Academic literature on the topic '(Arthur Frederick)'

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Journal articles on the topic "(Arthur Frederick)"

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Lawson, Stuart. "Obituary: Arthur Frederick Jenkinson." Weather 60, no. 1 (2005): 27. http://dx.doi.org/10.1256/wea.171.04.

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Walsh, Richard P. J. "Frederick Arthur Gore Ouseley." Musical Times 127, no. 1722 (1986): 480. http://dx.doi.org/10.2307/964587.

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Burki, Talha Khan. "Sir Arthur Frederick Hurst: shockingly talented." Lancet Gastroenterology & Hepatology 4, no. 4 (2019): 267. http://dx.doi.org/10.1016/s2468-1253(19)30051-2.

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Parkin, Jon. "Book reviews." Notes and Records of the Royal Society of London 51, no. 1 (1997): 141–57. http://dx.doi.org/10.1098/rsnr.1997.0012.

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Nine book reviews in the January 1997 edition of Notes and Records Nicholas Wolterstorff, John Locke and the Ethics of Belief . John Stoye, Marsigli's Europe 1680–1730, the Life and Times of Luigi Ferdinando Marsigli, Soldier and Virtuoso . Arthur Donovan, Antoine Lavoisier: Science, Administration and Revolution . James R. Hofmann, André–Marie Ampére . Patsy Gerstner, Henry Darwin Rogers, 1808–1866––American Geologist . Charles Darwin's Letters. A selection 1825–1859 , Edited by Frederick Burkhardt. Oliver Lodge and the Invention of Radio , Edited by Peter Rowlands and J. Patrick. V.V. Krishna, S.S. Bhatnagar on Science, Technology and Development 1938–54 . Jagdish Mehra, The Beat of a Different Drum. The Life and Science of Richard Feynman .
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McNulty, John. "A Book Review: Imaging Neurons, A Laboratory Manual." Microscopy Today 8, no. 2 (2000): 42–43. http://dx.doi.org/10.1017/s1551929500057515.

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The resurgence of microscopy in recent years is certainly not news to readers of this journal. But, for many of us, this resurgence has placed additional strains on our already busy lives to keep current on new technologies and techniques. Fortunately, books such as “Imaging Neurons. A Laboratory Manual” (Edited by Rafael Yuste, Frederick Lanni and Arthur Konnerth) provide comprehensive and timely reviews to help us keep abreast of the field.The book evolved from a summer course taught by the editors and many of the contributors at the Cold Spring Harbor Laboratory, and although it obviously targets neurobiologists, many of the techniques are applicable to other biological systems. An impressive feature of the manual is the breadth and detail of topics covered.
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Brandon, Laura. "Double Exposure: Photography and the Great War Paintings of Frank Johnston, Arthur Lismer, and Frederick Varley." RACAR : Revue d'art canadienne 39, no. 2 (2014): 14–28. http://dx.doi.org/10.7202/1027746ar.

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Pendant la Première Guerre mondiale, trois artistes membres du futur Groupe des Sept – Frank Johnston (1888–1949), Frederick Varley (1881–1969) et Arthur Lismer (1885–1969) – ont utilisé le médium photographique pour créer des oeuvres dédiées au thème de la guerre. Johnston et Lismer n’ont jamais reconnu avoir utilisé la photographie dans leurs peintures de guerre, mais ont gardé certaines de leurs images sources dans leurs archives personnelles. Varley n’a conservé aucune photo de guerre et a rarement discuté publiquement de son usage de la photographie. De surcroît, ses biographes ont plutôt eu tendance à minimiser cet aspect de son travail et à hiérarchiser la peinture par rapport à la photographie. Le modèle se répète : après l’établissement du Fonds de souvenirs de guerre canadiens en décembre 1916, la photographie, malgré sa popularité, a été reléguée à un rôle secondaire de commercialisation visant à générer des revenus pour des commandes et des achats d’autres oeuvres d’art.
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Topping, Gary. "The Selected Letters of Frederick Manfred, 1932–1954 ed. by Arthur R. Huseboe and Nancy Owen Nelson." Western American Literature 25, no. 3 (1990): 274–75. http://dx.doi.org/10.1353/wal.1990.0161.

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Cárcamo Rodríguez, A., J. Aguilar Rios, and J. R. Hernández. "First Report of Asian Soybean Rust Caused by Phakopsora pachyrhizi from Mexico." Plant Disease 90, no. 9 (2006): 1260. http://dx.doi.org/10.1094/pd-90-1260b.

