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Journal articles on the topic 'Art wares'

Author: Grafiati

Published: 30 May 2022

Last updated: 31 July 2025

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1

Huang, Ellen. "An Art of Transformation." Archives of Asian Art 68, no. 2 (2018): 133–56. http://dx.doi.org/10.1215/00666637-7162228.

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Abstract This article examines the phenomenon of yaobian 窯變, or kiln transformations, in late imperial and early modern China as material epistemology and material practice. By providing a genealogical analysis of documentations of yaobian in late imperial texts spanning the twelfth through the nineteenth centuries, the article relates their supernatural connotations to the production of Qing-period Jingdezhen Jun-style wares, variously known as flambé wares or kiln transmutation glazes. The article advances that the significance of such eighteenth-century yaobian porcelain wares lies in their

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2

AJADI, Michael Olaniyi. "Eclecticism Style in Ceramic Art Practices of Ife Art School." Journal of Education and Practice 5, no. 2 (2021): 45–58. http://dx.doi.org/10.47941/jep.630.

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Purpose: The study discusses Ife ceramic wares in tandem with the historical approach of the decorative patterns. It equally determines the origin of each style and how it moved and spread across the phases. The sequences of creative impulse and stylistic trends of ceramic practices in the art school from inception have not received scholarly attention in terms of the examination of the approaches towards the conceptions. The specific objective is to investigate the inception of eclecticism in the art school and circumstances behind the conceptions in order to reveal the contextual definitions

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Yussif, Abdul-Rauf. "Twisting: An Innovative Combination of Coil and Slab Building Techniques in Ceramic Art." American Journal of Art and Design 9, no. 1 (2024): 10–23. http://dx.doi.org/10.11648/j.ajad.20240901.12.

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This work seeks to create decorative ceramics wares which would be self-decorating to reduce the time of attention given to the surface of ceramics wares by incorporating twisting and weaving techniques into the production of the wares by drawing my inspiration from the climbing plant. Two hand forming techniques namely slab making and coiling were successfully combined to create twisted and woven wares. It also seeks to demonstrate how clay can be twisted and woven into intricate shapes for outdoor decorations. These twisted and woven wares reduced the tendency of cutting and incising as an a

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Mason, Robert B. "Early mediaeval Iraqi Lustre-painted and associated wares: typology in a multidisciplinary study." Iraq 59 (1997): 15–61. http://dx.doi.org/10.1017/s0021088900003338.

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The study of ceramics in the mediaeval Middle East has traditionally been divided into two separate fields, those of archaeology and art history. Archaeologists have generally focused on the finds from their own sites, seeking only precise comparanda for publication. High-quality glazed ceramics such as lustre-wares were made in a restricted number of centres and distributed over a very large area, and thus may be a small percentage of the total ceramic assemblage. No archaeologist constrained to analysis of material from their own site has ever had the opportunity to examine the fine wares as

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NYAMAWERO, NAVEI. "Cultural Tourism Potentials of Daŋi Traditional Pottery Art." INTERNATIONAL JOURNAL OF INNOVATIVE RESEARCH & DEVELOPMENT 10, no. 9 (2021): 153–65. https://doi.org/10.24940/ijird/2021/v10/i9/JUL21044.

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<strong>Abstract: </strong> Daŋi is one of the leading traditional pottery production hubs in Sissala East Municipality in the Upper West Region of northern Ghana. Traditional pottery wares of various types, decorative designs, cultural semiotics and relevance are produced in Daŋi. However, the cultural tourism potentials of these handiworks seemingly remain unexamined. The study therefore took a qualitative descriptive path in examining selected traditional pottery wares produced in Daŋi to reveal their cultural tourism potentials. Twenty (20) purposively sampled respondents were contacted wi

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Korzenik, Diana. "Portrait of the Artist as an American?" New England Quarterly 85, no. 1 (2012): 161–67. http://dx.doi.org/10.1162/tneq_a_00161.

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The Bennington Museum's 2011 exhibition “Grandma Moses and the Primitive Tradition” invited viewers to reassess the twentieth-century work and reception of painter Anna Mary Robertson Moses. The meteoric rise of her art, marketed as “primitive,” coincided with certain refugee German art dealers’ quest to offer an American alternative to the war-contaminated wares of Europe.

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Umoh, John. "Bridging the Lacuna Between Concept and Modeling in Ceramic Practice." International Journal of Strategic Research in Education, Technology and Humanities 10, no. 2 (2022): 123–35. http://dx.doi.org/10.48028/iiprds/ijsreth.v10.i2.11.

