromatic diversity and by the shapes it takes, and on the other hand, the aim is to record and fix some valuable images of the objects bearing this decorative element. Noted for its wide use, the Rhombus is found in its geometric meaning as a singular element, in ensembles of motifs and geometric compositions integrated with other inscribed motifs, but also in free rendering that involves changes in outline and proportions. Thus, knowing the multiple values of the rhombus allows the revitalization of some compositions from the national folk art and the preservation of this ancient primary ornamental motif, while the aesthetic valences and spiritual interferences will serve as a source of inspiration for today’s folk art creators. The paper presents the results of the study carried out within the State Program 20.8009.0807.17 REVICULT.
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BOSTAN, Smaranda, and Maria BILASEVSCHI. "The Many Facets of the Romanian Conceptual Art." In 8th LUMEN International Scientific Conference Rethinking Social Action. Core Values in Practice | RSACVP 2017 | 6-9 April 2017 | Suceava – Romania. LUMEN Publishing House, 2017. http://dx.doi.org/10.18662/lumproc.rsacvp2017.10.

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Tuca, Nicusor. "THE BRANCOVAN STYLE � A VEIN OF ROMANIAN ART." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s22.006.

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Pandele, Dorin Gabriel. "RELIGIOUS FUNDAMENTALISM AND POSTMODERNITY IN CONTEMPORARY ROMANIA CASE STUDY: THE ROMANIAN LEGIONARY MOVEMENT." In 7th SWS International Scientific Conference on ART and HUMANITIES - ISCAH 2020 Proceedings. STEF92 Technology, 2020. http://dx.doi.org/10.5593/sws.iscah.2020.7.1/s17.02.

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Burileanu, D. "Diphone database development for a Romanian language TTS system." In IEE Seminar on State of the Art in Speech Synthesis. IEE, 2000. http://dx.doi.org/10.1049/ic:20000326.

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Ciobotaru, Georgiana, and Nicoară Aurica. "EXTRACURRICULAR ACTIVITIES IN TEACHING ROMANIAN LANGUAGE AS A FOREIGN LANGUAGE." In International Conference on Education and New Developments. inScience Press, 2022. http://dx.doi.org/10.36315/2022v1end005.

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Teaching Romanian as a foreign language is a new and challenging field of activity in education in Romania, a field that is growing with the arrival in our country of many students from neighboring countries or as far away as possible, people belonging to other cultures, civilizations, ethnicities, religions, which bring with them their own mentality and vision of the world. Formal and curricular activities are important for language, morpho-syntactic acquisitions regarding the Romanian language, but for the student to develop optimally and to integrate in the new society in which he entered to continue his studies, it is necessary to implement extracurricular activities complementary to the others. These are meant to develop students other skills necessary to continue their studies in a new country in educational contexts different from those in their home country by interacting with both Romanians and other colleagues as foreign to the Romanian language and culture as them. The projects and activities of linguistic and cultural integration of foreign students are defining for the development of the intercultural communication competence that must be developed for them. This paper aims to highlight the impact that extracurricular activities in the field of dramatic art contribute to the development of students both linguistically and from the perspective of expressing emotions, feelings in order to overcome the cultural blockages inherent in a foreign country.
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Amarandei, Teodor. "THIRD STREAM GENRE IN ROMANIAN MUSIC. RICHARD OCHANITZKY-VARIATIONEN." In 8th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH Proceedings 2021. SGEM World Science, 2021. http://dx.doi.org/10.35603/sws.iscah.2021/s08.18.

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PASCU, Cristina Eleonora. "The Impact of French Pedagogy on Romanian Piano Art. Disciples of Alfred Cortot." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0006.

