Relevant bibliographies by topics / Arte de' cenni

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Arte de' cenni'

Author: Grafiati
Published: 11 March 2023
Last updated: 31 July 2025

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Journal articles on the topic "Arte de' cenni"

1

Minisini, Valeria. "Dall’immagine alla parola: la resa degli apparati illustrativi nei volumi accessibili di arte e architettura." DigItalia 19, no. 2 (2024): 126–42. https://doi.org/10.36181/digitalia-00106.

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La presenza di ricchi corredi iconografici è un elemento caratterizzante delle pubblicazioni di arte, architettura e design ma questi rischiano di andare perduti nel passaggio dal cartaceo all’edizione digitale accessibile per utenti con disabilità visive. Il contributo espone il lavoro svolto all’interno del progetto I libri di Sapienza parlano su una selezione di volumi, scelti tra i titoli digitalizzati dalle biblioteche dell’ateneo per gli studenti non vedenti e ipovedenti, col fine di valutare come restituirne efficacemente anche gli apparati illustrativi. Tramite l’esame dei quattro casi
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Chaves Amieva, Oscar. "Reseña de: Frasquet Bellver, Lydia, Vicente Aguilera Cerni y el arte español contemporáneo." Espacio Tiempo y Forma. Serie VII, Historia del Arte, no. 9 (October 15, 2021): 657–60. http://dx.doi.org/10.5944/etfvii.9.2021.31251.

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Reseña de: Frasquet Bellver, Lydia, Vicente Aguilera Cerni y el arte español contemporáneo. València, Institució Alfons el Magnànim, Centre Valencià d'Estudis i d'Investigació, 2020. ISBN: 9788478228416, 367 pp.
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Frasquet Bellver, Lydia. "Ética desde la resistencia: el compromiso político de Vicente Aguilera Cerni." Archivo Español de Arte 89, no. 356 (2016): 409. http://dx.doi.org/10.3989/aearte.2016.27.

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Ožbot, Martina. "Alcuni cenni sugli italianismi in sloveno." Linguistica 48, no. 1 (2008): 159–66. http://dx.doi.org/10.4312/linguistica.48.1.159-166.

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Come è tipico delle aree di confine tra due o più lingue, anche nel caso dello sloveno e dell’italiano si possono osservare diversi fenomeni dovuti al contatto linguistico, uno dei temi di ricerca preferiti dal nostro Festeggiato. Gli scambi interlinguistici – lessicali, morfosintattici e altri – sono infatti tra le testimonianze più profonde della convivenza tra due o più lingue, specialmente nelle situazioni caratterizzate da una antica e continua presenza di contatto. Parlando dell’italiano e dello sloveno, e limitandoci ai lessemi italiani in sloveno, tralasciando quindi gli scambi nella d
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Frasquet Bellver, Lydia. "Nuevas aportaciones a la biografía intelectual de Vicente Aguilera Cerni. Reflexiones en el centenario de su nacimiento." Diferents. Revista de museus, no. 5 (December 2, 2020): 6–17. http://dx.doi.org/10.6035/diferents.2020.5.1.

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Vicente Aguilera Cerni (1920-2005) es uno de los críticos e historiadores del arte españoles del siglo XX con mayor proyección internacional. La reciente investigación llevada a cabo sobre su biografía desvela una serie de datos que nos conduce a reflexionar sobre la visión panorámica de su trayectoria. Aguilera desarrolló una importante labor que debe ser reivindicada, puesto que practicó con firmeza una crítica y una promoción del arte comprometida con su época bajo sus particulares circunstancias. En el centenario de su nacimiento recordamos su figura como teórico del arte y creador del Mus
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Bernárdez Sanchís, Carmen. "Ímpetu y sueño del arte norteamericano en los escritos de Aguilera Cerni." Revista Complutense de Historia de América 36 (2010): 127–49. http://dx.doi.org/10.5209/rev_rcha.2010.v36.6.

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Boorsch, Suzanne. "VINCENZO CENCI, ERASED PUBLISHER." Source: Notes in the History of Art 31/32, no. 4/1 (2012): 51–57. http://dx.doi.org/10.1086/sou.31_32.4_1.41552786.

