Relevant bibliographies by topics / Art Sacrée

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Art Sacrée'

Author: Grafiati
Published: 8 February 2025
Last updated: 31 July 2025

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Journal articles on the topic "Art Sacrée"

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Jégou, Anne. "Natures sacrées et territoires des sorcières écoféministes : l’exemple de l’investissement magique et politique de Starhawk." Annales de géographie N° 756-757, no. 2 (2024): 150–74. http://dx.doi.org/10.3917/ag.756.0150.

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Nos années 2010-2020 nous ramènent aux années 1970-1980 des écoféministes, des sorcières et du sacré : Starhawk, sorcière écoféministe californienne, incarne cette traversée transatlantique des époques. Au-delà des critiques, comment situer et lire sa pensée en géographie, l’analyser au regard des natures sacrées et de leurs implications territoriales, pour nourrir une réflexion paradigmatique en géographie culturelle de l’environnement ? Starhawk articule dans une pensée originale nature sacrée, magie et empowerment horizontal. Créatrice d’une earth-based spirituality , elle honore une Déesse
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Sauvage, Olivier. "La religion de Richard Wagner, entre art et sacré." Revue confluence N° 4, no. 2 (2023): 103–19. https://doi.org/10.3917/confl.004.0103.

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Les opéras de Richard Wagner, imprégnés pour la plupart de références aux mythes germaniques et scandinaves, semblent n’accorder que peu de place aux questions religieuses, si l’on excepte Parsifal . Cependant, si Wagner n’a pas composé de musique sacrée, s’il s’est engagé aux côtés des révolutionnaires de Dresde en 1849, s’il a côtoyé Bakounine et lu Ludwig Feuerbach, il ne se revendique pas pour autant athée. Nourri par la lecture du Nouveau Testament, Wagner se considérait comme un Saxon protestant, et Luther était pour lui une figure digne d’éloge, au point qu’il esquissa un opéra intitulé
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Laplante, Julie. "« Art de dire » Rastafari : créativité musicale et dagga dans les townships sud-africains." Drogues, santé et société 11, no. 1 (2013): 90–106. http://dx.doi.org/10.7202/1013889ar.

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Le mouvement rastafari, et son expansion à l’échelle mondiale, est un témoignage du succès d’un « art de dire » par l’expression musicale. Technique du corps et des sens, la création de la musique peut se lier à l’éthos d’un peuple. Il s’agit dans cet article de comprendre les conditions de créativité musicale au sein du quotidien rastafari des townships du Cap en Afrique du Sud. Ainsi, comment la création musicale s’insère-t-elle au coeur du mouvement rastafari sud-africain, en quoi ce processus est-il porteur de signification, voire gage de survie au quotidien ? Et plus particulièrement, que
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McCombie, Duncan. "Philostratus, Histoi, Imagines 2.28: Ekphrasis and the Web of Illusion." Ramus 31, no. 1-2 (2002): 146–57. http://dx.doi.org/10.1017/s0048671x00001429.

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J'ai voulu te dire simplement que je venais de jeter le plan de mon œuvre entier, après avoir trouvé la clef de moi-même, clef de voûte, ou centre de moi-même, où je me tiens comme une araignée sacrée, sur les principaux fils déjà sortis de mon esprit, et à l'aide desquels je tisserai aux points de rencontre de merveilleuses dentelles, que je devine, et qui existent déjà dans le sein de la Beauté.This paper will examine the central image of Ἱστοί (‘Looms’ or ‘Webs’), that of the web woven by the spider, as a Callimachean expression, or objectification, of the highly self-conscious treatment of
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Datsiuk, Natalia. "TRADITION AND MODERNISM IN THE SACRED ART OF IGOR ZILINKO." Scientific Issues of Ternopil National Pedagogical Volodymyr Hnatiuk University. Specialization: Art Studies, no. 2 (May 23, 2023): 140–48. http://dx.doi.org/10.25128/2411-3271.19.2.19.

