Relevant bibliographies by topics / Artisansz

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  1. Journal articles
  2. Dissertations / Theses
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  4. Book chapters
  5. Conference papers
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Academic literature on the topic 'Artisansz'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Artisansz"

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Villaseñor Ortega, Gal, Georgina Cantú Muñoz, Valeria Pérez Meraz, and Rocío Abascal Mena. "Bioleta: collaborative mapping and a fairer trade for artisans." Avances en Interacción Humano-Computadora, no. 1 (November 30, 2020): 45. http://dx.doi.org/10.47756/aihc.y5i1.66.

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BIOLETA is an interdisciplinary proposal, developed by using the User-Centered Design (UCD) approach, that aims to create a collaborative network to promote fair trade and the revalorization of artisanal work through an app that facilitates the sale of artisan’s products without intermediaries, which is a win-win for artisans and clients. The app, named BIOLETA for the biodiversity that artisanal work requires, has two goals: to create a reliable database of Mexican crafts after the self-registration of artisans from all over the country and therefore to facilitate the direct contact and relationship of artisans with buyers and institutions. The second goal is to generate a collaborative mapping of street vendors of artisanal work that do not have a digital presence. With the help of potential buyers, neighbors, and/or people interested in artisanal work, the "mapper" will introduce the possible geolocations, recommendations and if available, the contact information of the street vendors to increase their sales during -and after- the emergency caused by COVID-19.
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Vannini, Phillip, and April S. Vannini. "Artisanal Ethnography: Notes on the Making of Ethnographic Craft." Qualitative Inquiry 26, no. 7 (July 17, 2019): 865–74. http://dx.doi.org/10.1177/1077800419863456.

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Whereas the arts have acquired a greater role in ethnographic practice as of late, artisanship has not; artisans regularly remain subjects of ethnographic analysis rather than educators or sources of epistemological and aesthetic inspiration for ethnographers. As students of material culture and aesthetic practices, we argue that ethnography has a lot to learn from artisans and advance a vision for an artisan-inspired ethnography. In particular, we ask, “what would an artisanal ethnography be like?” “What can we learn from artisans as ethnographic educators?” “How would the artisanship-inspired ethnographer work?” “What would be his or her styles, tools, goals, and guiding principles?” Through a methodological reflection on the production of our film A Time for Making, we engage with these questions.
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Richomme-Huet, Katia. "Une interprétation des stratégies artisanales à partir des trajectoires professionnelles dans le secteur des métiers." Revue internationale P.M.E. 19, no. 3-4 (February 16, 2012): 51–76. http://dx.doi.org/10.7202/1008501ar.

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Cette recherche a pour objectif d’aborder les stratégies d’entrée et de sortie d’un secteur économique en observant les trajectoires théoriques et pratiques réelles suivies par les différents groupes composant l’artisanat. Après une modélisation du secteur des métiers et des populations référentes, il s’agit de proposer une démarche exploratoire afin de comprendre les trajectoires des artisans et donc de saisir leur comportement. Dans cette perspective méthodologique qualitative, nous procédons à la réalisation d’entretiens sous la forme de récits de vie et à une étude documentaire, bénéficiant d’un corpus de 24 entreprises artisanales. L’analyse de contenu dévoile une validation empirique de notre cadre conceptuel sous la forme d’une typologie, dont chacun des « idéaux-types » (artisan traditionnel de succession, artisan traditionnel de promotion sociale, artisan d’installation en logique entrepreneuriale et artisanat d’installation en logique d’insertion sociale) met en exergue l’histoire de leur trajectoire telle qu’ils la racontent, une interprétation et une modélisation de leur parcours passé, présent et futur. Les trajectoires professionnelles illustrent parfaitement les stratégies des artisans. Il apparaît notamment une prééminence des stratégies réactives lors de la création ou de la reprise de l’entreprise, phase cruciale pour un changement de secteur ou de statut.
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Ordóñez, Javier. "Domesticating Light: Standards and Artisanal Knowledge in Early Astrophysics." HoST - Journal of History of Science and Technology 14, no. 1 (June 1, 2020): 6–31. http://dx.doi.org/10.2478/host-2020-0002.

