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Journal articles on the topic 'Art, Spanish-American'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Hawthorn, Ainsley. "Wherefore Art Thou Juanita?" Names 70, no. 1 (2022): 9–18. http://dx.doi.org/10.5195/names.2022.2377.

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The name Juanita should have been an unlikely candidate for popularity in a place like Newfoundland, where only 0.1% of the population of half a million speaks Spanish as a mother tongue and 0.4% identifies as having Spanish, Latin American, Central American, or South American ethnic origins. Nonetheless, the name is a well-established member of the Newfoundland onomasticon. Drawing on archival research, census data, and other primary source materials, this study seeks to uncover how Juanita was introduced to Newfoundland and what determinants precipitated its widespread acceptance. The author

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LEWTHWAITE, STEPHANIE. "Reworking the Spanish Colonial Paradigm: Mestizaje and Spirituality in Contemporary New Mexican Art." Journal of American Studies 47, no. 2 (2013): 339–62. http://dx.doi.org/10.1017/s002187581300011x.

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During the early 1900s, Anglo-Americans in search of an indigenous modernism found inspiration in the Hispano and Native American arts of New Mexico. The elevation of Spanish colonial-style art through associations such as the Anglo-led Spanish Colonial Arts Society (SCAS, 1925) placed Hispano aesthetic production within the realm of tradition, as the product of geographic and cultural isolation rather than innovation. The revival of the SCAS in 1952 and Spanish Market in 1965 helped perpetuate the view of Hispanos either as “traditional” artists who replicate an “authentic” Spanish colonial s

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Salgado, María A., Priscilla Pearsall, and Maria A. Salgado. "An Art Alienated from Itself. Studies in Spanish American Modernism." South Atlantic Review 50, no. 1 (1985): 113. http://dx.doi.org/10.2307/3199543.

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Jrade, Cathy L., and Priscilla Pearsall. "An Art Alienated from Itself: Studies in Spanish American Modernism." Hispania 68, no. 3 (1985): 525. http://dx.doi.org/10.2307/342461.

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Rodríguez-Negrón, Iraida. "“A true Patron without any pretense of being one”: William H. Stewart, His Album, and His Friends from the Modern Spanish School in Nineteenth-Century Paris." Nineteenth Century Studies 33, no. 1 (2021): 217–41. http://dx.doi.org/10.5325/ninecentstud.33.0217.

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Abstract The art collection of William H. Stewart (1820–97), an American expatriate who lived in Paris during the second half of the nineteenth century, comprised more than two hundred paintings by contemporary American and European artists and was lauded as the most outstanding compilation of works by artists of the modern Spanish school. Following the collection’s dispersal at auction in 1898, Stewart’s reputation as a patron began to diminish. This essay aims to rehabilitate Stewart, further the appreciation of his contributions, and shed light on the connections he established with some of

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Skyrme, Raymond. "Priscilla Pearsall.An Art Alienated from Itself: Studies in Spanish American Modernism." Romance Quarterly 34, no. 2 (1987): 251–52. http://dx.doi.org/10.1080/08831157.1987.11000454.

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Kofman, Andrey F. "“A Well-organized Disorder”. A Look at the Spanish American Neo-baroque." Literature of the Americas, no. 15 (2023): 70–115. http://dx.doi.org/10.22455/2541-7894-2023-15-70-115.

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The article consists of two parts: theory and artistic practice. The first part examines the history of the concept of Latin American Neo-Baroque. It begins in European art history, first, when J. Burkhard characterized the Baroque as a certain period in the development of art; then, when G. Wölfflin presented the Baroque as a kind of “great style” and singled out its constitutive features; finally, when E. d’Ors formulated the theory of “eternal” styles, “classical” and “non-classical” (baroque) cyclically replacing each other. D’Ors’ concept was accepted and developed by Cuban writers J. Lez

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De Haro, Andrea, Milagros Córdova, Carlos Rua Landa, et al. "Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting." Heritage 6, no. 7 (2023): 5116–29. http://dx.doi.org/10.3390/heritage6070272.

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Painting materials used in Spanish American Colonial art comprised pigments and binders from European origin as well as those that were already known in pre-Hispanic times. In recent years, we have identified for the first time the mineral atacamite, a basic copper chloride (Cu2Cl(OH)3), in Andean Colonial art pieces (Viceroyalty of Peru, 16th–18th centuries). This work proposes a methodology based on a multitechnical approach to identify and establish the origin (natural or synthetic) of the atacamite pigment in Andean cultural heritage objects. Optical microscopy (OM), scanning electron micr

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Soto-Chaves, Alejandro. "El periplo internacional de Max Jiménez (1900-1947): mestizaje, sincretismo e itinerancia en la encrucijada genesíaca del arte de vanguardia costarricense." ACCADERE. Revista de Historia del Arte, no. 07 (2024): 11–33. http://dx.doi.org/10.25145/j.histarte.2024.07.01.

