Relevant bibliographies by topics / Artă contemporană

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Artă contemporană'

Author: Grafiati
Published: 5 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Artă contemporană"

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Babin, Dana. "Der unendliche hermeneutische Weg als Wahrheitsgeschehen." Hiperboreea A2, no. 2 (2013): 19–28. http://dx.doi.org/10.5325/hiperboreea.2.2.0019.

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Abstract Hermeneutica filosofică, departe de a fi doar o îndeletnicire livrească, în care să se poată ajunge la interpretarea cea mai potrvită a unui text, se apropie mai degrabă de o realizare ontologică. Înțelegerea nu aparține exclusiv unui subiect, ci se desăvârșește în relație cu un concept suprem al adevărului, înrădăcinat în Ființă. De aceea, orice demers hermeneutic este de fapt o apropiere de Ființă. Lucrarea de față își asumă acest punct de vedere și admite că modelul operei de artă este cel mai apropiat celui hermeneutic, tocmai prin lipsa metodei științifice, atât de răspândite în
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Marghidan, Ecaterina, Madalina Vieriu, and Raluca Simona Loghi Loghin. "From Mosaic to Pixel in Textile Art." Klironomy 2, no. 5 (2022): 36–43. https://doi.org/10.47451/art2022-05-04.

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Due to technology and how the woven or knitted textile surfaces are created, they can be reduced to a graphical representation of modular, often square modular geometric grids. Thus thought, any decorative composition resembles the mosaic technique in which for the construction of the image it is reduced to a structure of units of the same size but of different colours or textures. Historically, the patchwork illustrates the technique of textile mosaic and makes the transition between classical, manual or mechanical techniques and contemporary digital art. Pixel art and the compositions of NFT
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Adina, Jurca. "Contemporary ceramics art and its transgressive side." European Scientific e-Journal 4, no. 4 (2020): 77–83. https://doi.org/10.47451/art2020-12-001.

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This paper’s author proposes a discussion on the ranking of ceramics as art, a few aspects in regards to Ceramic Art’s inclusion in Contemporary Art context. The researcher is calling into question the shallow division between Decorative and Major Arts, a century after the distinction disappeared. Respectively, the art object made with ceramic material, in the general context of Contemporary Art and a few ways of manifestations of this art that leads toward permanent transgressive dimensions of artistic ceramic. The author concludes that Ceramic Art’s Transgressive character
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Gaşpar, Loredana. "Elements of the Romanian mythical space in advertising." Klironomy 1, no. 7 (2023): 7–15. https://doi.org/10.47451/art2023-03-01.

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For design, the myth is a source that creators turn to in order to translate into everyday life those ideas that we have genetically implanted in us and to which we feel a call or to which we refer at certain times. The myth is for every society an identity known by the vast majority, which is why it is used in design either to repeat the primordial acts of the ancestors unconsciously, or consciously to make connections between the newly created object and the mythological one, which is it ensures credibility, security and success, and, in addition to these, an emotion coming from a more or le
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Boldasu, Romina. "Theatre Semiotics in the 21st century." European Scientific e-Journal 4, no. 4 (2023): 54–63. https://doi.org/10.47451/art2020-11-004.

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The role of the actor has been in continuous change across time. Therefore, the teaching paradigm needs to be transformed in order to meet the 21st century needs and interests. Theatre is not only an aesthetic tool in contemporary society but also an instrument in transmitting social, political and cultural information. The body of the actor contains within itself a system of verbal and non-verbal communication mechanisms that one must master in order to create dialogue across the globe. The author concludes that in the contemporary world, countless systems of communication are integrated whic
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Jiménez, J. L. L. "Mobile Telephony in Contemporary Art (Mobile Art)." Afluir, no. 6 (November 2, 2022): 7–26. http://dx.doi.org/10.48260/ralf.6.116.

