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Journal articles on the topic 'Artisans'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Ebekozien, Andrew, Clinton Ohis Aigbavboa, Mohamad Shaharudin Samsurijan, John Aliu, and Angeline Ngozika Chibuike Nwaole. "Mentorship as a tool for improving construction artisan's skills to achieve sustainable development Goal 8 via qualitative approach." Engineering, Construction and Architectural Management 31, no. 13 (2024): 303–22. http://dx.doi.org/10.1108/ecam-07-2023-0655.

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PurposeThe paucity of artisans in some construction trades and the transitioning of the experience of the few for sustainability calls for concern. Mentorship programmes offer a promising mechanism to support construction artisans through those transitions. Mentorship may enhance artisan decent work and economic growth, like increased income for artisans. This is part of Sustainable Development Goal 8 (Goal 8). Hence, this study aims to investigate issues hindering construction artisan skills growth and suggest measures to improve construction artisan skills through mentorship mechanisms to ac

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Villaseñor Ortega, Gal, Georgina Cantú Muñoz, Valeria Pérez Meraz, and Rocío Abascal Mena. "Bioleta: collaborative mapping and a fairer trade for artisans." Avances en Interacción Humano-Computadora, no. 1 (November 30, 2020): 45. http://dx.doi.org/10.47756/aihc.y5i1.66.

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BIOLETA is an interdisciplinary proposal, developed by using the User-Centered Design (UCD) approach, that aims to create a collaborative network to promote fair trade and the revalorization of artisanal work through an app that facilitates the sale of artisan’s products without intermediaries, which is a win-win for artisans and clients. The app, named BIOLETA for the biodiversity that artisanal work requires, has two goals: to create a reliable database of Mexican crafts after the self-registration of artisans from all over the country and therefore to facilitate the direct contact and relat

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Ebekozien, Andrew, Ehimemen Osebuohien Ebekozien, Mohamed Ahmed Hafez Ahmed, et al. "The role of health belief model in improving construction artisans’ mental health intervention: Nigerian stakeholders' perspective." Engineering, Construction and Architectural Management 32, no. 13 (2025): 174–92. https://doi.org/10.1108/ecam-10-2024-1458.

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PurposeIn the construction industry, artisans are important, especially in developing countries’ infrastructural development. Thus, the construction artisan’s mental well-being is critical to project productivity and efficiency. There is a perceived increase in construction artisan mental ill health, which threatens the achievement of Sustainable Development Goal 3 (SDG 3) (good health and well-being). The understanding of health belief model (HBM) constructs may improve artisans’ SDG 3. This study explored the factors hindering the adoption of interventions and suggested measures to improve m

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Ralley, Robert. "Alchemical artisans, artisanal alchemy." Studies in History and Philosophy of Science Part A 37, no. 2 (2006): 344–52. http://dx.doi.org/10.1016/j.shpsa.2006.03.004.

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Feyerabend, Paul. "Theoreticians, Artists and Artisans." Leonardo 29, no. 1 (1996): 23. http://dx.doi.org/10.2307/1576272.

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Campbell, Erin J. "Artisans, Artists and Intellectuals." Art History 23, no. 4 (2000): 622–26. http://dx.doi.org/10.1111/1467-8365.00229.

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Primel, Casey, Anupama Rao, and Susanna Ferguson. "On Artists and Artisans." Comparative Studies of South Asia, Africa and the Middle East 35, no. 3 (2015): 486–91. http://dx.doi.org/10.1215/1089201x-3426337.

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Vannini, Phillip, and April S. Vannini. "Artisanal Ethnography: Notes on the Making of Ethnographic Craft." Qualitative Inquiry 26, no. 7 (2019): 865–74. http://dx.doi.org/10.1177/1077800419863456.

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Whereas the arts have acquired a greater role in ethnographic practice as of late, artisanship has not; artisans regularly remain subjects of ethnographic analysis rather than educators or sources of epistemological and aesthetic inspiration for ethnographers. As students of material culture and aesthetic practices, we argue that ethnography has a lot to learn from artisans and advance a vision for an artisan-inspired ethnography. In particular, we ask, “what would an artisanal ethnography be like?” “What can we learn from artisans as ethnographic educators?” “How would the artisanship-inspire

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Ondieki, Charles M. M. "Effect of the combination of Education level and Business location on product quality: The Case Study of Arc Welding in Small Scale Metalworking Enterprises in Kenya." Archives of Business Research 7, no. 10 (2019): 75–88. http://dx.doi.org/10.14738/abr.710.7158.

