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1

Alonso, Rodrigo. Inter/activos: Espacio, información, conectividad : Programa de Arte Interactivo I, 2005. Buenos Aires: Espacio Fundación Telefónica, 2006.

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2

Alonso, Rodrigo. Inter/activos: Espacio, información, conectividad : Programa de Arte Interactivo I, 2005. Buenos Aires: Espacio Fundación Telefónica, 2006.

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3

Programa de Arte Interactivo (Espacio Fundación Telefónica, Buenos Aires, Argentina), ed. Inter/activos: Ambientes, redes, teleactividad : Programa de Arte Interactivo II, 2006. Buenos Aires, Argentina: Espacio Fundación Telefónica, 2008.

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4

Gemetto, Jorge. Arte joven y cultura digital. Montevideo, Uruguay: Ártica, 2011.

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5

Fragoso, Maria Luiza. >= 4D: Arte computacional no Brasil : reflexão e experimentação. Brasília: Programa de Pós-Graduação, Instituto de Artes, UnB, 2005.

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6

One show interactive: Advertising's best interactive and new media . Hove, East Sussex, U.K: Rotovision, 1998.

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7

Editoria decima arte?: Contaminazioni multimediali e spericolatezze videoludiche. [Rimini, Italy]: Guaraldi, 2009.

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8

The principles & processes of interactive design. New York: Bloomsbury, 2013.

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9

Gallery), Serious Games (Exhibition) (1996-1997 Laing Art Gallery and Barbican Art. Serious games: Art, interaction, technology. London: Barbican Art Gallery in association with Tyne & Wear Museums, 1996.

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10

Artificial hells: Participatory art and the politics of spectatorship. Brooklyn, NY: Verso Books, 2012.

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11

Medeiros, Maria Beatriz de. Corpos informáticos: Arte, corpo, tecnologia. [Brasília, Brazil]: Fundo da Arte e da Cultura, Secretaria de Estado de Cultura do DF, 2006.

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12

Medeiros, Maria Beatriz de. Corpos informáticos: Arte, corpo, tecnologia. [Brasília, Brazil]: Fundo da Arte e da Cultura, Secretaria de Estado de Cultura do DF, 2006.

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13

Howard Gilman International Conference (2nd 1999 Rethymno, Crete). Mediterranean cultural interaction. [Tel Aviv]: Ramot Publ. House, Tel Aviv University, 2000.

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14

Amanda, Kelly, and National Gallery of Canada, eds. Caught in the act: The viewer as performer. Ottawa: National Gallery of Canada, 2008.

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15

Tamas, Banovich, Cook Sarah 1974-, Graham Beryl, Martin Sarah 1972-, and Baltic Centre for Contemporary Art., eds. Curating new media: Third Baltic International Seminar 10-12 May 2001. Gateshead: BALTIC, 2002.

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16

Parker, Lauren. Interplay: Interactive design. London: V & A, 2004.

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17

Interplay: Interactive design. London: V & A, 2004.

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18

Waller, Diane. Group interactive art therapy: Its use in training and treatment. Hove: Brunner-Routledge, 2002.

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19

Group interactive art therapy: Its use in training and treatment. London: Routledge, 1993.

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20

Castellary, Arturo Colorado. Hipercultura visual: El reto hipermedia en el arte y la educación. Madrid: Complutense, 1997.

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21

Grennan, Simon. Anyone in New York: An interactive artwork. New York: Grey Art Gallery & Study Center, New York University, 1993.

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22

Mulder, Arjen. Van beeld naar interactie: Betekenis en agency in de kunsten. Rotterdam: V2_Publishing/NAi Uitgevers, 2010.

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23

Christa Sommerer & Laurent Mignonneau: Interactive art research. Wien: Springer, 2009.

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24

American Institute of Graphic Arts, ed. Pause & effect: The art of interactive narrative. Indianapolis, Ind: New Riders, 2003.

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25

Blunck, Lars. Between object & event: Partizipationskunst zwischen Mythos und Teilhabe. Weimar: VDG, Verlag und Datenbank für Geisteswissenschaften, 2003.

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26

Wilks, Stephen. L'Âne bleu: Un parcours en région Provence-Alpes-Côte d'Azur avec l'association Art'ccessible. Marseille: FRAC Provence-Alpes-Côte d'Azur, 2006.

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27

Der interaktive Blick: Über Kunst, Wirkungsräume und Mitspieler. Münster: Postparadise Edition, 2013.

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28

You are a work of art!: Interactive art lessons for children to express emotions. [Massachusetts]: Phenomaxon Books, 2004.

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29

Jñāna-Pravāha), International Seminar on Interaction between Brāhmaṇical and Buddhist Art (2003. Interaction between Brāhmaṇical and Buddhist art. Varanasi: Jñāna-Pravāha, 2004.

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30

Museum of Modern Art (New York, N.Y.), ed. Talk to me: Design and the communication between people and objects. New York, N.Y: Museum of Modern Art, 2011.

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31

Hylozoic ground: Liminal responsive architecture : Philip Beesley. Cambridge, Ont.]: Riverside Architectural Press, 2010.

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32

Interactive art therapy: No talent required projects. New York: Haworth Reference Press, 2006.

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33

Les images et les sons dans les hypermédias artistiques contemporains: De la correspondance à la fusion. Paris: L'Harmattan, 2008.

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34

Hogan, Carolyn Tavzel. Interactive bulletin boards: Ideas to encourage language development. Tucson: Communication Skill Builders, 1992.

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35

Interface cultures: Artistic aspects of interaction. Bielefeld: Transcript, 2008.

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36

Alex, Israel, ed. Jason Rhoades' Black pussy cocktail coffee table book. Göttingen: Steidl, 2007.

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37

Josef, Albers. Interaction of color. New Haven [Conn.]: Yale University Press, 2009.

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38

Josef, Albers. Interaction of color. New Haven [Conn.]: Yale University Press, 2006.

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39

Walther, Franz Erhard. Franz Erhard Walther: Architektonik. Edited by Rothmaler Valentin and Werkstatt Galerie 20. Wismar: Hochschule Wismar, FB Architektur, 1996.

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40

Thompson, Diana. Alluvion: Acts of intention and intervention. Salt Spring Island, B.C: Equilibrium Studio, 2004.

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41

>= 4D: Arte computacional interativa. Brasília: Centro Cultural Banco do Brasil, 2004.

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42

Silvana, Vassallo, and Di Brino Andreina, eds. Arte tra azione e contemplazione: L'interattività nelle ricerche artistiche. Pisa: ETS, 2003.

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43

The Fundamentals Of Interactive Design. AVA Publishing, 2012.

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44

Interactive pictures. B.Taschen Verlag,Germany, 1994.

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45

McGraw-Hill. Galería de arte y vida, Interactive Student Edition CD-ROM. 4th ed. Glencoe/McGraw-Hill, 2003.

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46

McGraw-Hill. Galería de arte y vida, Interactive Student Edition CD-ROM. Glencoe/McGraw-Hill, 2003.

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47

1950-, Martel Richard, ed. Arts d'attitudes: Discussion, action, interaction. Québec, Québec: Inter Éditeur, 2002.

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48

Taschen Publishing and Ed Burkhard Riemschneider. Interactive Pictures I. Benedikt Taschen Verlag, 1995.

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49

(Editor), Ken Coupland, and B. Martin Pedersen (Editor), eds. Interactive Design 1. Watson-Guptill Publications, 1999.

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50

Josef Albers: Interaction. Yale University Press, 2018.

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