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Ceramics, burnt stuff is the use of clay with or without other substances and rendered permanently rocklike, dense, and vitreous by heat treatment. From its birth, the traditional potters like their counterparts in other art and craft areas produced their wares from concept to the modeling without drawing or sketching. In the hand building technique of ceramics which involves pinching, coiling and slab methods, practiced by every ceramist, even those that have gone through the formal education system still produce wares without drawing which remains, the initial documentation of ideas, thought

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8

Yang, Yuan, and Wenxuan Tao. "Social Thought and Bronze Art in the Western Zhou Dynasty." Art Frontier 1, no. 2 (2023): 95–101. https://doi.org/10.64212/ccny5202.

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During the Western Zhou Dynasty, based on the Yin rituals, the Zhou people made moderate adjustments to social ideology by introducing the idea of honoring virtues, reorganizing the ritual orders, and adjusting the sacrificial rites, thereby formulating the social thought of “revering the ancestors and respecting virtue” and “respecting heaven and protecting the people”. This social ideology influenced the modelling and decoration of bronze wares. The shape of the bronze focuses more on practical function and formal beauty, the combination of utensils pays more attention to the combination of

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Ağalarov, Mircavid. "Silhouette stone paste wares of Azerbaijan: typology and issues of origin." Археология Казахстана, no. 1 (27) (March 31, 2025): 314–25. https://doi.org/10.52967/akz2025.1.27.314.325.

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Azerbaijan came under the rule of the Seljuk Empire in the mid-11th century. During this period, urbanization in Azerbaijan reached its peak. Major medieval cities included Barda, Beylagan, Shamkir, Ganja, Shamakhi, Shabran, and Nakhchivan. As a result of archaeological research conducted in these sites over many years, thousands of artifacts representing Seljuk art have been discovered. Among them, stonepaste holds a special place. Silhouette-painted wares, a type of stonepaste ceramics, are notable for their artistic and technological features. These wares were decorated with chromite patter

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Snitkuvienė, Aldona. "The Path of the First European Porcelain Wares to Lithuanian Museums." Perspektywy Kultury 25, no. 2 (2019): 159–78. http://dx.doi.org/10.35765/pk.2019.2502.12.

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The state’s development, twists and turns of culture and history of the country, circumstances and passing time, often erase facts, that is why the reconstruction of the history of exhibits’ acquisition in museums is one of the most complicated aspects in museology. The article is dedicated to the presentation of Johann Friedrich Böttger’s (1682-1719) collection of red stone mass exhibits in Lithuanian museums and aims at revealing their history. Thanks to the archival register, it was possible to discover the inventory lists with descriptions of valuable works of art that had been prevented

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Adala, Ceril E., E. K. Howard, and T. Amanor-Boadu. "Crossing Boundaries: Incorporating Crocheting in Hollow Metal Ware." Fashion and Textiles Review 1 (June 6, 2019): 189–200. http://dx.doi.org/10.35738/ftr.v1.2019.13.

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Metal product designers have continually employed textile construction techniques which are outside their respective practice to produce different artefacts for the wider market. In a different product application approach, the study seeks to employ crocheting as a textile construction technique to produce hollow metal wares suitable for decorative and storage purposes. To achieve this, the art studio-practice research, coupled with the researchers’ experi-produce model, was employed where materials were randomly selected and subject to experimentation. It was revealed that an 18-gauge copper

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Zhao, Xiaoli. "The Art Form of Dragon Patterns on Jade Wares from the Tomb of the Marquis of Jin in Shanxi." Highlights in Art and Design 3, no. 2 (2023): 44–46. http://dx.doi.org/10.54097/hiaad.v3i2.10040.

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The dragon patterns carved on the jade wares of the Marquis of Jin Dynasty are all extremely ingenious, with vivid shapes and exquisite patterns. It presents the magnificent jade culture of the Jin Dynasty in the Western Zhou Dynasty to the world, and provides valuable information for future generations to study the dragon patterns on the jade articles of the Zhou Dynasty.

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Liudmila Daniluk. "USING OF FOLK WARES IN PROFESSIONAL TRAINING OF THE FUTURE TEACHERS OF FINE ARTS." World Science 2, no. 2(42) (2019): 35–38. http://dx.doi.org/10.31435/rsglobal_ws/28022019/6359.