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   The quality of products from the micro and small enterprise sector is affected by both the entrepreneur’s and enterprise’s attributes. This paper presents and discusses findings of a study that was designed to investigate experimentally the relationship between the quality of arc in the Small Scale Metalwork sub-sector and the combined effect of the artisan’s education level and business location. A total of 36 artisans with secondary education and 36 artisans with primary education consisting of formally (35) and informally (37) trained artisans from urban (29) and rural

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Jourdain, Anne. "Des artisans d’art aux artisanes d’art." Travail et emploi, no. 150 (April 1, 2017): 25–52. http://dx.doi.org/10.4000/travailemploi.7562.

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Kiptoo, Maryline, Pratima Sambajee, and Tom Baum. "Resilience through adversity: a case of informal artisan entrepreneurs in Kenya." International Journal of Entrepreneurial Behavior & Research 30, no. 11 (2024): 446–65. https://doi.org/10.1108/ijebr-07-2023-0762.

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PurposeThe study aims to understand how informal artisan entrepreneurs demonstrate resilience while experiencing adversity. To achieve this, it explores how artisans handle adversities and how this differs from other informal entrepreneurs.Design/methodology/approachThe study engaged with entrepreneurial theories of resilience. It incorporated 46 qualitative telephone interviews with 32 artisans in the informal tourism industry of Kenya, conducted over two phases and analysed using thematic analysis. Notably, it draws key methodological considerations for conducting remote qualitative data col

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Antrosio, Jason, and Rudi Colloredo‐Mansfeld. "Risk‐Seeking Peasants, Excessive Artisans: Speculation in the Northern Andes." Economic Anthropology 1, no. 1 (2014): 124–38. http://dx.doi.org/10.1002/sea2.12008.

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AbstractThomas Friedman (referencing Harvard economist Lawrence Katz) declared that the economic future for the United States meant that “everyone today has to be an artisan” (The New York Times, October 23, 2010). But what does it mean to be an artisan in a globalized world? This article suggests that artisan economies may involve high levels of risk and excess, frustrating the search for economic justice and more equitable opportunities. Fieldwork with peasant agriculturists in southwestern Colombia and textile artisans in northern Ecuador challenges the stereotypes of conservative, risk‐ave

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Franc, Małgorzata. "Training of Artists or Artisans?" ART Space, no. 3 (2018): 8–11. http://dx.doi.org/10.28925/2519-4135.4.2018.3.2.

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The article analyses the situation in Polish art education after 1990. It is indicated that higher art education in Poland can be obtained in eighteen universities and five affiliates in eleven Polish cities. The complex situation of higher art education is examined. The role of applied arts is noted.

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Lewis, Johanna Miller, Barbara Crawford, and Royster Lyle Jr. "Rockbridge County Artists and Artisans." Journal of Southern History 63, no. 1 (1997): 146. http://dx.doi.org/10.2307/2211952.

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Okorie, Dr Christiana Uzoaru, and Obi Winnifred Chioma. "Information and Communication Technology (ICT) as Occupational Empowerment Needs of Artisan for Community Development in Imo State." International Journal of Research and Innovation in Social Science VIII, no. I (2024): 2391–98. http://dx.doi.org/10.47772/ijriss.2024.801176.

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Information and communication technology (ICT) has become a potential tool for empowering individuals for social, economic and political transformation globally. Artisans need to be advanced in ICT especially in developing nations like Nigeria where artisan are dramatically underrepresented in the ICT field. This paper examines the profound influence of Information and Communication Technology (ICT) on artisanal communities in Imo State. It specifically focuses on how ICT serves as a catalyst for both occupational empowerment and community development. The study delves into the distinctive req

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Bakas, Fiona Eva, Nancy Duxbury, and Tiago Vinagre de Castro. "Creative tourism: catalysing artisan entrepreneur networks in rural Portugal." International Journal of Entrepreneurial Behavior & Research 25, no. 4 (2019): 731–52. http://dx.doi.org/10.1108/ijebr-03-2018-0177.

