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1

Cannon-Brookes, P. "The Arthur M. Sackler museum I. James stirling's Arthur M. Sackler museum." Museum Management and Curatorship 5, no. 4 (1986): 319–27. http://dx.doi.org/10.1016/0260-4779(86)90015-4.

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2

Cannon‐Brookes, Peter. "The Arthur M. Sackler museum." International Journal of Museum Management and Curatorship 5, no. 4 (1986): 319–27. http://dx.doi.org/10.1080/09647778609515035.

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Williams, Michael. "II. Fresh‐air climate conditioning at the Arthur M. Sackler museum." International Journal of Museum Management and Curatorship 5, no. 4 (1986): 328–36. http://dx.doi.org/10.1080/09647778609515036.

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Williams, M. "II. Fresh-air climate conditioning at the Arthur M. Sackler Museum." Museum Management and Curatorship 5, no. 4 (1986): 328–36. http://dx.doi.org/10.1016/0260-4779(86)90016-6.

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Stillwell, Joana. "Art Museum Exhibitions in the Library." International Journal of Librarianship 9, no. 2 (2024): 103–7. http://dx.doi.org/10.23974/ijol.2024.vol9.2.376.

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Typically, museums are seen as the primary venue for exhibitions. However, an interest in library exhibitions has been growing as indicated by increased literature in the library field, albeit with a large focus on academic libraries. On a broader scale, library exhibitions continue to be under-researched as indicated by the continuing lack of library exhibition evaluation standards, library exhibition reviews, and exhibition-related professional training for librarians. In this 2021 study, interviews were conducted at eight Washington, DC-based art museum libraries: The National Gallery of Ar
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Loewe, Michael. "Western Zhou Ritual Bronzes from the Arthur M. Sackler Collections. By Jessica Rawson. 2 vols; the Arthur M. Sackler Foundation, Washington DC and the Arthur M. Sackler Museum, Harvard University, Cambridge, Massachusetts; distributed by Harvard University Press, 1990." Modern Asian Studies 26, no. 3 (1992): 634–39. http://dx.doi.org/10.1017/s0026749x00009975.

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Salviati, Filippo. "Jessica Rawson: Western Zhou ritual bronzes from the Arthur M. Sackler collections. Vol. IIA: Ancient Chinese bronzes in the Arthur M. Sackler collections. Vol. IIB: Catalogue. 208; 209–776 pp. Washington D.C.: Arthur M. Sackler Foundation and Cambridge, Mass: Arthur M. Sackler Museum, Harvard University, 1990. (Distributed by Harvard University Press, $200 set.)." Bulletin of the School of Oriental and African Studies 58, no. 2 (1995): 413–14. http://dx.doi.org/10.1017/s0041977x00011393.

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Santos, Raquel, Ana Claro, Ana Serrano, Maria João Ferreira, and Jessica Hallett. "Textiles, Trade & Taste—Portugal and the World: A Project on the Global Circulation of Textiles and Dyes." Textile Museum Journal 47, no. 1 (2020): 187–95. http://dx.doi.org/10.1353/tmj.2020.a932820.

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Abstract: Textiles, Trade & Taste: Portugal and the World (TTT) is a project that aspires to bring new synergies to the field of textile studies by promoting different connections and interdisciplinary approaches involving art history, materials science, and conservation. The TTT research network is based at the Center for Humanities in the School of Social Sciences and Humanities at the Universidade NOVA de Lisboa and organizes workshops, conferences, tours, and lectures in museums and research institutions. The network’s artistic and historical research has ranged from collating archival
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Chai, May-Lee. "A Review of “5,000 Years of Chinese Jade: Featuring Selections from the National Museum of History, Taiwan, and the Arthur M. Sackler Gallery, Smithsonian Institution”." Asian Affairs: An American Review 40, no. 4 (2013): 199–200. http://dx.doi.org/10.1080/00927678.2013.849146.

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Ciechanowiecki, Andrew S. "Arthur M. Sackler." Polin: Studies in Polish Jewry 2, no. 1 (1987): 483–84. http://dx.doi.org/10.3828/polin.1987.2.483.

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Snyder, S. H. "Arthur M. Sackler and science." Proceedings of the National Academy of Sciences 98, no. 20 (2001): 10994–95. http://dx.doi.org/10.1073/pnas.211417398.