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AbstractAstrophysics was born in the nineteenth century as a “New Astronomy” (in the words of Samuel Langley, 1884), a knowledge built primarily by amateurs who explored deep space by studying the Sun, stars and nebulae. They were credible enough to interest physicists who did research on the properties of radiation and hence came to constitute a solid and recognised discipline. The aim of this research is to study the contribution of artisanal knowledge in the construction of this new discipline at two distinct moments. The first, when artisans worked to find a standard to normalise the manufacture of the glass with which the lenses of refracting telescopes were manufactured. The most recognised of these artisans was Fraunhöfer. The second moment occurred when the experience of artisan knowledge enabled the manufacture of instruments that improved the traditional classification of the magnitude of the stars. The search for standards led to an alliance between artisans and scientists during the same period in which spectroscopy was carried out. In this case, a unit of luminous intensity was sought that could serve as a standard to classify the stars by their luminosity. Industries, university laboratories and astronomers interested in solar astronomy (such as Karl F. Zöllner), collaborated with the artisan manufacturers of measuring devices, and gave rise to a paradigmatic case of science and industry transfer.
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Ralley, Robert. "Alchemical artisans, artisanal alchemy." Studies in History and Philosophy of Science Part A 37, no. 2 (June 2006): 344–52. http://dx.doi.org/10.1016/j.shpsa.2006.03.004.

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Ondieki, Charles M. M. "Effect of the combination of Education level and Business location on product quality: The Case Study of Arc Welding in Small Scale Metalworking Enterprises in Kenya." Archives of Business Research 7, no. 10 (October 22, 2019): 75–88. http://dx.doi.org/10.14738/abr.710.7158.

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The quality of products from the micro and small enterprise sector is affected by both the entrepreneur’s and enterprise’s attributes. This paper presents and discusses findings of a study that was designed to investigate experimentally the relationship between the quality of arc in the Small Scale Metalwork sub-sector and the combined effect of the artisan’s education level and business location. A total of 36 artisans with secondary education and 36 artisans with primary education consisting of formally (35) and informally (37) trained artisans from urban (29) and rural (43) areas participated in the evaluation. A mild steel product was fabricated by each participating artisan, assessed and scores awarded based on the quality of arc welding. The analysis of variance (ANOVA) was used to show any variation in the quality of arc welding; comparisons of means using the Least Significant Difference (LSD) at the alpha level of 5% were done to determine which pairs of artisans affected quality significantly. The study found out that artisans with secondary education performed better than those with primary education. The study also found out that artisans from urban areas performed better those from rural areas. The findings of this study provide evidence that higher level of education and urban location of business can improve product quality.
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Bakas, Fiona Eva, Nancy Duxbury, and Tiago Vinagre de Castro. "Creative tourism: catalysing artisan entrepreneur networks in rural Portugal." International Journal of Entrepreneurial Behavior & Research 25, no. 4 (June 4, 2019): 731–52. http://dx.doi.org/10.1108/ijebr-03-2018-0177.

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Purpose Given limited research about how artisans become integrated into tourism, the purpose of this paper is to investigate the emergence of artisan entrepreneur–mediators who link artisans to tourism in rural areas and small cities in Portugal. Using social embeddedness as a conceptual framework, this paper views artisan entrepreneur–mediators as existing within an entrepreneurial ecosystem. The paper investigates their role within this ecosystem and how social networks influence the artisan entrepreneur–mediators’ roles in connecting artisans to creative tourism. Design/methodology/approach The paper is based on new (2017 and 2018) empirical evidence developed through two rounds of semi-structured interviews of five artisan entrepreneur–mediators. Findings This paper finds that artisan entrepreneur–mediators in rural areas or small cities take on multiple roles as networking agents who organize and offer creative tourism experiences, providing the missing link between artisans and tourists. An analysis of the nuances of the operations of these artisan entrepreneur–mediators suggests that high levels of social embeddedness within local rural communities are important in order for these neo-rural entrepreneurs to attain their goals. Originality/value Originality lies in the identification of a gap in artisan entrepreneurship literature in a rural context. It is the first time that a critical analysis of artisan entrepreneur–mediators who facilitate the link between artisans and tourism is carried out in terms of social embeddedness, their roles and connections to creative tourism, and types of community engagement.
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Zasada, Mirosław. "Producción artesanal en el Tawantinsuyu." Estudios Latinoamericanos 10 (December 27, 1985): 67–94. http://dx.doi.org/10.36447/estudios1985.v10.art3.