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Purpose Given limited research about how artisans become integrated into tourism, the purpose of this paper is to investigate the emergence of artisan entrepreneur–mediators who link artisans to tourism in rural areas and small cities in Portugal. Using social embeddedness as a conceptual framework, this paper views artisan entrepreneur–mediators as existing within an entrepreneurial ecosystem. The paper investigates their role within this ecosystem and how social networks influence the artisan entrepreneur–mediators’ roles in connecting artisans to creative tourism. Design/methodology/approac

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Vogt, Jennifer. "A World of Difference: Unity and Differentiation Among Ceramicists in Quinua, Ayacucho, Peru." Southern Anthropological Society Proceedings 42, no. 1 (2013): 139–78. http://dx.doi.org/10.56702/mpmc7908/saspro4201.7.

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This chapter analyzes local notions of authenticity drawing on ethnographic data collected during thirteen months of fieldwork in the rural village of Quinua, Peru. The author highlights how local ceramic artisans conceived of authenticity, which, it is argued, is encapsulated by local terms and material practices surrounding the concept of artesano verdadero. Artisans in Quinua share, borrow, and even “steal” designs from others. Within this context, artisans persistently evaluated each other based on these practices. Ultimately, the narratives artisans tell themselves and others about who th

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Zasada, Mirosław. "Producción artesanal en el Tawantinsuyu." Estudios Latinoamericanos 10 (December 27, 1985): 67–94. http://dx.doi.org/10.36447/estudios1985.v10.art3.

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The paper describes the social and economic situation of the artisans in the Inca Empire (Tahuantisuyu). The study uses both historic linguistic and modern sources. Most of the artisan production took place within 3 different social groups: the conquered people, the peasants and the artisans from the coast. All artisans had to pay a tribute to the Inca authorities. Zasada's article also describes the different types of artisan and craft production. English abstract/description written by Michał Gilewski

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Okoye, Lawrence Jekwu, Amos Audu, and Tochukwu M. Oguegbe. "Emotional Intelligence and Self-Efficacy as Determinants of Ethical Work Behaviour of Artisan in Maiduguri, Borno State Nigeria." International Journal of Social Sciences and Management 3, no. 3 (2016): 188–92. http://dx.doi.org/10.3126/ijssm.v3i3.15259.

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This study investigated the role of emotional intelligence and self-efficacy on ethical work behavior of artisan in Maiduguri, capital of Borno State Northeast Nigeria. The study adopted behavioural theory of obedience as its main theoretical framework. Expos facto survey design was adopted for the study. Two hundred and eight-two (282) participants were selected accidentally for the study. Results revealed that artisans who reported with high emotional intelligence were significantly different in the level of ethical work behaviour compared to those who reported low level of emotional intelli

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Lokesh, Ghai. ""Co-design is an inclusive approach for fashion designers working with traditional crafts": Exploring ethics of craft collaborations in design education." International Journal of Design and Allied Sciences (IJDAS) 1, no. 1 (2022): 20–24. https://doi.org/10.5281/zenodo.7634717.

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<strong>Abstract: </strong>Despite being a key contributor to the Indian fashion design industry, traditional artisans are often exploited in the name of help. Designers have been exploiting both the aesthetic style and skills of the traditional artisan communities. In absence of equal opportunities, trends indicate many artisans are leaving their practice. This paper suggests co-design as a way forward for designers to collaborate with traditional artisans. Co-design is proposed over the top-down approach of design intervention where a designer or design students provides design for artisan t

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Rizafaza, Dicky Nur Oktaviano, and Yovita Arie Mangesti. "PERLINDUNGAN HUKUM PENGGUNA JASA TUKANG GIGI TERHADAP DUGAAN MALPRAKTIK." Bureaucracy Journal : Indonesia Journal of Law and Social-Political Governance 2, no. 3 (2022): 660–74. http://dx.doi.org/10.53363/bureau.v2i3.56.