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   The possibility of using folk arts products in the professional training of future teachers of fine arts are theoretically groundeded and elucidated in the article. The methodical aspects of introducing the traditional art technique teacher in the educational process are considered, features of creation of folk toys, folk weaving, artistic weaving, manufacturing of ceramic products are described in it. The preparation of modern teachers of fine arts is not possible without realizing the role of their national community, perceiving and rethinking of the cultural experience

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Zhao, Xiaoli. "The Spiritual Connotation of Dragon Pattern Art in Jade Wares from Shanxi Jinhou Tomb." Journal of Innovation and Development 3, no. 3 (2023): 41–43. http://dx.doi.org/10.54097/jid.v3i3.9950.

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The cultural relics unearthed from the tombs of the Marquis of Jin in Shanxi are an original treasure house with profound connotations and rich variety, allowing us to experience the wonderland and experience the distant history. The unique dragon patterns contain extremely complex, mysterious, rich and profound social connotations, in this unique pattern, it reveals the original religious consciousness, totem worship, as well as evil spirits and blessings, which imply auspicious symbols, At the same time, we can get a glimpse of the decorative imagery of design that originates from reality an

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15

Umoh, John. "Rethinking Heat Energy in the Conversion of Clay to Ceramic: A Key to Successful Ceramic Practice." International Journal of Development Strategies in Humanities, Management and Social Sciences 12, no. 2 (2022): 140–49. http://dx.doi.org/10.48028/iiprds/ijdshmss.v12.i2.11.

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Ceramics as the art and science of baked clay has provided man with several wares with which man solves his daily problems. Heat or thermal energy plays a vital role in the baking, firing or conversion of clay in ceramic production as no green ware, no matter how beautiful, is useful without being subjected to heat treatment which converts clay to its permanent, rocklike, dense, vitreous, impermeable, beautiful and useful ceramic. Over the years, potters as creative people have been producing beautiful wares only to lose a lot of them during firing as a result of lack of adequate knowledge of

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NYAMAWERO, NAVEI. "Sociocultural Contexts of Chaira Pottery Art." Journal of African Art Education 1, no. 1 (2020): 1–18. https://doi.org/10.5281/zenodo.7294294.

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Abstract: The uniqueness of pottery is synonymous with its makers. The pottery art of the various ethnic groups in Ghana is inseparable from their cultural identities in that, the art is entrenched in their cultures. Notwithstanding this, much is not documented about the sociocultural contexts of Charia pottery art in the Upper West Region of Ghana. Adopting qualitative paradigm and case study design, the study purposively sampled eight (8) practising potters of not less than three decades of pottery experience in Charia. Empirical data was collected through interviews and field observation in

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Esosuakpo, Sunday. "Restructuring Ceramic Production for Wealth Creation, Security and Sustainable Development through the Construction of Kick Wheel." UJAH: Unizik Journal of Arts and Humanities 21, no. 4 (2021): 118–34. http://dx.doi.org/10.4314/ujah.v21i4.7.

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Right from the time of independence, Nigeria has adopted different restructuring methods in order to create wealth that will improve her economy, ensure security and enhance sustainable development. In doing this, different aspects of human and natural resources have been explored. But it appears that ceramics which is a branch of industrial art and an aspect of the people’s culture has not been considered even when the major raw material (clay) required is abundantly available as the oil. Perhaps, its non-consideration could be due to the crude tools used which do not give room for mass produ

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18

Galanin, Sergey I. "FEATURES OF PROCESSING OF GEMS AND ORGANOGENIC FORMATIONS FOR JEWELLERY AND ART PRODUCTS." Technologies & Quality 51, no. 1 (2021): 33–39. http://dx.doi.org/10.34216/2587-6147-2021-1-51-33-39.

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The article deals with the features of the use of gems and organogenic formations subjected to various degrees of processing in various jewellery and art products. Using examples of baroque pearls, drusas, gems, cut gems and carved gems, it is shown that the properties and sizes of gems determine compositional solutions for their use in jewellery. It is shown in various jewellery-artistic wares, that depending on the type of mineral raw material or organogenic formations (pearls, shells) a different depth and methods of its treatment are used. Primary systematisation of raw material is conduct

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Montanari, Riccardo, Hiroharu Murase, Maria Francesca Alberghina, Salvatore Schiavone, and Claudia Pelosi. "The Origin of Ko-Kutani Porcelain: New Discoveries and a Reassessment." Coatings 14, no. 9 (2024): 1146. http://dx.doi.org/10.3390/coatings14091146.