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The paper describes the social and economic situation of the artisans in the Inca Empire (Tahuantisuyu). The study uses both historic linguistic and modern sources. Most of the artisan production took place within 3 different social groups: the conquered people, the peasants and the artisans from the coast. All artisans had to pay a tribute to the Inca authorities. Zasada's article also describes the different types of artisan and craft production. English abstract/description written by Michał Gilewski
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Jourdain, Anne. "Des artisans d’art aux artisanes d’art." Travail et emploi, no. 150 (April 1, 2017): 25–52. http://dx.doi.org/10.4000/travailemploi.7562.

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Okoye, Lawrence Jekwu, Amos Audu, and Tochukwu M. Oguegbe. "Emotional Intelligence and Self-Efficacy as Determinants of Ethical Work Behaviour of Artisan in Maiduguri, Borno State Nigeria." International Journal of Social Sciences and Management 3, no. 3 (July 28, 2016): 188–92. http://dx.doi.org/10.3126/ijssm.v3i3.15259.

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This study investigated the role of emotional intelligence and self-efficacy on ethical work behavior of artisan in Maiduguri, capital of Borno State Northeast Nigeria. The study adopted behavioural theory of obedience as its main theoretical framework. Expos facto survey design was adopted for the study. Two hundred and eight-two (282) participants were selected accidentally for the study. Results revealed that artisans who reported with high emotional intelligence were significantly different in the level of ethical work behaviour compared to those who reported low level of emotional intelligence. Emotional intelligence does not significantly predict ethical work behavior of artisan and self-efficacy significantly predict ethical work behavior of artisans. However, it shows that emotional intelligence and self-efficacy jointly predict ethical work behavior of artisan. There was no any significant main and interaction effect of emotional intelligence and self-efficacy on ethical work behaviour among artisans in Maiduguri. Female artisans significantly reported higher scores on ethical work behaviour scale than male artisans. The study however recommended that management of the organization should send their employees (artisans) on sponsored training programme of the organisation which focused on enhancing their ethical work behavior.Int. J. Soc. Sc. Manage. Vol. 3, Issue-3: 188-192
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Dissertations / Theses on the topic "Artisansz"

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Neumann, Hans. "Handwerk in Mesopotamien : Untersuchungen zu seiner Organisation in der Zeit der III. Dynastie von Ur /." Berlin : Akademie Verl, 1993. http://catalogue.bnf.fr/ark:/12148/cb37439108v.

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Texte remanié de: Diss.--Gesellschaftswissenschaften--Berlin--Akademie der Wissenschaften der DDR, 1980. Titre de soutenance : Untersuchungen zur Organisation des Handwerks in Mesopotamien zur Zeit der III. Dynastie von Ur.
Notes bibliogr. Index.
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Chapados, Louise. "L'entrepreneurship en metiers d'art : le profil des artisans en métiers d'art de la Côte-Nord /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1992. http://theses.uqac.ca.

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Feyel, Christophe. "Les artisans dans les sanctuaires grecs aux époques classique et hellénistique : à travers la documentation financière en Grèce /." Athènes : [Paris] : École française d'Athènes ; [diff. de Boccard], 2006. http://catalogue.bnf.fr/ark:/12148/cb40204141n.

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Champagne, Alain. "L'artisanat rural en Haut-Poitou, milieu XIVe-fin XVIe /." Rennes : Presses universitaires de Rennes, 2007. http://catalogue.bnf.fr/ark:/12148/cb410303707.

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Cognie, Florence. "La métamorphose de l'artisanat." Rouen, 2015. http://www.theses.fr/2015ROUEL012.