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El teléfono móvil no solo se ha convertido en un objeto cultural de uso cotidiano sino que su uso ha traspasado las fronteras de la comunicación telefónica interpersonal, han aparecido nuevos usos como por ejemplo herramienta para la creación artística. El uso del teléfono móvil para la creación de proyectos artísticos, se ha convertido en una práctica muy habitual de múltiples artistas en los últimos años, estos artistas ven a esta herramienta como el objeto tecnológico más adecuado para desarrollar una gran variedad de proyectos audiovisuales. Aunque es una práctica aún muy desconocida para
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Oguibe, Olu, and Nicole Guez. "L'Art Africain Contemporain/Contemporary African Art: Guide." African Arts 30, no. 1 (1997): 91. http://dx.doi.org/10.2307/3337485.

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Zarobell, John. "Arts Special Issue “The Contemporary Art Market”." Arts 10, no. 3 (2021): 43. http://dx.doi.org/10.3390/arts10030043.

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When setting out to organize this Special Issue of Arts, I began with the goal to survey the emerging field of art market studies but also to expand the notion of the market to include alternatives, such as art collectives and festivals, that challenge the dominance of the market as the pre-eminent arbiter of cultural value [...]
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Rieux García, Anaix. "LA CONTROVERSIA EN EL ARTE CONTEMPORÁNEO." El Pájaro de Benín, no. 10 (2024): 142–65. https://doi.org/10.12795/pajaro_benin.2024.i10.04.

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El artículo analiza los distintos conceptos y posicionamientos sobre la naturaleza del arte contemporáneo, con especial atención a las distintas fuentes de pensamiento y los razonamientos que pudieron sustentar algunas de las principales claves de su evolución a lo largo del siglo XX. Para ello analiza una serie de pares de valores, como la relación entre arte y mercado y la evolución de esa relación en función de los grandes cambios sociales y la mentalidad en torno al nuevo arte.
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Alegría Alegría, Alfredo. "Preferencias Artes visuales en Trujillo: Reflejos en silencio." Illapa Mana Tukukuq, no. 12 (February 20, 2019): 50–57. http://dx.doi.org/10.31381/illapa.v0i12.1918.

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El texto se refiere a la problemática del desarrollo de las artes visuales en la ciudad de Trujillo. A partir de una presentación histórica sobre el desarrollo artístico contemporáneo trujillano en las Bienales de Arte se presenta una serie de creadores tanto en la pintura, como la escultura, la fotografía y el cine. Se plantea un reclamo a los artistas: rechazar el individualismo extremo y aceptar el desafío de la realidad como forma de expresar y orientar realmente a la sociedad.
 Palabras Clave: Artes Visuales, Arte Contemporáneo, Expresión Estética
 
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Dissertations / Theses on the topic "Artă contemporană"

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POLA, FRANCESCA. "MITICO PLASTICO MAGICO. Italia e Germania 1918-1925. Episodi e figure di un dialogo artistico." Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/218.

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La ricerca ha individuato come elemento specifico d'interesse la ricostruzione storico-critica delle relazioni artistiche tra Italia e Germania, nel periodo compreso tra il 1918 e il 1925, nel corso del quale sono stati riscontrati gli episodi più rilevanti e i momenti originanti di sviluppi significativi per gli artisti, i galleristi e gli intellettuali coinvolti in queste relazioni. La ricostruzione storica delle vicende espositive, bibliografiche, documentarie, che hanno costituito il tessuto attraverso il quale si sono sviluppati e intrecciati i percorsi dei due ambiti culturali, è stata
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POLA, FRANCESCA. "MITICO PLASTICO MAGICO. Italia e Germania 1918-1925. Episodi e figure di un dialogo artistico." Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/218.

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La ricerca ha individuato come elemento specifico d'interesse la ricostruzione storico-critica delle relazioni artistiche tra Italia e Germania, nel periodo compreso tra il 1918 e il 1925, nel corso del quale sono stati riscontrati gli episodi più rilevanti e i momenti originanti di sviluppi significativi per gli artisti, i galleristi e gli intellettuali coinvolti in queste relazioni. La ricostruzione storica delle vicende espositive, bibliografiche, documentarie, che hanno costituito il tessuto attraverso il quale si sono sviluppati e intrecciati i percorsi dei due ambiti culturali, è stata
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Bruna, Chávez Rodrigo. "La instalación (arte) en Chile: estudio histórico crítico de su origen y desarrollo, 1969-2014." Doctoral thesis, Universitat Autònoma de Barcelona, 2021. http://hdl.handle.net/10803/672516.

