Relevant bibliographies by topics / Arte antica (Milan, Italy)

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Academic literature on the topic 'Arte antica (Milan, Italy)'

Author: Grafiati
Published: 29 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Arte antica (Milan, Italy)"

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Agostino, Angelo, Eleonora Pellizzi, Maurizio Aceto, Simonetta Castronovo, Giovanna Saroni, and Monica Gulmini. "On the Hierarchical Use of Colourants in a 15th Century Book of Hours." Heritage 4, no. 3 (2021): 1786–806. http://dx.doi.org/10.3390/heritage4030100.

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An illuminated Book of Hours (in use in Chalon-sur-Saône) currently owned by the Museo Civico di Arte Antica and displayed in the prestigious Palazzo Madama in Torino (Italy) was investigated by means of optical microscopy, fibre optic reflectance spectroscopy, fibre optic molecular fluorimetry, X-ray fluorescence spectrometry and Raman spectroscopy. The aim of the scientific survey was to expand the knowledge of the manuscript itself and on the materials and techniques employed by Antoine the Lonhy, the versatile itinerant artist who decorated the book in the 15th century. The focus was to re
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Cigarini, Tommaso. "Un nuevo centro de producción de cultura contemporánea: la Fondazione Prada en Milán, Italia." Illapa Mana Tukukuq, no. 14 (February 18, 2019): 142–51. http://dx.doi.org/10.31381/illapa.v0i14.1887.

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La Fondazione Prada de Milán, Italia, es un paradigma y un ejemplo del mecenazgo moderno. En este documento se analiza de qué forma un museo de arte contemporáneo puede generar cambios positivos en el barrio donde se localiza, más aún si ese vecindario se ubica en una zona periférica de la ciudad que ha pasado por un proceso de degradación urbana. Veremos el caso de un museo como elemento rehabilitador de infraestructura y un espacio de estímulo para la creación y producción de cultura. El museo le da una nueva vida a una edificación abandonada que anteriormente estaba destinada a la producció
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Armando, Silvia. "Ugo Monneret de Villard (1881–1954) and the Establishment of Islamic Art Studies in Italy." Muqarnas Online 30, no. 1 (2014): 35–71. http://dx.doi.org/10.1163/22118993-0301p0004.

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Ugo Monneret de Villard was the main Italian scholar of Islamic art in the twentieth century. Where and why did this engineer from Milan start cultivating this interest? How did his work come to be appreciated at the highest academic levels? This article delineates Monneret’s long training through an examination of his readings and writings, travels, and exchanges with other scholars, all of which influenced his working methodology, leading him to archaeological missions in Africa and predisposing his discovery of Islamic art. A fundamental focus is given to the idea of studying Islamic art ob
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Gómez Gómez, María Belén. "El proyecto religioso del cardenal Montini a la vanguardia de la arquitectura milanesa. El caso de Mater Misericordiae, icono de la modernidad | Cardinal Montini´s Religious Project, on the avant-garde of Milanese architecture. The study case of Mater Misericordiae, an icon of modernity." ZARCH, no. 8 (October 2, 2017): 300. http://dx.doi.org/10.26754/ojs_zarch/zarch.201782168.

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Durante la década de los años cincuenta del pasado siglo la ciudad de Milán creció a un ritmo acelerado al tratar de acomodar a la población que, como consecuencia de los movimientos migratorios acaecidos al final de la Segunda Guerra Mundial, se había ido alojando en la periferia. Algunas entidades, como la Diócesis de esta ciudad, trataron de dar ayuda espiritual a los habitantes de estas áreas en crecimiento, consolidándose esta iniciativa en un plan de construcción de nuevos complejos parroquiales en los alrededores de la ciudad. En el año 1955 es nombrado Arzobispo de Milán Giovanni Batti
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Avola, Irene. "Archaeology in support of national identities: why is it necessary to destroy plaster casts of ancient art?" Sociétés plurielles Identity versus science?..., Articles (2023). http://dx.doi.org/10.46298/societes-plurielles.2023.11290.