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The article explores the directions of contemporary Ukrainian sacral art in the work of the painter I. Zilinkо, his contribution to the development of sacred art of the temples of Ternopil region. The main directions of stylistic orientation in the formation of modern sacral art, the evolution of paintings from realistic tendencies of Ukrainian sacral painting of the seventeenth century to experiments with stylization of iconic figures in search of greater spirituality of the face, the introduction of our own modern iconography, based on tradition. The article explores the directions of contem
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Danielson, Janet. "Harmony, Sacrifice, and Agamben’s Messianic Time." Musicological Annual 50, no. 2 (2015): 17–30. http://dx.doi.org/10.4312/mz.50.2.17-30.

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In the early twentieth century, harmony, the sacred, and even time were seen as impediments to artistic freedom, though for the ancients, harmony was the integrating force of the cosmos. Giorgio Agamben’s recent writings on the sacred and on messianic time shed new light on the emergence of polyphony. He warns that capitalism, subsuming sacral power, reduces art either to spectacle or to object for consumption.
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ЛЕВИЦЬКА, Мар’яна. "Сучасне сакральне мистецтво: переосмислення традиції. Огляд міжнародної наукової конференції "Współczesna sztuka sakralna. Historia i recepcja tradycji" / "Сучасне сакральне мистецтво. Історії та рецепція традиції"". Studia Ucrainica Varsoviensia, № 11 (4 грудня 2023): 221–25. http://dx.doi.org/10.31338/2299-7237suv.11.15.

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The review highlights the topics and issues of the International scientific conference held on December 6, 2021 in the online format between Warsaw and Lviv. The initiators of the conference were researchers of icon painting and practicing artists, participants of the plein airs in Nowy Sącz (Poland), interested in analytical rethinking of the modern religious art. The speakers focused on the history and prospects of the development of sacred art in Ukraine and Poland at the present stage. The conference demonstrated the importance of studying the historical sources of religious art and rethin
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Housset, Emmanuel. "L’art sacre, un art impossible." Revue des sciences philosophiques et théologiques 100, no. 2 (2016): 249. http://dx.doi.org/10.3917/rspt.1002.0249.

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Karbayeva, G. K. "https://bulhistphaa.enu.kz/article/archive/view?id=study-of-the-turkic-speaking-population-in-the-south-of-western-siberia-by-employees-of-the-research-institute-of-the-art-industry-niihp-in-the-1950s-and-1970s." BULLETIN of the L.N. Gumilyov Eurasian National University. Historical sciences. Philosophy. Religion Series 137, no. 4 (2021): 141–54. http://dx.doi.org/10.32523/2616-7255-2021-137-4-141-154.

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. In 2016, the patriotic act «Mangilik El» was implemented, and also in 2017, for the specification of this ideological message by profile nationwide programs, which include the creation of a specialized research center «Sacral Kazakhstan», research and analytical activity began to understand and the definition of objects that could meet the requirements in the nomination - to be sacred objects. The research center «Sacral Kazakhstan», which belongs to state research institutions, has developed lists of sacred objects, which include cultural and historical places of Kazakhstan sanctuary of nat
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Boranbay, B. E., G. A. Kamisheva, G. S. Oralova, and A. T. Tulebayeva. "THE SACRAL CONCEPT AND ITS INTERPRETATION." Tiltanym 89, no. 1 (2023): 73–79. http://dx.doi.org/10.55491/2411-6076-2023-1-73-79.

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The interest in the concept of sacral has been growing rapidly in science in recent years. The first definitions of this concept began to appear in the 80s of the 20th century. There is a lot of polemic in the definitions given to the concept of sacral. The term ―sacred‖ was described in various ways by the English philosopher D. Hume, and German thinkers F. Schleiermacher, M. Scheler, E. Cassirer, and M. Heidegger. Representatives of the French school of sociology as M. Moss, L. Lévy-Bruhl, J. Bataille, and M. Leiris interpreted the term diversely. Therefore, to reveal the meaning of the noti
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Dissertations / Theses on the topic "Art Sacrée"

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Simon, Laurent. "L’œuvre vocale sacrée de Henry Purcell : à la recherche d’un équilibre." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040238.