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La present investigació té com a finalitat comprendre des d'una perspectiva històrico-crítica, com sorgeix i es desenvolupa la instal·lació (art) a Xile, entre els anys 1969 i 2014. Els estudis entorn a aquesta pràctica, en l'àmbit internacional, són amplis i variats, però, en el nostre context aquests són escassos, centrant-se principalment en la revisió d'obres particulars. Davant d'aquest escenari i en concordança amb el nostre objecte d'estudi ens plantegem les següents preguntes: Quina incidència va tenir el context històric, polític i artístic en el sorgiment i desenvolupament d'aquest m
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Lombao, Méndez Sonia. "El arte de acción en Catalunya. Jordi Benito y su contexto." Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/286730.

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En esta tesis se ha planteado un nuevo estudio de las acciones realizadas por artistas catalanes en los años setenta, que no atiende únicamente a aspectos formales sino, sobre todo, al análisis de la situación cultural, política e intelectual en la que se produjeron. Para este análisis he utilizado diversas fuentes, como los artículos de Alexandre Cirici en la prensa local y publicaciones de la época como Le happening de Jean Jacques Lebel, en las que se pudieron inspirar los artistas, pero también fuentes posteriores de carácter secundario como las críticas de Teresa Camps, entre otras. Con e
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Grau, Armengol Matilde. "Alteracions. Noves significacions en recorreguts escultòrics recents." Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/463078.

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Aquesta tesi es centra en l’anàlisi de diferents obres artístiques creades a partir de l’acció d’alterar alguna de les seves característiques i indagar les possibilitats expressives d’aquesta acció. Entenem les alteracions com a estratègies creatives, com el resultat de transformar una cosa en una altra diferent modificant la matèria original, els seus trets formals, la dimensió natural i/o l’emplaçament espacial. La tesi és un estudi comparatiu d’una sèrie d’obres que ens endinsen en la realitat escultòrica del segle XXI i que ens permetrà entendre-la com una evolució de les experimentaci
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Gutiérrez, Torres David. "La construcción de un contexto artístico en Barcelona, 1995-2015." Doctoral thesis, Universitat Autònoma de Barcelona, 2021. http://hdl.handle.net/10803/673130.

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Aquesta tesi analitza les principals característiques de la construcció del context artístic barceloní des d'inicis dels anys noranta. Estudia els elements que caracteritzen l'aparició d'una nova generació d'artistes en el context de Barcelona, el tall enfront de la producció artística anterior que suposa i la seva continuïtat fins avui. Un context artístic que des dels anys noranta manté elements en comú amb les produccions artístiques d'altres àmbits i llocs. De fet, participa i és fruit del fenomen de la globalització i la manera en la qual ha afectat tant les pràctiques artístiques com a l
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Rodrigues, Ligia Luciene. "A perpectiva no trabalho de Regina Silveira : uma investigação da perpectiva na arte contemporanea." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284655.

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Orientador: Anna Paula da Silva Gouveia<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-11T01:08:39Z (GMT). No. of bitstreams: 1 Rodrigues_LigiaLuciene_M.pdf: 12550285 bytes, checksum: 4f284662bc2db2aca73e8df0bb416bee (MD5) Previous issue date: 2008<br>Resumo: Esta pesquisa teve por objetivo investigar a utilização da perspectiva na arte contemporânea por meio do trabalho da artista plástica brasileira Regina Silveira. Uma das preocupações foi analisar as questões que estão por trás da presença da perspectiva dentro da
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Moulon, Dominique. "L'art au-delà du numérique : Pratiques et cultures numériques plurielles d’un art contemporain singulier." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H303.