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The article offers an unprecedented assessment of the international trajectory of Max Jiménez Huete (1900-1947), a seminal figure in Costa Rican and Central American avant-garde art in the 20th century. Despite being marginalized from the canonical narrative of modern art in Latin America, the aim is to elucidate a critical chronology of his travels, allowing for a systematic study of his work and establishing a rigorous documentary basis that links his aesthetic project with European, North American, and Latin American avant-gardes. Thus, it focuses on three key moments of his artistic progre

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Pushaw, Bart. "Picturing the River’s Racial Ecologies in Colonial Panamá." Arts 10, no. 2 (2021): 22. http://dx.doi.org/10.3390/arts10020022.

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This article explores the local histories and ecological knowledge embedded within a Spanish print of enslaved, Afro-descendant boatmen charting a wooden vessel up the Chagres River across the Isthmus of Panamá. Produced for a 1748 travelogue by the Spanish scientists Antonio de Ulloa and Jorge Juan, the image reflects a preoccupation with tropical ecologies, where enslaved persons are incidental. Drawing from recent scholarship by Marixa Lasso, Tiffany Lethabo King, Katherine McKittrick, and Kevin Dawson, I argue that the image makes visible how enslaved and free Afro-descendants developed a

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Khattab, Wael. "Islamic Art and Architecture: The Path from Al-Andalus to America." المجلة العربية للعلوم الإنسانية 43, no. 171 (2025): 237–79. https://doi.org/10.34120/ajh.v43i171.3143.

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The transmission of Islamic architectural and artistic influences to the United States intertwines with the histories of Spain, Europe, and the Americas. This study examines the intricate web of connections that facilitated this migration, tracing its roots from early Spanish presence in the Americas to its enduring impact on American art and architecture. Spanish expeditions to the Americas in the 15th and 16th centuries initiated the infusion of Islamic influences into the region's architecture. Influenced by their Islamic heritage from Spain, the explorers played crucial roles in disseminat

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Kiko, Mora. "Sounds of Spain in the Nineteenth Century USA: An Introduction." Música Oral del Sur, no. 12 (November 19, 2015): 333–62. https://doi.org/10.5281/zenodo.4636748.

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Resumen: Este artículo analiza la introducción de la música popular española en EEUU durante el siglo XIX, utilizando periódicos, revistas y partituras de las editoriales de la época como fuentes primarias, y atendiendo especialmente al área de Nueva York. El carácter historiográfico de esta investigación tiene la intención de servir como un trabajo preliminar que permita una posterior comprensión de las particularidades de la música española en su contacto con la cultura norteamericana. El art&ia

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Filatova, Tetiana. "Academic Performing Traditions of Chilean Guitar Art." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 131 (June 30, 2021): 26–37. http://dx.doi.org/10.31318/2522-4190.2021.131.243205.

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The relevance of the article lies in the systematization of the phenomena of the Chilean academic guitar art, the study of the national origins of the performing school, its principles, achievements, transcultural processes and their mutual influences, which led to the popularization of the instrument on the Latin American continent. The purpose of the article is to create an overview panorama of the development of the academic traditions of Chilean guitar performance, to identify trends in the formation and genealogy of successive ties between generations of soloists. The methodology includes

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Houvenaghel, Eugenia. "Las presencias de la Reto´´rica en la obra de Alfonso Reyes: Esbozo de una evolucio´´n." Rhetorica 21, no. 3 (2003): 149–74. http://dx.doi.org/10.1525/rh.2003.21.3.149.

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The Mexican diplomat Alfonso Reyes (1889––1959) was notable in the cultural panorama of Spanish America in the first half of the 20th century for his acquaintance with classical rhetoric, a discipline rarely studied at that time in that part of the world. This article distinguishes four aspects of rhetoric throughout Reyes' oeuvre: (i) a vulgar sense, (ii) an erudite sense, (iii) classical theories, (iv) and modern applications. In his early work, Reyes uses rhetoric in a pejorative and vulgar sense. Around the year 1940, Reyes starts to show a lively interest in rhetoric, opts definitively fo

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Harris, Jonathan. "An English Utilitarian Looks at Spanish-American Independence: Jeremy Bentham’s Rid Yourselves of Ultramaria." Americas 53, no. 2 (1996): 217–33. http://dx.doi.org/10.2307/1007617.