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Cette thèse s’interroge sur la configuration actuelle de l’artisanat et les composantes de l’identité artisanale, d’une part et sa survivance dans un environnement capitaliste qui n’est plus le même que celui des années 80, période durant laquelle sont conduites et publiées un certain nombre de recherches sur les artisans et les commerçants, d’autre part. La réponse à cette question se fonde sur deux hypothèses. L’artisanat s’est métamorphosé. Ainsi l’artisanat subsiste voire se développe, se maintient en se transformant tout en conservant sa spécificité et ses valeurs, et cela en même temps que la société s’est transformée. L’hypothèse complémentaire de ce travail est que l’artisanat s’est maintenu de par la relation qu’il entretient à la proximité. Sa métamorphose ainsi que sa relation particulière à la proximité font de lui un acteur qui fournit une relation adaptée à la nouvelle demande du marché (immédiateté, qualité du produit ou du service, personnalisation du produit et de la communication, authenticité du produit et du service et respect des exigences écologiques notamment), à la nouvelle demande sociale (autonomie dans le travail, personnalisation de la relation salariale entre autres) et qu’il est en phase avec les exigences fonctionnelles des nouveaux systèmes productifs, production à la commande, travail en réseau. Il s’inscrit en cohérence avec les exigences du « nouvel esprit du capitalisme »
This thesis is questioning the pattern of crafts and also the craftsmen identity. It is also wonders about its survival in the new capitalism. The answer is based on two assumptions. First, the craft has achieved a metamorphosis. Craftsmen and craft companies are remaining true to their identity, despite their transformations and the transformations of the economic environment. Second, this thesis studies how this link between artisan and proximity somehow responds to new trends in the changes production systems, and represents “the new spirit of capitalism” (Boltanski et Chappielo, 2011). Craft companies’ specific practices in management, human resources management, marketing and communication, as well as their production model is consistent with the new forms of organization, the evolution of production models and management adopted by firms, in a word with the “ new spirit of capitalism"
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Nebti, Lazhar. "Les artisans en Afrique romaine d'après les sources épigraphiques et littéraires." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30010.

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Lorsqu’ils parlaient des diverses activités économiques, les auteurs anciensdistinguaient le plus souvent le secteur de l’agriculture, l’élevage et le commerce.L’Afrique est avant tout un pays agricole, réalité fort bien traduite par Pline l’Ancien :« elle apparaît consacrée à Cérès… »1. Depuis Caton l’Ancien, il y a un intérêt réel porté àla valorisation des terres, ce qui est aussi sensible chez Pline le Jeune (voir sacorrespondance et son intérêt pour le rapport de ses domaines). Mais en ce qui concerne lesactivités de transformation des produits de la terre ou des matières premières, il est detradition de considérer que les Romains méprisaient ce genre d’activités et que les métiersde l’artisanat étaient mal considérés
Small craftsmen in the epigraphic and literary sources of Roman Africa: - Catalogues epigraphic, literary and iconographic - Identification of business. - Distribution to the provincial levels and in African cities - Places of practice of professions (the city: neighborhood, domus, basilicas, urban and rural market ...... - Legal status of artisans (free, emancipated, slaves,,,)
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Brindis, Almazan María de Lourdes. "Estructuras de organización para el desarrollo socioeconómico local : la comunidad artesanal." Lyon 3, 2007. http://www.theses.fr/2007LYO33002.