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Pour une publication sur Épisciences. Following the example of Germany and after 1870s, plaster casts of ancient art are subject to a “cultural transfer” in France and in Italy. This kind of process reflects the birth of archaeology as a science; it is aligned to a specific change in higher education and it allows a nation building / re-building (by referring to Italian and French examples). In addition, the consolidating nation process is based on a cultural mechanism caused by globalization, i.e. “inventing tradition”. The “myth of white Greece” or that of “Romanity” can be taken into accoun
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Luigi Alini. "Architecture between heteronomy and self-generation." TECHNE - Journal of Technology for Architecture and Environment, May 25, 2021, 21–32. http://dx.doi.org/10.36253/techne-10977.

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Introduction
 «I have never worked in the technocratic exaltation, solving a constructive problem and that’s it. I’ve always tried to interpret the space of human life» (Vittorio Garatti).
 Vittorio Garatti (Milan, April 6, 1927) is certainly one of the last witnesses of one “heroic” season of Italian architecture. In 1957 he graduated in architecture from the Polytechnic of Milan with a thesis proposing the redesign of a portion of the historic centre of Milan: the area between “piazza della Scala”, “via Broletto”, “via Filodrammatici” and the gardens of the former Olivetti building
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Books on the topic "Arte antica (Milan, Italy)"

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author, Bartolomucci Adolfo, ed. Animali in terracotta nell'arte antica del Mali. African Art Gallery, 2014.

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2

Tasso, Francesca. Il sapore dell'arte: Guida gastronomica ai Musei del Castello Sforzesco di Milano. Skira, 2010.

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3

Donatella, Caporusso, and Milan (Italy) Museo archeologico, eds. Milano antica, V secolo A.C. - V secolo D.C.: Guida. Edizioni Et, 2008.

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Civiche raccolte d'arte antica (Milan, Italy), ed. Museo d'arte antica del Castello Sforzesco: Scultura lapidea. Mondadori Electa S.p.A., 2012.

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Milan (Italy). Civiche raccolte d'arte. Arte contemporanea per un museo: 10 anni di acquisizioni delle raccolte d'arte di Milano. Edited by Chirico De Biasi Mariateresa and Padiglione d'arte contemporanea (Milan, Italy). Mazzotta, 1989.

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African Art Gallery (Milan, Italy), ed. Cultura Djenné: Arte figurativa e cultura materiale. African Art Gallery, 2014.

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7

Provezza, Melissa. Arte ambientale nel Sahara: Un progetto dell'Accademia di Brera. Edited by Accademia di belle arti (Milan, Italy). Silvana editoriale, 2015.

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8

Pracchi, Attilio. La cattedrale antica di Milano: Il problema delle chiese doppie fra tarda antichità e medioevo. Laterza, 1996.

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9

Tomea, Paolo. Chiaravalle: Arte e storia de unʼabbazia cistercense. Electa, 1992.

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10

African Art Gallery (Milan, Italy), ed. Cultura Bambara: Arte figurativa e cultura materiale. African Art Gallery, 2007.

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Conference papers on the topic "Arte antica (Milan, Italy)"

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Campos, João. "Round Bastions and Pentagonal Bulwarks: Castel Nuovo in the Album of Francisco de Holanda (1538-1540)." In FORTMED2025 - Defensive Architecture of the Mediterranean. edUPV. Editorial Universitat Politècnica de València, 2025. https://doi.org/10.4995/fortmed2025.2025.20227.

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The Codex Álbum dos Desenhos das Antigualhas / Album of Drawings of Antigualhas, by Francisco de Holanda, is located in Escorial / Madrid, containing 113 drawn pages (some polychrome) made in situ during his trip to Italy (1538-1540). The Author published later two important treatises (1548): Diálogos em Roma / Dialogues in Rome and Da Pintura Antiga / On Antique Painting. Still a result of the fascination caused by the experience carried out, he wrote and drew, among other works, Da Ciência do Desenho / About the Science of Drawing (1571), Da Fábrica que Falece à Cidade de Lisboa / On the Con
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