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Leaves of soybean (Glycine max (L.) Merr.; Fabaceae) cv. Huasteca 400, with conspicuous chlorotic spots and associated hypophyllous cinnamon-brown sori, were collected in commercial soybean plantings in Ébano and Tamuín in the state of San Luis de Potosí, Mexico on 26 October 2005. Uredinia, Malupa-type, are mostly hypophyllous, minute, pulverulent, cinnamon-brown, scattered or in groups, subepidermal becoming erumpent, cone like, surrounded by paraphyses; paraphyses are cylindric to clavate, 25 to 50 × 6 to 14 μm, colorless to yellow brownish with wall thickened at the apex. Urediniospores are obovoid to broadly ellipsoidal, measuring 18 to 37 × 15 to 24 μm, and have a minutely echinulate thin wall, hyaline to pale yellowish brown. This morphology is typical of Phakopsora pachyrhizi Syd. & P. Syd. and P. meibomiae (Arthur) Arthur. DNA was extracted from leaves containing sori with the PureLink Plant DNA Reagent (Invitrogen, Carlsbad, CA), and the identity of P. pachyrhizi was confirmed by the polymerase chain reaction protocol (1) with Ppa1/Ppa2 primers at the National Phytosanitary Reference Center of Mexico. The morphological and molecular diagnosis and presence of P. pachyrhizi in Mexico was officially communicated by the North American Plant Protection Organization (NAPPO) on 16 February 2006. Asian soybean rust was reported for the first time in North America in 2004 (2). To our knowledge, this the first report of P. pachyrhizi in Mexico. Voucher specimens have been placed in the USDA National Fungus Collection as BPI 871130, BPI 871131, and BPI 871132. Images and a complete description of Asian soybean rust can be viewed at http://nt.arsgrin.gov/taxadescriptions/factsheets/index.cfm?thisapp=Phakopsorapachyr hizi . References: (1) R. D. Frederick et al. Phytopathology 92:217, 2002. (2) R. W. Schneider et al. Plant Dis. 89:774, 2005.
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Cannister, Mark W. "Youth Ministry Pioneers of the 20Th Century, Part I: Frederick & Arthur Wood, Lloyd Bryant, Percy Crawford, and Evelyn McClusky." Christian Education Journal: Research on Educational Ministry 1, no. 1 (2003): 66–72. http://dx.doi.org/10.1177/073989130300100108.

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Ellis, H., D. G. Young, J. Carnduff, et al. "Lord Smith of Marlow John Aitken James ("Jimmy") George Ledingham Robert ("Bob") Murray Arthur Salmon ("Sam") Wigfield John Frederick Wilkinson." BMJ 318, no. 7176 (1999): 129. http://dx.doi.org/10.1136/bmj.318.7176.129.

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Dissertations / Theses on the topic "(Arthur Frederick)"

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Esposito, Donato. "The artistic discovery of Assyria by Britain and France 1850 to 1950." Thesis, University of Plymouth, 2011. http://hdl.handle.net/10026.1/553.

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This thesis provides an overview of the engagement with the material culture of Assyria, unearthed in the Middle East from 1845 onwards by British and French archaeologists. It sets the artistic discovery of Assyria within the visual culture of the period through reference not only to painting but also to illustrated newspapers, books, journals, performances and popular entertainments. The thesis presents a more vigorous, interlinked, and widespread engagement than previous studies have indicated, primarily by providing a comprehensive corpus of artistic responses. The artistic connections between Britain and France were close. Works influenced by Assyria were published, exhibited and reviewed in the contemporary press, on both sides of the English Channel. Some artists, such as Gustave Doré, successfully maintained careers in both London and Paris. It is therefore often meaningless to speak of a wholly ‘French’ or ‘British’ reception, since these responses were coloured by artistic crosscurrents that operated in both directions, a crucial theme to be explored in this dissertation. In Britain, print culture also transported to the regions, away from large metropolitan centres, knowledge of Assyria and Assyrian-inspired art through its appeal to the market for biblical images. Assyria benefited from the explosion in graphical communication. This thesis examines the artistic response to Assyria within a chronological framework. It begins with an overview of the initial period in the 1850s that traces the first British discoveries. Chapter Two explores the different artistic turn Assyria took in the 1860s. Chapter Three deals with the French reception in the second half of the nineteenth century. Chapter Four concludes the British reception up to 1900, and Chapter Five deals with the twentieth century. The thesis contends that far from being a niche subject engaged with a particular group of artists, Assyrian art was a major rediscovery that affected all fields of visual culture in the nineteenth century.
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Williams, Murray Noel. "Building Yesterday's Schools: An Analysis of Educational Architectural Design as Practised by the Building Department of the Canterbury Education Board from 1916-1989." Thesis, University of Canterbury. Humanities, 2014. http://hdl.handle.net/10092/9591.