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Comment faire pour qu'une communauté artisanale devienne efficace, du point de vue social et économique, sans qu'elle réponde pleinement aux paramètres du modèle socioéconomique globalisateur ? Cette recherche se propose de trouver les bases structurelles (actions et conditions) de l'efficacité des communautés artisanales ayant un développement économique favorable. Le point de départ se caractérise par le fait que quand ces communautés disposent d'un capital social et de connaissance qui les rendent expertes en leur matière de travail et efficaces dans leur développement socioéconomique, elles ne peuvent pas compter sur l'appui institutionnel nécessaire qui leur permette d'amplifier leurs capacités ; elles se trouvent alors reléguées à n'avoir qu'un statut d'organisations d'auto emploi. Le résultat attendu est : identifier de manière claire les variables qui entrent en jeu pour l'efficacité des communautés, parmi lesquelles se trouvent les actions particulières des acteurs de la communauté et les conditions dans lesquelles ces actions prennent effet. On formule l'hypothèse selon laquelle ces actions peuvent s'acheminer vers la création d'un capital relationnel, par la création de réseaux informels qui rendent possible, même dans des conditions adverses, d'obtenir des moyens matériels et sociaux nécessaires à l'activité, ainsi que d'un capital de connaissance transmis de génération en génération apte à fournir un savoir faire unique concernant le maniement et l'utilisation de la matière première. L'objectif théorique consiste à identifier des variables inters organisationnels, observables dans des réseaux qui se forment dans une communauté productive, lesquels jusqu'à maintenant n'ont pas été étudiés et qui sont susceptibles de représenter des facteurs d'activité, citons pour exemple les relations informelles, la transmission de la connaissance, les conditions socio environnementales de la communauté. Nous n'avons disposé que d'études comparatives qui parlent de la différence de la capacité d'exercice des organisations formées dans un milieu communautaire avec celles qui se sont constituées dans un espace moins communautaire. Cependant l'analyse des facteurs clé (variables) qui interviennent, n'a pas été approfondie L'objectif pratique concerne la démonstration de la potentialité de ces organisations à survivre et générer des ressources économiques suffisantes (souci d'efficacité) pour dynamiser le développement socioéconomique de la communauté. En obtenant ce résultat nous prétendons démontrer aux institutions la rentabilité socioéconomique, pour l'état ou la région, le fait de soutenir efficacement la commercialisation et la croissance de ces communautés, ce qui aura pour effet de diminuer les coûts sociaux et économiques causés par la migration vers le centre du pays. Nous souhaitons réveiller l'intérêt de ces instituions responsables du développement de la région afin qu'elles fassent un usage plus dirigé des ressources pouvant bénéficier à un plus grand nombre de personnes
How to do then a artisan community will be effective, social y economic, without response complety to the parameters socioeconomic global model ? This study propose to constitute a knowledge than permit to do artisan activity a process cultural and social than the economic development. This research propose it trouve the structural bases (actions and conditions) of the efficacy of the artisan community toward a favorable socioeconomic development. The departure point it characterize for the made of then thats communities arrange of a social capital and knowledge than convert its in experts in his its matter of the work and efectiveness in its socioeconomic development, but can't arrange with the institutional support for to enlarge its capabilities. They are relegate to self-work status. The result to hope is to identify the variables than enter in play for eficacy of the artisan communities between they are the particulars actions of the actors of the community and the conditions in they this actions have efect
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Sanidas, Giorgos M. "Contextes d'ateliers et production artisanale dans l'espace grec : du VIIe au Ier s. av. n.è. : à partir des exemples de l'Attique et du Péloponèse." Lille 3, 2003. http://www.theses.fr/2003LIL3A006.

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Mazaud, Caroline. "Entre le métier et l'entreprise : renouvellement et transformations de l'artisanat français." Nantes, 2009. http://www.theses.fr/2009NANT3016.

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Cette thèse analyse les changements dans l’organisation du travail artisanal et dans l’accès au statut d’artisan depuis les années 1980, moment où la sociologie a cessé de prendre ce groupe pour objet de recherche. Située à la croisée de plusieurs sociologies instituées (groupes professionnels, travail et mobilités sociales), elle combine différentes méthodes d’investigation : recueil et exploitation de données statistiques, observation et analyse de productions institutionnelles et entretiens avec des artisans sortants (âgés de 50 ans et plus) et entrants (installés depuis 3 à 5 ans) dans cinq communes de la Loire-Atlantique. Cette recherche révèle que le modèle du métier, quasi unique dans les années 1980, fait place à une variété de cas qui déstabilisent ce qui fondait la régulation du travail artisanal et la reproduction traditionnelle du groupe des artisans. Elle pointe en effet la variété dans les pratiques professionnelles, les savoirs mobilisés et dans les modes d’acquisition de ces savoirs. L’accès au statut d’artisan s’est aussi diversifié : des reconvertis (décrocheurs de l’Université ou ex-cadres) intègrent aujourd’hui le secteur des métiers. Contrairement à ce qui prévalait il y a une trentaine d’années, les artisans qui s’installent désormais ne sont majoritairement pas passés par un statut d’ouvrier et leurs parents sont plus souvent issus de catégories sociales moyennes et supérieures. On assiste finalement à un mouvement d’éloignement entre les classes populaires et les petits indépendants
This thesis analyses the modifications that occurred in the craftwork organization and in the access to the craftsman status since the 1980s’, moment when Sociology stopped taking this group as a research subject. Standing at the crossroads of several institutionalized sociologies (professional groups, labour and social mobility), it combines different methods of investigation : the collection and exploitation of statistics, the observation and analysis of institutions’ documents and interviews with outgoing (50 years old and more) and incoming (set up for 3 to 5 years) craftsmen in five Loire-Atlantique’s communes. This research reveals that the craft pattern, almost unique in the 1980s’, leaves place to a diversity of cases which destabilizes what used to found the craftwork’s regulation and the traditional reproduction of the craftsmen group. It shows indeed the variety in the professional practices, the knowledge mobilized and in the ways this knowledge is acquired. The access to the craftsman status has also been diversified : people who dropped out of University or ex-executives retrain in the craft area. Contrary to what prevailed about thirty years ago, craftsmen who set up from now on did not in the majority go through a worker status and their parents are more often from the middle or upper social classes. We are finally witnessing a growing distance between the working classes and the small self-employed workers
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Manenti, Paul. "Image de l'artisan dans le cinéma documentaire français des origines à 1960." Paris 3, 2002. http://www.theses.fr/2002PA030047.