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The origin of Ko-Kutani porcelain and its decoration style have been debated for over a century. Despite the well-established theory that identified the wares as the result of porcelain production in Kaga (present-day Ishikawa Prefecture) in the 17th century, there still is no general agreement as to where they were first incepted and fired. In recent years, curatorial traditional criteria have formed the basis upon which a new theory has been gaining popularity in Japan, identifying Arita (present-day Saga Prefecture) as their actual place of birth. Such a new theory, however, has proven insu

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Zhang, X. D., Chang Ku Sun, C. Wang, and S. H. Ye. "Study on Preprocessing Methods for Color 3D Point Cloud." Materials Science Forum 471-472 (December 2004): 716–21. http://dx.doi.org/10.4028/www.scientific.net/msf.471-472.716.

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This paper provides a preprocessing flow for color three-dimension (3D) point cloud according to the characteristics of laser scanning data. The preprocessing methods and their functions are introduced in detail. Automatic system decision and manual polygon selection methods are applied to eliminate unwanted and noise data successfully, which possibly make improper color models reconstructed. A data reduction method is presented based on Grid reduction method considering color-boundary preservation. It can effectively avoid shape and color distortion in model reconstruction. Several experiment

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Yatsenko, Sergey. "Artistic Bone Wares of the Ancient Kangju and the Neighboring Countries." Stratum plus. Archaeology and Cultural Anthropology, no. 4 (September 5, 2024): 311–35. http://dx.doi.org/10.55086/sp244311335.

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The Kangju artistic narrative bone wares can be productively considered only against the background of earlier and synchronous Xiongnu, Khwarezmian and Bactrian Yuezhi artifacts. Apparently, this range of products and subjects took shape after a series of migrations from the turn of the 2nd—1st centuries BC. Such items were elements of the military male elite subculture, found on nomadic artifacts — belts, bows, boxes for valuable small items. In form, they are related to the traditions of the more eastern Xiongnu, from which the Yuezhi fled to Western Turkestan. They depicted only men, and th

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22

Dunkelman, Martha. "Give American customers what they want: Donatello’s sculpture in plaster casts, c. 1870–c. 1910." Sculpture Journal 34, no. 2 (2025): 153–69. https://doi.org/10.3828/sj.2025.34.2.04.

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The plaster casts of the nineteenth century served a major role, often unappreciated today, in the dissemination and interpretation of works of art. An examination of the casts of works by Donatello being offered to American buyers reveals that the Donatello of the late nineteenth century in the United States was not the Donatello of today. Cast sales catalogues include many objects no longer attributed to him, such as the Saint Cecilia (or Saint Helena ) now in Toledo, Ohio. They also neglect some works that are much admired now, such as the pulpits in San Lorenzo. Against a background of the

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Lajsner, Włodzimierz. "Elementy scytyjskiego dziedzictwa kulturowego upamiętnione na ukraińskich monetach okolicznościowych." Folia Praehistorica Posnaniensia 29 (December 20, 2024): 133–57. https://doi.org/10.14746/fpp.2024.29.07.

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The Scythians were people living in the steppe areas of the Black Sea. They did not leave direct successors but their cultural heritage is a part of the Ukrainian historiography. Ukraine emphasizes its own cultural traditions, including that of the steppe peoples, and seeks its identity among them. In this connection, they refer to the barrow burials of the Scythian aristocracy containing numerous valuable items, including those imported from the Greek workshops and which could indicate high social status. Under the grave embankments, archaeologists discovered numerous gold wares of high craft

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Abodunrin, Johnson Adelani. "Training in Nigerian art schools: a critique of gender distribution." Harmonia: Journal of Arts Research and Education 17, no. 2 (2017): 105. http://dx.doi.org/10.15294/harmonia.v17i2.9826.

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<p>Training is indispensable in all facets of life in order to further knowledge and skills irrespective of gender difference, yet this disparity has become a phenomenon in artistic practice in Nigeria. The study aimed at examining art training in relation to gender distribution into various areas of specialization in art schools in Nigeria. There has been a gender imbalance in various areas of specialization which has left certain areas for male and female. Data for this study were collected in art School in Southwestern Nigeria between 2011/2012 to 2014/2015 academic sessions using arc

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Shahbaz Khan, Nadhra. "Persian-Punjabi/Urdu Identities of Traditional Geometrical Patterns Lost During the Colonial Rule of the Punjab (1849–1947)." Manazir Journal 3 (March 7, 2022): 45–63. http://dx.doi.org/10.36950/manazir.2021.3.4.

