Relevant bibliographies by topics / Arte allusiva

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Arte allusiva'

Author: Grafiati
Published: 4 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Arte allusiva"

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Fera, Maria Cannatà. "A proposito di arte allusiva negli elegiaci arcaici." Quaderni Urbinati di Cultura Classica 32, no. 2 (1989): 121. http://dx.doi.org/10.2307/20547003.

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D’ Angelo, Rosa Maria. "Arte allusiva e mitologia astrale in Epigr. Bob. 29 Sp." Wiener Studien 128 (2015): 129–44. http://dx.doi.org/10.1553/wst128s129.

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Diniz, Fábio Gerônimo Mota. "Arte allusiva: a representação de Medeia na Argonáutica de Apolônio de Rodes e nas Metamorfoses de Ovídio." Classica - Revista Brasileira de Estudos Clássicos 29, no. 2 (2017): 55. http://dx.doi.org/10.24277/classica.v29i2.292.

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O presente texto tem por objetivo analisar a notável influência da aparição da personagem Medeia no poema épico helenístico Argonáutica, de Apolônio de Rodes, especialmente no canto III, sobre a representação da mesma personagem no Livro VII das Metamorfoses de Ovídio. A análise se dará, sobretudo, sob a ótica da chamada arte allusiva, procedimento análogo à moderna intertextualidade, que incide sobre as relações de influência entre as obras clássicas. Partindo da relação existente entre os poetas helenísticos como influência para os escritores romanos, a leitura se desenvolverá, contudo, apen
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Paschalis, Michael. "The Abduction of Helen: A Reappraisal." Ramus 37, no. 1-2 (2008): 136–50. http://dx.doi.org/10.1017/s0048671x0000494x.

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‘Bad poetry is written daily, and married women seduced; but it is seldom that a seduction becomes as famous as Helen's, or that a poem as bad as Colluthus’ survives for fourteen centuries to be re-edited with all the apparatus of scholarship and equipped with commentary at the rate of a page for every two lines of verse. γᾷ δ' ἐπισκήπτων πιϕαύσκω: Colluthus is one of the very worst ancient poets to have come down to us. His only notion of the art is to arrange in hexameters phrases borrowed from his predecessors, with little sense of their appropriateness or of narrative coherence. It is as i
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Hardie, Phillip. "Virgil's Ptolemaic Relations." Journal of Roman Studies 96 (November 2006): 25–41. http://dx.doi.org/10.3815/000000006784016170.

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An allusive plot of an incestuous brother-sister marriage runs through Virgil's story of Dido and Aeneas, signalled both by imagery comparing Dido and Aeneas to Diana and Apollo, moon and sun, and by allusion to Callimachean poems celebrating actual brother-sister marriages at the Ptolemaic court. Aeneas' departure from Carthage marks the relegation to the past of Alexandrian temptations and a journey to a future foundation based on exogamy, although Italy itself is not free from the dangers of incest and fratricide. Ovid's explicit tales of incest comment on Virgil's allusive narrative.
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Lyne, R. O. A. M. "Vergil's Aeneid: Subversion by Intertextuality Catullus 66.39–40 and Other Examples." Greece and Rome 41, no. 2 (1994): 187–204. http://dx.doi.org/10.1017/s0017383500023408.

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I think we have to accept that the term intertextuality serves a purpose. One of the terms it allows us to dispense with, allusion, has its disadvantages.Up until recently I was happy with ‘allusion’: Vergil ‘alludes’ to Homer. The term was time-honoured, and, surely, unproblematical. Unproblematical, and not, so far as it went, and in the right hands, unsubtle. One meant that Vergil was not just using his source text (or his significant source text) as raw material. The source text became part of the new text, its characters and context were relevant to the new text. Thus, when in his opening
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McClary, Richard Piran. "Allusive Objects." Art History 43, no. 4 (2020): 859–61. http://dx.doi.org/10.1111/1467-8365.12521.

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Harris, Stephen J. "Bede and Gregory's Allusive Angles." Criticism 44, no. 3 (2002): 271–89. http://dx.doi.org/10.1353/crt.2003.0003.