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This legal research aims to determine the regulation of the practice of dental artisans in health services as well as to determine the legal protection of dental artisan service users in the practice of dental artisans. This research was conducted using normative legal research methods. The research approach is a legal approach (statute approach) and a conceptual approach (conceptual approach). Based on this research, it was found that the regulation regarding dental practice refers to the Regulation of the Minister of Health no. 39 of 2014 concerning the Guidance, Supervision, Licensing and E

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Ohene-Adu, Ayeyi, Zanetor Agyeman-Rawlings, and Gordon Adomdza. "Short-term Impact of Instagram on Livelihoods of Artisans at Accra Arts Centre." European Conference on Social Media 10, no. 1 (2023): 373–75. http://dx.doi.org/10.34190/ecsm.10.1.1226.

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The Accra Arts Centre in Ghana is a physical commercial hub for over eight hundred artisans. However, due to an ongoing construction project, the Marine Drive Project, the artisans' livelihoods are threatened. The Marine Drive Project aims to transform parts of the Accra coastline into a residential business district; hence will demolish the current Accra Arts Centre. Therefore, there is a need to explore sustainable livelihoods – ones that withstand stresses and shocks, such as the Marine Drive Project. Within the sustainable livelihoods framework, socially sustainable livelihoods encompass t

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Kusdarjanti, Endang, Okti Setyowati, and Sujati Sujati. "DESINFECTION SOCIALIZATION OF MAKING DENTURES FOR AVOIDING CROSS INFECTION IN DENTAL ARTISANS AT KECAMATAN SAMBENG, LAMONGAN CITY." Darmabakti Cendekia: Journal of Community Service and Engagements 3, no. 1 (2021): 13. http://dx.doi.org/10.20473/dc.v3.i1.2021.13-18.

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Background: Since time immemorial the existence of dental artisans has been neglected, even though many members of the community are involved as consumers of existing dental artisans. The dental artisans at Resik Village, Sambeng sub-district, Lamongan City do not yet know the dangers of cross infection when making dentures and how to do to prevent it. Objective: This activity aims to increase the awareness of dental artisans to avoid cross-infection between dental artisans and consumers. Method: This activity for the Resik Village community was carried out in the form of socialization to dent

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Ordóñez, Javier. "Domesticating Light: Standards and Artisanal Knowledge in Early Astrophysics." HoST - Journal of History of Science and Technology 14, no. 1 (2020): 6–31. http://dx.doi.org/10.2478/host-2020-0002.

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AbstractAstrophysics was born in the nineteenth century as a “New Astronomy” (in the words of Samuel Langley, 1884), a knowledge built primarily by amateurs who explored deep space by studying the Sun, stars and nebulae. They were credible enough to interest physicists who did research on the properties of radiation and hence came to constitute a solid and recognised discipline. The aim of this research is to study the contribution of artisanal knowledge in the construction of this new discipline at two distinct moments. The first, when artisans worked to find a standard to normalise the manuf

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Richomme-Huet, Katia. "Une interprétation des stratégies artisanales à partir des trajectoires professionnelles dans le secteur des métiers." Revue internationale P.M.E. 19, no. 3-4 (2012): 51–76. http://dx.doi.org/10.7202/1008501ar.

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Cette recherche a pour objectif d’aborder les stratégies d’entrée et de sortie d’un secteur économique en observant les trajectoires théoriques et pratiques réelles suivies par les différents groupes composant l’artisanat. Après une modélisation du secteur des métiers et des populations référentes, il s’agit de proposer une démarche exploratoire afin de comprendre les trajectoires des artisans et donc de saisir leur comportement. Dans cette perspective méthodologique qualitative, nous procédons à la réalisation d’entretiens sous la forme de récits de vie et à une étude documentaire, bénéfician

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Sana, Santime Sagaye, Paulos Balcha, Tensay Haile, et al. "Exploring the Contributions of Artisans to the Cultural and Historical Identities of Wolaita People." Advances in Social Sciences Research Journal 10, no. 8 (2023): 341–54. http://dx.doi.org/10.14738/assrj.108.15227.

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The objective this study is to explore the contributions of artisans, especially potters, smiths, and tanners, for historical and cultural identities of Wolaita people. The researchers used qualitative approach for data collection and analysis inline with study objectives. Observation, key informants interview, focus group discussions (FGD), and case study methods were used to collect field data and secondary data were collected from published and unpublished sources. The findings imply that artisans are producing the early hunting and gathering tools, agricultural and war implements, the earl

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Speight, Allen. "Artisans, Artists and Hegel's History of Art." Hegel Bulletin 34, no. 2 (2013): 203–22. http://dx.doi.org/10.1017/hgl.2013.12.