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A very special effervescence in terms of artistic life animated the City of Cluj at the beginning of the 20th century. The city’s newly established institutions, after the historical moment of 1918, were increasingly asserting themselves, polarizing culture in its numerous forms and manifestations. This is the context in which the Academy of Music and Dramatic Art of Cluj (currently “Gheorghe Dima” National Academy of Music) was founded by a team of professors, who had been trained at various higher music schools in Western Europe and who implemented the highest standards meant to raise the new school at the level of the other European schools of this kind, in an effort to narrow the historical gap that separated the former from the latter. Among them stand out, due to their special artistic and pedagogical qualities, young pianists returned from Paris, where, within the prestigious École Normale de Musique de Paris, they had been trained by the renowned pianist Alfred Cortot. They were: Ecaterina Fotino-Negru, George Ciolac, Eliza Ciolan, Alexandru Demetriad, Viorica Adelina Radu, Gabriela Ţereanu. Our paper aims at providing a documented image of this significant direction of development, which relied on the artistic and pedagogical knowledge acquired by the Romanian musicians trained in the privileged environment of Paris and who later returned to work at the National Academy of Music in Cluj. We will tackle the subject from several points of view, namely the peregrinatio academica phenomenon, the socio-political background and the founding personalities of the École Normale de Musique de Paris, the pedagogical principles, their reception in Romania, and the evolution and current status of this noble lineage.
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SMOLNIŢCHI, Dumitriţa. "Humanistic values in the chronicle of the Moldovan country." In Probleme ale ştiinţelor socioumanistice şi ale modernizării învăţământului. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.46728/c.v3.25-03-2022.p7-12.

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The concept of cultural movement designates an artistic reality of a huge complexity that is studied in several school disciplines: history, Romanian and universal literature, art education and music education. The study of ancient Romanian literature implies its inclusion in the humanist cultural movement. The contribution of Moldovan chroniclers to the development of our culture in the spirit of humanism consists in their contribution to capitalizing on the information on the ethnogenesis of Romanians, the unity of the people and the continuity of their existence on this territory, the Latin origin of the Romanian language; in the chronicles there is the first evidence of the evolution of the Romanian language and of the efforts to transform the language from a means of communication into a means of transmitting culture; at the same time there is the linearization of the historical event/fact. All this, Moldovan chroniclers did by focusing on humanistic values: love of nation and desire to educate the people.
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Reports on the topic "Art, romanian"

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Constantin, Sergiu. ECMI Minorities Blog. Romanians and Moldovans in Ukraine and their kin states’ engagement before and after the war – towards a triadic partnership for effective minority protection? European Centre for Minority Issues, November 2022. http://dx.doi.org/10.53779/kjkj1212.

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Ukraine recognizes Romanian and Moldovan as distinct minority languages, even though the official language of the Republic of Moldova is Romanian. This distinction between Romanian and Moldovan is not merely a symbolic matter, it has practical, negative consequences for members of the minority communities concerned. Since the 1990s, Ukrainian-Romanian relations have been affected by mutual distrust rooted in historical resentments, stereotypes, and prejudice at the level of both political elites and the general public. Moldova and Ukraine have experienced ups and downs in their bilateral relations due to the complex geopolitical context and growing Russian interference. The ongoing Russian war against Ukraine has had a strong impact on Moldova and Romania as well as on their kin minority communities in Ukraine. This war marks a turning point in history. It has caused tectonic shifts in global affairs, in the Euro-Atlantic community, and in national politics and interstate relations. Ukraine, Romania, and Moldova can turn the ongoing crisis into an opportunity to reset their (dysfunctional) bilateral relations. It is high time for a paradigm shift towards a new, enhanced triadic partnership which is able to ensure an effective system of minority protection.
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Prisacariu, Roxana. Swiss immigrants’ integration policy as inspiration for the Romanian Roma inclusion strategy. Fribourg (Switzerland): IFF, 2015. http://dx.doi.org/10.51363/unifr.diff.2015.05.

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While the knowledge on immigrants’ integration consolidated through the last 50 years, the Roma studies and the research on the Roma inclusion seems at the beginning. The purpose of this research was to assess if and to what extent the Swiss experience in immigrants’ integration may inspire an efficient approach to Roma inclusion in the Romanian society. After highlighting conceptual vagueness, resemblance and difference in the overall social status of Romanian Roma and immigrants in Switzerland and official approaches to the integration or inclusion of each, the research concludes that the Romanian policy on Roma inclusion presumably can be better anchored in the integration conceptual framework and benefit from immigrants’ integration experience. The Romanian choice for framing its Roma policy as ‘inclusion’ rather than for ‘integration’ may be appropriate as it applies to a historic minority of citizens needing social justice. The use of an immigration integration policy as model for a Roma inclusion strategy is limited due to the stronger legit-imation of historic minorities for shared-ownership of public decision-making. That is the Swiss example of immigrants’ integration could only serve Romania as a minimum standard for its Roma inclusion strategy. It can benefit from the Swiss experience on immigrant's integration policy in terms of conception, coordination, monitoring and transparency may be beneficial, while the Roma political participation may find inspiration from the Swiss linguistic communities’ participatory mechanisms. The on-going reciprocal learning process connecting academia and public authorities able to transform science into action and experience in knowledge may inspire the Romanian authorities.
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Holtom, Paul. The Role of Interagency Cooperation in the Effective Implementation of Arms Trade Treaty Provisions: Brainstorming Workshop Summary. UNIDIR, March 2024. http://dx.doi.org/10.37559/caap/24/asc/04.