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Le développement de la musique religieuse de Henry Purcell pendant la seconde moitié du dix-septième siècle est le fruit d’un compromis fructueux entre les contraintes politiques et religieuses de l’Angleterre de la Restauration et l’influence du baroque continental. L’évolution stylistique de ses compositions reflète la politique menée par les souverains successifs : Charles II, Jacques II et Guillaume d’Orange. Musicien baroque en pays anti-papiste, Purcell se montre particulièrement habile dans la manière de mettre les mots en musique et parvient à un équilibre entre l’exigence des réformat
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Benzi, Utzima. "Francesco Panigarola : théorie et pratique de l'éloquence sacrée à l'âge de la Contre-Réforme." Thesis, Aix-Marseille 1, 2011. http://www.theses.fr/2011AIX10020.

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Cette thèse porte sur l’éloquence sacrée telle que le prédicateur franciscain Francesco Panigarola, l’une des figures majeures de l’art oratoire post-tridentin, la conçut en tant que rhéteur et la pratiqua du haut de la chaire. De son œuvre nous avons retenu les textes en italien : d’une part les écrits polémiques, les traités rhétoriques et pédagogiques, où s’exprime la réflexion de Panigarola sur le statut et les finalités de l’éloquence sacrée, d’autre part ceux qui attestent des procédés oratoires mis en œuvre dans l’exercice de la prédication. L’étude associe à la fois une approche chrono
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Khany, Minoo. "Les représentations de la guerre dans la peinture iranienne après 1981." Thesis, Paris, INALCO, 2014. http://www.theses.fr/2014INAL0006.

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La problématique de ce travail consiste à s’interroger sur la définition de la peinture de guerre et sur son devenir après la guerre, sur l’histoire de la peinture de guerre en Iran, sur l’interprétation de la guerre par les artistes, sur les éventuelles commandes. Comment cette peinture a-t-elle commencé en Iran ? Quel est le point de vue des peintres iraniens sur la guerre et sur les peintures de guerre ? Ont-ils critiqué la guerre dans leurs peintures ? Y a-t-il des foyers pour la création de ce type d'œuvres en Iran qui ont commandé aux peintres et si oui à quel but ? Ce travail comporte q
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Rincon, Caires Daniel. "Maleáveis mensageiros : das Igrejas aos Museus, de santeiros a artistas, de santos a obras de arte – o caso Veiga Valle." Electronic Thesis or Diss., Paris, EHESS, 2024. http://www.theses.fr/2024EHES0105.

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L'objectif de cette recherche est de comprendre le processus d'incorporation de l'artisan de Goiás, José Joaquim da Veiga Valle (1806-1874), ainsi que la production qui lui est attribuée, dans l'histoire de l'art, du patrimoine et des dispositifs muséaux et l’univers de collection. Ce processus s'observe dans ses aspects conceptuels – la cartographie et l'analyse de la proposition de nouvelles significations sur le personnage et la production qui lui est attribuée – et dans ses développements concrets – le changement du statut initial des objets et la création de nouvelles formes de relations
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Caussé, Françoise. "Les artistes, l'art et la religion en France : les débats suscités par la revue "L' art sacré" entre 1945 et 1954." Bordeaux 3, 1999. http://www.theses.fr/1999BOR30037.

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La these retrace a propos de l'eglise catholique de france une etape importante de la reflexion sur les liens entre l'art d'une epoque et l'expression de la foi religieuse, cette reflexion nee au xixe siecle et qui avait recu de premieres reponses durant l'entre-deuxguerres. Trouva apres la seconde guerre une veritable audience mediatique. Puisant a de nombreuses sources inedites la these retracel'histoire de la revue l'art sacre et de ses deux directeurs, les peres m-a. Couturier et p-r. Regamey, o. P. Elle precise les donnees relatives aux edifices qui provoquerent les debats, principalement
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Johnson, Brian Todd. "Sacred conversations viewing liturgy through art /." Theological Research Exchange Network (TREN) Access this title online. Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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Bernasconi, Gina. "Art and religious education: Seeking meaning in the sacred seriousness of art." Thesis, Australian Catholic University, 2006. https://acuresearchbank.acu.edu.au/download/4866d8aeffa87aa911cd9ec0550330f1da5a5413861095d66dc5812ac891d9b1/3609586/Bernasconi_2006_Art_and_religious_education_seeking_meaning_in.pdf.