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Le numérique s'est immiscé dans toutes les sphères, privées, publiques et professionnelles, de nos sociétés et les a façonnées. Depuis toujours, les artistes se saisissent des techniques ou technologies de leur temps afin d'en témoigner. A chaque innovation détournée correspondent ainsi des œuvres mais il faut du temps au monde de l'art pour intégrer de nouvelles pratiques comme de nouveaux médias. Impatients, les plus fervents défenseurs de l'art numérique se sont structurés en communautés à l'international en organisant des événements dédiés. Leurs pratiques arrivent aujourd'hui à maturité e
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De, Conti Diana <1987&gt. "Commistioni tra arte e suono: la Sound Art." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4488.

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La Sound Art si configura come un fenomeno artistico sperimentale presente nell'arte contemporanea. Rappresenta una confluenza interdisciplinare tra arte e musica:principio di comunanaza diviene il suono puro,inteso quale medium espressivo, veicolo di significato e materia plasmabile. Dopo una panoramica introduttiva sulla forma d'arte in questione viene presentato un tracciato storico sulle figure e le opere emblematiche a partire dalle esperienze delle Avanguardie del secolo scorso sino ai nostri giorni.
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Gazzola, Mariangela <1988&gt. "TRASH ART: rifiuti e ricicli nelle arti visive contemporanee." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4153.

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La tesi di laurea analizza la presenza del rifiuto e del riciclo nelle arti visive contemporanee partendo da un breve excursus storico che ne identifica la comparsa nei primi anni del Novecento e le prime operazioni di inserimento nelle opere fino agli anni Settanta, proseguendo poi con un’analisi circoscritta all’arte contemporanea più recente e all’area europea e statunitense. Nella seconda parte della tesi l’attenzione si sposta sull’utilizzo del rifiuto e del riciclo nell’area africana e sudamericana, sottolineandone punti di contatto e differenze rispetto all’Occidente e dando uno sguardo
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Books on the topic "Artă contemporană"

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Balaci, Ruxandra. Muzeul Naţional de Artă Contemporană. [s.n.], 2004.

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Victor, Bortaş, ed. Colecţia regală de artă contemporană. Editura UNARTE, 2011.

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Lupu, Flavia. Corpul, artă și politică în imaginea contemporană. Editura Paralela 45, 2021.

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Străchinaru, Petre. Lucrări de artă monumentală contemporană din județul Covasna: Realizate în edițiile 1974-1997 ale Simpozionului Național de Sculptură = Contemporary monumental works in Covasna country : realized between 1974-1997 in the course of the National Simposyums for Sculpture. Centrul de Cultură Arcuș, 1998.

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Milano, Christie's. Arte moderna e contemporanea: Modern and contemporary art. Christie's, 2001.

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Milano, Christie's. Arte moderna e contemporanea: Modern and contemporary art. Christie's, 2002.

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Soulages, François. Photographie contemporaine & art contemporain. Klincksieck, 2012.

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Giacinto, Di Pietrantonio, ed. FuoriUso '95: Caravanserraglio arte contemporanea = caravanseray of contemporary art. Umberto Sala per conto di Associazione culturale arte nova, 1996.

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Melo, Alexandre. Arte contemporanea portuguesa (Portuguese contemporary art) / Alexandre Melo, Joao Pinharanda. Grafispaco, 1986.

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Muteba, Luntumbue Toma, Poinas Claire, and Musée royal de l'Afrique centrale., eds. ExitCongoMuseum: Hedendaagse kunst = art contemporain = contemporary art. Koninklijk Museum voor Midden-Afrika, 2001.

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Book chapters on the topic "Artă contemporană"

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Giaretta, David. "Contemporary Performing Arts TestbedTestbed Contemporary Performing Arts Testbed." In Advanced Digital Preservation. Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-16809-3_22.

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jagodzinski, jan, and Jason Wallin. "Contemporary Currents." In Arts-Based Research. SensePublishers, 2013. http://dx.doi.org/10.1007/978-94-6209-185-6_3.

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Clavel, Joanne. "Contemporary Dance." In Arts, Ecologies, Transitions. Routledge, 2024. http://dx.doi.org/10.4324/9781003455523-15.

