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1

John, Drewal Henry, Pemberton John 1928-, Homberger Lorenz, and Museum Rietberg, eds. Yoruba, art and aesthetics. [New York]: Center for African Art, 1991.

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2

Philippe, Dagen, Musées du Château de Nantes, and Expression(s) décoloniale(s) (2nd : 2021 : Nantes, France), eds. Romuald Hazoumè: Yoruba universel. Nantes]: Les éditions Château des ducs de Bretagne, 2021.

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3

Patton, Pedro Pablo Aguilera. Religión y arte yorubas. La Habana: Editorial de Ciencias Sociales, 1994.

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4

Patton, Pedro Pablo Aguilera. Religión y arte yorubas. La Habana: Ciencias Sociales, 1996.

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5

Beier, Ulli. Thirty years of Oshogbo art. [Bayreuth, West Germany]: IWALEWA, 1991.

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6

Beier, Ulli. A sea of indigo: Yoruba textile art. Enugu, Nigeria: Fourth Dimension Publishing, 1997.

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7

Babatunde, Lawal. Oyibo: Representations of the colonialist other in Yoruba art, 1826-1960. Boston: African Studies Center, Boston University, 1993.

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8

Drewal, Henry John. Gẹlẹdẹ: Art and female power among the Yoruba. Bloomington: Indiana University Press, 1990.

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9

Rowland, Abiodun, Drewal Henry John, Pemberton John 1928-, and Museum Rietberg, eds. The Yoruba artist: New theoretical perspectives on African arts. Washington: Smithsonian Institution Press, 1994.

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10

MacGougan, Sharon. Nok & juju: Nigerian art and music. Richmond, B.C: Briarwood Pub., 1992.

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11

Babatunde, Lawal. The Gẹ̀lẹ̀dé spectacle: Art, gender, and social harmony in an African culture. Seattle: University of Washington Press, 1996.

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12

The Gèḷèḍé spectacle: Art, gender, and social harmony in an African culture. Seattle: University of Washington Press, 1996.

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13

Satires of power in Yoruba visual culture. Durham, N.C: Carolina Academic Press, 2012.

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14

Babasehinde, Ademuleya, Onipede Akin 1965-, Omoighe Mike, and Culture and Creative Art Forum., eds. Creative traditions in Nigerian arts. Lagos: Culture and Creative Art Forum (CCAF), 2003.

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15

Hanni, Jantzen, Bertsch Ludwig, and Missio Aachen, eds. Doppel-Leben: Ibeji, Zwillingsfiguren der Yoruba. München: Hirmer, 1993.

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16

Lorenz, Carol Ann. African shapes of the sacred: Yoráubâa religious art in the Longyear Museum of Anthropology : September 4-October 29, 2006. Hamilton, N.Y: Longyear Museum of Anthropology, Colgate University, 2006.

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17

Religión y arte yorubas. 3rd ed. La Habana: Editorial de Ciencias Sociales, 1994.

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18

Izevbigie, Alfred Omokaro. Olokun: A focal symbol of religion and art in Benin. Ann Arbor, Mich: UMI Dissertation Services, 2003.

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19

1928-, Pemberton John, and Picton John, eds. Ibeji: The cult of Yoruba twins. Milan: 5 Continents, 2003.

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20

Ulli, Beier, Savelsberg Claudia, Historisches Museum (Bamberg Germany), Staatliches Museum für Völkerkunde München., and IWALEWA-Haus (Bayreuth Germany), eds. Yoruba: Das Überleben einer westafrikanischen Kultur : eine Ausstellung des Historischen Museums Bamberg in Zusammenarbeit mit dem Staatlichen Museum für Völkerkunde in München und mit dem IWALEWA-Haus in Bayreuth. Bamberg: Druckerei Fruhauf, 1991.

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21

photographer, Depienne Jean-Pierre 1952, ed. Ere ibeji: Dos and Bertie Winkel collection. Delft: Elmar, 2013.

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22

Raul Giovanni da Motta Lody. Yorubá: Um estudo etno-tecnológico de 50 peças da Coleção Arte Africana do Museu Nacional de Belas-Artes. [Rio de Janeiro?]: Ministério da Cultura, Secretaria do Patrimônio Histórico e Artístico Nacional, Fundação Nacional Pró-Memória, 1985.

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23

Nigeria) Nike Art Gallery (Lagos. Stitches of partnership II: Featuring the works of Nike Okundaye & Tola Wewe. Lagos: Nike Art Gallery, 2013.

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24

Akinwumi, Tunde M. Adire eleko fabric art: A vanishing Nigerian indigo impression. Lagos: May University Press Limited, 2015.

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25

Nigeria. National Commission for Museums and Monuments. Music, dance and Yoruba culture: Exhibition guide. Nigeria: National Commission for Museums and Monuments, 2002.

