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Relevant bibliographies by topics / Arthurian romances – History and criticism

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Journal articles

Academic literature on the topic 'Arthurian romances – History and criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 January 2023

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Journal articles on the topic "Arthurian romances – History and criticism"

1

Vujin, Bojana. "“A MAGIC WEB WITH COLOURS GAY”: A QUEER READING OF ALFRED TENNYSON’S AND ELIZABETH BISHOP’S SHALOTT POEMS." Годишњак Филозофског факултета у Новом Саду 47, no. 1 (2022): 85–97. http://dx.doi.org/10.19090/gff.2022.1.85-97.

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Mediaeval romances in general, and Arthuriana in particular, have canonically been read as stories of chivalry that depict knights and ladies as the era’s epitome of masculinity and femininity. Queer readings, however, question these assumptions and expose such canonical analyses as heteronormative, gender-binaristic and heterocentric. Queer medievalism subverts the norm, showing how certain thematic and formal elements of mediaeval romances destabilize the heteronormativity of the Arthurian world. Later adaptations of Arthurian legends continue this tendency, revealing the historical construc

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Baum, Ilil. "Jofre (Jaufre): the circulation of Arthurian romances among late medieval Catalan Jews." Journal of Medieval Iberian Studies 11, no. 2 (2019): 222–49. http://dx.doi.org/10.1080/17546559.2019.1597275.

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James, T. B. "Review: The Arthurian Romances of Chrétien de Troyes. Once and Future Fictions." Literature & History 1, no. 2 (1992): 104–5. http://dx.doi.org/10.1177/030619739200100214.

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MORRIS, R. "Aspects of Time and Place in the French Arthurian Verse Romances." French Studies 42, no. 3 (1988): 257–77. http://dx.doi.org/10.1093/fs/42.3.257.

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MORRIS, ROSEMARY. "ASPECTS OF TIME AND PLACE IN THE FRENCH ARTHURIAN VERSE ROMANCES." French Studies XLII, no. 3 (1988): 257–77. http://dx.doi.org/10.1093/fs/xlii.3.257.

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6

Crane, Susan. "Ten Middle English Arthurian Romances: A Reference Guide. Jean E. Jost." Speculum 63, no. 3 (1988): 689–90. http://dx.doi.org/10.2307/2852676.

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7

Kushelevsky, Rella. "Jews Reading Arthurian Romances from the Middle Ages: On the Reception of Chrétien de Troyes'sYvain, the Knight of the Lion, based on Manuscript JTS Rab. 1164." AJS Review 42, no. 2 (2018): 381–401. http://dx.doi.org/10.1017/s0364009418000454.

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Evidence of Jewish readerships for French literature in the Middle Ages, particularly romances, has been accumulating. This article focuses on a recently discovered tale from Italy, copied in Hebrew in MS JTS Rab. 1164, as a prism through which to explore the cultural interactions between Jewish and Christian society in Italy of the early Renaissance. I first analyze the Jewish tale, which I posit has an affinity with the Arthurian romanceYvain, The Knight of the Lionby Chrétien de Troyes, and expound on the thematic and poetic links between the two stories. I then examineYvain’s reception in

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8

Robinson, Cynthia. "Arthur in the Alhambra? Narrative and Nasrid Courtly Self-Fashioning in The Hall Of Justice Ceiling Paintings." Medieval Encounters 14, no. 2-3 (2008): 164–98. http://dx.doi.org/10.1163/157006708x366245.

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AbstractThis essay reconsiders the "Arthurian" identification of a number of the scenes that compose the ornamental program of the painted ceilings above the northern and southern alcobas of the Alhambra's Hall of Justice, proposing a reading that privileges Castilian versions of well-known courtly romances over French ones. The scenes are read as representations of the stories of Flores y Blancaflor, as well as Tristán de Leonís. Both tales, however, have been further altered and adapted in order to privilege the ideological concerns of the Nasrid court, both as an Islamic political entity wi

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9

BURGESS, G. S. "Review. Arthurian Romances. Translated, with an introduction and notes, by D. D. R. Owen. Chretien de Troyes." French Studies 42, no. 4 (1988): 458. http://dx.doi.org/10.1093/fs/42.4.458-a.

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Lausten, Pia Schwartz. "Da Roland blev italiener – og forelsket." K&K - Kultur og Klasse 35, no. 103 (2007): 38–67. http://dx.doi.org/10.7146/kok.v35i103.22297.

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Italiensk ridderdigtning mellem epos og roman: M.M.Boiardos Orlando innamorato (1495) When Roland became an Italian – and fell in loveThough marking the invention of the chivalric epic, so famously mocked by Cervantes, Boiardo’s poem Orlando Innamorato (1494) has been overshadowed by the later, more famous works of Ariosto and Tasso, and the very genre of chivalric epic tends often to be forgotten. This article describes the cultural and historical conditions for the rise of the genre in the 15th century at the Este-court of Ferrara where an elitist humanist culture paradoxically enough coexis

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