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In relation to the post-compulsory religious education program of a Catholic secondary college for boys, this research study set out to ascertain the role of art as a medium for the self-revelation of God in the linking of aesthetic and religious experience. In other words, this research study proposed to provide a group of students with a space and opportunity for a ‘calling to attend’ experience of God; that is, an experience that was compelling. The theoretical framework called on two types of concepts: first, those related to the theological investigation of revelation and its connection w
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Kiefer, John. "Sacred containers/sacred cups." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1129631.

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Since the 1960s, following the dramatic changes in the Roman Catholic Church, the design of the chalices used at the communion service became simplified; many of them becoming so plain that they are only wine goblets devoid of any decoration. As Catholics implement the changes of the Second Vatican Council, we have a growing desire for sacred vessels that better reflect a sense of awe.The purpose of this creative project is to explore symbolism used in chalice design. Traditional and newer symbols are incorporated into the chalices produced in this project.My creative process involves a commun
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Kaha, Myra. "The vessel and the sacred." Morgantown, W. Va. : [West Virginia University Libraries], 2006. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=4791.

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Thesis (M.F.A.)--West Virginia University, 2006.<br>Title from document title page. Document formatted into pages; contains v, 15 p. : col. ill. Vita. Includes abstract. Includes bibliographical references (p. 13).
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Benoist, Jacques. ""Le Sacré Cœur de Montmartre" : spiritualité, art et politique (1870-1923)." Paris 4, 1991. http://www.theses.fr/1990PA040155.

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La basilique du Sacré-Cœur a toujours été l'objet de nombreuses contestations. Pour les comprendre, il faut demander à ses promoteurs quelles étaient leurs intentions. Traumatisés par les évènements de 1870 tant en France qu'à Rome, ils promettent en décembre 1870-janvier 1871 de construire une église en l'honneur du cœur du christ par souscription nationale pour obtenir de dieu le salut de la France et la délivrance du souverain pontife. Leur initiative est déclarée d'utilité publique par l'assemblée nationale. Paul Abadie devient leur architecte. La lente édification du monument s'accompagne
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Books on the topic "Art Sacrée"

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Demouy, Patrick. Notre-Dame de Reims: Sanctuaire de la royauté sacrée. CNRS, 2008.

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Lora, Marianna. Nudité sacrée: Le nu dans l'art religieux de la Renaissance, entre érotisme, dévotion et censure : actes du colloque organisé par l'INHA à Paris, par le Centre d'histoire de l'art de la Renaissance, les 13 et 14 juin 2008. Publications de la Sorbonne, 2011.

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Davy-Rigaux, Cécile. Guillaume-Gabriel Nivers: Un art du chant grégorien sous le règne de Louis XIV. CNRS Editions, 2004.

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Davy-Rigaux, Cécile. Guillaume-Gabriel Nivers: Un art du chant grégorien sous le règne de Louis XIV. CNRS Editions, 2004.

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Corbeil, Wilfrid. Polémiques, art et sacré. Musée d'art de Joliette, 1990.

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1868-1969, David-Neel Alexandra, and Valenciennes (France). Musée des beaux-arts., eds. Art sacré du Tibet. Musée des beaux-arts de Valenciennes, 2005.

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Alfred, Pacquement, Loisy Jean de, Lampe Angela, Centre Georges Pompidou, and Haus der Kunst München, eds. Traces du sacré. Centre Pompidou, 2008.

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Maurice, Arama, ed. L'art, un miroir du sacré? Albin Michel, 2009.