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Layton, J. D. "Structures of allusion." Journal of Visual Art Practice 8, no. 1 and 2 (2009): 99–117. http://dx.doi.org/10.1386/jvap.8.1and2.99_1.

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Pasco, Allan H. "The Allusive Complex of Balzac's Pierrette." French Forum 26, no. 3 (2001): 27–42. http://dx.doi.org/10.1353/frf.2001.0032.

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Dissertations / Theses on the topic "Arte allusiva"

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Abbott, William Thomas. "White Knowledge and the Cauldron of Story: The Use of Allusion in Terry Pratchett's Discworld." Digital Commons @ East Tennessee State University, 2002. https://dc.etsu.edu/etd/630.

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In the last twenty years, Terry Pratchett's Discworld series has become very popular. Pratchett's success hinges in part on his use of allusion, in what Tolkien called the "Cauldron of Story," and what Pratchett refers to as "white knowledge." This paper explores the Discworld novels and illustrates Pratchett's use and success of storytelling through a few key directions: folk tales, fantasy literature, movies, and rock music. Pratchett has received limited critical review, mostly of a negative nature, while producing a strong literary series, one crafted with both obvious and subtle recogniti
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Khvochevsky, Ruslan. "Manipulations illocutoires : théorie et fonctionnement dans le discours politique." Paris 4, 2008. http://www.theses.fr/2008PA040050.

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Comment décrire et expliquer, en termes linguistiques, les nombreux faits discursifs qui gravitent autour du terme "allusion" ? En effet, la vision rhétorique traditionnelle ne s’étend pas aux actes allusifs du discours "quotidien". Cet ouvrage propose de distinguer un régime spécial de "manipulation illocutoire" pour les actes de discours indirects réalisés sur le mode de suggestion ou d’insinuation. Le statut de tels énoncés hésite entre la connotation accidentelle et le sous-entendu assumé, et cette incertitude, voulue par le locuteur, constitue le sens même d’une "manipulation" dans un act
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Dupuis, Joachim Daniel. "Les gestes de Saul Bass : une vision du générique." Paris 8, 2013. http://www.theses.fr/2013PA083940.

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Saul Bass a changé le statut des génériques. A partir des années 50, il n’est plus possible de parler simplement de génériques au sens « des noms que l’on donne aux participants du film » - qui est la marque d’une normalisation -, parce que la fonction des génériques est maintenant de « mettre dans l’ambiance », fonction que Bass a développée « gestuellement » comme chambre de décompression, comme « time before », comme stratagème allusif, parasitage. Ma thèse, donnant une approche éthico-politique aux titres, inclut les contributions des gestes d’innervations de Walter Benjamin, du constructi
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Abdala, Helio Santiago Rodrigues. "A lógica dos implícitos em "O Alienista": uma abordagem não-convencional do narrador." Universidade Federal da Paraí­ba, 2013. http://tede.biblioteca.ufpb.br:8080/handle/tede/6226.

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Made available in DSpace on 2015-05-14T12:39:43Z (GMT). No. of bitstreams: 1 ArquivoTotal.pdf: 1456148 bytes, checksum: d3eb35cf9cefab697fa728d56763f419 (MD5) Previous issue date: 2013-03-27<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The present work aims to promote a different study concerning the narrator. Thinking about the complexity of the short story O alienista (Machado de Assis), we observed that such aspect results of the 'manners' of intervention that the narrator accomplishes by a 'historiographic' discourse. Through this discourse, he is able to p
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Santos, Erivaldo dos. "Citação e alusão nas crônicas machadianas: estratégias de ler e escrever pelo avesso." Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/14661.

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Made available in DSpace on 2016-04-28T19:58:39Z (GMT). No. of bitstreams: 1 Erivaldo dos Santos.pdf: 672844 bytes, checksum: 239c6b67d4e3fd2c078eba34242dfb1a (MD5) Previous issue date: 2010-10-27<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This dissertation deals with the quotations and allusions found in Machado s chronicles. This study focuses on the circuit of the Sermon on the Mount as a reading and writing strategy in the process of alluding and quoting; its rewriting strengths are found in inversion through irony or parody in tune with the seriocomic Lucianic lin
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Rajatanavin, Tanaporn. "The Emergence of the Subconscious in Erik Satie's "Parade": The Search for Surrealism in Sound." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707230/.