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Canby, Sheila R. "Timur and the Princely Vision: Persian Art and Culture in the Fifteenth Century, Thomas W. Lenz and Glenn D. Lowry, Los Angeles and Washington: Los Angeles County Museum of Art and Arthur M. Sackler Gallery, 1989, 396 pp., $79.95." Iranian Studies 28, no. 1-2 (1995): 91–92. http://dx.doi.org/10.1017/s0021086200007027.

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Childs-Johnson, Elizabeth, and Robert W. Bagley. "Shang Ritual Bronzes in the Arthur M. Sackler Collections." Art Bulletin 71, no. 1 (1989): 149. http://dx.doi.org/10.2307/3051225.

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Barnard, Noel. "Shang Ritual Bronzes in the Arthur M. Sackler Collections." T'oung Pao 76, no. 4 (1990): 271–98. http://dx.doi.org/10.1163/156853290x00092.

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Mackenzie, Colin, and Jenny F. So. "Eastern Zhou Ritual Bronzes from the Arthur M. Sackler Collections, Volume III of Ancient Chines Bronzes from the Arthur M. Sackler Collections." Artibus Asiae 56, no. 3/4 (1996): 365. http://dx.doi.org/10.2307/3250124.

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Barnard, Noel. "Western Zhou Ritual Bronzes From the Arthur M. Sackler Collections." T'oung Pao 79, no. 4 (1993): 249–323. http://dx.doi.org/10.1163/156853293x00099.

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Ojha, Hari Kumar. "Marry Shepherd Slusser: The Antiquity of Nepalese Wood Carving: A Reassessment." Himalayan Journal of Sociology and Anthropology 4 (May 9, 2011): 256–59. http://dx.doi.org/10.3126/hjsa.v4i0.4680.

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Marry Shepherd Slusser: The Antiquity of Nepalese Wood Carving: A Reassessment, Published by: University of Washington Press, Seattle and London in Association with the Freer Gallery of Art and the Arthur M. Sackler Gallery, Smithsonian Institution Washington DC (2010) Page: 315 xix, ISBN 978-0-295-99029-3 (hardback)DOI: http://dx.doi.org/10.3126/hjsa.v4i0.4680 Himalayan Journal of Sociology and Anthropology Vol.IV (2010) 256-259
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Bell, Catherine. "Worshiping the Ancestors: Chinese Commemorative Portraits. By Jan Stuart and Evelyn S. Rawski. [Washington, DC and Stanford, CA: Freer Gallery of Art and the Arthur M. Sackler Gallery in association with Stanford University Press, 2001. 216pp. $75.00. ISBN 08047 4262 6.]." China Quarterly 173 (March 2003): 214–51. http://dx.doi.org/10.1017/s000944390343012x.

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This lovely book accompanies a show of ancestor portraits from the mid-15th to the 20th century held at the Smithsonian's Arthur M. Sackler Gallery in 2001. The Sackler's recently acquired collection, supplemented for the show with contributions from the Freer Gallery and private collections, consists of 85 paintings depicting mostly noble and upper-class men and women, probably sold by families caught in the disruptions of the late Qing.
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So, Jenny F. "An Inscribed Early Eastern Zhou Fou in the Arthur M. Sackler Collection." Artibus Asiae 54, no. 3/4 (1994): 199. http://dx.doi.org/10.2307/3250055.

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Shu, Yue, and Reiko Yoshimura. "The Chinese Collection of the Freer Gallery of Art | Arthur M. Sackler Gallery Library." Art Libraries Journal 39, no. 2 (2014): 33–38. http://dx.doi.org/10.1017/s0307472200018290.

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The library of the Freer Gallery of Art | Arthur M. Sackler Gallery is considered one of the finest East Asian art research collections in the United States. The development and progress of the library’s Chinese Collection has mirrored the historical changes in the field of Chinese art studies in the last one hundred years. Today, the library collection has more than 90,000 volumes, including 17,437 Chinese language monographs and 836 serials in over 25,000 volumes. In a landscape of changing scholarship, technology and user demands, the library is balancing the use of printed materials and di
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Lee, Sonya S. "Review: The Sogdians: Influencers on the Silk Roads, by Arthur M. Sackler Gallery." Studies in Late Antiquity 5, no. 3 (2021): 467–73. http://dx.doi.org/10.1525/sla.2021.5.3.467.

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Harper, Prudence O., Ann C. Gunter, and Paul Jett. "Ancient Iranian Metalwork in the Arthur M. Sackler Gallery and the Freer Gallery of Art." Journal of the American Oriental Society 116, no. 3 (1996): 567. http://dx.doi.org/10.2307/605190.