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On August 31 1832, when news arrived of the death of the English utilitarian philosopher and jurisconsult, Jeremy Bentham, the Guatemalan Statesman José del Valle introduced a resolution to the congress of the Central American Republic requesting all its members to wear mourning as a mark of respect. He also took the opportunity to bestow fulsome praise on Bentham, not only as the sage who had taught the art of legislation and government, but also as the defender of Spanish-American independence.Few would dispute the first claim. Bentham’s work on the science of legislation, Traités de législa

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Sanchez, Ana Cristina, and Maria Elena Arias-Zelidon. "Using the Picture Word Inductive Model, Art and ACTFL 5 C’s to learn a second or foreign language." Advances in Social Sciences Research Journal 7, no. 8 (2020): 35–48. http://dx.doi.org/10.14738/assrj.78.8639.

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This paper will examine how art can be used as a visual aid and a primary input to teach and learn the Spanish language and culture. Art will be limited to the use of photographs and paintings that will be combined with the Picture Word Inductive Model [PWIM] and the 5C goal areas on the teaching of a foreign language as recommended by the American Council on the Teaching of Foreign Languages [ACTFL]. The five C goals stand for Communications, Culture, Connections, Comparisons, and Communities. The Picture Word Inductive Model [PWIM] was developed by the Language Arts Specialist, Emily C

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González, Gustavo. "Spanish language acquisition research among Mexican-American children: The sad state of the art." Early Childhood Research Quarterly 6, no. 3 (1991): 411–25. http://dx.doi.org/10.1016/s0885-2006(05)80064-x.

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Cañizares Esguerra, Jorge. "Spanish America in Eighteenth-Century European Travel Compilations: a New "Art of Reading" and the Transition To Modernity." Journal of Early Modern History 2, no. 4 (1998): 329–49. http://dx.doi.org/10.1163/157006598x00018.

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AbstractBy the mid-eighteenth century sixteenth-century Spanish American testimonies on the New World suddely lost credibility with European audiences. This study seeks to explain this curious episode and traces it to new developments in ways to create and validate knowledge in early modern Europe. The genre of travel accounts proved instrumental in undermining the authority of Spanish accounts. Editors of travel compilations developed a "new art of reading" that privileged "internal" over "external" criticism. If in the past editors apportioned credit according to the number, character, and s

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Kofman, A. F. "Latin American Folklore: Roots, Genres, Uniqueness." Cuadernos Iberoamericanos 11, no. 3 (2023): 164–83. http://dx.doi.org/10.46272/2409-3416-2023-11-3-164-183.

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Latin American folklore is a heterogeneous phenomenon, encompassing different levels, which has been determined by the historical conditions of its formation, existence and evolution. The so-called folklore criollo, which dates back to the Spanish folk poetry brought by the Spaniards to America during the colonial period, is an important part of the Latin American folklore. The specific character of historical and socio-economic circumstances that influenced the formation of the folklore criollo, explain its relatively late formation, as well as the transformation and reinterpretation of the o

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Kornev, V. A., and O. V. Murashkina. "The Gaucho Archetype in the Artistic Culture of Latin America." Язык и текст 11, no. 1 (2024): 65–73. http://dx.doi.org/10.17759/langt.2024110106.

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<p>The article examines the role of representatives of a specific ethnic group of inhabitants of the South American steppes-Pampas &mdash; pastoralists-Gaucho nomads in the formation, formation and development of national Spanish-American literature based on its genres such as oral folk art, lyrical and epic poetry, drama, realistic and psychological novel. The existence of this ethnic type can be traced back to 1775, but the process of turning a Spanish shepherd into a half-breed Gaucho is still largely unclear. The formation of Gaucho literature can serve as an example of the emerg

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Kofman, Andrey F. "The Fate of Spanish Folk Genres in the New World." Studia Litterarum 9, no. 1 (2024): 206–45. http://dx.doi.org/10.22455/2500-4247-2024-9-1-206-245.

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The article shows what transformation three Spanish folklore genres, transferred to the New World by streams of conquistadors and emigrants (romance, copla, and décima), underwent. The traditional Spanish monorim romance is virtually extinct; strophic novelistic romance remained latent for almost three centuries until it gave rise to the growth of Creole romance in the 19th century. The article considers the features of this genre, which are generally determined by its lyrical-epic nature, in contrast to the Spanish romance. The most productive and viable in the New World was copla, the most w

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Stoner, K. Lynn. "Directions in Latin American Women's History, 1977–1985." Latin American Research Review 22, no. 2 (1987): 101–34. http://dx.doi.org/10.1017/s0023879100022068.

