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Journal articles on the topic 'Arthurian legends in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Blanchard, Laura. "The Arthurian Tradition: The Myths and Realities of the Arthurian Legends." Arthuriana 8, no. 4 (1998): 171–73. http://dx.doi.org/10.1353/art.1988.0014.

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2

Harty, Kevin J. "Adapting the Arthurian Legends for Children: Essays on Arthurian Juvenilia edited by Barbara Tepa Lupack." Arthuriana 15, no. 2 (2005): 76–77. http://dx.doi.org/10.1353/art.2005.0030.

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3

Sévère, Richard. "Why Can't Mermaids Be Ethnically Diverse?: Legends and Legend-Making in Arthurian Studies." Arthuriana 33, no. 3 (2023): 3–9. http://dx.doi.org/10.1353/art.2023.a910868.

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4

Harty, Kevin J. "Silk and Potatoes: Contemporary Arthurian Fantasy, and: Arthurian Legends on Film and Television by Adam Roberts." Arthuriana 11, no. 1 (2001): 125–28. http://dx.doi.org/10.1353/art.2001.0010.

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5

Duperron, Brenna. "Unexpected Swords in the Stone." Arthuriana 35, no. 1 (2025): 84–91. https://doi.org/10.1353/art.2025.a960017.

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Abstract: The Arthurian legends are well-known for their knights-in-shining armour, quests, chivalry, supernatural encounters, and of course, swords being pulled out of stones. The use of the 'sword-in-the-stone' trope allows the 21st century superhero films to play with and reinvent the implications of a 'true right to rule,' and the bodies that are expected to fill those roles. (BD)

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6

Howey, Ann F. "Famous in Song and Story: Arthurian Legends in Heather Dale’s Music." Arthuriana 22, no. 2 (2012): 3–20. http://dx.doi.org/10.1353/art.2012.0022.

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7

Jeffrey Richards. "Radio Camelot: Arthurian Legends on the BBC, 1922–2005 (review)." Arthuriana 18, no. 3 (2008): 88–89. http://dx.doi.org/10.1353/art.0.0010.

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8

Neal, D'arcee Charington. "Who is Asking?: Afro-Arthurian Legend-making in N.K. Jemisin's Far Sector." Arthuriana 33, no. 3 (2023): 86–103. http://dx.doi.org/10.1353/art.2023.a910872.

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Abstract: Whether an Arthurian knight, a Green Lantern, or a Legendborn, one cannot have a legacy without first becoming a legend. In N.K. Jemisin's graphic novel Far Sector (2020) Sojourner 'Jo' Muellein's story as both community activist and guardian echoes, reinvents, and reimagines Arthurian romances through the lens of Afrofuturism; further, this fantastical remix challenges white supremacist modes of oppressive comic tradition by foregrounding racial and gendered identities. Making a legend is not about whom society has agreed to be the answer. Instead, such ideals lie with whoever asks

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9

Ashe, Geoffrey. "The Origins of the Arthurian Legend." Arthuriana 5, no. 3 (1995): 1–19. http://dx.doi.org/10.1353/art.1995.0041.

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10

Kennedy, Beverly. "The Legends of King Arthur in Art. Arthurian Studies XXII by Muriel Whitaker." ESC: English Studies in Canada 18, no. 1 (1992): 111–14. http://dx.doi.org/10.1353/esc.1992.0046.

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11

Simpson, Roger. "Camelot Calling: BBC Radio's Role in the Diffusion and Evolution of the Arthurian Legends, 1935 to 1960." Arthuriana 14, no. 3 (2004): 23–52. http://dx.doi.org/10.1353/art.2004.0009.

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12

Olton, Bert. "Radio Camelot: Arthurian legends on the BBC, 1922–2005." Historical Journal of Film, Radio and Television 30, no. 2 (2010): 257–59. http://dx.doi.org/10.1080/01439681003779366.

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13

Wacks, David A. "The Arthur of the Iberians: The Arthurian Legends in the Portuguese and Spanish Worlds ed. by David Hook." Arthuriana 26, no. 4 (2016): 178–81. http://dx.doi.org/10.1353/art.2016.0057.

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14

Lumpkin, Bernard. "The Once and Future Course: Teaching the Arthurian Legend." Arthuriana 9, no. 1 (1999): 130–33. http://dx.doi.org/10.1353/art.1999.0046.

