Relevant bibliographies by topics / Arthur Schopenhauer

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Arthur Schopenhauer'

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Published: 4 June 2021
Last updated: 27 April 2022

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Journal articles on the topic "Arthur Schopenhauer"

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Zimmermann, Clara. "La intuición en la filosofía de Arthur Schopenhauer." LOGOS Revista de Filosofía 137, no. 137 (August 5, 2021): 6–29. http://dx.doi.org/10.26457/lrf.v137i137.3031.

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En el presente trabajo analizaremos el concepto de intuición, principalmente en relación con las tesis epistemológicas y metafísicas de la teoría schopenhaueriana. En la primera sección, plantearemos los ejes centrales del sistema metafísico de Schopenhauer, sobre todo en lo que concierne al concepto de voluntad (Wille ) y la relación que este guarda con su teoría del conocimiento. Luego, examinaremos la diferencia que el filósofo alemán establece entre el conocimiento representativo —o mediado— de la razón y el conocimiento directo —o inmediato— de la intuición. Asimismo, trazaremos, en un primer momento, las tesis y los problemas fundamentales del dualismo propios de la representación y la voluntad, para establecer —en un segundo momento— el problema de la intuición del cuerpo propio. Por último, consideraremos los alcances y los límites de la intuición, así como también sus distintas variantes: principalmente la intuición estética y su culminación en la intuición mística. Palabras clave Schopenhauer, intuición, conocimiento inmediato, representación, estética Referencias Bergson, H. (2013). El pensamiento y lo moviente. Buenos Aires, Argentina: Cactus.Cross, T. (2013). Schopenhauer’s encounter with Indian thought. Representation and will,and their Indian parallels. Honolulu, Estados Unidos: University of Hawaii Press.Ferrari, J. (2011). L’art dans le monde comme volonté et comme représentation d’ArthurSchopenhauer. Mayenne, Francia: Presses Universitaires de France.François, A. (2004). La volonté chez Bergson et Schopenhauer. Methodos, (4), https://doi.org/10.4000/methodos.135.Foster, C. (1999). Ideas and imagination. Schopenhauer on the proper foundationof art. En C. Janaway (Ed.), The Cambridge Companion to Schopenhauer(pp. 213-251). Nueva York, Estados Unidos: Cambridge University Press.Gardner, S. (1999). Schopenhauer, will and the unconscious. En C. Janaway(ed.), The Cambridge Companion to Schopenhauer (pp. 375-421). Nueva York,Estados Unidos: Cambridge University Press.Glock, H. J. (1999). Schopenhauer and Wittgenstein: representation as languageand will. En C. Janaway (Ed.), The Cambridge Companion to Schopenhauer(pp. 422-458). Nueva York, Estados Unidos: Cambridge University Press.González Ríos, J. (2017). Schopenhauer. Buenos Aires, Argentina: Galerna.Guyer, P. (2007). Pleasure and knowledge in Schopenhauer’s aesthetics. En D.Jacquette (Ed.), Schopenhauer, Philosophy and the Arts (pp. 109-132). NuevaYork, Estados Unidos: Cambridge University Press.Hannan, B. (2009). The riddle of the world. A reconsideration of Schopenhauer’s philosophy.Nueva York, Estados Unidos: Oxford University Press.Hume, D. (2002). Investigación sobre el conocimiento humano. Madrid, España: BibliotecaNueva.Janaway, C. (1989). Self and world in Schopenhauer’s philosophy. Nueva York, EstadosUnidos: Oxford University Press.Janaway, C. (1999a). Schopenhauer’s pessimism. En C. Janaway (Ed.), The CambridgeCompanion to Schopenhauer (pp. 318-343). Nueva York, Estados Unidos:Cambridge University Press.Janaway, C. (1999b). Introduction. En C. Janaway (Ed.), The Cambridge Companion toSchopenhauer (pp. 1-17). Nueva York, Estados Unidos: Cambridge University Press.Janaway, C. (2002). Schopenhauer. A very short introduction. Nueva York, EstadosUnidos: Oxford University Press.Kant, I. (2014). Crítica de la razón pura. Buenos Aires, Argentina: Colihue.Magee, B. (1983). The philosophy of Schopenhauer. Nueva York, Estados Unidos:Oxford University Press.Mann, T. (2018). Schopenhauer. París, Francia: Libella.
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Ray, Matthew. "Arthur Schopenhauer." Philosophers' Magazine, no. 31 (2005): 80–81. http://dx.doi.org/10.5840/tpm20053156.

