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Books on the topic 'Arthur's Seat'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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1

Fee, John. Arthur's Seat: Exploring place. [S.l.]: [s.n.], 2002.

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2

1956-, Smith Donald, ed. Arthur's Seat: Journeys and evocations. Edinburgh: Luath Press Ltd., 2012.

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3

(Agency), Scottish Natural Heritage, and Historic Scotland, eds. Arthur's Seat and Holyrood Park: A visitor's guide. Edinburgh: HMSO, 1996.

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4

Africa Women's Forum (1998 Cape Town, South Africa). Africa Women's Forum: Communication and leadership for empowerment : summary report & papers presented at the Africa Women's Forum convened by Africa Leadership Forum, Arthur's Seat Hotel, Capetown, South Africa : 28-30th May, 1998. Abeokuta, Nigeria: ALF, 1998.

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5

Oliver, Martin. Agent Arthur on the stormy seas. London: Usborne, 1991.

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6

Sharma, Amina. Create your own amazing Arthur event. [Boston, MA: WGBH-TV Educational Foundation, 1997.

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7

Kaemmel, Thomas. Arthur Schoenflies: Mathematiker und Kristallforscher : eine Biographie mit Aufstieg und Zerstreuung einer jüdischen Familie. Halle: Projekte-Verlag 188, 2006.

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8

Kennedy, J. Gerald. The narrative of Arthur Gordon Pym: And the abyss of interpretation. New York: Twayne Publishers, 1995.

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9

Allan, Poe Edgar. The narrative of Arthur Gordon Pym of Nantucket. 2nd ed. New York: Modern Library, 2002.

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10

Allan, Poe Edgar. The narrative of Arthur Gordon Pym of Nantucket. New York: Penguin Books, 1999.

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11

Allan, Poe Edgar. The Narrative of Arthur Gordon Pym of Nantucket. New York: Penguin USA, Inc., 2009.

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12

The critical history of Edgar Allan Poe's The narrative of Arthur Gordon Pym: "a dialogue with unreason". New York: Garland Pub., 1998.

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13

Allan, Poe Edgar. The narrative of Arthur Gordon Pym of Nantucket and related tales. Oxford [England]: Oxford University Press, 2008.

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14

Allan, Poe Edgar. The Narrative of Arthur Gordon Pym of Nantucket: And Related Tales. Oxford [England]: Oxford University Press, 1994.

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15

A Guide to Holyrood Park & Arthur's Seat. Hyperion Books, 1989.

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16

Agent Arthur's Jungle Journey. Usborne, 1989.

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17

Caleb's list: Climbing the Scottish mountains visible from Arthur's Seat. Luath Press Ltd, 2014.

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18

Agent Arthur's Jungle Journey (Usborne Puzzle Adventures). Educational Development Corporation, 1989.

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19

Agent Arthur's Puzzle Adventures: Combined Volume: Agent Arthur's Jungle Journey / Agent Arthur on the Stormy Seas / Agent Arthur's Arctic Adventure (Puzzle Adventures). Usborne Publishing Ltd, 1992.

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20

The Seat Perilous The Quests Of Arthurs Knights. The History Press Ltd, 2013.

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21

Agent Arthur on the Stormy Seas. Edc Pub (Lib), 1990.

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22

Waters, G. Agent Arthur on the Stormy Seas. E.D.C. Publishing, 1990.

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23

Sticker King Arthur. Usborne Publishing, Limited, 2019.

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24

Reid, Struan, and Diego Diaz. Sticker King Arthur. Usborne Publishing, Limited, 2015.

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25

Agent Arthur on the Stormy Seas (Usborne Puzzle Adventures). Usborne Publishing Ltd, 2007.

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26

Allan, Poe Edgar. Narrative of Arthur Gordon Pym. Broadview Press, 2010.

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27

Ansell, Joseph P. Arthur Szyk. Liverpool University Press, 2004. http://dx.doi.org/10.3828/liverpool/9781874774945.001.0001.