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15

Busby, Keith. "The Cambridge Companion to the Arthurian Legend (review)." Arthuriana 21, no. 1 (2011): 110–11. http://dx.doi.org/10.1353/art.2011.0012.

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16

Lupack, Alan. "The Arthurian Legend in America: A Moderated Discussion on 'Arthurnet'." Arthuriana 4, no. 4 (1994): 291–97. http://dx.doi.org/10.1353/art.1994.0012.

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17

Hughes, Linda K. "Reinventing King Arthur: The Arthurian Legends in Victorian Culture (review)." Victorian Studies 48, no. 3 (2006): 559–60. http://dx.doi.org/10.1353/vic.2006.0124.

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18

Sheble, Margaret, and Logan Quigley. "‘And I am more than this man can comprehend’: Contemporary Arthurian Texts & Resistance to White Supremacy." Journal of the International Arthurian Society 12, no. 1 (2024): 179–98. http://dx.doi.org/10.1515/jias-2024-0008.

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Abstract Beginning with the appropriation of medieval iconography by alt-right movements, particularly in the contexts of Brexit and the January 6 2021 American insurrection, this article highlights how modern adaptations of the Arthurian legend (in particular, Tracy Deonn’s Legendborn, Kazuo Ishiguro’s The Buried Giant, and the video game We Happy Few) resist white nationalist rhetorics. These texts remix figures and symbols from the Arthurian oeuvre to offer stories wherein characters come to recognize and thus resist systematic forgetting, or a societal attempt to overlook uncomfortable fac

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19

Kelly, Kathleen Coyne. "The Eco-Tourist, English Heritage, and Arthurian Legend: Walking with Thoreau." Arthuriana 23, no. 1 (2013): 20–39. http://dx.doi.org/10.1353/art.2013.0001.

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20

Padel, O. J. "Recent Work on the Origins of the Arthurian Legend: A Comment." Arthuriana 5, no. 3 (1995): 103–13. http://dx.doi.org/10.1353/art.1995.0040.

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21

Hoffman, Don. "The Oxford Guide to Arthurian Literature and Legend by Alan Lupack." Arthuriana 16, no. 1 (2006): 77–79. http://dx.doi.org/10.1353/art.2006.0006.

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22

Haught, Leah. "A Moment in the Field: Voices from Arthurian Legend by Margaret Lloyd." Arthuriana 17, no. 4 (2007): 125–26. http://dx.doi.org/10.1353/art.2007.0052.

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23

Simpson, Roger. "Romantic Women Writers and Arthurian Legend: The Quest for Knowledge by Katie Garner." Arthuriana 28, no. 4 (2018): 93–97. http://dx.doi.org/10.1353/art.2018.0039.

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24

Mathis, Andrew E. "The Grail Legend in Modern Literature. Arthurian Studies LIX by John B. Marino." Arthuriana 16, no. 1 (2006): 79–80. http://dx.doi.org/10.1353/art.2006.0015.

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25

Buchelt, Lisabeth C. "The Scots and Medieval Arthurian Legend edited by Rhiannon Purdie and Nicola Ryan." Arthuriana 16, no. 4 (2006): 107–8. http://dx.doi.org/10.1353/art.2006.0026.

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26

Whitaker, Muriel. "The Quest for the Grail: Arthurian Legend in British Art 1840-1920 by Christine Poulson." Arthuriana 9, no. 4 (1999): 135–37. http://dx.doi.org/10.1353/art.1999.0003.

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27

Lima Martinez, Lis Yana De, Vinicius De Moraes, and Sandra Sirangelo Maggio. "Le Morte d’Arthur as Literary Remediation Process to RPG Game." SMART MOVES JOURNAL IJELLH 9, no. 1 (2021): 1–17. http://dx.doi.org/10.24113/ijellh.v9i1.10874.

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This article presents a proposal for the elaboration of an RPG game with board support based on the remediation of literary narratives and which is thought both for use in the classroom, as a didactic tool, but understood essentially as a playful activity. For that, we first start an observation about the act of playing and what it means in society and in linguistic terms. Subsequently, we are concerned with defining what a game is so that we can effectively present the proposal. To better exemplify it, we present as an example the remediation of Arthurian legends from Le Morte d’Arthur, by Th

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28

Rush, Katherine Anne. "An Arthurian Knight in Ivory and Ink." Eikon / Imago 10 (February 8, 2021): 423–39. http://dx.doi.org/10.5209/eiko.74163.