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Although the history of Latin American women has emerged only recently as a dynamic field of research, it is already shedding light on a range of social and cultural issues. Thirteen years ago, Ann Pescatello edited the first anthology of Latin American articles on gender issues, Female and Male in Latin America. One of her greatest contributions was a hefty interdisciplinary bibliography listing not only secondary sources but primary documents as well. In 1975 and 1976, Meri Knaster's excellent bibliographies appeared. “Women in Latin America: The State of Research, 1975” surveyed the researc

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Brandon, Sward. "Visions of Modernity: Architecture, Colonialism, and Indigeneity Across the Americas." Art Style, Art & Culture International Magazine 8, no. 8.1 (2021): 43–54. https://doi.org/10.5281/zenodo.5498383.

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Art Style | Art & Culture International Magazine Abstract In this essay, I use the “The Metropolis in Latin America, 1830–1930” exhibition at the Getty Center to think through how and why criollos, Latin Americans who are solely or mostly of Spanish descent, adopted the aesthetics and techniques of Mesoamerican construction methods. I then introduce the Walt Disney Concert Hall and the Broad Museum in downtown Los Angeles to explore the resonances between Euro-American postmodernism and colonial urban planning, especially with regard to the clean lines and rational g

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Silver, Katherine. "The Translator’s Art of Failure: Engaging the Other in Imperfect Harmony." TranscUlturAl: A Journal of Translation and Cultural Studies 1, no. 2 (2009): 1. http://dx.doi.org/10.21992/t9w61s.

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Rather than view translation as a compromise at best, a failure at worst, and always derivative and secondary, I explore the practice of literary translation as one of engagement: with the text, with the Other, and with the world. I will discuss the nature of this engagement as dynamic, electric, life-affirming, an encounter and a dialogue that offers an opportunity for both unification and separateness, freedom and intimacy. From this perspective of the personal, I will reach into the realm of the “political,” the broader context within which translators work—the power differentials, the obje

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Amaral, Debora Gomes Pereira. "Santíssimo Cristo da Paciência." Latin American and Latinx Visual Culture 5, no. 3 (2023): 108–13. http://dx.doi.org/10.1525/lavc.2023.5.3.108.

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This collection of essays brings together a selection of works that were presented at the inaugural 1° Congreso Internacional sobre Cultura Visual Iberoamericana [siglos XVI a XVIII] (International Congress on Ibero-American Visual Culture), whose core theme and subtitle was “Malas imágenes: lugares visuales de la disputa” (Bad images: visual places of dispute). Held on December 9 and 10, 2021, the meeting was organized by the Quillca program, which is devoted to the study of South American colonial art and housed in the Centro de Estudios sobre Arte, Materia y Cultura of Argentina’s Tres de F

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Amador Marrero, Pablo F. "Interacción de lo malo en el devenir de las imágenes a través de sus intervenciones." Latin American and Latinx Visual Culture 5, no. 3 (2023): 89–98. http://dx.doi.org/10.1525/lavc.2023.5.3.89.

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This collection of essays brings together a selection of works that were presented at the inaugural 1° Congreso Internacional sobre Cultura Visual Iberoamericana [siglos XVI a XVIII] (International Congress on Ibero-American Visual Culture), whose core theme and subtitle was “Malas imágenes: lugares visuales de la disputa” (Bad images: visual places of dispute). Held on December 9 and 10, 2021, the meeting was organized by the Quillca program, which is devoted to the study of South American colonial art and housed in the Centro de Estudios sobre Arte, Materia y Cultura of Argentina’s Tres de F

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do Campo, Victoria Rodríguez. "“Al diente de las ratas y a las injurias del tiempo”." Latin American and Latinx Visual Culture 5, no. 3 (2023): 128–36. http://dx.doi.org/10.1525/lavc.2023.5.3.128.