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Lavergne, Sabine de. Art sacré et modernité: Les grandes années de la revue l'Art sacré. Culture et vérité, 1992.

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Alfred, Pacquement, Loisy Jean de, Lampe Angela, and Centre Georges Pompidou, eds. Traces du sacré: Visitations. Centre Pompidou, 2008.

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Book chapters on the topic "Art Sacrée"

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Vikan, Gary. "Byzantine Pilgrims' Art." In Sacred Images and Sacred Power in Byzantium. Routledge, 2024. http://dx.doi.org/10.4324/9781003557234-5.

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Vikan, Gary. "Art and Marriage in Early Byzantium." In Sacred Images and Sacred Power in Byzantium. Routledge, 2024. http://dx.doi.org/10.4324/9781003557234-10.

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Kaborycha, Lisa. "Art, both sacral and sensuous." In Voices from the Italian Renaissance. Routledge, 2024. http://dx.doi.org/10.4324/9781003284284-31.

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Okediji, Moyo. "Sacred Spaces." In Methodology, Ideology and Pedagogy of African Art. Routledge, 2023. http://dx.doi.org/10.4324/9781003389088-15.

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Vikan, Gary. "Art, Medicine, and Magic in Early Byzantium*." In Sacred Images and Sacred Power in Byzantium. Routledge, 2024. http://dx.doi.org/10.4324/9781003557234-9.

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Praz. "Are Processes Sacred?" In Link Technology to Your Long-Term Business Goals. Apress, 2022. http://dx.doi.org/10.1007/978-1-4842-8208-3_24.

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Murray, William Breen. "Deer: Sacred and Profane." In Rock Art and Sacred Landscapes. Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-8406-6_12.

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Zhang, Yasha. "Spirituality and Chinese Rock Art." In Rock Art and Sacred Landscapes. Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-8406-6_6.

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Schalow, Frank. "Mimesis, Art, and Truth." In Heidegger and the Quest for the Sacred. Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-015-9773-9_4.

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Bickel, Barbara A. "Trance, Sacred Place and Collaboration." In Art, Ritual, and Trance Inquiry. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-45745-7_3.

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Conference papers on the topic "Art Sacrée"

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Phiwongkun, Kasira, Khomkrit Jiraboot, Mayoon Yaibuates, and Panuwat Khanrattaban. "LINE Sticker Design to Promote Tourism in Chiang Rai Province "The Four Sacred Legends of Lanna"." In 2025 Joint International Conference on Digital Arts, Media and Technology with ECTI Northern Section Conference on Electrical, Electronics, Computer and Telecommunications Engineering (ECTI DAMT & NCON). IEEE, 2025. https://doi.org/10.1109/ectidamtncon64748.2025.10962082.

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Gherman, Oxana. "The Sacral Dimensions of Po(i)etic Experience." In Conferinta stiintifica nationala "Lecturi în memoriam acad. Silviu Berejan", Ediția 6. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/lecturi.2023.06.20.

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The article elucidates, through the hermeneutic triptych Man-World-God, conceptualized in the reference studies signed by philosophers and theologians as R. Otto, A. LaCoque, P. Ricoeur, M. Eliade, L. Blaga, M. Popa, the sacred dimensions of creative experience. The author identifies a series of affinities between the sacral feeling and the act of poetic creation, at the levels of aesthetic emotion and of metaphorization practices, of the artistic forms of the „existence in mystery” (L. Blaga) transposition, of re-creating the private universe through the symbolic imitation of the cosmogony. T
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Ryzhkova, Irina. "Sacral Art as Sociocultural Model." In 2015 International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2015. http://dx.doi.org/10.2991/icadce-15.2015.46.

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Berto, João Paulo. "A arte a serviço do sagrado: a arte sacra de Cláudio Pastro (1948-) e o santuário nacional de nossa senhora da conceição aparecida." In Encontro de História da Arte. Universidade Estadual de Campinas, 2012. http://dx.doi.org/10.20396/eha.8.2012.4220.