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This article examines Hegel's use of the distinction between ‘artist’ (Künstler) and ‘artisan’ (Werkmeister) in light of recent discussion about the ‘end’ of art and the distinction betweeen art and craft that, as some have argued, has been central to the concept of the fine arts since the eighteenth century. Hegel does employ an important distinction between artist and artisan, but he does so within a larger account of the continuum of forms of human making that can take into consideration the importance of the artisan's work as well as the artist's. Hegel's account involves two distinctive f

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Diah Karlina. "Edukasi Self-Care Management untuk Mengatasi Nyeri Punggung Bawah di Desa Tanjung Anom." VitaMedica : Jurnal Rumpun Kesehatan Umum 2, no. 3 (2024): 219–22. http://dx.doi.org/10.62027/vitamedica.v2i3.140.

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Low Back Pain (LBP) is a complaint characterized by pain or discomfort felt in the lower back, which may radiate to the legs, either the right or left leg. Prolonged sitting can cause tension in the lower back muscles, eventually leading to pain. This activity aims to educate the batik artisan community on self-care methods to manage low back pain and correct sitting positions while working as batik artisans. The target of this activity is the batik artisans in Dusun 1 and Dusun 6 of Tanjung Anom Village. The method used in this program involved students conducting direct field observations, e

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Bhimade, Shamsundar, Saniya Atar, Vaibhavi Garge, and Sanjivani Barale. "CustomeCraft: An Artisan Marketplace Hub." CompSci Journal 1, no. 1 (2025): 20–25. https://doi.org/10.5281/zenodo.15302683.

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<em>The emergence of Ecommerce has significantly changed the landscape for artisans and small businesses, enabling them to reach a broader consumer base. This research paper examines CustomeCraft, an innovative Artisan Marketplace Hub designed to meet the increasing demand for custom-made, unique handmade products. The focus is on the platform's design and development, illustrating how it empowers small-scale artisans by offering a user-friendly interface for showcasing and selling their custom creations. A key feature of CustomeCraft is its emphasis on artisan storytelling, which </em><em>all

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Sauzedde, Stéphane. "Philippe Ramette et Wim Delvoye, artistes–entrepreneurs." Figures de l'Art. Revue d'études esthétiques 7, no. 1 (2003): 421–41. http://dx.doi.org/10.3406/fdart.2003.1293.

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Philippe Ramette et Wim Delvoye sont deux artistes présentant comme oeuvres des artefacts réalisés grâce à des techniques artisanales extrêmement maîtrisées. Cependant ils ne fabriquent rien eux-même : ils ont choisi de déléguer la réalisation à des artisans, et pour cela mettent en place des systèmes de production qui les éloignent considérablement de la posture traditionnelle de l’artiste-artisan. Quels sont les modèles théoriques sollicités par ces pratiques ? Après avoir observé les façons de procéder de ces deux artistes, nous regarderons si ces modèles ne sont pas à rechercher du côté de

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S, Lakshana, Sriram V, Muktha K, and Magesh Kumar B. "Community Crafts Hub: Fostering Local Economic Growth Through Artisan Empowerment." International Journal for Research in Applied Science and Engineering Technology 12, no. 3 (2024): 816–23. http://dx.doi.org/10.22214/ijraset.2024.58935.

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Abstract: In an ever-evolving landscape ofcommerce, this paper introduces aninnovative initiative aimed at revolutionizing the engagement of local artisans. Through the transition from traditional methods to a technologically advanced platform,this study connects artisans with a global audience, marking a departure from outdated systems. The platform, known as Community Crafts Hub, empowers local communities by providing artisans with a digital stageto showcase and sell their unique handmade products. With a user- centric approach, Community Crafts Hub aims to transcend geographical boundaries

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Laoudj, Ouardia, Yasmine Krim, and Mehdi Bouchetara. "Fostering innovation in Algerian artisanal crafts: The impact of cluster development in Constantine and Batna." Marketing Science & Inspirations 19, no. 3 (2024): 32–50. http://dx.doi.org/10.46286/msi.2024.19.3.3.