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This collection of essays brings together a selection of works that were presented at the inaugural 1° Congreso Internacional sobre Cultura Visual Iberoamericana [siglos XVI a XVIII] (International Congress on Ibero-American Visual Culture), whose core theme and subtitle was “Malas imágenes: lugares visuales de la disputa” (Bad images: visual places of dispute). Held on December 9 and 10, 2021, the meeting was organized by the Quillca program, which is devoted to the study of South American colonial art and housed in the Centro de Estudios sobre Arte, Materia y Cultura of Argentina’s Tres de F

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Morales, Carlos Rodríguez. "La sustitución de esculturas religiosas en Canarias durante la Edad Moderna." Latin American and Latinx Visual Culture 5, no. 3 (2023): 151–59. http://dx.doi.org/10.1525/lavc.2023.5.3.151.

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This collection of essays brings together a selection of works that were presented at the inaugural 1° Congreso Internacional sobre Cultura Visual Iberoamericana [siglos XVI a XVIII] (International Congress on Ibero-American Visual Culture), whose core theme and subtitle was “Malas imágenes: lugares visuales de la disputa” (Bad images: visual places of dispute). Held on December 9 and 10, 2021, the meeting was organized by the Quillca program, which is devoted to the study of South American colonial art and housed in the Centro de Estudios sobre Arte, Materia y Cultura of Argentina’s Tres de F

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Romero, Agustina Rodríguez, Lucila Iglesias, Juan Ricardo Rey-Márquez, and Vanina Scocchera. "Introduction to the Dialogues on Malas Imágenes." Latin American and Latinx Visual Culture 5, no. 3 (2023): 84–88. http://dx.doi.org/10.1525/lavc.2023.5.3.84.

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This collection of essays brings together a selection of works that were presented at the inaugural 1° Congreso Internacional sobre Cultura Visual Iberoamericana [siglos XVI a XVIII] (International Congress on Ibero-American Visual Culture), whose core theme and subtitle was “Malas imágenes: lugares visuales de la disputa” (Bad images: visual places of dispute). Held on December 9 and 10, 2021, the meeting was organized by the Quillca program, which is devoted to the study of South American colonial art and housed in the Centro de Estudios sobre Arte, Materia y Cultura of Argentina’s Tres de F

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Escobari, Lucía Querejazu. "“Que los naturales no se pueden hacer imágenes del Vergen”." Latin American and Latinx Visual Culture 5, no. 3 (2023): 121–27. http://dx.doi.org/10.1525/lavc.2023.5.3.121.

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This collection of essays brings together a selection of works that were presented at the inaugural 1° Congreso Internacional sobre Cultura Visual Iberoamericana [siglos XVI a XVIII] (International Congress on Ibero-American Visual Culture), whose core theme and subtitle was “Malas imágenes: lugares visuales de la disputa” (Bad images: visual places of dispute). Held on December 9 and 10, 2021, the meeting was organized by the Quillca program, which is devoted to the study of South American colonial art and housed in the Centro de Estudios sobre Arte, Materia y Cultura of Argentina’s Tres de F

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Tavares Pereira, André L. "Visualizar a história." Latin American and Latinx Visual Culture 5, no. 3 (2023): 137–50. http://dx.doi.org/10.1525/lavc.2023.5.3.137.

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This collection of essays brings together a selection of works that were presented at the inaugural 1° Congreso Internacional sobre Cultura Visual Iberoamericana [siglos XVI a XVIII] (International Congress on Ibero-American Visual Culture), whose core theme and subtitle was “Malas imágenes: lugares visuales de la disputa” (Bad images: visual places of dispute). Held on December 9 and 10, 2021, the meeting was organized by the Quillca program, which is devoted to the study of South American colonial art and housed in the Centro de Estudios sobre Arte, Materia y Cultura of Argentina’s Tres de F

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Echeveste, Mónica Pulido. "Justos y pecadores." Latin American and Latinx Visual Culture 5, no. 3 (2023): 114–20. http://dx.doi.org/10.1525/lavc.2023.5.3.114.

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This collection of essays brings together a selection of works that were presented at the inaugural 1° Congreso Internacional sobre Cultura Visual Iberoamericana [siglos XVI a XVIII] (International Congress on Ibero-American Visual Culture), whose core theme and subtitle was “Malas imágenes: lugares visuales de la disputa” (Bad images: visual places of dispute). Held on December 9 and 10, 2021, the meeting was organized by the Quillca program, which is devoted to the study of South American colonial art and housed in the Centro de Estudios sobre Arte, Materia y Cultura of Argentina’s Tres de F

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González, Francisco Montes. "Pinturas cegadas." Latin American and Latinx Visual Culture 5, no. 3 (2023): 99–107. http://dx.doi.org/10.1525/lavc.2023.5.3.99.