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Artist and illustrator Arthur Szyk was a Polish Jew whose work was overwhelmingly Jewish in theme and content. The mission he set himself was to use his artistic talents to serve humanity and the Jewish people. His work as a political artist went well beyond a narrow definition of the Jewish cause. He is best known among Jews for his illustrated Haggadah, but the majority of his work deals with contemporary political themes and social causes. In Poland, Szyk promoted the causes of freedom, toleration, and human dignity. He believed that as a Jewish artist he had a responsibility to speak for all minorities. He worked for years on behalf of the Polish government in an effort to strengthen the Jews' position. Szyk left Europe in 1940 and arrived in the United States later the same year. Determined to use his art for political purposes, he crusaded against the Nazis. Convinced that Hitler would not stop with the Jews but would suppress all freedom-loving people, he supported the war effort through his striking propaganda images of the German and Japanese armies, to great effect. After the war he turned his efforts to promoting the idea of a Jewish homeland in Israel. In every phase of his career, one finds Szyk looking to the past but hoping for the future; he believed that art could make a difference in the world, politically and socially. This biography makes a singular contribution to the history of Jewish art and of Polish–Jewish relations in the first half of the twentieth century.
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28

Poe, Edgar Allan. The Narrative of Arthur Gordon Pym. Digireads.com, 2005.

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29

Kennedy, J. Gerald. The Narrative of Arthur Gordon Pym: And the Abyss of Interpretation (Twayne's Masterwork Studies). Twayne Publishers, 1994.

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30

Allan, Poe Edgar. The Narrative of Arthur Gordon Pym of Nantucket. DH Audio, 1991.

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31

Luckhurst, Roger, ed. Late Victorian Gothic Tales. Oxford University Press, 2009. http://dx.doi.org/10.1093/owc/9780199538874.001.0001.

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He was a man of fairly firm fibre, but there was something in this sudden, uncontrollable shriek of horror which chilled his blood and pringled in his skin. Coming in such a place and at such an hour, it brought a thousand fantastic possibilities into his head...' The Victorian fin de siècle: the era of Decadence, The Yellow Book, the New Woman, the scandalous Oscar Wilde, the Empire on which the sun never set. This heady brew was caught nowhere better than in the revival of the Gothic tale in the late Victorian age, where the undead walked and evil curses, foul murder, doomed inheritance and sexual menace played on the stretched nerves of the new mass readerships. This anthology collects together some of the most famous examples of the Gothic tale in the 1890s, with stories by Arthur Conan Doyle, Vernon Lee, Henry James and Arthur Machen, as well as some lesser known yet superbly chilling tales from the era. The introduction explores the many reasons for the Gothic revival, and how it spoke to the anxieties of the moment.
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32

Harvey, Ronald C. Critical History of Edgar Allan Poe's the Narrative of Arthur Gordon Pym: A Dialogue with Unreason. Taylor & Francis Group, 2016.

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33

Allan, Poe Edgar. The Narrative of Arthur Gordon Pym of Nantucket (Thrift Edition). Dover Publications, 2005.

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34

Slusser, George. Galactic Center Two. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038228.003.0006.

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This chapter examines Nigel Walmsley's space odyssey in In the Ocean of Night and Across the Sea of Suns, which span the dates from 1999 to 2061. By the end of the first novel, Nigel has discovered a cosmic struggle between machine intelligence and organic life that will soon engulf Earth. Through several contacts with alien artifacts and entities that had come to Earth in both prehistoric and recent times, he predicts the coming of the machines. In Across the Sea of Suns, Nigel does battle with the machines with the help of organic life forms he finds on the moon of a planet in distant Epsilon Eridani. In the process, he reaffirms what he had earlier discovered on Earth: that, in the evolutionary sense, the boundary between machine and organism is not clear cut. The stamp of Arthur C. Clarke's Space Odyssey is clearly on both In the Ocean of Night and Across the Sea of Suns. The chapter analyzes the two novels in order to understand how Gregory Benford launched his space epic.
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35

Poe, Edgar Allan. The Narrative of Arthur Gordon Pym of Nantucket and Related Tales. Edited by J. Gerald Kennedy. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199540471.001.0001.