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This thesis considers the nature of primary, intermediate and district high school buildings designed by the Building Department of the Canterbury Education Board from its consolidation in 1916 until its termination in 1989. Before 1916, the influence of British models on the CEB’s predecessors had been dominant, while after that date, Board architects were more likely to attempt vernacular solutions that were relevant to the geographic situation of the Canterbury district, the secular nature of New Zealand education and changing ideas of the relative importance of the key architectural drivers of design i.e. function and form. One development, unique to Canterbury, was that for a short period, from 1924-29, a local pressure group, the Open Air Schools’ League became so powerful that it virtually dictated the CEB’s design policy until the Board architects George Penlington and John Alexander Bigg reassumed control by inflecting the open-air model into the much acclaimed veranda block. The extent to which Board architects had the freedom to express themselves within a framework of funding control exercised by the Department of Education was further circumscribed by successive building codes that, at their most directive, required national standardisation under the 1951 Dominion Basic Plan and to a slightly lesser extent under the1956 code and associated White Lines regime. Following World War 2, the use of prefabricated structures had prompted the recognition that better designed relocatable rooms could hold the key to a more flexible and effective allocation of resources in an environment increasingly subject to rapid demographic change. By the end of the period, the exploitation of new construction technologies and modern materials led to the dominance of the relocatable CEBUS buildings in Canterbury schoolyards. A concurrent development was the response of architects A. Frederick (Fred) McCook and John Sinclair Arthur to the Department’s call to design more flexible spaces, i.e. open planning, to facilitate a change in pedagogical method. Other issues raised in this study are the CEB’s solutions to the challenges of building on the West Coast, and the recurring need to ensure structural integrity in a region where there was a continuous risk of seismic activity.
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Street, Anna. "Comedy of the Impossible : The Power of Play in Post-war European Theatre." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040179.

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En retraçant le développement des théories de la comédie dans la philosophie occidentale, cette thèse avance que des préjugés l’ont empêchée d’être reconnue comme un genre littéraire sérieux. Il est montré que la place donnée à la comédie comme genre mineur pendant plus de deux mille ans correspond à un modèle éthique qui affirme, en distinguant le réel de l'Idéal, une vision néo-platonicienne de l'existence. Partant de l’analyse d’un phénomène théâtral précis dans l’Europe de l’après-guerre et à travers de nombreux exemples choisis parmi des pièces de cinq dramaturges différents, cette thèse propose trois principaux critères de la comédie : le statut ontologique des personnages comiques, la relation paradoxale de la comédie au monde des apparences, et son aptitude à permettre l'impossible. Opérant ainsi un renversement total des systèmes de valeurs et remettant en question une vision binaire, la comédie brouille les clivages entre l’abstrait et le concret, le mécanique et l’organique, et au bout du compte entre la vie et la mort. Il est démontré comment ce renversement s’accomplit de manière linguistique, métaphorique ou encore dramaturgique. L’étude conclut que la comédie bouleverse l'ordre socio-symbolique qui repose sur la logique du possible<br>By tracing the development of theories of comedy within Western philosophy, this thesis claims that anti-comic prejudices prevented comedy from being recognized as a serious genre. Comedy’s inferior status for over two thousand years is shown to correspond to an ethical model that distinguishes the real from the Ideal and affirms a Neo-Platonic vision of existence. Through numerous examples taken from a particular phenomenon of post-war European theatre comprising five different playwrights, this thesis proposes three primary characteristics of comedy: the ontological instability of comic characters, comedy’s paradoxical relation to the world of appearances, and comedy’s willingness to accommodate the impossible. By throwing binaries into question and promoting a complete reversal of dominant value systems, comedy blurs the lines of distinction between the abstract and the concrete, the mechanical and the organic and, ultimately, between life and death. Demonstrating how this reversal is accomplished linguistically, metaphorically, or dramaturgically, this study concludes that comedy subverts the socio-symbolic order that relies upon the logic of possibility
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Adams, Christa. "Bringing "Culture" to Cleveland: East Asian Art, Sympathetic Appropriation, and the Cleveland Museum of Art, 1914-1930." University of Akron / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=akron1447097382.