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Annexation of the Punjab by the British in 1849 brought about major modifications to the local visual culture. Expecting Indian crafts to remain frozen in time (for several reasons), the colonial administrators and art critics disapproved the changes employed by the craftsmen in their wares to cater to the new ruling class. Among the corrective measures adopted by the government to revive the ‘dying’ Indian art and craft, art schools were set up and surveys were conducted to publish illustrated monographs on individual crafts bringing once strictly guarded trade secrets out in the public. By t

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Anthwal, Tushar, and M. K. Pandey. "Assessing State of the Art on Artificial Neural Network Paradigms for Level of Eutrophication Estimation of Water Bodies." IAES International Journal of Artificial Intelligence (IJ-AI) 5, no. 4 (2016): 135. http://dx.doi.org/10.11591/ijai.v5.i4.pp135-142.

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With growing power of computer and blend of intelligent soft wares, the interpretation and analytical capabilities of the system had shown an excellent growth, providing intelligence solutions to almost every computing problem. In this direction here we are trying to identify how different geocomputation techniques had been implemented for estimation of parameters on water bodies so as to identify the level of contamination leading to the different level of eutrophication. The main mission of this paper is to identify state-of-art in artificial neural network paradigms that are prevailing and

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27

Peters, Edem Etim. "Reflections on Pottery Art in the Oil Rich Niger Delta Region of Nigeria: A Study of Pottery Art in Akwa Ibom and Rivers States." European Journal of Engineering Research and Science 4, no. 3 (2019): 145–51. http://dx.doi.org/10.24018/ejers.2019.4.3.1093.

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Niger Delta region is very rich in oil and gas deposits, clay, agricultural land, fisheries, extensive forest and other resources. They are nine states which make the region namely, Abia, Akwa Ibom, Bayelsa, Cross River, Delta, Edo, Imo, Ondo and Rivers. The most oil producing communities among them are Akwa Ibom, Bayelsa, Edo, Delta and Rivers State. Clay is equally found in abundance in all the states like crude oil is found in Niger Delta communities. The available clay mineral in the region has the capacity to transform the nation’s economy if properly utilized. Clay is the basic material

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Peters, Edem Etim. "Reflections on Pottery Art in the Oil Rich Niger Delta Region of Nigeria: A Study of Pottery Art in Akwa Ibom and Rivers States." European Journal of Engineering and Technology Research 4, no. 3 (2019): 145–51. http://dx.doi.org/10.24018/ejeng.2019.4.3.1093.

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Niger Delta region is very rich in oil and gas deposits, clay, agricultural land, fisheries, extensive forest and other resources. They are nine states which make the region namely, Abia, Akwa Ibom, Bayelsa, Cross River, Delta, Edo, Imo, Ondo and Rivers. The most oil producing communities among them are Akwa Ibom, Bayelsa, Edo, Delta and Rivers State. Clay is equally found in abundance in all the states like crude oil is found in Niger Delta communities. The available clay mineral in the region has the capacity to transform the nation’s economy if properly utilized. Clay is the basic material

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Milwright, Marcus. "Pottery in the written sources of the Ayyubid-Mamluk period (c. 567–923/1171–1517)." Bulletin of the School of Oriental and African Studies 62, no. 3 (1999): 504–18. http://dx.doi.org/10.1017/s0041977x00018553.

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Vast quantities of ceramic shards of the Ayyubid-Mamluk period have been recovered from excavations of major urban sites such as Fusṭāṭ and Ḥamā, as well as from numerous smaller settlements in the Levant. Knowledge of the range of glazed and decorated wares has been supplemented by the publication of complete vessels in museum collections. As a result of archaeological and art historical research some production sites have been identified and broad chronological divisions established within the ceramic repertoire. Less well understood, however, is the social and economic environment within wh

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Hryniuk, Mariia, and Mykola Chornyi. "The Sacral Image of the Kosiv Painted Ceramics." Bulletin of KNUKiM. Series in Arts, no. 41 (December 30, 2019): 209–15. https://doi.org/10.31866/2410-1176.41.2019.188701.

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The purpose of the article is to point out the sacral image content of thematic series of compositions within the painting palette of ornaments and plots in the Kosiv painted ceramics; to reflect the stages of the development of this genre in decoration with the Kosiv painted ceramics. The research methodology applies the method of comparative analysis of forms, decorating techniques and ware destination of the 19th – early 21st centuries. The scientific novelty. For the first time, the attempts are made to pay attention to the localization of the topical palette of painting in Kosiv pai

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Georgi, Karen L. "Defining Landscape Painting in Nineteenth-Century American Critical Discourse. Or, Should Art ‘Deal in Wares the Age Has Need of’?" Oxford Art Journal 29, no. 2 (2006): 227–45. http://dx.doi.org/10.1093/oxartj/kcl003.