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L'image de l'artisan dans le cinéma documentaire français des origines à 1960 a été approchée à partir : - d'une recherche bibliographique des événements (techniques, législatifs, sociologiques, économiques) marquants du cinéma (documentaire) français et de l'histoire de l'artisanat français sur cette période ; de l'analyse de deux cents films qui a permis de mettre en évidence :- les éléments formels récurrents (espace, commentaire, scénarisation, musique, bruits, montage, échelles et valeurs de plans, angles de prise de vues, effets spéciaux, utilisation de documents, poésie) - les éléments permanents du contenu (l'atelier, l'organisation sociale, la technique, l'esprit du travail, la main, l'outil, le geste, l'inscription du travail dans la durée, le rapport au passé, la modernité, l'artisanat et l'industrie, pédagogie et apprentissage, propagande, grandeur de la France, unicité de la production, artisan et artiste, symbolisme et connotations religieuses, rapport à la nature, savoir mystérieux, naissance de l'œuvre. . . ). .
The craftsman's image in the French documentary cinéma from the origins to 1960 was approached from : - a bibliographical research of the events (technics, législatives, sociologicals, économicals) which have highligthed the French documentary cinéma as well as the history of the French craftsmen all along this périod of time, - The analysis of two thousend movies which have lay the stress upon : - The formal recurrent elements (space, commentary, scriptwritering, music, noise, editing, scales and values ground, oints of view, special effects, use of documents, poetry) - The permanent elements of the contents (the workshop, the social organization, the technique, the spirit of the work, the hand, the tool, the gesture, the registration of the work in the duration, the report to the past, the modernity, the craft and the industry, pedagogy and learning, propaganda, greatness of France, uniqueness of the production, artisan and artist, symbolism and religious connotions, relation to nature, mystérious knowledge, birth of the pièce of art. . . ). .
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Books on the topic "Artisansz"

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Samalavičius, Stasys. VILNIAUS MIESTO KULTŪRA IR KASDIENYBĖ XVII-XVIII AMŽIUOSE. Vilnius: Leidykla "Edukologija", 2011.

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Jani, V. K. Rural artisan and modernization: A study of artisans of Saurashtra. Jaipur: Illustrated Book Publishers, 1994.

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Massé, Ginette. L' industrie des métiers d'art: Résultats de l'enquête auprès des artisanes et artisans entrepreneurs. [Québec]: Gouvernement du Québec, Ministère de la culture, Direction de la recherche scientifique, 1992.

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Kalman, Bobbie. Early artisans. Toronto: Crabtree Pub., 1992.

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Kalman, Bobbie. Early artisans. Toronto: Crabtree Pub., 1992.

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Kalman, Bobbie. Early artisans. Toronto ; New York: Crabtree Pub., 1989.

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Dhar, D. N. Artisan of the paradise: Art and artisans of Kashmir, from ancient to modern times. New Delhi: Himalayan Research and Cultural Foundation, & Bhavana Books and Prints, 1999.

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Hohti Erichsen, Paula. Artisans, Objects and Everyday Life in Renaissance Italy. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463722629.

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Did ordinary Italians have a ‘Renaissance’? This book presents the first in-depth exploration of how artisans and small local traders experienced the material and cultural Renaissance. Drawing on a rich blend of sixteenth-century visual and archival evidence, it examines how individuals and families at artisanal levels (such as shoemakers, barbers, bakers and innkeepers) lived and worked, managed their household economies and consumption, socialised in their homes, and engaged with the arts and the markets for luxury goods. It demonstrates that although the economic and social status of local craftsmen and traders was relatively low, their material possessions show how these men and women who rarely make it into the history books were fully engaged with contemporary culture, cultural customs and the urban way of life.
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Babin, Ronald, and Pierre Dufresne. Artisans de paix. Ottawa: Novalis, 1986.