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This collection of essays brings together a selection of works that were presented at the inaugural 1° Congreso Internacional sobre Cultura Visual Iberoamericana [siglos XVI a XVIII] (International Congress on Ibero-American Visual Culture), whose core theme and subtitle was “Malas imágenes: lugares visuales de la disputa” (Bad images: visual places of dispute). Held on December 9 and 10, 2021, the meeting was organized by the Quillca program, which is devoted to the study of South American colonial art and housed in the Centro de Estudios sobre Arte, Materia y Cultura of Argentina’s Tres de F

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Dobado González, Rafael. "La globalización hispana del comercio y el arte en la Edad Moderna." Studies of Applied Economics 32, no. 1 (2020): 13. http://dx.doi.org/10.25115/eea.v32i1.3199.

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This article shows some important aspects of a worldwide, historical phenomenon: the globalization of commerce and art which started in the second half of the sixteenth century and had the American, Asian and European territories of the Hispanic Monarchy as main protagonist during the Early Modern Era. The international exchanges -basically, American silver in return for more or less luxurious goods from Asia- that followed the discovery by Urdaneta, in 1565, of the “tornaviaje” between Manila and Acapulco had a profound influence on the forms of production and consumption in both the Old Worl

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Grigolin, Fernanda, and Mirna Wabi-Sabi. "Doing Away With Borders: Jornal de Borda Goes Beyond the Frontiers of Art." Vista, no. 9 (June 30, 2022): e022007. http://dx.doi.org/10.21814/vista.4014.

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Artists' publications are often used in contemporary art studies in discussions about the printed page. However, these publications go beyond their nomenclatures and place in art institutions. The boundaries of visual arts are increasingly blurred, and discussions of works of art become more potent when viewed within the broader spectrum of visual culture. Aesthetics have the power to produce knowledge and establish relations with ways of living and being in the world and throughout history. Publications, as such, are social places that can mediate these relationships between people, especiall

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Martín, García Óscar J. "A complicated mission: The United States and Spanish students during the Johnson administration." Cold War History 13, no. 3 (2012): 311–29. https://doi.org/10.1080/14682745.2012.746664.

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This paper examines how the Johnson administration implemented new public diplomacy programmes aimed at projecting a positive image of the USA among Spanish university students as part of the cultural Cold War. In other words, the following pages are an analysis of the exchange diplomacy and the ideological action which the superpower deployed in Spain in order to gain influence over young people. However, the American ideal spread by these programmes did not manage to improve the image of US policies which students considered illegitimate and lacking in moral authority since the country was s

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Grantseva, Ekaterina, and Nadezhda Kudeyarova. "Monumental art in the context of historical memory: the fate of the works of Juan de Avalos in Spain and Paraguay." Latin-American Historical Almanac 40, no. 1 (2023): 194–224. http://dx.doi.org/10.32608/2305-8773-2023-40-1-194-224.

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Monumental art is a special sphere of plastic art, a fusion of architecture and sculpture, which is closely related to the ideological guidelines of the era. In the second half of the 20th century. monumental art began to be expressed not only in individual sculptural and painting works, but also embodied in ensembles bearing the corresponding ideological qualities. Acting in synthesis with sculpture, architectural ensembles reflected the ideological content of the era and became an example of visual fixation in the public space of the key elements of the ideology of the ruling regime. One of

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Muhadri, Besim. "Adnan Mehmeti - The poet of the Albanian diaspora in the United States of America." Technium Social Sciences Journal 43 (May 9, 2023): 551–56. http://dx.doi.org/10.47577/tssj.v43i1.8827.

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Most of the Albanian literary creators who live and work in the United States of America have experienced their affirmation in their homeland, however, in the case of their exile in the United States of America, they have continued their passion for literary art here. creating important works for the Albanian community, but also for the American one. Adnan Mehmeti is one of those Albanian poets, who will reach his affirmation in the field of letters in the United States of America. He has published several books of poetry, but also non-fiction books. His poetry has been translated into several

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Souza, Isabella Pavarine de, Maria Paula Custódio Silva, Ana Letícia Ribeiro Oliveira, Giselle Vieira de Souza, Jesislei Bonolo do Amaral Rocha, and Divanice Contim. "The state of the art on hypodermoclysis in child health care: scoping review." Rev Rene 23 (April 13, 2022): e77955. http://dx.doi.org/10.15253/2175-6783.20222377955.