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Guimarães, Jéssica De Oliveira. "Conceitos schillerianos presentes na obra Beatriz Cenci de Gonçalves Dias." Opiniães, no. 15 (December 27, 2019): 191–212. http://dx.doi.org/10.11606/issn.2525-8133.opiniaes.2019.159715.

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O objetivo do artigo é analisar o diálogo estabelecido por Gonçalves Dias com Friedrich Schiller ao desenvolver seus dramas, em especial, Beatriz Cenci. Para isso, será realizada a apresentação de alguns conceitos filosóficos, desenvolvidos pelo alemão, evidenciando de que forma estão presentes na obra gonçalvina, como a ideia de arte e liberdade. Além disso, observaremos alguns pontos apontados por Gonçalves Dias em seu prólogo à Leonor de Mendonça. Este texto é fundamental para o estudo do drama gonçalvino, pois apresenta o objetivo do autor em relação ao gênero, reforçando o diálogo do auto
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Feliu Franch, Joan. "Diferents. Revista de Museus, 1." Devenir - Revista de estudios sobre patrimonio edificado 3, no. 6 (2018): 171. http://dx.doi.org/10.21754/devenir.v3i6.311.

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En julio de 2016 aparece en el panorama de publicaciones científicas la revista Diferents. Revista de museus, que busca ser un espacio de reflexión en torno a la museografía. La edición corresponde al Museo de Arte Contemporáneo Vicente Aguilera Cerni de Vilafamés (MACVAC), en España, actualmente bajo la dirección de Xavier Allepuz. Su nombre refiere una vocación particular por visibilizar y difundir la existencia de museos que por sus características podrían considerarse singulares, tanto a nivel nacional como internacional.
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López, Paula Barreiro. "Antes del Arte in Spain (1968–1969): Merging Art, Science and Politics in the Heat of the Cold War." Leonardo 53, no. 3 (2020): 299–303. http://dx.doi.org/10.1162/leon_a_01889.

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This article concerns Antes del Arte, a vanguard Spanish art group that existed from 1968 to 1969. Through specific examples, the author explains the group's history and theoretical basis as well as its artistic production. Discussing the references taken from contemporary aesthetic scientific theories, the author analyzes the substantial theoretical framework that the art critic Vicente Aguilera Cerni introduced into the group's manifestos. Finally, she addresses the specific role that the interactions between the artistic and the scientific fields had in the context of Spain's Franco regime.
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Dissertations / Theses on the topic "Arte de' cenni"

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Connick, Rob. "Rethinking Artaud's Theoretical and Practical Works." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300457063.

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Mansella, Diletta. "La mise en scène comme lieu de la transformation de la répétition en acte singulier." Paris 8, 2012. http://www.theses.fr/2013PA084001.

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Les bribes éparses, disparates et hétérogènes des divers portraits d'Artaud, tracés dès la fin des années 60, sont les tasseaux à partir desquels s'est construit ce travail. La suspension du discours clinique y a toutefois laissé la place au surgissement de l'oscillation entre le médecin et le malade qu'Artaud a, lui-même, organisé dans ses textes. Nous avons lu le rapport complexe avec l'écriture qu'Artaud établit à l'aune du concept de divine folie. Cet abord du théâtre de la pensée d'Artaud ne diffère guère, d'ailleurs, d'une recherche sur son platonisme. De cette position nous avons pu con
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Schiavon, Chiara. "Análisis del contexto cultural del noreste italiano en tres épocas distintas: la Guerra Fría, el Fascismo y la República de Venecia según las Genealogías de diferentes cuerpos en acción: bailarinas, feministas, performers futuristas, balie, mondine e impiraresse." Doctoral thesis, Universitat Politècnica de València, 2017. http://hdl.handle.net/10251/90529.

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Abstract This thesis is proposed as a work of translation, as an attempt to transmit a context that involves bodies, enmeshing genealogical narratives with geopolitics. We have investigated the body in action in the northeast of Italy. This is the context we come from but we view it from an uprooted position, as since 2004 we have been living in southwest Europe (València). We have catalogued and analyzed forms of legitimized artistic expression, including classical ballet, modern jazz dance, Italian futurism's proposals (close to performance), or representations of human anatomy, as well as
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GAZZOLA, Silvia. "L'Arte de' cenni di Giovanni Bonifacio." Doctoral thesis, 2009. http://hdl.handle.net/11562/337462.