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This article explores the cluster approach as a lever to stimulate innovation and entrepreneurship in the artisanal crafts sector in Algeria, focusing specifically on the clusters of brass artisans in Constantine and jewelry artisans in Batna, two departments in Algeria. Drawing on Richard Florida's „3Ts“ model (Technology, Talent and Tolerance), the study analyzes how belonging to a cluster can enable artisans to acquire innovation capabilities and undertake collective projects. The methodology used in this research is a field survey conducted during the 21st International Traditional Crafts

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Groulx, François, and Jean-Richard Gauthier. "Résidence et liens de parenté des artisans de Montréal en 1741." Scientia Canadensis 24 (June 29, 2009): 7–25. http://dx.doi.org/10.7202/800413ar.

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Résumé Les recherches sur les artisans se sont souvent attachées à mieux comprendre les aspects particuliers de chaque profession. Moins fréquemment, les historiens se sont attardés aux dynamiques propres à l’ensemble du groupe, en particulier dans le cadre urbain, lieu de leur regroupement. Dans cet article, les auteurs élucident certains aspects du comportement des artisans de Montréal à l’aide du recensement de 1741. L’objectif central est de comprendre l’incidence des pratiques des artisans sur leur répartition spatiale dans la ville. Ils tentent ainsi de circonscrire les facteurs qui déte

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Jia, Ruoqi, and Jiyang Gao. "Yongqian Dynasty "the internal affairs Office of the Office of the archives" artisan reward and punishment system literature review." Transactions on Economics, Business and Management Research 8 (August 8, 2024): 381–86. http://dx.doi.org/10.62051/x4v2hs15.

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In the Archives of the Ministry of Internal Affairs, the reward and punishment system for artisans was summarized and a relatively complete basis and measure of the reward and punishment system was extracted. In the management system of the royal family, the reward and punishment system of artisans is discussed with artisans as the research object. The treatment is determined by the quality of the skill and the amount of experience, and the reward and punishment are determined by the quality of the work and whether it is overdue. These are not only in line with the personnel management system,

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Gumulya, Devanny, John Tampil Purba, Evo Sampetua Hariandja, and Rudy Pramono. "Modernization of Palmyra Wicker Crafts as a By Product of Creative Social Enterprise’s Innovation Capability." International Journal of Design & Nature and Ecodynamics 17, no. 2 (2022): 209–19. http://dx.doi.org/10.18280/ijdne.170207.

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Creative social enterprises have several distinct characteristics that support the United Nations' sustainable development goals. In doing so, creative social enterprises embed innovation capability in their businesses, and it happens to be a dynamic force for their economic sustainability while also promoting cultural sustainability. The research studies how the innovation capability of creative social enterprises developed in collaboration with the community of artisans. The study elaborates how creative social enterprise revives the century old handicraft tradition through innovation capabi

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Duarte de Oliveira Berraoui, Mara Rita, Albenise Gomes Almeida, Tânia Maria de Góes, et al. "Memory of women gourd’s artisans from Quianduba Island (Abaetetuba-Pará)." Concilium 23, no. 7 (2023): 338–51. http://dx.doi.org/10.53660/clm-1230-23e38.

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The objective of the research was to record the collective memory of women artisans about the artisanal technique of producing gourds on Quianduba Island, in the municipality of Abaetetuba, in the State of Pará. 03 (three) women artisans of cuia, who live on the banks of the Quianduba river, were interviewed. Oral history was used as a methodology, aiming to maintain the veracity of the interviewees' speeches, through the transcription of oral form into writing, guaranteeing the recording of both individual and collective memories. As main references we use: Bosi (1993,1994) Cunha (2007), Dieg

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Prasad, Sunil. "Livelihood Alternative among Patachitra artisan communities." BSSS Journal of Social Work 13, no. 1 (2021): 7–23. http://dx.doi.org/10.51767/jsw1302.