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26

Abiodun, Rowland. A young man can have the embroidered gown of an elder, but he can't have the rags of an elder: Conversations on Yoruba culture. [Bayreuth]: IWALEWA, 1991.

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27

Abiodun, Rowland. "What follows six is more than seven": Understanding African art. London: British Museum Dept. of Ethnography, 1995.

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28

Íṣọ̀lá, Akínwùmí. The modern Yorùbá novel: An analysis of the writer's art. Ibadan, Nigeria: Heinemann Educational Books (Nigeria) Plc, 1998.

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29

Harris, Michael DeHart. Contemporary Yoruba art in Ile-Ife: History, continuum, motive and transformation. Ann Arbor, MI: UMI, 1996.

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30

Campbell, Bolaji. Painting for the gods: Art and aesthetics of Yoruba religious murals. Trenton NJ: Africa World Press, 2008.

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31

Flak, Galerie, ed. Ibedji: Le culte des jumeaux en pays Yoruba. Paris: Galerie Flak, 2001.

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32

Azeez, Ademola. Issues and challenges of creativity in contemporary Nigerian art. Lagos: Culture and Creative Art Forum, 2005.

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33

Völkerkunde, Rautenstrauch-Joest-Museum für, ed. Afrika: Sammlung Doetsch. Köln: Stadt Köln, 1989.

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34

Doris, David Todd. Vigilant things: On thieves, Yoruba anti-aesthetics, and the strange fates of ordinary objects in Nigeria. Seattle: University of Washington Press, 2011.

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35

Polo, Fausto. Encyclopedia of the Ibeji. [Chieri, Italy]: Ibeji Art, 2008.

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36

Amrouche, Pierre. Ibedji: Le culte des Jumeaux en pays Yoruba [catalogue de l'exposition, Paris, Galerie Flak, décembre 2001-Janvier 2002]. Paris: Galerie Flak, 2001.

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37

Probst, Peter. Osogbo and the art of heritage. Bloomington [Ind.]: Indiana University Press, 2011.

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38

Vigilant things: On thieves, Yoruba anti-aesthetics, and the strange fates of ordinary objects in Nigeria. Seattle: University of Washington Press, 2011.

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39

Wolfgang, Denk, Borchardt-Birbaumer Brigitte, and Schantl Alexandra, eds. Susanne Wenger: 60 Jahre Afrika : Künstlerin, Priesterin, Abenteurerin = 60 years in Africa : artist, priestess, adventuress. [St. Pölten]: Residenz Verlag, 2015.

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40

1928-, Pemberton John, Abiodun Rowland, Beier Ulli, and Mead Art Museum (Amherst College), eds. Cloth only wears to shreds: Yoruba textiles and photographs from the Beier collection. Amherst, Mass: Mead Art Museum, Amherst College, 2004.

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41

Ọkẹ, Ṣẹgun. Adirẹ cloth in Nigeria, 1971-2016. [Place of publication not identified]: Doig D. Simmonds, on behalf of the Institute of African Studies, University of Ibadan, 2016.

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42

Okundaye, Nike. Adire: An unspoken language : the patterns and meanings of an indigenous Yoruba textile : a pictorial book. Lagos, Nigeria]: [publisher not identified], 2010.

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43

1948-, Mason John, and University of California, Los Angeles. Fowler Museum of Cultural History., eds. Beads, body, and soul: Art and light in the Yorùbá universe. Los Angeles: UCLA Fowler Museum of Cultural History, 1998.

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44

Manipulating the Sacred: Yoruba Art, Ritual, and Resistance in Brazilian Candomble (African American Life Series). Detroit, USA: Wayne State University Press, 2006.

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45

1941-, Cosentino Donald, and Silva Vagner Gonçalves da, eds. Eshu: The divine trickster. Woodbridge, Suffolk: Antique Collectors' Club Ltd., 2013.

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46

Museum for African Art (New York, N.Y.), ed. Dinastía y divinidad: Arte Ife en la antigua Nigeria. Madrid]: Fundación Marcelino Botín, 2009.

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47

Arturo, Lindsay, ed. Santería aesthetics in contemporary Latin American art. Washington: Smithsonian Institution Press, 1996.

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48

Osogbo and the art of heritage. Bloomington [Ind.]: Indiana University Press, 2011.

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49

Fakeye, Lamidi Olonade. Conversations with Làmídì Fákéye. Ikoyi, Lagos [Nigeria]: Revilo, 2012.

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50

Denk, Wolfgang. Susanne Wenger: Tief in Dir bist Du oh Mensch der Gott als Baum, als Stein, als Tier : eine biographische Collage. Krems: Kunsthalle, 1995.

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