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And now I found these fancies creating their own realities, and all imagined horrors crowding upon me in fact. The Narrative of Arthur Gordon Pym is an archetypal American story of escape from home and family which traces a young man's rite of passage through a series of terrible brushes with death during a fateful sea voyage. But it also goes much deeper, as Pym encounters various interpretative dilemmas, at last leaving the reader with a broken-off ending that defies solution. Apart from its violence and mystery, the tale calls attention to the act of writing and to the problem of representing truth. Layer upon layer of elaborate hoaxes include its author's own role of posing as ghost-writer of the narrative; Pym - his only novel - has become the key text for our understanding of Poe. This edition offers eight short tales which are linked to Pym by their treatment of persistent themes - fantastic voyages, gigantic whirlpools, and premature burials - or by their ironic commentary on Poe's mystification of his readers.
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36

Knapp, Raymond. Sondheim’s America; America’s Sondheim. Edited by Robert Gordon. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195391374.013.0027.

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Although Stephen Sondheim has long been considered the leading writer for the American musical stage in his generation, and although many of his shows have become repertory fixtures, their original runs have tended to be relatively short, and his thematic engagements with conventional ideas of “America” have often been querulous. To understand better why “Sondheim” and “America” have thus often seemed not to map easily to each other, this chapter considers one of his famous flops,Anyone Can Whistle, in the context of his earlier collaborations with Arthur Laurents and as a show that set an agenda quite different from that of his mentor, Oscar Hammerstein II; this new agenda would sustain the remainder of his career to date.
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37

Allan, Poe Edgar. The Narrative of Arthur Gordon Pym of Nantucket, and Related Tales (Oxford World's Classics). Oxford University Press, USA, 1998.

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38

Schabas, William A. Demand for Surrender. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198833857.003.0017.

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When the Treaty of Versailles entered into force in January 1920, the British, French, and Italians sent their demand for surrender to the Dutch Government. When it was promptly rejected, the three Allied Powers prepared a reply protesting the Dutch decision. But they were already shifting their position in favour of some form of internment similar to what had been imposed upon Napoleon in 1815. Initially, they sought internment far from Europe, but the Dutch were not interested. After a series of unpleasant diplomatic exchanges, the Dutch Queen issued a decree confining the Kaiser to his new castle in Doorn. The Kaiser remained at Doorn for the rest of his natural life, dying in 1941. By then, Germany had occupied the Netherlands and his castle was guarded by Wehrmacht troops. Hitler had his local hatchet-man, Arthur Seyss-Inquart, attend the funeral and present a wreath on his behalf.
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39

Welsh, Mary Sue. A Season of Firsts. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037368.003.0006.

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This chapter details the arrival of Arturo Toscanini in Philadelphia as part of a highly publicized maestro exchange between the Philadelphia Orchestra and the New York Philharmonic that had been set up by Arthur Judson, manager of both orchestras. A canny businessman who understood the value of a good public relations ploy—as did both Stokowski and Toscanini—Judson arranged to have his star conductors each lead the other's orchestra for two weeks. Accustomed to Stokowski's quietly intense demeanor in rehearsals, the members of the orchestra now found themselves the brunt of one explosive outburst after another from Toscanini, who screamed and subjected them to vituperation for their mistakes, breaking batons in perfect fury. While Phillips initially avoided attracting Toscanini's wrath, that was not to last. It soon descended on the harp section in a complicated spot in Siegfried's Death from Götterd Gämmerung.
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40

Ruse, Michael. Onward Christian Soldiers. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190867577.003.0005.