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Vachirapattarakul, Vatchara, Pramote Pinsakul, Weera Nattratip, Kritsadakon Chueamklang, and Panich Somsaad. "The Connection and Extended Development in Making for Khmer Ceramics Culture: A Case Study of Thailand and the Kingdom of Cambodia." Migration Letters 20, no. 5 (2023): 1217–29. http://dx.doi.org/10.59670/ml.v20i5.4885.

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The objectives of this research are to study the current status of the earthenware production profession, develop and disseminate knowledge gained from research about the cultural landscape network of Khmer-culture ceramics, and promote the exchange of knowledge in Khmer-culture ceramic production between Thailand and the Kingdom of Cambodia. The ultimate goal is to transfer the research findings into practical applications for both commercial and public benefits. The results of the research study have provided insights into the characteristics, patterns, and motifs of Khmer-inspired glazed ce

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Heuer, Keely. "Tenacious Tendrils: Replicating Nature in South Italian Vase Painting." Arts 8, no. 2 (2019): 71. http://dx.doi.org/10.3390/arts8020071.

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Elaborate floral tendrils are one of the most distinctive iconographic features of South Italian vase painting, the red-figure wares produced by Greek settlers in Magna Graecia and Sicily between ca. 440–300 B.C. They were a particular specialty of Apulian artisans and were later adopted by painters living in Paestum and Etruria. This lush vegetation is a stark contrast to the relatively meager interest of Archaic and Classical Athenian vase painters in mimetically depicting elements of the natural world. First appearing in the work of the Iliupersis Painter around 370 B.C., similar flowering

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Korolkova, E. F. "ABOUT STYLES AND METAMORPHOSES (the Issue of Definitions in the Study of Sarmatian Animal Style)." Archaeology and Early History of Ukraine 36, no. 3 (2020): 150–56. http://dx.doi.org/10.37445/adiu.2020.03.07.

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This paper is devoted to the problems of scientific definitions concerning the study of the Sarmatian animal style art. This art is represented with the gold decorative objects which often ornamented with colour inlays of different shapes, mostly made of turquoise often used together with other minerals. This art shows the specific features to distinct it from the phenomenon of the Scythian animal style. Decoration of the artistic wares with colour inlays reflects a specific aesthetic tastes and typical method of jewelry of the Sarmatian era. This polychromic effect used to be considered as a

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Gryzlova, Anastasia A. "FORMATION AND REPRESENTATION OF THE COLLECTION OF PORCELAIN WARES OF KHAITA PORCELAIN PLANT IN EXHIBITION ACTIVITIES OF SUKACHEV IRKUTSK REGIONAL ART MUSEUM." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 26 (June 1, 2017): 149–58. http://dx.doi.org/10.17223/22220836/26/16.

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Gao, Ming. "Exploration of Teaching Design for University Art Theory Courses Based on VR Technology - Taking Shang and Zhou Bronze Wares as an Example." Art and Design 7, no. 4 (2024): 275. http://dx.doi.org/10.31058/j.ad.2024.74033.

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Motyl, Romana. "The Traditional Ceramics of Bukovyna of the XIXth–XXth Centuries: Historical, Cultural and Artistic Features." JOURNAL OF ETHNOLOGY AND CULTUROLOGY 31 (2022): 22–29. http://dx.doi.org/10.52603/rec.2022.31.03.

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The article is devoted to the traditional ceramics of Bukovyna – one of the ethnographical regions of Ukraine, where in the XIXth–XXth centuries the pottery of high-quality technology and high artistic level was developed. The historical and cultural processes, which occurred on this territory and influenced the development of handicraft are considered. The pottery centers are highlighted and the creative works of leading potters are analyzed. The peculiarities of manufacturing technology, the local names and the purpose of clay products are recorded. The characteristic features of the traditi

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Alexander, Ingrid C. "Processes and Performance in Renaissance Painting." MRS Bulletin 17, no. 1 (1992): 28–31. http://dx.doi.org/10.1557/s0883769400043219.

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During the greater part of the 15th century, the Burgundian princes created a stable, unified center for industry and the flourishing of the arts in the Netherlands. Philip the Good became one of the most powerful and wealthy princes of the House of Burgundy in the period. Under his rule, the Netherlands became an important center for commerce. The port of Bruges, and later Antwerp, offered easy access to the important trade routes. The German merchants of the Hansa towns of Bremen, Danzig, Lübeck, and Hamburg and ships from England and the Baltic regions brought wares to be bought and sold in

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Ndubueze, Doris N., and M. U. Igboekwe. "Investigation of Aquifer Vulnerability under some Protective Measures in Ehime Mbano, South-Eastern Nigeria for Sustainable Groundwater Development." Nigerian Journal of Physics 33, S (2024): 126–33. http://dx.doi.org/10.62292/njp.v33(s).2024.252.