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Cording, Rex F. "The other bomber battle : an examination of the problems that arose between the Air Staff and the AOC Bomber Command between 1942 and 1945 and their effects on the strategic bomber offensive : a thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History in the University of Canterbury /." 2006. http://library.canterbury.ac.nz/etd/adt-NZCU20061102.141943.

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Books on the topic "(Arthur Frederick)"

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Wilks, Yorick Alexander. Arthur Frederick Parker-Rhodes: A memoir. University of Sheffield, Dept. of Computer Science, 1995.

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E, Smith Donald. Ancestors and descendants of Frederick Arthur Smith and Lena Miriam Balch. 2nd ed. D.E. Smith, 1993.

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Our home and native land: Sheffield's Canadian artists : Arthur Lismer, Elizabeth Nutt, Stanley Royle, Frederick H. Varley and their contempories. Mappin Art Gallery, 1991.

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Church, Frederic Edwin. Frederic E. Church: Under changing skies : oil sketches and drawings from the collection of the Cooper-Hewitt, National Museum of Design, Smithsonian Institution : Arthur Ross Gallery, University of Pennsylvania, September 26-December 13, 1992, Katonah Museum of Art, Katonah, New York, January 9-March 14, 1993, Hood Museum of Art, Dartmouth College, April 10-June 20, 1993. Arthur Ross Gallery of the University of Pennsylvania, 1992.

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Havergal, Francis Tebbs. Memorials of Frederick Arthur Gore Ouseley. Library Reprints, 2001.

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Gilliland, Dean S., and Charles Van Engen. The Good News of the Kingdom: Mission Theology for the Third Millenium. Orbis Books, 1993.

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van, Engen Charles Edward, Gilliland Dean S, Pierson Paul Everett, and Glasser Arthur F. 1914-, eds. The Good news of the kingdom: Mission theology for the third millennium. Orbis Books, 1993.

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Murnaghan, Sheila, and Deborah H. Roberts. Classics in their Own Right. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199583478.003.0003.

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This chapter traces the reception of Nathaniel Hawthorne’s and Charles Kingsley’s mid-nineteenth-century myth collections for children (A Wonder-Book for Girls and Boys, Tanglewood Tales, and The Heroes) over a century-long period during which they dominated the field and came to be viewed as classics in their own right. It treats the general cultural impact of these works, their role as gift books, and their progressive transformation as they were republished in varying formats and with illustrations by an array of distinguished artists; it includes detailed analyses of selected illustrations by Frederick Church, Milo Winter, Arthur Rackham, Charles Kingsley, William Russell Flint, H. M. Brock, Joan Kiddell-Monroe, and Charles Keeping.
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Freedman, David A. On Types of Scientific Enquiry: the Role of Qualitative Reasoning. Edited by Janet M. Box-Steffensmeier, Henry E. Brady, and David Collier. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199286546.003.0012.

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This article argues that ‘substantial progress derives from informal reasoning and qualitative insights’. It shows the role played by causal process observations (CPOs), and qualitative reasoning more generally, in a series of well-known episodes drawn from the history of medicine. Edward Jenner published twenty-three case studies to demonstrate the safety and efficacy of ‘vaccination’. Ignac Semmelweis discovered the cause of puerperal fever. John Snow revealed that cholera was a water-borne infectious disease, which could be prevented by cleaning up the water supply. Christiaan Eijkman's research plan was to use Koch's methods, and show that beriberi was an infectious disease. Joseph Goldberger believed that pellagra was a deficiency disease. Frederick McKay and his connection with fluoridation, and the discovery of Alexander Fleming to penicillin, are discussed. In addition, the breakthrough of German measles by Norman Gregg is reported. Finally, Arthur Herbst offers the association between diethylstibestrol and adenocarcinoma of the vagina.
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Pak, Chris. Terraforming. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781382844.001.0001.

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This book explores the emergence and development of terraforming in science fiction from H.G. Wells’s The War of the Worlds (1898) to James Cameron’s blockbuster Avatar (2009). Terraforming is the process of making other worlds habitable for human life. Its counterpart on Earth—geoengineering—has been positioned as a possible means of addressing the effects of climate change. This book asks how science fiction has imagined the ways we shape both our world and other planets and how stories of terraforming reflect on science, society and environmentalism. It traces the growth of the motif of terraforming in stories by such writers as H.G. Wells and Olaf Stapledon in the UK, American pulp science fiction by Ray Bradbury, Robert Heinlein and Arthur C. Clarke, the counter cultural novels of Frank Herbert, Ursula K. Le Guin and Ernest Callenbach, and Pamela Sargent’s Venus trilogy, Frederick Turner’s epic poem of terraforming, Genesis, and Kim Stanley Robinson’s acclaimed Mars trilogy. It explores terraforming as a nexus for environmental philosophy, the pastoral, ecology, the Gaia hypothesis, the politics of colonisation and habitation, tradition and memory. This book shows how contemporary environmental awareness and our understanding of climate change is influenced by science fiction, and how terraforming in particular has offered scientists, philosophers, and many other readers a motif to think in complex ways about the human impact on planetary environments. Amidst contemporary anxieties about climate change, terraforming offers an important vantage from which to consider the ways humankind shapes and is shaped by their world.
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Book chapters on the topic "(Arthur Frederick)"