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M, Brownstone David, ed. Artists and artisans. New York, N.Y: Facts on File, 1987.

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Book chapters on the topic "Artisansz"

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Lancy, David F. "Young Artisans." In Anthropological Perspectives on Children as Helpers, Workers, Artisans, and Laborers, 131–58. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-53351-7_5.

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Heimmermann, Daniel. "Patron Leather Artisans." In Work, Regulation, and Identity in Provincial France, 149–70. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137438591_7.

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Vanita, Ruth. "Servants, Vendors, Artisans." In Gender, Sex, and the City, 97–114. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137016560_4.

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Smith, Pamela H. "Epistemology, Artisanal." In Encyclopedia of Renaissance Philosophy, 1–9. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-02848-4_1182-1.

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Swenarton, Mark. "Ruskin and ‘The Nature of Gothic’." In Artisans and Architects, 1–31. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19648-7_1.

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Swenarton, Mark. "Philip Webb: Architecture and Socialism in the 1880s." In Artisans and Architects, 32–60. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19648-7_2.

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Swenarton, Mark. "The Architectural Theory of William Morris." In Artisans and Architects, 61–95. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19648-7_3.

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Swenarton, Mark. "W. R. Lethaby and the Fabians." In Artisans and Architects, 96–125. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19648-7_4.

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Swenarton, Mark. "Raymond Unwin: The Education of an Urbanist." In Artisans and Architects, 126–66. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19648-7_5.

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Swenarton, Mark. "A. J. Penty and the Building Guilds." In Artisans and Architects, 167–88. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19648-7_6.

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Conference papers on the topic "Artisansz"

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Jankova, Liga, Andrejs Lazdins, Madara Dobele, and Aina Dobele. "Topicality of crafts in the development of Jelgava old town quarter." In 21st International Scientific Conference "Economic Science for Rural Development 2020". Latvia University of Life Sciences and Technologies. Faculty of Economics and Social Development, 2020. http://dx.doi.org/10.22616/esrd.2020.53.019.

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The development of small towns in Latvia is strongly affected by the growth of the tourism industry. New tourism products and sightseeing objects are created to develop local tourism and increase the number of visitors to cities/regions owing to municipal support. It has been found that in artisanal quarters, product sales and educational masterclasses create a new added value for tourism, thereby contributing to the sustainable development of the area. The first part of the research explained the role of crafts and artisans in urban development. The second part of the research performed a comparison of the operational patterns of current houses and centres of crafts, conducted an expert survey of administrators of the houses and centres of crafts and identified the demand for artisan products by the population and their interests in the development of the Jelgava Old Town street quarter. The research has concluded that in order for crafts to survive, national and local government support is needed for creating houses, centres, quarters and streets of crafts, improving the infrastructure for artisans to work and for tourists to visit them. Municipalities need to develop and implement a policy and a programme for craft development. Crafts have transformed into the cultural industry and in many autonomous communities, the craft competences have merged with tourism and contributed to a broad supply of products and have become important for the development of the area. Overall, the number of visitors to some Jelgava city tourism facilities increased in 2018, yet the total number of visitors decreased. This indicates that the city needs new local tourism facilities. Four operational patterns of houses and centres of crafts were identified in Latvia. Crafts as an important and supportive activity to be developed are incorporated in a number of European, national, Zemgale planning region, Jelgava city and region development strategies and programmes, thereby emphasizing the support needed for traditional artisan activities. Respondents highly rated the need for a house of crafts in the Jelgava Old Town street quarter – 45% expressed very convincing opinions, while 42% rated it as average. The main benefits in the context of craft functions pertain to the cultural and historical heritage and social value. Further research studies are needed to analyse the economic and creative/innovative functions of crafts.
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O'Day, Vicki L., and Robin Jeffries. "Information artisans." In the conference. New York, New York, USA: ACM Press, 1993. http://dx.doi.org/10.1145/168555.168566.