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This thesis investigates possible connections between the music of Erik Satie (1866-1925) and the later surrealist movement, turning to Parade (1917) in a case study that seeks to understand surrealism in music through the idea of self-exploration, a well-established interpretive approach in studies of surrealism in the visual arts. This thesis seeks to redefine surrealism in music not as a set of concrete musical characteristics, but as a collection of techniques meant to evoke subconscious turbulence by blurring the boundary between the "outside" and "inside," between conscious and subconsci
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Harvey, Virginie. "Sur fond de tableaux : une enquête picturale dans vies minuscules et vie de Joseph Roulin de Pierre Michon." Mémoire, 2008. http://www.archipel.uqam.ca/1550/1/M10570.pdf.

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La critique a souvent qualifié l'oeuvre de Pierre Michon d'« érudite », en raison de la richesse des références culturelles et historiques qui s'accumulent dans chacun de ses récits, qui se rapportent en effet abondamment aux différents legs de l'histoire pour s'élaborer: reliques familiales, documents patrimoniaux, photographies, peintures, textes littéraires, oeuvres critiques. De tous ces objets hérités, la peinture nous semble mériter une attention particulière. Parce qu'elle est présente par de multiples allusions dès son premier récit, qu'elle sera le sujet central de son deuxième avec l
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Ženíšek, Jakub. "Panoptikální tropologie a svár mezi uměním a politikou v povídkách Charlese Johnsona." Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-358047.

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Doctoral dissertation: Panoptical tropes and negotiations between art and politics in Charles Johnson's short fiction Abstract The dissertation traces the uneasy marriage between ideology and aesthetics in African American literature, and its reflections in Charles Johnson's short fiction. The historical introduction is an attempt to reevaluate the tradition of ideological self-policing in African American literature. Its central thesis resides in the claim that African American literature and its critical reception has still retained some of this ideological template, in a manner and degree t
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Books on the topic "Arte allusiva"

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Pascucci, Vittorio. L' allusivo iconografico in Santa Maria Corteorlandini. San Marco, 1996.

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Books, Austin Abbey Rare. Allusion and imagery in the book art of Sarah Wyman Whitman. Austin Abbey Rare Books, 2018.

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Adams, Alison. Webs of allusion: French Protestant emblem books of the sixteenth century. Droz, 2003.

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"Il ricco edificio": Arte allusiva nella Gerusalemme liberata. L. S. Olschki, 2005.

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Wasdin, Katherine. Allusive Superstars. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190869090.003.0003.

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The evening star and its counterpart, the morning star, play important roles as generic markers in wedding poetry and love poetry. Poetic appearances of the stars commonly allude to at least one previous example, creating a chain of literary references across antiquity. These stars exert a powerful influence on human activities. In weddings, the evening star brings the bride to the groom, separates her from her family, and arouses mixed emotions of delight and fear. In love poetry, the evening star may unite lovers, but they are unavoidably separated by the morning star, herald of the dawn. Th
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Graves, Margaret S. Arts of Allusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190695910.001.0001.

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The art of the object reached unparalleled heights in the medieval Islamic world, yet the deep intellectual dimensions of ceramics, metalwares, and other plastic arts in this milieu have not always been acknowledged. Arts of Allusion reveals the object as a crucial site where premodern craftsmen of the eastern Mediterranean and Persianate realms engaged their creations in fertile dialogue with poetry, literature, painting, and, perhaps most strikingly, architecture. Through close studies of objects from the ninth to the thirteenth centuries, this book reveals that allusions to architecture abo
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Graves, Margaret S. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190695910.003.0007.

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The conclusion places the art of the object into an expanded field, where it is shown to be contiguous with other visual and verbal artforms including architecture, painting, poetry, and rhetoric. It locates the peak of the allusive object in the pre-Mongol Middle East and speculates about its decline in the later medieval and early modern periods. It also considers the change in meaning that the subjects of the book have undergone as they transition from being objects of use to objects of display. The conclusion ends with final consideration of the nature of allusion and its implications for
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Arts of Allusion: Object, Ornament, and Architecture in Medieval Islam. Oxford University Press, Incorporated, 2018.