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Wadhams, Luke. "Boredom and Wonder in the Work of Arthur Schopenhauer." Idealistic Studies 49, no. 3 (2019): 235–58. http://dx.doi.org/10.5840/idstudies2020220109.

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This article examines Arthur Schopenhauer’s theory of boredom. In traditional interpretations of this theory, boredom is understood to be a form of suffering and a key component in Schopenhauer’s argument for the claim that all life is suffering. While such interpretations are correct, I argue that they only capture a single feature of the experience that Schopenhauer describes. Schopenhauer also understands boredom to occasion a unique insight into the nature of reality, and boredom should thereby additionally be thought of as an epistemically significant emotion. To elucidate this epistemic quality, I interpret Schopenhauer’s concept of boredom as revealing the miserable condition of the world, where such revelation compels one to wonder about the nature of this condition, thereby founding a philosophical attitude. Through an evaluation of Schopenhauer’s conceptions of boredom and wonder, I demonstrate that Schopenhauer ultimately conceives boredom as crucial for the development of a philosophical attitude toward existence.
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KELAM, IVICA, and LUKA RAŠIĆ. "THE INFLUENCE OF SCHOPENHAUER’S AND NIETZSCHE’S PHILOSOPHICAL THOUGHTS ON THE PHILOSOPHY OF EDUCATION AND EDUCATIONAL PESSIMISM." Arhe 27, no. 33 (December 5, 2020): 243–65. http://dx.doi.org/10.19090/arhe.2020.33.243-265.

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This paper gives a particular overview of reflections on education by two renowned philosophers of West European culture, Arthur Schopenhauer and Friedrich Nietzsche. What links their philosophy of education is the inclination towards the more complete shaping of a man. Nietzsche is a great supporter of Schopenhauer's understanding of philosophy as a philosophy of life. However, while Schopenhauer remained imprisoned in the world of pessimism, Nietzsche overcame the pessimistic view of the world with the image of a creative artist who consistently sets his life in motion, while enjoying his art of living. The thing they have in common is extreme individualism – the understanding of philosophy as the liberation of inner life. Arthur Schopenhauer perceived a man as a being of will that succumbs to laws of nature and the lower levels of humanity – will and passion. Friedrich Nietzsche saw a man as a being of will for power, emphasizing the power of the urgent and irrational one. Schopenhauer gave the pessimistic view of a man who is under the power of an unquenchable lust for life, whereas Nietzsche gave a nihilistic view of the world, in which he advocated demolishing ​​and putting an end to the old values. In Nietzsche's opinion, a nihilist is someone who sees everything as pointless and futile. Arthur Schopenhauer had a significant influence, not only on Friedrich Nietzsche but also on some other great men of his time, who mostly did not support his philosophy in its entirety. Understanding the world in Schopenhauer's way came to life at the end of the 19th century and later, primarily because of Friedrich Nietzsche. This was an era in which social sciences finally began to develop separately, but at the same time complement each other. Due to this interaction, it was possible for Schopenhauer, and through him also for Nietzsche, to have such a significant influence on the European spiritual life.
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Béziau, Jean-Yves. "O Suicídio segundo Arthur Schopenhauer." Discurso, no. 28 (December 9, 1997): 127–44. http://dx.doi.org/10.11606/issn.2318-8863.discurso.1997.38021.

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Neste artigo examinamos a concepção filosófica do suicídio em Schopenhauer. Mostramos que a razão fundamental pela qual Schopenhauer rejeita o suicídio está intimamente ligada ao fundamento da sua metafísica. Explicamos suas diferenças face às rejeições tradicionais do suicídio, visto que Schopenhauer considera o suicídio um erro mas não um crime, e quais são os casos nos quais o suicídio pode ser aceito.
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Jacquette, Dale. "Schopenhauer's Proof that Thing-in-ltself is Will." Kantian Review 12, no. 2 (July 2007): 76–108. http://dx.doi.org/10.1017/s1369415400000911.