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This study focuses on assessing aquifer vulnerability to contamination in Ehime Mbano South-Eastern Nigeria by applying the DRASTIC model. The data was obtained using (VES) vertical electrical sounding technique by applying Schlumberger configurations with AB/2 = 400 m. The VES data were interpreted using state of the art soft wares e.g. IP12WIN and Surfer 12 to obtain the final model for each VES, groundwater vulnerability map was also developed while aquifer media was gotten by taking into account, the depth at which water was struck and correlating those depths with the lithological descrip

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Kebede, Fassikaw, Habtamu Tarekegn, Mulugeta Molla, Dube Jara, and Abebe Abate. "Incidence and Predictors of Pulmonary Tuberculosis among Children Who Received Antiretroviral Therapy (ART), Northwest Ethiopia: A Multicenter Historical Cohorts Study 2009–2019." Journal of Tropical Medicine 2022 (January 29, 2022): 1–9. http://dx.doi.org/10.1155/2022/9925693.

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The human immune deficiency virus (HIV) is the strongest risk factor for endogenous reactivation of pulmonary tuberculosis (PTB) through target reduction of CD4, T-lymphocytes, and cellular immune function. Almost one-third of deaths among people living with HIV are attributed to tuberculosis. Despite this evidence, in Ethiopia, information is scarce and meager regarding PTB incidence after ART initiated for seropositive children. Methods. Facility-based multicenter historical cohort was conducted among 721 seropositive children after initiating ART from January 1, 2009, to December 31, 2019.

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Heng, Geraldine. "An Ordinary Ship and Its Stories of Early Globalism." Journal of Medieval Worlds 1, no. 1 (2019): 11–54. http://dx.doi.org/10.1525/jmw.2019.100003.

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An ordinary ship and its cargo can tell the story of far-flung global markets, human voyaging, and early industrialization in China that supplied exports to the world. Sometime after 825 CE an Arab dhow set sail from the port of Guangzhou in coastal south China, having unloaded its goods from the Near East, and reloaded with some estimated 70,000 ceramics and other items, on its return voyage to the Abbasid empire. Taking the route that has been called “the maritime silk road,” this hand-sewn ship made of planks fastened with coconut fiber (without any nails) seems to have decided to offload s

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Abiodun, Segun Oladapo, and Moses Akintunde AKINTONDE. "Clay and Its Usage in Contemporary Pottery Practice in Southwestern Nigeria." International Journal of Progressive Sciences and Technologies 46, no. 2 (2024): 503. https://doi.org/10.52155/ijpsat.v46.2.6602.

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Clay is arguably the most available ceramic material in the world. Its typology is characterised by geological formation as well as physical and elemental composition. Clay is being used for various pottery and ceramic activities across the globe as a result of its malleability and high thermal property. Scholastic publications on various types of clay and its usage are abounding in diverse field of studies including ceramics. Still there is scholarship gap on clays that are used in contemporary pottery in Southwestern Nigeria. This study therefore identified twenty clay deposits that were act

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Liu, Yuhan. "Exploration of Aesthetic Ideas in Bronze Patterns of the Xia, Shang and Zhou Periods." Highlights in Art and Design 4, no. 1 (2023): 100–104. http://dx.doi.org/10.54097/hiaad.v4i1.11995.

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From the perspective of historiography, bronze is a highly concentrated material representation of the social, political, religious and cultural aspects of the Xia, Shang and Zhou Dynasties. From the perspective of aesthetics, bronzes are the physical embodiment of the artistic aesthetics of the Xia, Shang and Zhou dynasties. However, by integrating history and aesthetics, bronzes are the epitome of the development of Chinese aesthetics from primitive aesthetic consciousness to traditional Chinese aesthetic thought. The patterns in bronzes became an important carrier of the aesthetic concepts

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A., Fatuyi O. "Technological Shift and Consequences for Pottery Practices in South-Western Nigeria." International Journal of Sciences Volume 7, no. 2018-06 (2018): 93–102. https://doi.org/10.5281/zenodo.3350340.