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Objective: to mapping the evidence on hypodermoclysis in child health care. Methods: this is a scope review, with a search in Medical Literature Analysis and Retrieval System Online, Latin American and Caribbean Health Sciences Literature, Cochrane Library, Cumulative Index to Nursing and Allied Health Literature, Scopus Elsevier, Web of Science and Embase. Studies published in Portuguese, English and Spanish were included, with no time cut. Results: a total of 11 studies were analyzed, with a predominance of literature reviews. The main themes were: use of recombinant human hyaluronidase as a

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Konstantinova, N. S. "Ages, Stories, Styles." Concept: philosophy, religion, culture 7, no. 3 (2023): 137–41. http://dx.doi.org/10.24833/2541-8831-2023-3-27-137-141.

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The contents of the next collection of the Institute of Art Studies from the series Problems of Ibero-American Art involuntarily invokes a premonition of a fascinating journey through different eras and subjects of Spanish culture: theatre, music, fine arts, social philosophy, literature of the Golden Age... The collection opens with an article by Vidas Sulinas, an expert on classical Spanish theatre. The author examines the time period from the last third of the 16th century to the beginning of the 18th century, tracing the change of three artistic styles — Renaissance, Mannerism and Baroque

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Brice, William David, Edward Chu, and Wayne Jones. "Culture-Laden Imports: International Market Entry and Cultural Taboos." International Journal of Management and Economics 50, no. 1 (2016): 49–62. http://dx.doi.org/10.1515/ijme-2016-0011.

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AbstractThis empirical study investigates American market responses to a Spanish product that is strongly culture-laden and may violate cultural taboos. Surveys were conducted in two contrasting US universities in Arkansas and California. Contrasting student majors were also chosen: Art and Business. The product is a life-sized baby doll, designed to be breast-fed rather than bottle-fed, which highlights the benefits and normality of breast-feeding babies. Although this product is popular in its original European market, US media accounts suggested strongly negative morality-based American rea

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O'Neill, John. "The Medieval Holdings of the Hispanic Society of America: A Brief History and Update." La corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures 50, no. 1-2 (2021): 419–33. http://dx.doi.org/10.1353/cor.2021.a910137.

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Abstract: Founded in 1904 by American scholar, philanthropist and collector, Archer M. Huntington, The Hispanic Society of America was established on the premise of a passion and curiosity for Hispanic and Latin American art, cultures and history. The Department of Manuscripts and Rare Books houses approximately 15,000 books printed before 1701 (250 of which are incunables), 16,000 books printed between 1701–1830, and roughly 200,000 manuscripts, letters, and documents. Although the bulk of the collection was formed by Huntington in the early 1900s, the Society has never ceased to expand its c

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Fitzgerald, Joshua Jacob. "As the Digital <i>Teocalli</i> Burns: Mesoamerica as Gamified Space and the Displacement of Sacred Pixels." Review of International American Studies 16, no. 1 (2023): 259–306. http://dx.doi.org/10.31261/rias.13932.

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Intricately concocted temples—seemingly historically accurate down to the pixel—flash across the gamer’s screen, as the player-conquistador re-creates the downfall of the so-called “Aztec Empire,” circa 1521, a keyboard at hand instead of a cutlass. Playing the Spanish Conquest has never been easier or more exciting for the victor. Today’s recreational sundering of Indigenous-American sacred spaces and cultural monuments repeats disturbing patterns in colonialism and cultural imperialism from the Early Modern past (Carpenter 2021; Ford 2016; Mukherjee 2017). What are the lessons gamers learn b

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Orduña Prada, Mónica. "Hildreth Meière: Connections to Spain Before and During the Spanish Civil War." REDEN. Revista Española de Estudios Norteamericanos 1, no. 1 (2019): 75–94. http://dx.doi.org/10.37536/reden.2019.1.1374.

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    The prestigious American Art Deco artist Hildreth Meière provided humanitarian assistance to the victims of the Spanish Civil War and in the Second World War. Acting as the vice-president of the American Spanish Relief Fund created in 1937 and run by P. Francis X. Talbot, S. J. with the goal of helping people affected by the war in the Franco zone, and to also deliver medicine and medical supplies from the United States through diplomatic channels. She visited Spain in 1925, 1938 and 1961. On the first trip she came to see the works of Spanish painters and made con

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Putney, Dani. "Sino-Filipino Artistic Collaboration." Athanor 39 (November 22, 2022): 35–52. http://dx.doi.org/10.33009/fsu_athanor130974.