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Castellano, Carlos Garrido. "Caribbean contemporary art." In Global Art Markets. Routledge, 2024. http://dx.doi.org/10.4324/9781003400868-11.

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Makhoul, Bashir. "Contemporary Palestinian Art." In Routledge Handbook on Palestine. Routledge, 2024. http://dx.doi.org/10.4324/9781003031994-33.

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Ting Wing Yan, Vivian, and Ying Yan. "Curating contemporary art." In Curating Art. Routledge, 2021. http://dx.doi.org/10.4324/9781315686943-21.

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Birbragher-Rozencwaig, Francine. "Contemporary Cuban Art." In Essays on 20th Century Latin American Art. Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-4.

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Vogel, Sabine B. "Global Art and Contemporary Art." In Edition Angewandte. Springer Vienna, 2010. http://dx.doi.org/10.1007/978-3-7091-0251-0_9.

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Hay, Penny. "Contemporary art and children's art." In Teaching Art Creatively. Routledge, 2022. http://dx.doi.org/10.4324/9781315691114-3.

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Galloway, Charlotte. "Arts." In Routledge Handbook of Contemporary Myanmar. Routledge, 2018. http://dx.doi.org/10.4324/9781315743677-14.

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Conference papers on the topic "Artă contemporană"

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Sandholm-Bark, Julianna. "LEARNING THROUGH ART: EXPERIENTIAL APPROACHES TO TEACHING CONTEMPORARY ART." In 17th International Conference on Education and New Learning Technologies. IATED, 2025. https://doi.org/10.21125/edulearn.2025.0237.

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Blazhev/Lyudmilov, Boyan. "THE IMPACT OF ARTIFICIAL INTELLIGENCE ON CONTEMPORARY VISUAL ARTS EDUCATION." In 19th International Technology, Education and Development Conference. IATED, 2025. https://doi.org/10.21125/inted.2025.0538.

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Ni Nyoman, Wahyuni, Ni Nyoman Seriati, and Trie Wahyuni. "Reinterpretation of Traditional Dance through Contemporary Dance." In Proceedings of the International Conference on Art and Arts Education (ICAAE 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/icaae-18.2019.45.

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Yang, Bingjie. "Female Art in Chinese Contemporary Art." In 2021 International Conference on Education, Language and Art (ICELA 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.179.

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Partin, Laura. "�DECEPTION� IN CONTEMPORARY ART." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb61/s15.52.

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Wiscombe, Thomas. "National Center for Contemporary Arts." In ACADIA 2014: Design Agency. ACADIA, 2014. http://dx.doi.org/10.52842/conf.acadia.2014.181.

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Wiscombe, Thomas. "National Center for Contemporary Arts." In ACADIA 2014: Design Agency. ACADIA, 2014. http://dx.doi.org/10.52842/conf.acadia.2014.181.

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Son, ND. "THE ART OF DIGITAL TRANSFORMATION IN FINE ARTS: LIBERATING CONTEMPORARY ARTIST IN VIETNAM." In International Conference on Arts and Humanities. The International Institute of Knowledge Management, 2022. http://dx.doi.org/10.17501/23572744.2021.7105.

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Hilsberg, Victoria. "DAOs A blockchain-based application not intervening, but strengthening the agility of contemporary arts." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-13-short-hilsberg-daos.

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SHORT PAPER. This paper discusses the blockchain-based application DAO (Decentralized Autonomous Organization) as a relevant new mechanism of artistic practice in the contemporary arts. It not only confronts the complexity of the modern society through its comprehensive application potential. It also channels segments of the contemporary art discourse such as political qualities, participatory art and cybernetic forces through active use cases. DAOs enable the interconnection of culture, technology and ecology. Using the most recent publications regarding blockchain technology as well as in-de
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Livatino, Salvatore. "Virtual Museum of Contemporary Art." In 17th International Conference on Artificial Reality and Telexistence (ICAT 2007). IEEE, 2007. http://dx.doi.org/10.1109/icat.2007.55.