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On Wednesday, 17 January 2024, the United Nations Institute for Disarmament Research, Stimson Center, Conflict Armament Research, and the Romanian Ministry of Foreign Affairs organized a one-day brainstorming workshop on “The Role of Interagency Cooperation in the Effective Implementation of Arms Trade Treaty Provisions”, in support of Romania’s presidency of the Tenth Conference of States Parties to the Arms Trade Treaty (ATT CSP10). This summary report presents some of the workshop’s key discussion points and issues for consideration during the ATT CSP10 cycle of meetings. It is anticipated that this document can support the preparation of a working paper by the CSP10 Presidency that contains recommendations for concrete action to support effective implementation and universalization of the ATT. This report provides some background information on the role of interagency cooperation in effective ATT implementation, based on a review of material shared by States. It highlights some of the common challenges for establishing and maintaining interagency cooperation, as well as lessons learned and key principles to support effective treaty implementation. Workshop participants shared concrete recommendations for consideration in the Working Groups on Effective Treaty Implementation, Transparency and Reporting, and Treaty Universalization, as well proposals to enable the sharing of effective practices to overcome challenges for establishing and maintaining interagency cooperation.
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Pălici, Bogdan, Alin Savu, Maria Trifon, Cristian Georgescu, Cătălin Toma, Alexandru Mihăilescu, and Gabriel Simion. Mapping - Interactive Tool for Exploring Statistical Data about Cultural Infrastructure in Romania. National Institute for Cultural Research and Training, 2021. http://dx.doi.org/10.61789/mod.cdi.crtg.en.21.

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The Cartographic Module is an instrument for data selection, structuring, visualisation and analysis. It provides for multiple selection functionalities both at geographical area level (county, locality) and at data level (category of indicators and indicators). Three types of dynamic graphs are available on the indicator pages: comparison/evolution, ranking and frequency.
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Savu, Alin, Bogdan Pălici, Maria Trifon, and Cristian Georgescu. Public Libraries: Dynamics of Infrastructure and Access. National Institute for Cultural Research and Training, 2023. http://dx.doi.org/10.61789/pub.cdi.bibp.en.23.

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"This publication presents the last decades’ dynamics of some essential aspects regarding the network of public libraries in Romania. The first chapter illustrates the territorial distribution of public libraries on an interactive map with disaggregation down to locality level. Subsequently, the chapter presents a dynamic comparison of the evolution of public libraries at county level between 1995 and 2022. Next, the second chapter interactively addresses the complementary topic of the population’s access to the public library in the locality of residence. Over the past three decades, the number of active public libraries has seen considerable declines. Inherently, the access of the population to the public library in the locality of residence decreased. Therefore, citizens’ access to culture and education is increasingly restricted."
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Yuan, Meng, Frederik Dahl Nielsen, Hamza Abid, Steffen Nielsen, Poul Alberg Østergaard, and Brian Vad Mathiesen. Framework for Developing Sustainable Heating Roadmaps in Europe and Central Asia. Department of Sustainability and Planning, 2022. http://dx.doi.org/10.54337/aau645416523.

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Heating is the largest form of energy consumption, comprising more the half of the global final energy demand. Decarbonizing the heating sector by energy efficiency improvement of buildings and infrastructures and integrating low-temperature renewable energy and low-carbon technologies is vital to mitigating global climate change. This report aims to provide knowledge on developing sustainable heating roadmaps by proposing a general framework. In particular, the work targets the development of heating roadmaps in Europe and Central Asia (ECA), and thus also policy makers in this region – however the general approach and findings are also applicable and relevant elsewhere. We stress and highlight the need to integrate spatial assessment, and energy system analyses and scenario design in developing sustainable heating roadmaps, as well as the role of proper regulation in facilitating the implementation of heating projects. A case study of Romania in Eastern Europe is given to demonstrate the proposed sustainable heating roadmap framework.
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Mjøberg Lauritzen, Solvor, Jan Selling, and Marko Stenroos. ECMI Minorities Blog. Roma as Tokens? Reference Groups and the Practice of Deciding First and Informing After. European Centre for Minority Issues, July 2022. http://dx.doi.org/10.53779/vnjj4110.