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No campo contemporâneo das artes plásticas ditas sacras, percebe-se certa uniformização de traços, cores e imagens. Esta nova concepção do pensar artístico, contudo, é reflexo de uma série de discussões que foram travadas no seio da Igreja Católica desde o final do século XIX, aliando arte, teologia e liturgia. Esta apresentação, assim, busca tratar sobre estes discursos da arte sacra, tomando a obra do brasileiro Cláudio Pastro (1948-) como estudo exemplar nestes apontamentos.
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Uscinowicz, Jerzy. "INTRODUCTION INTO THEOSOPHY OF THE SACRED ART." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/61/s14.042.

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Dominte, Georgeta Merişor. "Some Educational Landmarks Of Sacred Art In A Humanistic Perspective." In 2nd Central and Eastern European LUMEN International Conference - Multidimensional Education and Professional Development. Ethical Values. Cognitive-crcs, 2017. http://dx.doi.org/10.15405/epsbs.2017.07.03.48.

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Aguay, Alex. "The Sacred and The Profane Aspects in the Traditional Art." In International Conference on Aesthetics and the Sciences of Art. Bandung Institute of Technology, 2020. http://dx.doi.org/10.51555/338650.

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Uscinowicz, Jerzy. "PRACTICAL ECUMENISM IN SACRED ART AND ARCHITECTURE � INCORPORATION AND SYNTHESIS." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/5.3/s21.057.

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Datsiuk, N. M. "SACRED ART OF THE TERNOPIL REGION OF THE 21ST CENTURY." In АКТУАЛЬНІ ПРОБЛЕМИ РОЗВИТКУ УКРАЇНСЬКОГО ТА ЗАРУБІЖНОГО МИСТЕЦТВ: КУЛЬТУРОЛОГІЧНИЙ, МИСТЕЦТВОЗНАВЧИЙ, ПЕДАГОГІЧНИЙ АСПЕКТИ. Liha-Pres, 2023. http://dx.doi.org/10.36059/978-966-397-317-3-42.

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Uscinowicz, Jerzy. "PROFANUM VS. SACRUM." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb51/s17.028.

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Reports on the topic "Art Sacrée"

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Editors, Intersections. The Sacred Himalaya Initiative. Intersections, Social Science Research Council, 2024. http://dx.doi.org/10.35650/int.4047.d.2024.

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Editors, Intersections. The Threat to Sacred Lives, Knowledge, and Landscapes. Intersections, Social Science Research Council, 2024. http://dx.doi.org/10.35650/int.4032.d.2024.

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This article describes the research and workshops of "Religion and Climate Change in Cross-Cultural Perspective" project organized by the Center for Latin American and Latino Studies at American University.
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Yu, Zifu, and Xihua Liu. Efficacy of Sacral Magnetic Stimulation on Neurogenic Bladder after Spinal Cord Injury: A Meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2022. http://dx.doi.org/10.37766/inplasy2022.6.0009.

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Review question / Objective: P (Population): patients with neurogenic bladder (NB) after spinal cord injury; I (Intervention): sacral magnetic stimulation and routine rehabilitation training; C (Comparison): routine rehabilitation training and/or sham-sacral magnetic stimulation; O (Outcome): urinary frequency, voided volume, maximum urination volume，first sensation capacity, maximum bladder volume, maximum bladder pressure, QOL (Quality of Life Score), VAS(Visual Analogue Scale), LUTS (Lower Urinary Tract Symptoms); S (Study): Randomized controlled trial, RCT. Condition being studied: Spinal
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Chitale, Vishwas, and Janita Gurung. Harmonizing the vegetation classification of Kailash Sacred Landscape - Working paper. International Centre for Integrated Mountain Development (ICIMOD), 2022. http://dx.doi.org/10.53055/icimod.1004.