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Reports on the topic "Artă contemporană"

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Sweeney, Liam. Free for All: Contemporary Arts Museum Houston. Ithaka S+R, 2018. http://dx.doi.org/10.18665/sr.308086.

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Sweeney, Liam. Free for All: Contemporary Arts Museum Houston. Ithaka S+R, 2018. http://dx.doi.org/10.18665/sr.309177.

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Van Eck, Steve. Neighborhood Economic Impacts of Contemporary Art Centers. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.6319.

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Rogers, Amanda. Creative Expression and Contemporary Arts Making Among Young Cambodians. Swansea University, 2021. http://dx.doi.org/10.23889/sureport.56822.

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This project analysed the creative practices and concerns of young adult artists (18-35 years old) in contemporary Cambodia. It examined the extent to which the arts are being used to open up new ways of enacting Cambodian identity that encompass, but also move beyond, a preoccupation with the Khmer Rouge (1975-1979). Existing research has focused on how the recuperation and revival of traditional performance is linked to the post-genocidal reconstruction of the nation. In contrast, this research examines if, and how, young artists are moving beyond the revival process to create works that spe
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Moreno Mejía, Luis Alberto, and Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, 2012. http://dx.doi.org/10.18235/0006209.

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Contemporary Uruguayan Artists is part of About Change: Art from Latin America and the Caribbean, a project of the World Bank Art Program in cooperation with the Cultural Center of the Inter-American Development Bank and AMA | Art Museum of the Americas at the Organization of American States. The initiative comprises a series of exhibitions of art from Latin America and the Caribbean being offered in various venues in Washington during 2011-12. The exhibition is presented In honor of Uruguay and the City of Montevideo, site of the 53rd Annual Meeting of the Board of Governors of the IDB. The w
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De Tolentino, Marianne, and Sara Hermann. Inside and Out: Recent Trends in the Arts of the Dominican Republic. Inter-American Development Bank, 2008. http://dx.doi.org/10.18235/0006413.

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For many years the artistic movement in the Dominican Republic was a -best-kept secret. Their growing international contributions to contemporary visual arts have been changing that picture, but may also be characterized by even greater drive, selectivity, and regularity. We could say that of all the islands of the Caribbean, the Dominican Republic is, along with Cuba, Puerto Rico, and Haiti, the country most prolific in regard to modern and contemporary artists.
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Fleming, Brian P. Hybrid Threat Concept: Contemporary War, Military Planning and the Advent of Unrestricted Operational Art. Defense Technical Information Center, 2011. http://dx.doi.org/10.21236/ada545789.

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Johnson, Joann. The treatment of the concept of impersonation within the art of oral interpretation : a contemporary perspective. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.5503.

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Bellwood-Howard, Imogen, Peter Taylor, and Aminata Niang. How to Use Collaborative Art-Making for Dialogue and Communication. Institute of Development Studies, 2023. http://dx.doi.org/10.19088/ids.2023.035.

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Artists have often used artworks to express emotions and thus prompt public dialogue about contemporary challenges. At the same time, it has been suggested that collaborative art-making can be used in environmental deliberation processes, where stakeholder groups discuss contentious challenges such as the effects of flooding. Policy actors have rarely been deeply involved in these processes. Our recent research showed that collaborative art could be used to develop relationships between groups, including policy actors, in deliberation processes, by creating artworks to bring concerns into the
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Plessi, Fabrizio, Celestino Soddu, and Adriano Abbado. digitalyart: An exhibition honoring Italy, Host of the 44th Annual Meeting of the Board of Governors of the Inter-American Development Bank. Inter-American Development Bank, 2003. http://dx.doi.org/10.18235/0005909.

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An exhibition of technological art from Italy, featuring the seminal piece ROMA II by Venetian contemporary master Fabrizio Plessi, with digitally designed architectural projects by Celestino Soddu, and interactive images by Adriano Abbado. Held in honor of Italy and the City of Milan, host of the 44th Annual Meeting of the IDB Board of Governors, the show was organized by the IDB Cultural Center with support from the IDB Information and Communication Technology for Development Division, and cooperation from the Istituto Italiano di Cultura of Washington, D.C.
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