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L’Arte de’ cenni di Giovanni Bonifacio.Argomento del presente lavoro è l’Arte de’ cenni di Giovanni Bonifacio (Rovigo1547- Padova 1635), pubblicata a Vicenza presso Francesco Grossi nel 1616,ma redatta verosimilmente negli anni ’90 del XVI secolo. Si tratta di undizionario enciclopedico di 623 pagine, suddiviso in due parti: nella primal’autore analizza il significato di oltre seicento gesti umani, procedendo da capoa piedi; nella seconda, assai più esigua, egli passa a considerare l’incidenza deicenni in varie attività umane (speculative e pratiche). La scelta dell’argomentoha una prima motiv
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Books on the topic "Arte de' cenni"

1

Medagliani, Giuseppe. Storia e arte del Chiesuolo di San Zenone al Po: Con cenni storici del paese : San Zenone al Po, 15 settembre 2000, Festa dell'Addolorata. Lombardi, 2000.

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2

Bellver, Lydia Frasquet. Vicente Aguilera Cerni y el arte español contemporáneo. Institució Alfons el Magnànim, Centre Valencià d'Estudis i d'Investigació, 2020.

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3

Confraternita del Monte dei morti dei santi Prisco e Agnello, ed. Il restauro della statua di Sant'Agnello Abate: Cenni storici sulla vita del santo. N. Longobardi, 2011.

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4

Menegaldo, Antonio. Basilica di Sant'Eustachio in Campo Marzio-Roma: Cenni storici, artistici e religiosi. Basilica Sant'Eustachio, 2004.

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5

Ferracci, Giulia. MAXXI Bvlgari Prize 2020: Giulia Cenci, Tomaso De Luca, Renato Leotta. Cura.books, 2020.

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6

Fino, Lucio. Il vedutismo a Napoli: Nella grafica dal XVII al XIX secolo : con cenni sulla pittura, l'architettura e le trasformazioni urbane. Grimaldi, 1990.

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7

Ferri, Giordana, Luciana Pacucci, and Elisabetta Pero. Nuove forme per l'abitare sociale: Catalogo ragionato del concorso internazionale di progettazione di housing sociale per le aree di via Cenni e Figino a Milano. Altraeconomia, 2011.

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8

Facciponte, Giuseppe. Brevi Cenni Storici Sull' Arte. Independently Published, 2021.

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9

I colori della parola: Accardi, Barni, Boero ... incontrano Luzi, Bigongiari, Ceni ... Maschietto & Musolino, 1995.

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San Michele in Borgo: Cenni di storia della Chiesa (1016-2016). Edizioni ETS, 2016.

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Book chapters on the topic "Arte de' cenni"

1

Suzuki, Rieko. "The Cenci and The Ring and the Book." In The Shelleys and the Brownings. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800856479.003.0005.

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In discussing Browning’s revisionary attempt to re-write The Cenci, this chapter focuses on four points. Firstly, it looks at the polarization of characters into good and evil. Secondly, it explores the idea of casuistry and a ‘case’ as a moral problematic that traditionally required casuistic thinking. Shelley situates the story in such terms, but without being able to reach a clear resolution, he resorts to sympathy, which readers are invited to feel with the victim-turned-aggressor. Thirdly, it describes how Browning resolves this moral dilemma by introducing the rescue theme. Finally, it a
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Köksal Çakırlar, Fatma. "İnsan Mikrobiyotası." In Tıbbi Mikrobiyoloji. İstanbul Üniversitesi–Cerrahpaşa Üniversite Yayınevi, 2025. https://doi.org/10.5152/8432.