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Chang, K. C. "Shang Ritual Bronzes in the Arthur M. Sackler Collections. By Robert W. Bagley. Distributed by Harvard University Press, 1987. 599 pp. $125.00." Journal of Asian Studies 47, no. 3 (1988): 582–83. http://dx.doi.org/10.2307/2056986.

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Owen, Lisa N. "Yoga: The Art of Transformation. Edited by DebraDiamond. Washington, DC: Freer Gallery of Art and Arthur M. Sackler Gallery, 2013. Pp. 328; plates, map. Cloth, $55.00." Religious Studies Review 40, no. 3 (2014): 170. http://dx.doi.org/10.1111/rsr.12159.

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Pirazzoli-t'Serstevens, Michèle. "JENNY F. SO and EMMA C. BUNKER, Traders and Raiders on China's Northern Frontier. On the occasion of an exhibition at the Arthur M. Sackler Gallery, November 19, 1995-September 2, 1996. Seattle and London: Arthur M. Sackler Gallery, Smithsonian Institution, in association with the University of Washington Press, 1995. 203 pp., Notes, Illustrations, Catalogue, Glossary, Bibliographical References, Index. ISBN 0-295-97473-7." T'oung Pao 84, no. 4 (1998): 442–46. http://dx.doi.org/10.1163/1568532982630688.

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Smith, Lawrence. "Ann Yonemura: Yokohama: prints from nineteenth-century Japan. 198 pp., maps [on end papers]. Washington, D.C.: Arthur M. Sackler Gallery; Washington D.C. and London: Smithsonian Institute Press, 1990. $45 (paper $26.95)." Bulletin of the School of Oriental and African Studies 54, no. 2 (1991): 423–24. http://dx.doi.org/10.1017/s0041977x0001541x.

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Cooper, M. G., and N. E. Street. "High Altitude Hypoxia, A Mask and a Street. Donation of An Aviation BLB Oxygen Mask Apparatus from World War 2." Anaesthesia and Intensive Care 45, no. 1_suppl (2017): 45–48. http://dx.doi.org/10.1177/0310057x170450s107.

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The history of hypoxia prevention is closely inter-related with high altitude mountain and aviation physiology. One pioneering attempt to overcome low inspired oxygen partial pressures in aviation was the BLB mask—named after the three designers —Walter M Boothby, W Randolph Lovelace II and Arthur H Bulbulian. This mask and its variations originated just prior to World War 2 when aircraft were able to fly higher than 10,000 feet and pilot hypoxia affecting performance was an increasing problem. We give a brief description of the mask and its designers and discuss the donation of a model used b
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Morgan, D. O. "The Baburnama. Memoirs of Babur, Prince and Emperor. Translated and edited by Wheeler M. Thackston. pp. 472, illus. New York, Oxford University Press, in association with the Freer Gallery of Art and the Arthur M. Sackler Gallery, Washington, D.C., 1996. US$39.95." Journal of the Royal Asiatic Society 9, no. 2 (1999): 296. http://dx.doi.org/10.1017/s1356186300011093.

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Shackle, Christopher. "WHEELER M. THACKSTON (ed. and tr.): The Jahangirnama: memoirs of Jahangir, emperor of India. xxv, 502 pp., frontispiece. New York and Oxford: Oxford University Press (in association with the Freer Gallery of Art and the Arthur M. Sackler Gallery), 1999. $65.00, £50.00." Bulletin of the School of Oriental and African Studies 64, no. 2 (2001): 268–308. http://dx.doi.org/10.1017/s0041977x01280161.

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Erndl, Kathleen M. "Devi: The Great Goddess. Female Divinity in South Asian Art. By Vidya Dehejia. Washington, D.C.: Arthur M. Sackler Gallery, Smithsonian Institution, in association with Mapin Publishing, Ahmedabad and Prestel Veriag, Munich, 1999. 408 pp. $85.00 (cloth)." Journal of Asian Studies 59, no. 2 (2000): 461–62. http://dx.doi.org/10.2307/2658710.

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31

Molasky, Michael S. "The Confusion Era: Art and Culture in Japan During the Allied Occupation, 1945–52. Edited by Mark Sandler. Seattle: University of Washington Press, 1998. Published with the Arthur M. Sackler Gallery, Smithsonian Institution. 112 pp. $19.95." Journal of Asian Studies 57, no. 4 (1998): 1173–75. http://dx.doi.org/10.2307/2659351.