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In Sweden, the Roma have the right to contribute to and influence policy measures that affect them. Authorities often fulfil their obligation to include Roma through the so-called reference groups. The authors see several problems with this model. First, the reference groups are deprived of agency, as they are often not involved at early stages in the planning, but rather informed and consulted on ready-made decisions. Second, an emphasis is placed on “Romani organisations” when nominating and selecting representatives, which encourages rapid creation of new organisations with few members and activities, little transparency, and affected by gate-keeping as the power is kept between a few individuals. Last, the emphasis on linguistic and cultural competence deprives many individuals of influence and the possibility of being heard, especially those who have been subject to harsh assimilation.
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Horejs, Barbara, and Ulrike Schuh, eds. PREHISTORY & WEST ASIAN/NORTHEAST AFRICAN ARCHAEOLOGY 2021–2023. Verlag der Österreichischen Akademie der Wissenschaften, December 2023. http://dx.doi.org/10.1553/oeai.pwana2021-2023.

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The long-established research of Prehistory and West Asian/Northeast African archaeology (the former Institute for Oriental and European Archaeology, OREA) at the Austrian Academy of Sciences was transformed into a department of the »new« Austrian Archaeological Institute (OeAI) at the Austrian Academy of Sciences in 2021. This merging of several institutes into the new OeAI offers a wide range of new opportunities for basic and interdisciplinary research, which support the traditional research focus as well as the development of new projects in world archaeology. The research areas of the Department of Prehistory and West Asian/Northeast African Archaeology include Quaternary archaeology, Prehistory, Near Eastern archaeology and Egyptology. The groups cover an essential cultural area of prehistoric and early historical developments in Europe, Northeast Africa and West Asia. Prehistory is embedded in the world archaeology concept without geographical borders, including projects beyond this core zone, as well as a scientific and interdisciplinary approach. The focus lies in the time horizon from the Pleistocene about 2.6 million years ago to the transformation of societies into historical epochs in the 1st millennium BC. The chronological expertise of the groups covers the periods Palaeolithic, Neolithic, Chalcolithic, Bronze Age and Early Iron Age. The archaeology of West Asia and Northeast Africa is linked to the Mediterranean and Europe, which enables large-scale and chronologically broad basic research on human history. The department consists of the following seven groups: »Quaternary Archaeology«, »Prehistoric Phenomena«, »Prehistoric Identities«, »Archaeology in Egypt and Sudan«, »Archaeology of the Levant«, »Mediterranean Economies« and »Urnfield Culture Networks«. The groups conduct fieldwork and material analyses in Austria, Hungary, Poland, the Czech Republic, Slovakia, Italy, Croatia, Bosnia and Herzegovina, Serbia, North Macedonia, Bulgaria, Romania, Moldova, Greece, Cyprus, Türkiye, Iran, the United Arab Emirates, Lebanon, Israel, Egypt, Sudan and South Africa.
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National report 2009-2019 - Rural NEET in Romania. OST Action CA 18213: Rural NEET Youth Network: Modeling the risks underlying rural NEETs social exclusion, December 2020. http://dx.doi.org/10.15847/cisrnyn.nrro.2020.12.

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This report describes a particular situation of young population in Romania: the population of NEETs, with a focus on rural NEETs.Based on a complex methodology which uses data from different national sources (INS) and international sources (Eurostat, EU Labour Force Survey-EU-LFS, OECD),this report gives an overview of the evolution and particularities of NEETs in Romania during the previous deca-de, namely 2009-2019.Within the last ten years, the population of NEETs in Romania has grown rapidly, placing Ro-mania in first place in the EU-28 in terms of the share of this population among the young population. Thus, in 2009 Romania with a NEET rate of 13.9%, occupied first places in the EU, along with Bulgaria (19.5%), Italy (17.5%), Latvia (17.5%) (Eurostat, 2020). A decade later, in Bulgaria and Latvia, the NEET rate decreased significantly to 13.7% and 7.9%, respectively, but in Romania and Italy it increased by more than 1pp: 14.7% in Romania and 18.1% in Italy. (Eurostat, 2020). The causes for this are both individual (way of life, socio-familial origin, expectations and aspirations) and socio-economic (accessibility of the education system, development of lifelong learning, correspondence between education and labour market demand, particu-larities of the Romanian labour market, socio-economic policies supported by central and local authorities, etc.)
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