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India is a rich country with various traditional practices like handicrafts which are ever glorious. Patachitra artisan community in West Bengal is famous globally for its quality paintings. The present study has examined the livelihood alternative among the Patachitra artisan communities in Bengal in India. Descriptive research design is used in this study, and data were collected using a structured interview schedule and participatory rural appraisal method. The study found that the artisans were entirely dependent upon handcraft and its allied activities for their livelihood. Their income,

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Qureshi, Irna, and Naiza Khan. "Women artists and male artisans in South Asia." South Asian Popular Culture 9, no. 1 (2011): 81–88. http://dx.doi.org/10.1080/14746689.2011.553892.

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Kapferer, Jean-Noël. "The artification of luxury: From artisans to artists." Business Horizons 57, no. 3 (2014): 371–80. http://dx.doi.org/10.1016/j.bushor.2013.12.007.

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Simanjuntak, Mardohar Batu Bornok. "Nishida Kitaro’s Expressive Activity in Katana Sword Making as a Way to Achieve Pure Experience." Dekonstruksi 9, no. 04 (2023): 111–16. http://dx.doi.org/10.54154/dekonstruksi.v9i04.197.

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Western craft and craftmanship have long been taken as complementary or even supplementary – in contrast with high art and artistic explorations. This pejorative approach is quite common from western industrial perspective. An artisan’s work is then taken less seriously than an artist’s oeuvre d’art. Contrary to this, Asian countries have long recognised the mastery of these master craftsmen and gave no different treatment to artists and artisans. This paper examines the concept of expressive activity from Japanese philosopher Nishida Kitaro in his essay “Expressive Activity” written in 1925.

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Jang, Kyung-hee. "The Production Process of Iship kongshin hoemaengch’u of 1694 and its Significance in the History of Crafts : Focusing on the Analysis of Posagongshin bok’undogam ŭigwe." Korean Journal of Art History 315 (September 30, 2022): 119–47. http://dx.doi.org/10.31065/kjah.315.202209.004.

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This paper studies the materials, tools, and artisans recorded in the Posagongshin bok'undogam ŭigwe to understand the significance of Iship kongshin hoemaengch’u in the history of crafts in Korea. Iship kongshin hoemaengch’u is an elegantly decorated twenty-four-meter-long scroll made for King Sukjong, containing oaths of allegiance to the king in a time of political upheaval and reforms, and the names of 489 meritorious subjects. In making this scroll, a special directorate was set up and several government offices, including the Directorate of Fabrics, provided materials and tools, and arti

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Ugwuneke, John, Christopher Chimaobi Onyeneke, and Edith Chinwe Pat-Mbano. "Addressing Skill Gaps and Enhancing Productivity: The Role of Artisans in Sustainable Urban Development." International Journal of Research and Innovation in Applied Science IX, no. XII (2025): 114–27. https://doi.org/10.51584/ijrias.2024.912012.

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This paper explores the critical role that artisans play in addressing skill gaps and enhancing productivity in sustainable urban development, particularly in developing countries. Artisans, who engage in manual trades such as carpentry, masonry, and plumbing, are pivotal in the construction of housing and infrastructure in rapidly urbanizing regions. Despite their significant contributions, they often operate within the informal economy, facing challenges such as limited access to formal education, modern technologies, and financial resources. These factors contribute to skill gaps, which imp

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J.Bhargavi, Mrs. "A Study on Kalamitra : Empowering Artisans using AI Innovation." International Scientific Journal of Engineering and Management 04, no. 04 (2025): 1–7. https://doi.org/10.55041/isjem03080.

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Abstract - Kala-Mitra combines modern technology with traditional craftsmanship to enable artisans to improve their work. This platform has AI-based design tools that make real-time suggestions based on trends, enabling artisans to explore new designs. It also tracks market trends and optimizes workflow to increase productivity. Quality is ensured by keeping up advanced techniques that pick up defects in products, ensuring uniformity. Moreover, Kala-Mitra collects and reviews consumer feedback to provide meaningful insights, enabling artisans to remain contemporary and fulfill market needs wit

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José, Manuel Salaya-Domínguez, Brito-Vega Hortensia, Karina Salaya Reyna Sheila, Gómez-Méndez Edmundo, Gómez-Vázquez Armando, and Ma. Salinas Hernández Rosa. "The Use of Cyperus canus J. Presl as Raw Material for Handicrafts in Tabasco." International Journal of Engineering Research & Science 5, no. 12 (2019): 01–06. https://doi.org/10.5281/zenodo.3595903.