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Manuscript Bibliothèque nationale de France, MS fr. 12577 and ivory casket Musée du Louvre, OA 122, and are two of three extant fourteenth-century visualizations of Chrétien’s Le Conte du Graal, produced in Paris circa 1310-1330. Although the objects’ shared era of production suggests similarities of iconography, artistic influences, and production methods, little research has been conducted regarding visual and cultural connections between MS fr. 12577 and OA 122. Through iconographic and stylistic analysis of the scenes each artisan depicted within his respective medium, I elucidate how the

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29

Yri, Kirsten. "From Camelot to Spamalot, Musical Retellings of Arthurian Legend on Stage and Screen by Megan Woller." Arthuriana 32, no. 2 (2022): 117–19. http://dx.doi.org/10.1353/art.2022.0023.

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30

Mancoff, Debra N. "The Quest for the Grail: Arthurian Legend in British Art, 1840-1920 (review)." Victorian Studies 43, no. 3 (2001): 497–99. http://dx.doi.org/10.1353/vic.2001.0067.

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31

Hughes, Shaun F. D. "The Arthur of the North: The Arthurian Legend in the North and Rus' Realms (review)." Arthuriana 22, no. 1 (2012): 136–42. http://dx.doi.org/10.1353/art.2012.0012.

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32

Sayers, William. "The Arthur of Medieval Latin Literature: The Development and Dissemination of the Arthurian Legend in Medieval Latin (review)." Arthuriana 22, no. 2 (2012): 102–4. http://dx.doi.org/10.1353/art.2012.0019.

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33

Peyton, Henry H. "Culture and the King: The Social Implications of the Arthurian Legend ed. by Martin B. Shichtman and James P. Carley." Arthuriana 5, no. 4 (1995): 103–5. http://dx.doi.org/10.1353/art.1995.0012.

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34

Henley, Georgia. "Arthur in the Celtic Languages: The Arthurian Legend in Celtic Literatures and Traditions ed. by Ceridwen Lloyd-Morgan and Erich Poppe." Arthuriana 30, no. 2 (2020): 126–28. http://dx.doi.org/10.1353/art.2020.0023.

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35

Hughes, Linda K. "BOOK REVIEW: Inga Bryden.REINVENTING KING ARTHUR: THE ARTHURIAN LEGENDS IN VICTORIAN CULTURE. Aldershot and Burlington: Ashgate, 2005." Victorian Studies 48, no. 3 (2006): 559–60. http://dx.doi.org/10.2979/vic.2006.48.3.559.

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36

Grimbert, Joan Tasker. "The Arthur of the Italians: The Arthurian Legend in Medieval Italian Literature and Culture ed. by Gloria Allaire and F. Regina Psaki." Arthuriana 25, no. 2 (2015): 143–45. http://dx.doi.org/10.1353/art.2015.0032.

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37

McKenna, Catherine A. "The Arthur of the Welsh: The Arthurian Legend in Medieval Welsh Literature ed. by Rachel Bromwich, A.O.H. Jarman, and Brynley F. Roberts." Arthuriana 6, no. 3 (1996): 83–84. http://dx.doi.org/10.1353/art.1996.0018.

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38

McAdams, Alexander Lowe. "Concocting a Seat at the Roundtable: Arthurian Legend, Historical Genealogy, and the Making of Empire in Tudor and Stuart England." Arthuriana 35, no. 1 (2025): 53–62. https://doi.org/10.1353/art.2025.a960014.

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Abstract: This essay investigates the question of King Arthur's historicity alongside the construction of the British Empire in early modern British history and cultural literary production. In surveying how monarchs co-opted the fantastical lore of Arthur via historical genealogy to consolidate their power, 'Concocting a Seat at the Roundtable' illustrates how Tudor and Stuart monarchs reified engines of dominance not only in their own time, but also in the centuries that followed. (ALM)

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39

Harty, Kevin J. "The Use of the Arthurian Legend in Hollywood Film: From Connecticut Yankees to Fisher Kings by Rebecca A. Umland and Samuel J. Umland." Arthuriana 7, no. 2 (1997): 148–49. http://dx.doi.org/10.1353/art.1997.0076.