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İnsan cenini, doğum anına kadar oldukça korunaklı ve çoğunlukla steril bir çevrede yaşar, ancak bebek anneden, diğer yakın temaslardan ve çevreden bakteri, arke, mantar ve virüslere maruz kaldıkça bu durum hızla değişir. Birkaç yıl içinde deri, burun delikleri, ağız boşluğu, bağırsaklar ve genitoüriner sistem yüzeylerinde organizma toplulukları (mikrobiyota veya normal flora) oluşur. Bu bölüm, insan mikrobiyotasının ne olduğunu ve bu kavramın temel unsurlarını anlamakla başlayacak. Mikrobiyotamızı oluşturan farklı mikrop türlerini ve bunların vücutta hangi bölgelerde bulunduklarını keşfedeceği
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Fraunhofer, Hedwig. "Where Does the Body End? Artaud’s Materialsymbolic Theatre." In Biopolitics, Materiality and Meaning in Modern European Drama. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474467438.003.0007.

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This chapter offers a descriptive reading of Artaud’s most famous play, The Cenci (1935), that respects the materiality and temporality of Artaud’s text, while also including a discussion of the play’s sparse production history. Breaking down immunitarian walls between self and other, Artaud’s theatre of cruelty provides a performative assemblage of human and nonhuman actors or actants, (human) spectators, non-verbal theatrical tools, and forces and energies that transverses the binary distinction between materiality and mind, aesthetic perception and meaning. Together with Brechtian theatre a
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Hopkins, Claudia, and Iain Boyd Whyte. "Vicente Aguilera Cerni, “Willem de Kooning,” translated from Spanish by Cleo Clauson, originally published “William de Kooning,” in Problemas del arte contemporaneo single issue no. 1 (Madrid: 1959)." In Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990. Routledge, 2020. http://dx.doi.org/10.4324/9781003009979-2017.

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Ann Udeh, Chioma. "Background of the study." In Deep Science Publishing. Deep Science Publishing, 2025. https://doi.org/10.70593/978-93-49307-40-7_1.

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The automotive industry has indeed been making significant strides towards sustainability, with a focus on eco-friendly practices and the adoption of green technologies (Sun et al., 2018). This shift has also extended to the maintenance and repair sector, giving rise to the green spare parts industry, which plays a pivotal role in promoting sustainability by offering environmentally friendly alternatives for vehicle maintenance and repair (Sun et al., 2018). The green spare parts industry encompasses components and materials designed, manufactured, and utilized with a focus on minimizing envir
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Conference papers on the topic "Arte de' cenni"

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Okamura, Atsushi, Tadashi Mikoshiba, Wataru Yosizaki, et al. "A Multi-Point Radio Displacement Measurement Method for Testing Quake-Proof Structure." In ASME 2002 Pressure Vessels and Piping Conference. ASMEDC, 2002. http://dx.doi.org/10.1115/pvp2002-1401.

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In this paper, we propose a remote 3-D displacement measurement method using the radio wave for indoor shaking table facilities. It also shows the effectiveness of the proposed method by some radio experiments using a shaking table. The proposed measurement system consists of simple transmitters attached to each reference point and several receiving antennas at different places connected with a digital signal processing unit. The locations of the transmitters are simultaneously estimated by observing the phase differences between signals at receiving antennas. This prototype radio experimental
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Azzalini, Loïc, Emmanuel Blazquez, Alexander Hadjiivanov, Gabriele Meoni, and Dario Izzo. "Generating a Synthetic Event-Based Vision Dataset for Navigation and Landing." In ESA 12th International Conference on Guidance Navigation and Control and 9th International Conference on Astrodynamics Tools and Techniques. ESA, 2023. http://dx.doi.org/10.5270/esa-gnc-icatt-2023-202.

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Neuromorphic vision technology holds great promise for space applications owing to its low power consumption, high temporal precision and high dynamic range [1][2]. Dynamic vision sensors, or event-cameras as they are commonly known, have disrupted research fields across the computer vision landscape, from object tracking to image reconstruction, in robotics to the automotive industry [3]. A dynamic vision sensor is event-driven by design, as independently sensitive image pixels only respond to changes in scene brightness, leading to sparse and asynchronous output streams of data. Only motion
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You might also be interested in the extended bibliographies on the topic 'Arte de' cenni' for particular source types:
Journal articles
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