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Bal, Mieke. Sneaky Snakes. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198722618.003.0033.

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Stories are very effective means of seduction, and stories allegedly about seduction even more so than others. I will look at three sets of artworks that use allusion to bring in biblical stories and, in the process, change these. Paradoxically, the frequent presence of biblical stories in culture at large also makes them handy tools to subvert their own baggage of misinterpretation. My analysis of three visual artworks is based on what I call a ‘politics of allusion’. An allusion is not a metaphor; instead of replacing one thing with another, an allusion enfolds the alluded into what we see.
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Hogarth's hidden parts: Satiric allusion, erotic wit, blasphemous bawdiness and dark humour in eighteenth-century English art. Olms, 2010.

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Book chapters on the topic "Arte allusiva"

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Kemp, Martin. "Perspective and Meaning: Illusion, Allusion and Collusion." In Philosophy and the Visual Arts. Springer Netherlands, 1987. http://dx.doi.org/10.1007/978-94-009-3847-2_14.

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Ewing, Michael C. "Chapter 2. Elusive referentiality and allusive reference in Indonesian conversation." In (Non)referentiality in Conversation. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/pbns.344.02ewi.

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This chapter examines referential practices in a corpus of colloquial Indonesian conversation and attempts to address the question: “Does referentiality matter to speakers?” I take referentiality to be a multi-dimensional phenomenon involving (at least) whether referents are construed as general or particular and whether they are tracked through discourse. Through close examination of excerpts from conversational interaction, I show that there is often a blurring between the general and the particular, that referents are often indeterminate, and that referentiality as a discrete and classifiab
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Pucci, Pietro. "22. Arte allusiva." In Ulysse Polutropos. Presses universitaires du Septentrion, 1995. http://dx.doi.org/10.4000/books.septentrion.66403.

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"Arte Allusiva: Pasquali and Onward." In Brill's Companion to Callimachus. BRILL, 2011. http://dx.doi.org/10.1163/9789004216976_029.

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Wills, Jeffrey. "Allusive Anaphora." In Repetition in Latin Poetry. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198140849.003.0021.

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Abstract But little words are not only the structural backbone to the shape of a line or a passage. Sometimes they become a point of interest in their own right, and their structure can be a figure to be imitated and refined with the utmost poetic virtuosity. In these cases, the syntactic pattern is sufficiently figured and the words within them can be renewed.
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"Introduction." In The Art of Allusion. University of Pennsylvania Press, 2019. http://dx.doi.org/10.9783/9780812295382-001.

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"Chapter 1. The Illuminators of London." In The Art of Allusion. University of Pennsylvania Press, 2019. http://dx.doi.org/10.9783/9780812295382-002.

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"Chapter 2. Chaucer’s Manicule." In The Art of Allusion. University of Pennsylvania Press, 2019. http://dx.doi.org/10.9783/9780812295382-003.

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"Chapter 3. Gower in Humilitatio." In The Art of Allusion. University of Pennsylvania Press, 2019. http://dx.doi.org/10.9783/9780812295382-004.

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"Chapter 4. Lydgate ex Voto." In The Art of Allusion. University of Pennsylvania Press, 2019. http://dx.doi.org/10.9783/9780812295382-005.

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Conference papers on the topic "Arte allusiva"

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Golubovskaya, Elena. "CONCEPTUAL MODELS IN ALLUSIVE EPITHETS IN ENGLISH LITERARY DISCOURSE." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b12/s3.028.

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Kurochkina, Maria. "THE PLACE OF ALLUSIVE PROPPER NAMES IN THE LEXICAL SYSTEM OF THE NARRATIVE DISCOURSE (BASED ON D.H. LAWRENCE�S NOVELS AND SHORT STORIES)." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/3.6/s14.083.

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Oneț, Veronica. "Functions of names in Romanian and foreign fairy tales – between cultural diversity and identity." In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/78.

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: This paper is aimed at analysing the functions of names in Romanian and foreign fairy tales by highlighting similarities and differences of names in various cultures (English, French, German and Romanian). In comparison with names in real life, proper names in literature feature more functions than that of identification, as such names are varied from a semantic and structural perspective. The relationship between a name and its bearer is motivated; thus, literary names are generally more innovative and their structure is much more complicated than in the case of names in real life. One find
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Aliel, Luzilei, Rafael Fajiolli, and Ricardo Thomasi. "Tecnofagia: A Multimodal Rite." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10454.