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Medvedev, Stanislav P. "The collection from the Palaeolithic horizons of the Grotte du Placard at the Museum of Anthropology (Lomonosov Moscow State University)." Moscow University Anthropology Bulletin (Vestnik Moskovskogo Universiteta. Seria XXIII. Antropologia), no. 4 (December 21, 2021): 116–25. http://dx.doi.org/10.32521/2074-8132.2021.4.116-125.

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Introduction. The collection from the Palaeolithic site Grotte du Placard (Charente, France) are repre-sented at the Museum of Anthropology (Lomonosov Moscow State University). These artifacts were gath-ered by Arthur de Maret during his excavation campaigns of 1877-1888. In 1910 D.N. Anuchin bought this assemblage from m-me de Maret. After 150 years of exploration of the Grotte du Placard there were identi-fied 8 chrono-stratigraphic horizons attributed to the Mousterian, to the Middle and Upper Solutrean, to the Badegoulian, and to a good part of the Magdalenian. Materials and methods. The c
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Whitfield, Roderick. "C. Y. Shen Fu [and] Jan Stuart (tr.): Challenging the past: the paintings of Chang Dai-chien. 328 pp. Washington, D.C.: Arthur M. Sackler Gallery of Asian Art [and] University of Washington Press, Seattle and London, 1991. $70 (paper $35)." Bulletin of the School of Oriental and African Studies 56, no. 1 (1993): 171–72. http://dx.doi.org/10.1017/s0041977x00002147.

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Chanchani, Nachiket. "The Antiquity of Nepalese Wood Carving: A Reassessment. By Mary Sheperd Slusser. Washington DC: University of Washington Press in association with the Freer Gallery of Art and the Arthur M. Sackler Gallery, Smithsonian Institution, 2010. 201 illus., xix, 315 pp. $75.00 (cloth)." Journal of Asian Studies 71, no. 2 (2012): 576–78. http://dx.doi.org/10.1017/s0021911812000526.

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Leibsohn, Dana. "Jay A. Levenson, ed., Encompassing the Globe: Portugal and the World in the 16th and 17th Centuries. With contributions by Jack Turner and Diogo Ramada Curto. 386 pp. Washington, DC: Arthur M. Sackler Gallery, Smithsonian Institution Press, 2007. ISBN: 978-1-588342454 (hbk.). $89.99." Itinerario 31, no. 3 (2007): 116–18. http://dx.doi.org/10.1017/s0165115300001285.

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Doǧu, Hikmet. "CATALINA PARRA. Ronald Christ , Coco FuscoDANNY TISDALE: THE BLACK MUSEUM. Arthur ParisRUBEN TREJO: RECENT WORKS. Carolyn KizerYOUNG K.: THE FRIENDLY AMERICA. Maurice BergerLORRAINE O'GRADY: PHOTOMONTAGES. Robert M. Ransick , Judith Wilson." Art Documentation: Journal of the Art Libraries Society of North America 11, no. 1 (1992): 40–41. http://dx.doi.org/10.1086/adx.11.1.27948426.

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KITLV, Redactie. "Book reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 168, no. 2-3 (2012): 337–75. http://dx.doi.org/10.1163/22134379-90003565.

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Andrea Acri, Helen Creese, and Arlo Griffiths (eds), From Laṅkā Eastwards: The Rāmāyaṇa in the literature and visual arts of Indonesia (Dick van der Meij) Michael Arthur Aung-Thwin and Kenneth R. Hall (eds), New perspectives on the history and historiography of Southeast Asia: Continuing explorations (David Henley) Steven Farram, A short-lived enthusiasm: The Australian consulate in Portuguese Timor (Hans Hägerdal) R. Michael Feener, Patrick Daly and Anthony Reid (eds), Mapping the Acehnese past (William Bradley Horton) Geoffrey C. Gunn, History without borders: The making
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Goodwin, Godfrey. "A Jeweler's eye: Islamic arts of the book from the Vever collection. By Glenn D. Lowry with Susan Nemazee. pp. 240, 100 col., 28 bl. and wh. illus., map. Washington, DC, Arthur M. Sackler Gallery, Smithsonian Institute in association with University of Washington Press, Seattle and London, 1988. US $50.00 (cloth), US $26.95 (paperback)." Journal of the Royal Asiatic Society of Great Britain & Ireland 122, no. 1 (1990): 175. http://dx.doi.org/10.1017/s0035869x00108159.