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In 1914, Europe went to war, because of German expansionism, but without a central moral purpose as in 1939. Christian leaders had to scramble to find justification, which they soon located in our sinful nature, and most particularly the sinful nature of the opponents. In major respects, therefore, the First World War was a religious war, battling against the infidel. Anglican leaders, like the Bishop of London, Arthur F. Winnington Ingram, urged the necessity of killing Germans; and Lutheran leaders on the other side, like Adolf von Harnack, were no less bloodthirsty. There was an often-despised pacifist minority. In England, this included the philosopher Bertrand Russell, who was very much not a Christian, and members of the “Fellowship of Reconciliation,” who very much were Christians. In America, the Episcopalian bishop of Utah, Paul Jones, got the sack because of his pacifism, and the Catholic Ben Salmon was sent to jail and refused communion by his church.
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41

Scott, Walter. The Antiquary. Edited by Nicola Watson. Oxford University Press, 2009. http://dx.doi.org/10.1093/owc/9780199555710.001.0001.

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‘It was early in a fine summer’s day, near the end of the eighteenth century, when a young man, of genteel appearance, having occasion to go towards the north-east of Scotland, provided himself with a ticket in one of those public carriages which travel between Edinburgh and the Queensferry...’ So begins Scott’s personal favourite among his novels, in characteristically wry and urbane style, as a mysterious young man calling himself ‘Lovel’ travels idly but fatefully toward the Scottish seaside town of Fairport. Here he is befriended by the antiquary Jonathan Oldbuck, who has taken refuge from his own personal disappointments in the obsessive study of miscellaneous history. Their slow unravelling of Lovel’s true identity will unearth and redeem the secrets and lies which have devastated the guilt-haunted Earl of Glenallan, and will reinstate the tottering fortunes of Sir Arthur Wardour and his daughter Isabella. First published in 1816 in the aftermath of Waterloo, The Antiquary deals with the problem of how to understand the past so as to enable the future. Set in the tense times of the wars with revolutionary France, it displays Scott’s matchless skill at painting the social panorama and in creating vivid characters, from the earthy beggar Edie Ochiltree to the loqacious and shrewdly humorous Antiquary himself. The text is based on Scott’s own final, authorized version, the ‘Magnum Opus’ edition of 1829.
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42

Jahrbuch des Föderalismus 2019. Nomos Verlagsgesellschaft mbH & Co. KG, 2019. http://dx.doi.org/10.5771/9783748901174.

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As with its previous editions, the 20th edition of this yearbook has been conceived as a wide-ranging compendium that provides its readers with an up-to-date overview of different aspects of federal and regional structures and politics. The 30 contributions it contains can be grouped according to the following main topics: Nine contributions (including one by the chief minister of Baden-Württemburg, Winfried Kretschmann) address the book’s principal subject: 70 years of federalism in Germany. Four of them deal with current areas of research into federalism (including federal reform in Switzerland). Four of them examine issues related to German federalism (including the phasing out of fossil fuels and the promotion of digitalisation in schools). There are eight reports on European countries (including Italy, Austria and the UK). There is one report on a non-European country (Pakistan). Two of the contributions examine regional and municipal cooperation in Europe (including cooperation between communities on different sides of a national border). Two of them address the European Union/European integration (including the European Committee of the Regions). With contributions by Winfried Kretschmann, Rudolf Hrbek, Ursula Münch, Arthur Benz, Albert Funk, Wolfgang Renzsch, Klaus Detterbeck, Thomas Petersen, Martin Große Hüttmann, Patrick Finke, Markus M. Müller, Antonios Souris, Roland Sturm, Gabriele Abels, Tobias Arnold, Alexander Arens, Sean Mueller, Adrian Vatter, Sabine Riedel, Tobias Haas, Konrad Gürtler, Henrik Scheller, Hendrik Träger, Peter Becker, Patricia Popelier, Jens Woelk, Andreas Stöckli, Jannis Kompsopoulos, Carolin Zwilling, Elisabeth Alber, Peter Bußjäger, Christoph Schramek, Daniel Lemmer, Simon Meisch, Saeed Ahmed Rid, Michael Gerner, Greta Klotz, Otto Schmuck, Horst Förster
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43

Historical and Political Consciousness in Modern British and German Drama. University of Alberta, 1992.

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