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This is a concert proposal of Brazilian digital art, which brings in its creative core the historical and cultural aspects of certain locations in Brazil. The term ​ Tecnofagia derives from an allusion to the concept of anthropophagic movement (artistic movement started in the twentieth century founded and theorized by the poet Oswald de Andrade and the painter Tarsila do Amaral). The anthropophagic movement was a metaphor for a goal of cultural swallowing where foreign culture would not be denied but should not be imitated. In his notes, Oswald de Andrade proposes the "cultural devouring of i
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Gao, Xiaoli, Anurag Grover, Ailing Wang, et al. "New Scheme for Sonic Verticalization in a Highly Deviated Well, in a Complex Carbonate Field, Onshore Abu Dhabi, UAE." In ADIPEC. SPE, 2022. http://dx.doi.org/10.2118/211712-ms.

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Abstract Reliable sonic and density logs are key inputs for seismic driven reservoir characterization. Anisotropic surface vertical velocities are essential for seismic well ties, estimation of wavelets and low frequency modeling. These help us to understand the relationship between reservoir and acoustic properties. In this study, sonic logs were acquired in highly deviated wells penetrating highly anisotropic shale formations. These logs needed corrections before integrating in the reservoir characterization workflows. In allusion to problem existed in traditional methods, an iterative inver
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Dai, Chao, and Ren He. "Research on Dynamic Leak Detection of Automobile Fuel System." In WCX SAE World Congress Experience. SAE International, 2023. http://dx.doi.org/10.4271/2023-01-0881.

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&lt;div class="section abstract"&gt;&lt;div class="htmlview paragraph"&gt;In allusion to the dynamic leak phenomenon caused by the fuel sloshing in the dynamic driving process of vehicle, the dynamic leak detection method was proposed based on the analysis of the dynamic leak mechanism and influencing factors. The six degree of freedom platform was used to simulate the gesture change of fuel tank during driving process. The influence of fuel tank operating conditions and different design styles on dynamic leak were mainly studied. Fiber-optic gyroscope was used to acquire the operating conditi
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Xiaoli, Gao, Lv Lu, Wang Bo, Wang Yongli, Wang Ailing, and Hu Junhui. "Research and Application of Rock Typing Using Deep Learning in Prediction of Carbonate Reservoirs of H Oilfield, Iraq." In International Petroleum Technology Conference. IPTC, 2024. http://dx.doi.org/10.2523/iptc-23426-ms.

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Abstract Objective/Scope The loss of some important logging data especially lithology data in old oilfields and huge cost in manpower and material on drilling and coring have brought great difficulties to the development of oilfields. A new method using deep learning for rock typing is achieved to classify and count the limited logging data, establish appropriate pore-permeability (PP) relationship and reduce the risk of reservoir prediction, which provides a concise and effective way for carbonate rock prediction. Methods, Procedures, Process In allusion to the existed problems, the paper col
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Сорокин, А. Н., and А. В. Панин. "ON THE COLONIZATION OF THE CENTRAL RUSSIAN PLAIN IN LATE GLACIAL AND EARLY HOLOCENE: THE ROLE OF GEOARCHAEOLOGICAL DATA." In Материалы 23–25-го заседаний научно-методического семинара «Тверская земля и сопредельные территории в древности». Crossref, 2024. https://doi.org/10.70203/7375.2024.10.19.001.

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Изучение процесса заселения Центра Русской равнины в эпоху позднеледниковья (LGT) вплоть до последнего времени затруднялось преобладанием мнения о том, что значительная его часть была затоплена крупными приледниковыми озёрами [2]. Наличие гипотетического Тверского приледникового озера, покрывавшего Верхневолжскую низменность и Дубнинскую низину, исключало возможность освоения этих территорий вплоть до рубежа плейстоцена – голоцена, когда в процессе дегляциации они, наконец, обсохли. Для проверки этой гипотезы в 2018–2021 гг. на Заболотском торфянике (Московская область) были проведены геоархео
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