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"The Cultivation Path of Artisans in Applied Institutes." In 2018 International Conference on Educational Technology, Training and Learning. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/icettl.2018.71114.

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Kibe, Lucy. "Knowledge sharing techniques amongst "Jua kali" artisans in Kenya." In KMO '16: The 11th International Knowledge Management in Organizations Conference. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2925995.2926042.

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Herrera, Pablo C. "Scripting and Digital Fabrication in Artisanal Processes: The Case of South America." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.64.

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Since the last decade, South America experiments the implementation of scripting and digital fabrication, along with architects interested in establishing synergies with artisans, inside the context of cases linked to experiences a) formative, b) academic, and c) practical. The objective of this research was to identify processes for implementation and improvement of tools and instruments, analyzing the relationship and ways in which local traditions are being preserved, while being customizable and transcending into global markets.
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Rao, Bharat, and Ashwin Goutham Gopi. "Investigating the value chain of modern artisanal innovation." In 2016 Portland International Conference on Management of Engineering and Technology (PICMET). IEEE, 2016. http://dx.doi.org/10.1109/picmet.2016.7806779.

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de Goes, R. E., M. Muller, and J. L. Fabris. "Rapid detection of methanol in artisanal alcoholic beverages." In International Conference on Optical Fibre Sensors (OFS24), edited by Hypolito J. Kalinowski, José Luís Fabris, and Wojtek J. Bock. SPIE, 2015. http://dx.doi.org/10.1117/12.2193764.

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Foster, Derek, Ben Kirman, Conor Linehan, and Shaun Lawson. "The role of social media in artisanal production." In AcademicMindtrek'17: Annual Academic Mindtrek Conference. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3131085.3131117.

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Mazzarella, Francesco, Carolina Escobar-Tello, and Val Mitchell. "Moving Textile Artisans’ Communities towards a Sustainable Future – A Theoretical Framework." In Design Research Society Conference 2016. Design Research Society, 2016. http://dx.doi.org/10.21606/drs.2016.140.

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Hassanin, Leila. "Egyptian women artisans: Struggling to face the demands of modern markets." In 2008 IEEE International Symposium on Technology and Society (ISTAS). IEEE, 2008. http://dx.doi.org/10.1109/istas.2008.4559772.

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Reports on the topic "Artisansz"

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Dixon, M. C. The Artisanal Nuke. Office of Scientific and Technical Information (OSTI), February 2014. http://dx.doi.org/10.2172/1121415.

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Y.K., Nchanji, Tataw O., Nkongho R.N., and Levang P. Artisanal Milling of Palm Oil in Cameroon. Center for International Forestry Research (CIFOR), 2013. http://dx.doi.org/10.17528/cifor/004378.

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Goel, Supriya. Energy Modeling for the Artisan Food Center. Office of Scientific and Technical Information (OSTI), May 2013. http://dx.doi.org/10.2172/1179532.

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Ott, Robert, and Wendy Cukier. Artisanal Fashion Design: Entrepreneurs on Thinking, Process, and Decision Making. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-470.

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Ramkumar, Bharath, and Rebecca Dias. Sustaining Indigenous Textile Artisans and Their Art in the North Eastern Region of India. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8330.

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Walter Chin, Walter Chin. Decreasing the Risk of Death and Diving Injuries in Artisanal Fishermen. Experiment, September 2013. http://dx.doi.org/10.18258/1303.

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Katherine Markham, Katherine Markham. Amphibian Vulnerability to Artisanal and Small-Scale Gold Mining in the Peruvian Amazon. Experiment, April 2016. http://dx.doi.org/10.18258/6995.

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Hawley, Jana M., and Mary A. Littrell. Trash or Treasure! Opportunities and Challenges for Artisan Enterprise from Recycled Waste. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1336.

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G., Lescuyer, Hubert D., Maïdou H., Mendoula E.E., and Awal M. Le marché domestique du sciage artisanal en République Centrafricaine: État des lieux, opportunités et défis. Center for International Forestry Research (CIFOR), 2014. http://dx.doi.org/10.17528/cifor/004387.

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K.N., Funoh. The impacts of artisanal gold mining on local livelihoods and the environment in the forested areas of Cameroon. Center for International Forestry Research (CIFOR), 2014. http://dx.doi.org/10.17528/cifor/005089.

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