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<strong><em>Abstract</em></strong><strong>—</strong> <em>This paper explores the use of Cañita by artisans of Nacajuca, Tabasco, Mexico to elaborate commercial crafts. This plant occurs naturally, but its demand by artisans has increased, which could lead to the gradual extinction of wild populations. The aim of this study is to provide introductory information on Cañita (C. canus): botanical description, agricultural production and artisanal use. The conclusion is that despite the economic and agronomic advantages of this plant, the system of artisanal production and the s

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Monger, Adeep, and Karma Wangdi. "Lead and Mercury Exposure and Related Health Problems in Metal Artisan Workplaces and High-Risk Household Contacts in Thimphu, Bhutan." Scientific World Journal 2020 (March 10, 2020): 1–6. http://dx.doi.org/10.1155/2020/9267181.

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Background. Metal artisans have been using lead and mercury in their settings for centuries. Exposure to these toxic heavy metals causes adverse health effects. We assessed the occupational exposure of metal artisans and their high-risk household contacts at Thimphu, Bhutan. Methods. A cross-sectional study in which 134 metal artisan center employees and 48 high-risk household contacts were tested for blood lead and mercury levels. Sociodemographic data, occupational exposure risk factors, and clinical syndrome related to lead and mercury exposure were further obtained and analyzed using EpiIn

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Tubay-Zambrano, Fanny Monserrate, and Alex Estrada-García. "Learning processes and repercussions from handicrafts for social and popular education." Sophía, no. 37 (July 13, 2024): 311–33. http://dx.doi.org/10.17163/soph.n37.2024.10.

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The research incorporates the experiences of a group of artisans from Azuay and Cañar in Ecuador, aims to reflect on the professional practices of artisan collectives and their relationshipwith formal educational processes from a pedagogical approach focused on social and popular education. The study applies qualitative methodology with ethnographic focus. The results not only highlight that the spaces occupied by craftsmanship in the social imaginary are markedby obstacles and restrictions in professional practice, but also demonstrate that the knowledge they possess is conditioned by ethnic

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Shanmugam, Sindhu, and S. Ramakrishna Velamuri. "ToeHold Artisans Collaborative: Building Entrepreneurial Capabilities to Tackle Poverty." Asian Case Research Journal 12, no. 02 (2008): 187–213. http://dx.doi.org/10.1142/s0218927508001114.

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Toehold Artisans Collaborative (TAC) is a project launched by the Asian Center for Entrepreneurship Initiatives (ASCENT), a non-profit organization based in Bangalore, to build entrepreneurial capacity in a community of footwear artisans of the small southern Indian town of Athani. Prior to ASCENT's involvement, which began in 1998, the artisans of Athani were making a subsistence wage, which did not even guarantee them two square meals a day. They could not send their children to school and were thus suffering from economic stagnation. TAC is an established Group Enterprise of 14 women Self H

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Juma Shengeza, Japhary, Joseph John Msambichaka, and Yazid Hassan Mwishwa. "Validation of the Developed Structural Equation Model on Factors Influencing Artisans' Performance in Tanzanian Building Construction Projects." October-December 4, no. 4 (2023): 656–74. http://dx.doi.org/10.62277/mjrd2023v4i40038.

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Artisans are key players in the construction industry. Artisans, in conjunction with other players, are responsible for turning drawings into tangible structures using materials and equipment. However, several reports suggest that their performance is inadequate, attributing it to poor workmanship and productivity. This study explores the influencing factors (IFs) for artisan performance and how disregarding these IFs leads to poor performance through the development of structural equation modelling (SEM). The study focuses on validating the developed SEM on IFs categorised as informal trainin

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Stott, Richard, Paul A. Gilje, Howard B. Rock, and Ronald Schultz. "Respectable Artisans." Reviews in American History 22, no. 2 (1994): 223. http://dx.doi.org/10.2307/2702887.

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Landau, Zbigniew. "Jewish Artisans." Polin: Studies in Polish Jewry 8, no. 1 (1994): 227–37. http://dx.doi.org/10.3828/polin.1994.8.227.

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