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Art and crafts including pottery from early times have played significant roles that are characterized by striking clarity, distinctness or truth to life. Nigerian traditional pottery has flourished as a viable occupation, especially among Nigerian women. Pottery were produced to satisfy domestic, ceremonial, religious and ritual purposes as evidenced in Nok, Gwari, Osun, Ekiti and Akoko Edo areas. It is observed that the traditional pottery industry suffered a major setback due to technological advancement and styles of production. The industry is now on the verge of decline in many places du

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Віктор, Волошенко. "Витоки художнього металу Львова (досвід міських металообробних цехів XIV – XVIII ст.)". ВІСНИК Львівської національної академії мистецтв, № 31 (10 травня 2017): 161–73. https://doi.org/10.5281/zenodo.573825.

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The organizational, structural, artistic features of treatment of metal are analysed in the process of development of workshop handicraft of Lviv ХІV – ХVІІІ of century. Reflected are the stages of forming of metal-working workshops, process of differentiation of basic specialties, work of leading masters, character of exempla a rewires obligatory for a receipt the artisans of status of workshop masters. Separate parallels are conducted between the Lviv and metal-working of Western Europe handicraft in the context of forming of aesthetic lines of workshop hardware of time of Ukrainian late mid

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Peters, Edem Etim, and Ruth Mataba Gadzama. "Influence of British Pottery on Pottery Practice in Nigeria." European Journal of Engineering Research and Science 4, no. 6 (2019): 19–24. http://dx.doi.org/10.24018/ejers.2019.4.6.1254.

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The pottery narratives of Nigeria majorly linked with the activities of a great British potter Michael Cardew who Established pottery centres in Nigeria, and trained many Nigerians in Pottery. Cardew studied under Bernard Leach (1887 – 1979) who travels extensively and taught pottery around the world.Leach studied pottery under Master Kenzan VI in Japan and returned to England in 1920 to establish his own pottery at St. Ives with Shoji Hamada. The impact in pottery created by Cardew in Nigeria from 1950 is a direct British Pottery influence imparted to him by leach at St. Ives. A British potte

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Peters, Edem Etim, and Ruth Mataba Gadzama. "Influence of British Pottery on Pottery Practice in Nigeria." European Journal of Engineering and Technology Research 4, no. 6 (2019): 19–24. http://dx.doi.org/10.24018/ejeng.2019.4.6.1254.

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The pottery narratives of Nigeria majorly linked with the activities of a great British potter Michael Cardew who Established pottery centres in Nigeria, and trained many Nigerians in Pottery. Cardew studied under Bernard Leach (1887 – 1979) who travels extensively and taught pottery around the world.Leach studied pottery under Master Kenzan VI in Japan and returned to England in 1920 to establish his own pottery at St. Ives with Shoji Hamada. The impact in pottery created by Cardew in Nigeria from 1950 is a direct British Pottery influence imparted to him by leach at St. Ives. A British potte

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Pawłowska, Beata. "Religijne podróże do Rzymu w okresie przedkonstantyńskim." Vox Patrum 48 (June 15, 2005): 267–74. http://dx.doi.org/10.31743/vp.8725.

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An zweiter Stelle stehen Reisen „einfacher" Reisenden, die durch wahres Glauben mit der Kirche verbunden waren. Nur an dieser Art von Besuchem hatten die polemisch eingestellten Vater der damaligen Kirche wenig Interesse, um sie namentlich in eigenen Schriften zu erwahnen. Vielleicht aber betrachteten sie ihre Reisen in die ewige Stadt als etwas ganz Normales.

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Ranjit, Beth. "Can the use of the Mental Health Act be the 'least restrictive' approach for psychiatric in-patients?" International Journal of Mental Health and Capacity Law 2016, no. 22 (2016): 51. http://dx.doi.org/10.19164/ijmhcl.v2016i22.551.

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<p>In England and Wales, involuntary admissions for assessment or treatment in mental health wards are based on the legal framework of the Mental Health Act 1983 (as amended in 2007) or the Mental Capacity Act 2005, with the Deprivation of Liberty Safeguards introduced in 2007. But what is the "least restrictive" approach and are we truly safeguarding in-patients’ liberty by curbing use of the Mental Health Act in particular groups?</p>

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G. Lyubomir, Berov. "Are wars inevitable?" Journal of Obesity and Fitness Management 1, no. 1 (2023): 01–03. http://dx.doi.org/10.58489/2836-5070/006.

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Other psychologists, for example E. Durbin and John Bowlby, believe that aggression is characteristic of man by nature. It gives rise to sublimation and projection when a person turns their dissatisfaction into prejudice and hatred of other races, religions, nations or ideologies.

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