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In a bold series of pronouncements, Arthur Schopenhauer maintains that the Kantian thing-in-itself is Will. The division between the world as Will and representation, with its impressive array of implications, is Schopenhauer's most important and distinctive contribution to metaphysics. To understand what Schopenhauer means by ‘Will’ (der Wille) as opposed to the empirical ‘will’, and his reasons for identifying thing-in-itself with Will, we must look in detail at two related arguments by which Schopenhauer proposes to link these concepts. The arguments appear in the first and second editions of Schopenhauer's masterwork, The World as Will and Representation. The differences between the two versions appear to represent a change in his thinking about the most persuasive way to demonstrate the nature of thing-in-itself. The arguments are reconstructed for the sake of comparison, and critically evaluated in light of a variety of objections. While Schopenhauer's first, analogical, argument is inconclusive, his second argument offers a highly defensible inference identifying thing-in-itself as Will.
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Mascorro Ibarra, César Omar Mascorro Ibarra Omar Mascorro Ibarra. "El arte moderno en relación con la noción de arte en Schopenhauer." Luxiérnaga - Revista de Estudiantes de Filosofía 7, no. 13 (June 30, 2017): 8. http://dx.doi.org/10.33064/13luxirnaga1964.

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Comenzamos con una cuestión general: ¿puede el arte moderno ser entendido como una vía de salvación como lo señala Schopenhauer?Con el apoyo de varios textos, como los de Arthur C. Danto, Después del fin del arte: El arte contemporáneo y el linde de la historia, se contrastará lo que se considera como arte moderno contextualizándolo a la idea de Arthur Schopenhauer expresada en su libro El mundo como voluntad y representación. Arthur Danto explica y ejemplifica los conceptos moderno, contemporáneo y posmoderno, que se vuelven bastante importantes pues son el apoyo para lograr contrastar el texto de Schopenhauer y saber si el arte moderno puede ser vía de salvación.
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CALLEJÓN, Encarnación Ruiz. "PHILOSOPHICAL PATHOS IN MARÍA ZAMBRANO AND ARTHUR SCHOPENHAUER." International Multidisciplinary Scientific Conference on the Dialogue between Sciences & Arts, Religion & Education 5, no. 1 (November 24, 2021): 11–20. http://dx.doi.org/10.26520/mcdsare.2021.5.11-20.

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This work first analyses María Zambrano's reflections on the limits of philosophy, based on the suspicion of its vanity and the ambivalence of its origins. Zambrano explores the genealogy of the traditional conception of the origin of philosophy as wonder, a wonder that she would share with poetry. She postulates a horizon of the conjunction of philosophy and poetry, to respond to the wonder at reality, but she also refers to the possibility of rescuing a more venerable form of philosophy. Secondly the work examines whether Schopenhauer's philosophy, with its proverbial pessimism and its conception of philosophical admiration as dismay, could be regarded as an example of this venerable form of philosophy and, finally, whether aspiring to create this conjunction with poetry is still philosophy.
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Durante, Felipe dos Santos. "Rudolf Malter e o pessimismo crítico schopenhaueriano." Sofia 7, no. 2 (February 28, 2019): 94–102. http://dx.doi.org/10.47456/sofia.v7i2.20734.

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Este artigo tem por objetivo, a partir da leitura do célebre livro de Rudolf Malter – O pensamento único: introdução à filosofia de Arthur Schopenhauer (Der Eine Gedanke: Hinführung zur Philosophie Arthur Schopenhauers), em especial da seção intitulada Característica conclusiva: Pessimismo – um conceito crítico (Abschließende Charakteristik: Pessimismus – ein kritischer Begriff ) –, apresentar a hipótese hermenêutica de um dos mais eminentes interpretes da filosofia schopenhaueriana, a qual versa sobre o pessimismo enquanto conceito crítico, e que pode ser entendida como um dos pontos de sustentação para a justificativa de interpretação da filosofia schopenhaueriana a partir de um viés soteriológico.
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Salaquarda, Jörg. "Arthur Schopenhauer. The Unpublished Manuscripts." Philosophy and History 20, no. 2 (1987): 129–30. http://dx.doi.org/10.5840/philhist198720259.

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Dissertations / Theses on the topic "Arthur Schopenhauer"

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Bastos, Eduardo Reina. "Estética afirmativa em Arthur Schopenhauer." Programa de Pós-Graduação em Filosofia. Departamento de Filosofia, Instituto de Filosofia, Artes e Cultura, Universidade Federal de Ouro Preto, 2012. http://www.repositorio.ufop.br/handle/123456789/2404.

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A tradição filosófica caracteriza a filosofia de Arhur Schopenhauer como pessimista como dado acabado e incontornável. Esta dissertação tem como principal objetivo demonstrar que sua parte estética se insere como uma alternativa a esta constatação e demonstrar que existe um grande contraste entre criação e negação. Através de uma reconstrução de sua teoria do conhecimento, a chamada pré-estética, e reconstrução de sua estética, nos alçamos àquela que serve como força apaziguadora da Vontade, a intuição estética e seu produto, a contemplação estética.
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Kim, Bong-Gyu. "Glückseligkeit : Untersuchungen zu Kants ethischen Schriften /." Köln, 1995. http://catalogue.bnf.fr/ark:/12148/cb358156297.