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   The Hispano-Philippine style of ivory sculpture production in colonial Manila is almost synonymous with the growth of Spain’s global empire from the sixteenth century onward. These sculptures have been studied by historians and art critics alike in terms of Latin American consumer demand, marketability, Catholic devotion and conversion, and “Chineseness,” among other veins of inquiry. Common across these investigations is discussion of the significance of Chinese immigrants within the Spanish colony, who have been consistently identified as the creators of these sculptures

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de la Torre, Saturnino. "Pioneros en el estudio de la Creatividad en España. Una mirada psicopedagógica." Revista Creatividad y Sociedad 37 (December 2022): 22–36. http://dx.doi.org/10.37475/jrvj8804.

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This article intends to make a historical recognition to pioneer researchers of creativity in Spain. Although it lacks structure and methodology to qualify it as historical, it does lay the foundations and gives an account of the first contributions and how creativity has been introduced in Spain from the point of view of psycho-pedagogy thanks to researchers motivated by a cognitive-emotional theme. The theoretical foundations, as well as the strategic and operative ones, are inspired by the American and Spanish psycho-pedagogical research developed between 1960 and the end of the 20th centur

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José Silva, Ledismar. "ART AS A DIAGNOSTIC TOOL FOR MIGRAINE: A NARRATIVE REVIEW." RECIMA21 - Revista Científica Multidisciplinar - ISSN 2675-6218 6, no. 6 (2025): e666466. https://doi.org/10.47820/recima21.v6i6.6466.

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Migraine verbal description poses great difficulty, since it is a subjective experience. This narrative review aimed to gather the main representative artistic patterns of the clinical manifestations of migraine and demonstrate their applicability in medical education and clinical practice as an auxiliary tool for this diagnosis. The following databases were searched: Medical Literature, Analysis, and Retrieval System Online (MEDLINE), Scientific Electronic Library Online (SciELO), Latin American and Caribbean Health Sciences Literature (LILACS), and Portal de Periódicos da Coordenação de Aper

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Marxen, Eva, Luis F. González, Reslie Cortés, Cristina Valencia Mazzanti, and Renata Matsuo. "Researching With Poetic and Artistic Dispositifs." Cultural Studies ↔ Critical Methodologies 21, no. 4 (2021): 319–32. http://dx.doi.org/10.1177/15327086211019955.

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This article presents the experience of the workshop Investigar con dispositivos artísticos y poéticos (Researching with poetic and artistic dispositifs), carried out in the special interest group A Day in Spanish and Portuguese (ADISP), in the frame of the Fifteenth International Congress of Qualitative Inquiry (ICQI), in 2019. The goal of this workshop was to show the panorama of the uses and implications of the arts, poetry, and narratives as a methodological strategy in qualitative research. The theoretical framework to development the workshop included the poetic inquiry approach and the

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Gómez, Isabel. "Brazilian Transcreation and World Literature." Journal of World Literature 1, no. 3 (2016): 316–41. http://dx.doi.org/10.1163/24056480-00103003.

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How does one translate an avant-garde classic? How might a translation mediate between experimentalism and canonicity as a work travels away from its culture of origin? This article studies Héctor Olea’s Spanish translation of Mário de Andrade’s Macunaíma (1928) as one response to these questions from a Latin American translation zone. First translated for the Barcelona publishing house Seix Barral (1977), his work soon traveled back across the Atlantic to be re-edited into a critical edition for Biblioteca Ayacucho (1979). This article examines letters from the publisher’s archive to demonstr

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PONCE SOLÉ, JULIO. "LAS POLÍTICAS PÚBLICAS DIRIGIDAS A FACILITAR EL DERECHO DE ACCESO A LA VIVIENDA: ANÁLISIS Y PROPUESTAS, CON ESPECIAL REFERENCIA AL DERECHO COMPARADO FRANCÉS Y ANGLOSAJÓN." Revista Vasca de Administración Pública / Herri-Arduralaritzarako Euskal Aldizkaria, no. 79 (December 1, 2007): 173–234. http://dx.doi.org/10.47623/ivap-rvap.79.2007.2.06.

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El objetivo del presente estudio es presentar algunas de las políticas públicas que se están desarrollando para intentar facilitar el derecho de acceso a la vivienda, previsto en el art. 47 CE (y en algunos Estatutos de Autonomía, como el nuevo Estatuto catalán de 2006, art. 26), desde la perspectiva de su encuadramiento y limitación por el Derecho vigente, teniendo presente la Ley 8/2007, de 28 de mayo, de Suelo. Se hace especial hincapié en la vertiente social del desarrollo urbanístico y territorial sostenible, conectándola con los preocupantes fenómenos en curso de segregación urbana (sólo

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