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 70, no. 3-4 (1996): 309–81. http://dx.doi.org/10.1163/13822373-90002626.

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-Bridget Brereton, Emilia Viotti Da Costa, Crowns of glory, tears of blood: The Demerara slave rebellion of 1823. New York: Oxford University Press, 1994. xix + 378 pp.-Grant D. Jones, Assad Shoman, 13 Chapters of a history of Belize. Belize city: Angelus, 1994. xviii + 344 pp.-Donald Wood, K.O. Laurence, Tobago in wartime 1793-1815. Kingston: The Press, University of the West Indies, 1995. viii + 280 pp.-Trevor Burnard, Howard A. Fergus, Montserrat: History of a Caribbean colony. London: Macmillan Caribbean, 1994. x + 294 pp.-John L. Offner, Joseph Smith, The Spanish-American War: Conflict in
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40

Edwards, Richard. "Challenging the Past: The Paintings of Chang Dai-chien. By Shen C. Y. Fu, with major contributions and translated by Jan Stuart; selected translation by Stephen D. Allee. [Washington, D.C.: Arthur M. Sackler Gallery, Smithsonian Institution; with Seattle & London: University of Washington Press, 1991. 328 pp. Hard cover $70.00, ISBN 0 295 97124 X; paperback $35.00, ISBN 0 295 97125 8.]." China Quarterly 132 (December 1992): 1187–88. http://dx.doi.org/10.1017/s0305741000045720.

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Shackle, Christopher. "FARĪDU'DĪN ‘ATTĀR; translated by PETER AVERY: The speech of the birds, concerning migration to the real: the Mantiqu't-tair. xxii, 560 pp. Cambridge: The Islamic Texts Society, 1998. £45.00, £19.95 (paper). WHEELER M. THACKSTON (ed. and tr.): The Jahangirnama: memoirs of Jahangir, emperor of India. xxv, 502 pp., frontispiece. New York and Oxford: Oxford University Press (in association with the Freer Gallery of Art and the Arthur M. Sackler Gallery), 1999. $65.00, £50.00." Bulletin of the School of Oriental and African Studies 64, no. 2 (2001): 268–308. http://dx.doi.org/10.1017/s0041977x01270165.

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Denny, Walter B. "A Jeweler's Eye: Islamic Arts of the Book from the Vever Collection, Glenn D. Lowry, with Susan Nemazee. 240 pp., 76 color plates, b&w illus. - An Annotated and Illustrated Checklist of the Vever Collection, Glenn D. Lowry and Milo Cleveland Beach with Roya Marefat and Wheeler M. Thackston 448 pp., 456 b&w illus. Arthur M. Sackler Gallery and University of Washington Press, Washington, D.C. and Seattle, 1989, 2 volume set, $125.00." Iranian Studies 22, no. 2-3 (1989): 148–49. http://dx.doi.org/10.1017/s0021086200016017.

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Freter, AnnCorinne. "Ceramics and Artifacts from Excavations in the Copan Residential Zone. Gordon R. Willey, Richard M. Leventhal, Arthur A. Demarest, and William L. Fash. Papers of the Peabody Museum of Archaeology and Ethnology, Volume 80. Harvard University, Cambridge, 1994. xvi + 479 pp., 495 drawings, 362 halftones, 7 maps, 42 tables, appendixes, bibliography. $59.95 (paper)." Latin American Antiquity 7, no. 3 (1996): 287. http://dx.doi.org/10.2307/971585.

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Watson, William. "Challenging the past: the Paintings of Chang Dai-chien. By Shen C. Y. Fu with major contributions and translation by Jan Stuart. (selected poems and inscriptions translated by Stephen D. Allee). pp. 327, front., 239 illus. (125 in col.) 290, 21 col. pl., 296 bl. and wh. illus. 16 charts, map. Washington, DC, Arthur M. Sackler Gallery, Smithsonian Institute in association with University of Washington Press, Seattle and London 1991. US $70.00. (cloth), US $35.00 (paperback)." Journal of the Royal Asiatic Society 3, no. 1 (1993): 171–73. http://dx.doi.org/10.1017/s1356186300004144.

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WASHINGTON, ELLIS. "EXCLUDING THE EXCLUSIONARY RULE: NATURAL LAW VS. JUDICIAL PERSONAL POLICY PREFERENCES*." Deakin Law Review 10, no. 2 (2005): 772. http://dx.doi.org/10.21153/dlr2005vol10no2art304.