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Neymeyr, Barbara. "Ästhetische Autonomie als Abnormität : kritische Analysen zu Schopenhauers Ästhetik im Horizont seiner Willensmetaphysik /." Berlin : W. de Gruyter, 1996. http://catalogue.bnf.fr/ark:/12148/cb361705695.

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Eisenbach, Gerhard K. "Physische und moralische Weltansicht : Schopenhauer als Kritiker der Aufklärung /." Heidelberg : Winter, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2712887&prov=M&dokv̲ar=1&doke̲xt=htm.

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Ruffing, Margit. ""Wille zur Erkenntnis" die Selbsterkenntnis des Willens und die Idee des Menschen in der ästhetischen Theorie Arthur Schopenhauers /." [S.l. : s.n.], 2001. http://ArchiMeD.uni-mainz.de/pub/2002/0060/diss.pdf.

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Pérez, García Roger Antonio. "Idealismo y estética en la filosofía de Schopenhauer." Master's thesis, Pontificia Universidad Católica del Perú, 2019. http://tesis.pucp.edu.pe/repositorio/handle/123456789/13814.

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La presente investigación tiene como propósito analizar la relación entre estética e idealismo en la filosofía de Schopenhauer. Para ello, se analiza primero la relación entre la epistemología y la metafísica schopenhaueriana. Allí, analizamos las bases y criterios cognitivos propuestos por Schopenhauer de cara a la posibilidad y sentido de su metafísica. Argumentamos que el argumento central del idealismo se completa en la metafísica a través del análisis del sujeto de conocimiento en el devenir de la naturaleza como objetivación de la Voluntad. En vista de ello, sostenemos que falta un punto de conexión intuitivo entre ambas teorías y que, dicho punto de conexión lo provee la experiencia estética. La estética de Schopenhauer es analizada en función de la actividad cognitiva del sujeto como una actividad constitutiva del mundo y las representaciones entre las que se cuenta la Idea platónica. En ese sentido, entendemos la doctrina metafísica de la estética de Schopenhauer como complemento y compleción del análisis trascendental de la experiencia, y las Ideas como una bisagra o conexión entre la representación y la Voluntad. El filosofar o la reflexión filosófica de Schopenhauer es expuesta como una consideración estética, más no estetizante, del mundo.
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Mannion, Gerard Michael Joseph Patrick. "The humble path to ethics : Schopenhauer, religion and morality." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324279.

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Breda, Juliana Fernandes [UNESP]. "Amor e morte em Schopenhauer." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/93136.

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O presente projeto pretende analisar a função que os temas amor e morte exercem no conjunto da filosofia de Arthur Schopenhauer, examinando atentamente a evolução destes desde o início da construção de seu sistema filosófico. Procuraremos investigar em que medida o tema da morte pode ter servido de motivação, de gérmen à sua especulação filosófica, bem como seu entrelaçamento com o do amor, como impulso gerador da vida. Interessa-nos também o tratamento naturalístico e ético que Schopenhauer dá ao tema amor e morte: primeiramente ele empenha-se para dar uma imagem naturalista dos problemas tratados em Metafísica do Amor e Metafísica da Morte, mas logo ele torna claro que o problema é de ordem ética, contexto em que se apóia fortemente na literatura védica. Neste sentido, investigaremos também como Schopenahuer articula as Ciências Naturais e seus estudos dos Vedas
The present research project aims at analysing the role played by the themes „love“ and „death“ in the context of schopenhauerian philosophy as a whole, by means of a close investigation of the development of Schopenhauer’s refletions on both themes since the beginnings of his philosophycal efforts. We shall try to determine in what measure may the theme of death have worked as first motivation and as an “original seed” for his philosophical especulations, as well as this theme’s profound imbrication with that of love, understood as life generating impulse. We are also interrested in both the naturalistic and the ethical approaches presented by Schopenhauer reflections on love and death. On the one hand, he gives us a naturalistic account of the mentioned problems, but soon, in the other hand, he leaves it clear that these problems have also an ethical dimension. In his explorations of that dimension, his thinking appears to be heavily supported by vedic philosophy. Thus, we shall also investigate how does Schopenhauer menage to articulate nature sciences and his vedic studies
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Santos, Katia Cilene da Silva. "O problema da liberdade na filosofia de Arthur Schopenhauer." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-23082010-175510/.