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40

Kalinke, Marianne E. "The Arthur of the Germans. The Arthurian Legend in Medieval German and Dutch Literature ed. by W. H. Jackson and S. A. Ranawake." Arthuriana 11, no. 3 (2001): 122–24. http://dx.doi.org/10.1353/art.2001.0071.

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41

Grimbert, Joan Tasker. "The Evolving Iconography of the Tristan Legend from the Middle Ages to the Present, with Special Emphasis on the Arthurian Revival in British Art." Arthuriana 29, no. 3 (2019): 66–95. http://dx.doi.org/10.1353/art.2019.0034.

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42

Mancoff, Debra N. "BOOK REVIEW: Christine Poulson.THE QUEST FOR THE GRAIL: ARTHURIAN LEGEND IN BRITISH ART, 1840-1920. Manchester and New York: Manchester University Press, 1999." Victorian Studies 43, no. 3 (2001): 497–99. http://dx.doi.org/10.2979/vic.2001.43.3.497.

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43

Rush, Adam. "From Camelot to Spamalot: Musical Retellings of Arthurian Legend on Stage and Screen, Megan Woller (2021)." Studies in Musical Theatre 16, no. 1 (2022): 91–93. http://dx.doi.org/10.1386/smt_00090_5.

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44

Elliott, Andrew B. R. "Arthurian Fragments, Arthurian Mosaics." Arthuriana 25, no. 4 (2015): 14–24. http://dx.doi.org/10.1353/art.2015.0053.

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45

Morato, Nicola. "«Gloria Allaire – F. Regina Psaki (eds.), The Arthur of the Italians» & «David Hook (ed.), The Arthur of the Iberians.»." Revista de Literatura Medieval 29 (December 21, 2018): 263–82. http://dx.doi.org/10.37536/rpm.2017.29.0.69438.

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Reseña de: Gloria Allaire – F. Regina Psaki (eds.), The Arthur of the Italians. The Arthurian Legend in Medieval Italian Literature and Culture, (ALMA, 6), Cardiff, University of Wales Press, 2014, XIII + 297 pp. ISBN: 978-1-78316-050-1. David Hook (ed.), The Arthur of the Iberians. The Arthurian Legends in the Spanish and Portuguese Worlds, (ALMA, 7), Cardiff, University of Wales Press, 2015, 532 pp.

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46

Ruset-Oancă, Monica. "Re-writing Old Testament legends in La Queste del Saint Graal." University of Bucharest Review. Literary and Cultural Studies Series 10, no. 2 (2021): 102–13. http://dx.doi.org/10.31178/ubr.10.2.8.

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In this paper, I intend to present the way in which the Biblical stories and medieval legends are re-written in the episode of the Miraculous Ship in La Queste del Saint Graal, and to identify several characteristics of this vessel, considered ideal for the questers’ preparation for the ecstatic life in the presence of the Grail. The multi-layered symbolism of this miraculous self-moving ship is constantly enriched with new connotations, and from being a sacred place that offers the successful knights the opportunity to meditate on their spiritual life before reaching Sarras and the Holy Grail

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47

Saul, MaryLynn. "The Oxford Guide to Arthurian Literature and Legend." Journal of Popular Culture 40, no. 3 (2007): 577–78. http://dx.doi.org/10.1111/j.1540-5931.2007.00421.x.

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48

Woolfson, Jonathan, and Deborah Lush. "Lambert Barnard in Chichester Cathedral: Ecclesiastical Politics and the Tudor Royal Image." Antiquaries Journal 87 (September 2007): 259–80. http://dx.doi.org/10.1017/s0003581500000913.

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Building on the pioneering work of Edward Croft Murray, this paper investigates a painting in Chichester Cathedral depicting Henry VII and Henry VIII and executed by the Netherlandish artist Lambert Barnard. With close attention to the chronology of Henry VIII's reign, it explores the painting's rich religious, political and cultural context, proposes a date for its execution, and reveals its links to Arthurian legend. The painting emerges as a sophisticated work of political theatre and propaganda with important implications for our understanding of early Tudor image-making.

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49

Kelly, Kathleen Coyne. "Arthurian Things." Arthuriana 25, no. 4 (2015): 94–107. http://dx.doi.org/10.1353/art.2015.0052.

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50

Lupack, Alan. "Arthurian Absurdities." Arthuriana 14, no. 1 (2004): 84–88. http://dx.doi.org/10.1353/art.2004.0094.

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