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<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><span>* </span><span>A previous versions of this article was published in C. James Newlan’s journal, T</span><span>HE </span><span>S</span><span>OCIAL </span><span>C</span><span>RITIC</span><span>, </span><span>as Ellis Washington, </span><span>Excluding the Exclusionary Rule</span><span>, 3 T</span><span>HE </span><span>S</span><span&
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Ackerly, Neal W. "The Archaeology of the San Xavier Bridge Site (A Z BB: 13:14), Tucson Basin, Southern Arizona. John C. Ravesloot, editor, with contributions by Kim E. Beckwith, Ronald L. Bishop, R. Thomas Euler, Georgeanne F. Fink, Suzanne K. Fish, Robert E. Gasser, William B. Gillespie, Garmon Harbottle , J. Holly Hathway, James Lombard, Linda J. Pierce, John C. Ravesloot, Marilyn Saul, Lynn S. Teague, Arthur Vokes, Michael R. Waters, Phil C. Weigand, and Stephanie M. Wittlesey. Archaeological Series 171. Cultural Resource Management Division, Arizona State Museum, University of Arizona, Tucson, 1987. xv + 530 pp., appendices, figures, tables, references. $29.40 (paper)." American Antiquity 55, no. 2 (1990): 438–39. http://dx.doi.org/10.2307/281690.

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Graham, Elizabeth. "Maya political history - Ellen E. Bell, Marcello A. Canuto & Robert J. Sharer (ed.). Understanding Early Classic Copan. xvii+439 pages, 135 figures, 14 colour photographs, 11 tables. 2004. Philadelphia (PA): University of Pennsylvania Museum of Archaeology & Anthropology; 1-931707-51-0 hardback $59.95. - Vernon L. Scarborough, Fred ValdezJr . & Nicholas Dunning (ed.). Heterarchy, political economy, and the ancient Maya: the Three Rivers region of the east-central Yucatán peninsula. xx+172 pages, 54 figures, 4 tables. 2003. Tucson (AZ): University of Arizona Press; 0-8165-2273-1 hardback $55. - Matthew G. Looper. Lightning Warrior: Maya art and kingship at Quirigua. xi+265 pages, 241 figures, 12 tables. 2003. Austin (TX): University of Texas Press; 0-292-70556-5 hardback $59.95. - Arthur A. Demarest, Prudence M. Rice & Don S. Rice (ed.). The Terminal Classic in the Maya lowlands: collapse, transition, and transformation. xix+676 pages, 125 figures, 27 tables. 2004. Boulder (CO): University Press of Colorado; 0-87081-739-6 hardback. - C. Roger Nance, Stephen L. Whittington & Barbara E. Borg with George Guillemin & Sergio Rodas Manrique. Archaeology and ethnohistory of Iximché. xxiv+408 pages, 161 figures, 80 tables. 2003. Gainesville (FL): University Press of Florida; 0-8130-2633-4 hardback $65." Antiquity 79, no. 303 (2005): 210–14. http://dx.doi.org/10.1017/s0003598x00113869.

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Chutiwongpeti, Sarawut. "Wishes, Lies, Dreams." InTensions, September 1, 2009. http://dx.doi.org/10.25071/1913-5874/37341.

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I wish..., I hope..., I’m angry..., I’m afraid..., I’m sad..., I’m happy..., Come with me.....
 Wishes, Lies, Dreams (an ongoing three-dimensional mixed media installation) focuses on the mechanisms of perception and dreams, the private world between fantasy and unconsciousness, nature and the extra-ordinary, memory and immediacy: the conditions underlying the system by which mind and spirit operate.
 The (in)-visibility of this structure aims to ignite confusion as the viewer perceives the work and the space where it is placed. There is an intimacy here, but the story is unclear, ca
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Miller, Alison J. "Ay-Ō: Happy Rainbow Hell Kit Brooks, Ay-Ō: Happy Rainbow Hell , Freer Gallery of Art and Arthur M. Sackler Gallery, National Museum of Asian Art, Smithsonian, 2023, 158 pp." Japan Forum, May 16, 2024, 1–3. http://dx.doi.org/10.1080/09555803.2024.2350559.

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"Dr Arthur M Sackler." International Journal of Clinical Practice 41, no. 7 (1987): 813. http://dx.doi.org/10.1111/j.1742-1241.1987.tb08482.x.

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