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Nesta dissertação, buscamos lançar luz sobre a contradição, declarada por Schopenhauer como sendo aparente, entre a necessidade que rege a conduta humana por meio dos motivos e do caráter, e a liberdade no fenômeno, implicada na possibilidade de negação da Vontade por indivíduos singulares. Percorremos algumas obras de Schopenhauer, investigando as condições que desvendam essa contradição aparente. Assim, examinamos, por um lado, a recusa ao livre-arbítrio, e por outro, o modo como Schopenhauer explica como o indivíduo pode, através do conhecimento, subtrair-se à lei da motivação e, pela supressão da sua vontade individual, restabelecer o livre-arbítrio.
In this dissertation, we seek to shed light on the contradiction stated by Schopenhauer as apparent between the need that rules the human conduct through the motives and character, and freedom in the phenomenon, implied the possibility of denial of the will in single individuals. We have gone through some of the Schopenhauers work, investigating the conditions that reveal this apparent contradiction. Thus, we examine on the one hand, the denial of free will, and on the other hand, the way Schopenhauer explains how individuals can, through knowledge, escape the law of motivation and, through the suppression of their choice, restore free will.
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Nocko, Caio Manoel. "A complexidade da música na filosofia de Arthur Schopenhauer." reponame:Repositório Institucional da UFPR, 2009. http://hdl.handle.net/1884/17864.

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Books on the topic "Arthur Schopenhauer"

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Wallace, Richard. Arthur Schopenhauer. Barcelona: Ediciones de Nuevo Arte Thor, 1988.

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Grün, Klaus-Jürgen. Arthur Schopenhauer. München: Beck, 2000.

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Schopenhauer. Oxford: Oxford University Press, 1994.

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Arthur Schopenhauer zur Einführung. Hamburg: Junius, 2002.

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H"ubscher, Arthur. Arthur Schopenhauer: Ein Lebensbild. 3rd ed. Mannheim: F. A. Brockhaus, 1988.

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Lefranc, Jean. Comprendre Schopenhauer. Paris: Colin, 2002.

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Schopenhauer. London: Routledge, 1999.

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Thiel, Manfred. Arthur Schopenhauer: Eine analytische Darstellung. Heidelberg: Elpis, 2001.

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Barua, Arati. The philosophy of Arthur Schopenhauer. New Delhi: Intellectual Pub. House, 1992.

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Zimmer, Robert. Arthur Schopenhauer: Ein philosophischer Weltbürger. München: Deutscher Taschenbuch Verlag, 2010.

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Book chapters on the topic "Arthur Schopenhauer"

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Malter, Rudolf. "Arthur Schopenhauer." In Kindler kompakt Philosophie 19. Jahrhundert, 79–88. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05536-1_7.

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Hühn, Lore. "Schopenhauer, Arthur." In Philosophen, 229–35. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02949-2_52.

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Luebbert, Michael C. "Schopenhauer, Arthur." In Encyclopedia of psychology, Vol. 7., 188–89. Washington: American Psychological Association, 2000. http://dx.doi.org/10.1037/10522-076.

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Carroll, Noël. "Arthur Schopenhauer." In The Blackwell Guide to Continental Philosophy, 30–42. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470997093.ch3.

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Janaway, Christopher. "Arthur Schopenhauer." In The Blackwell Guide to the Modern Philosophers, 326–42. Oxford, UK: Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405164856.ch15.

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Teichman, Jenny. "Arthur Schopenhauer." In An Introduction to Modern European Philosophy, 38–48. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26651-7_4.

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Hühn, Lore. "Schopenhauer, Arthur." In Metzler Philosophen Lexikon, 807–13. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_258.

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Teichman, Jenny. "Arthur Schopenhauer." In An Introduction to Modern European Philosophy, 38–48. London: Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24232-0_4.

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Vanden Auweele, Dennis. "Schopenhauer, Arthur." In Encyclopedia of the Philosophy of Law and Social Philosophy, 1–4. Dordrecht: Springer Netherlands, 2019. http://dx.doi.org/10.1007/978-94-007-6730-0_646-1.

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Flömer, Lars. "Schopenhauer, Arthur." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_20281-1.

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Conference papers on the topic "Arthur Schopenhauer"

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Massi, Alfredo. "Direito do trabalho e (ausência de) liberdade contratual: uma revisita às teorias não contratualistas das relações de trabalho, à luz da filosofia de Arthur Schopenhauer." In IV Encontro da RENAPEDTS. Initia Via, 2019. http://dx.doi.org/10.17931/95470781/v1a19.

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