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This paper is the collective effort of ICIMOD and partners to harmonize the vegetation classification of the Kailash Sacred Landscape. The vegetation map was prepared using field data, satellite data, and inputs from experts and partner institutions in China, India, and Nepal. The map provides information on the geographic extent, area coverage, and species composition of 14 vegetation and six land use-land cover types. The information can be used to enhance decision making for ecosystem management in the landscape. Additionally, the methods used in this study are dynamic and could be easily a
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Abdulkhaliq, Zubeida S. Kakai Religion and the Place of Music and the Tanbur. Institute of Development Studies, 2023. http://dx.doi.org/10.19088/creid.2023.001.

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This paper discusses the historical context and mythic framework of the Kakai religion. While some information regarding Kakai theological views and beliefs may be known to outsiders, many facets of their religious life, customs and traditions remain undisclosed. Much secrecy surrounds this religion, and non-believers are not encouraged to engage in or witness most Kakai rites. Geopolitical instability in the Kurdistan region also makes access difficult. Throughout this paper we will look at the relationship between Kakai beliefs and music (tanburo), and how the tanbur (a sacred lute) is not m
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Khomenko, Tetiana, та Yuriy Kolisnyk. Втрати української культури у російсько-українській війні: культурно-інформаційний спротив. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11749.

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The authors explored the activity of mass media and cultural organizations aimed at clarification of the current problematic issue – preservation of Ukrainian cultural heritage under the conditions of the full-scale invasion of Russia into Ukraine. The authors emphasize that occupants not only destroy historic buildings, i.e. material objects, but also steal art values, destroy library and archive funds; their actions are aimed at destruction of our spirituality, identity and history. It is pointed out that there are the main streams in the work of journalists, experts, and culture figures, na
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Siebert, Rudolf J., and Michael R. Ott. Catholicism and the Frankfurt School. Association Inter-University Centre Dubrovnik, 2020. http://dx.doi.org/10.53099/ntkd4301.

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The paper traces the development from the medieval, traditional union, through the modern disunion, toward a possible post-modern reunion of the sacred and the profane. It concentrates on the modern disunion and conflict between the religious and the secular, revelation and enlightenment, faith and autonomous reason in the Western world and beyond. It deals specifically with Christianity and the modern age, particularly liberalism, socialism and fascism of the 2Oth and the 21st centuries. The problematic inclination of Western Catholicism toward fascism, motivated by the fear of and hate again
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Zhytaryuk, Marian. Агресія росії проти України і світу. Рефлексії в контексті виправдання війни д. мєдвєдєвим та в. путіним 4 листопада 2022 р. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11744.

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In this article the author analyzes in detail the “holiday” speeches by the former president of the russian federation dmitry medvedev and the current president vladimir putin devoted to the day of national unity of russia on November 4, 2022, in which politicians justify the war, call it sacred, a struggle between Good and Evil and predict their own victory. With the help of methods of critical analysis, the refutation of historical myths, the denial, an exposure and the generalization, the falsity and cynicism of the statements made regarding the expediency and possibility of geopolitical ch
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Conrad, Cyler. A Standard Operating Procedure for the Inadvertent Discovery of Native American Human Remains and Associated Funerary Objects, Sacred Objects, or Objects of Cultural Patrimony at Los Alamos National Laboratory In Compliance with the Native American Graves Protection and Repatriation Act [25 U.S.C. 3002(d), 43 C.F.R. 10.4]. Office of Scientific and Technical Information (OSTI), 2020. http://dx.doi.org/10.2172/1660569.

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Lylo, Taras. Ideologemes of modern Russian propaganda in Mikhail Epstein’s essayistic interpretations. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11404.

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The article analyzes the main anti-propaganda accents in Mikhail Epstein’s essayistic argumentation about such messages of modern Russian propaganda as “Russia is threatened by an external enemy”, “Russia is a significant, powerful country”, “The collapse of the USSR was a tragedy”, “Russia is a special spiritual civilization”, “Our cause in Donbass is sacred”, “The enemy uses, or may use of illegal weapons”... A special emphasis is placed on the fact that the basis of these concepts is primarily ontological rather than ideological. Ideology is rather a cover for problematic Russian existence
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