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Orel, Harold. "S. S. McClure, My Autobiography (London: John Murray; New York: Frederick A. Stokes, 1914) pp. 203–5, 214–17." In Sir Arthur Conan Doyle. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21487-7_5.

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Orel, Harold. "Fifty Years of Fleet Street, Being the Life and Recollections of Sir John R. Robinson, ed. Frederick Moy Thomas (London: Macmillan, 1904) pp. 358–9." In Sir Arthur Conan Doyle. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21487-7_24.

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Jones, Dudley. "Professionalism and Popular Fiction: The Novels of Arthur Hailey and Frederick Forsyth." In Spy Thrillers. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21132-6_12.

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Orel, Harold. "Frederic Whyte, A Bachelor’s London: Memories of the Day before Yesterday 1889–1914 (London: Grant Richards, 1931) pp. 69–76." In Sir Arthur Conan Doyle. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21487-7_28.

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"Frederick Douglass, Arthur O’Connor, and the Columbian Orator." In Atlantic Crossing in the Wake of Frederick Douglass. Brill | Rodopi, 2017. http://dx.doi.org/10.1163/9789004343481_006.

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Woller, Megan. "Interpretation and Characterization in Lerner and Loewe’s Camelot." In From Camelot to Spamalot. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197511022.003.0003.

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This chapter looks at how Alan Jay Lerner and Frederick Loewe adapt T. H. White’s The Once and Future King in both original 1960 Broadway stage production and the 1967 Hollywood film adaptation. Specifically, this chapter looks at how the musical Camelot interprets White’s version of Arthurian legend, tracking the changes Lerner and Loewe made and especially how song affects characterization. Drawing on archival research completed at the Library of Congress, this chapter examines the process of adapting this long unwieldy myth into a musical. Although Loewe did not work on the 1967 film, Lerner wrote the screenplay. Since the film version remains fixed and widely available, it is worth investigating how the changes made to it further adapt the tale. Since Lerner and Loewe chose to focus on the love triangle between Arthur, Guenevere, and Lancelot, this chapter pays particular attention to how Lerner and Loewe alter their characters.
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Gaunt, Richard A., and Michael Partridge. "Frederick Arthur Hyndman, The National or Factional Party: Which Shall Win? (London, W. H. Allen and Company, 1880)." In Lives of Victorian Political Figures I. Routledge, 2021. http://dx.doi.org/10.4324/9781003192275-8.

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"Obituaries." In Polin: Studies in Polish Jewry Volume 16, edited by Michael C. Steinlauf and Antony Polonsky. Liverpool University Press, 2003. http://dx.doi.org/10.3828/liverpool/9781874774730.003.0048.

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WŁADYSŁAW ŚZPILMAN, pianist and composer, was born on 5 December 1911 in Sosnowiec, Poland. His parents were Samuel and Estera (née Rappaport) Szpilman. He married Halina Grzecznarowska on 30 June 1950 in Warsaw. Together they had two sons, Andrzej and Christopher. Szpilman’s initial training as a pianist was at the Akademia Muzyczna im Frederyka Chopina (Frederick Chopin Academy of Music) in Warsaw under two former students of Liszt, Józef Śmidowicz and Aleksander Michałowski. In 1931 he enrolled at the Akademie der Künste (Academy of Arts) in Berlin, where he studied piano under two of the most distinguished players of the day, Artur Schnabel and Leonid Kreuzer, and composition under Franz Schreker, the renowned composer of ...
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"29. SOCIAL CONCERNS: H. G. Wells, Rebecca West, Arnold Bennett, John Galsworthy, Somerset Maugham, Hugh Walpole, Frederic Raphael, Aldous Huxley, Arthur Koestler, George Orwell." In The Novel. Harvard University Press, 2014. http://dx.doi.org/10.4159/harvard.9780674369054.c32.

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