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Relevant bibliographies by topics / Artist's books / Dissertations / Theses

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Dissertations / Theses on the topic 'Artist's books'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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1

Wallace, William. "Austin Osman Spare : the artist's books (1905-1927)." Thesis, University of Kent, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357264.

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2

Douglas, James Maxwell Art College of Fine Arts UNSW. "Pictures and page numbers - image, text and formal structure in the visual book and the artist's book." Awarded by:University of New South Wales. School of Art, 2005. http://handle.unsw.edu.au/1959.4/23945.

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Within the realm of artists' book works there are few that could not be said to display a fundamental concern with the physicality of the book. The mechanics of page turning are integrally implied in any artist's decision to utilise the book form. Indeed, artists' books emphasise the ability of book forms, and of text and language, to acquire meaning through form and structure alone. The physical and conceptual mechanics, or syntax, of the book - whose basis lies as much in the formal, functional dictates of the book's material characteristics, as in centuries of entrenched tradition in page l

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3

Edholm, Rosalie. "Portrait: A Graphic Novel and Artist's Book." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/scripps_theses/24.

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At this exact moment, graphic novels are enjoying a heyday of popularity, profusion and attention. As the graphic novel medium matures and detaches itself from the “non-serious” reputation of comics, it is becoming clear that graphic novels are a powerful and effective art form, using the both verbal and the visual to relay their narratives. Portrait, the short graphic novel that is my senior art project, is intended to emphasize the artist’s book character of the graphic novel, and serve as an example of how a graphic novel’s artist’s book characteristics allow communication of the artist’s

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4

Batey, Jacqueline. "The safe cigarette : visual strategies of reassurance in American advertisements for cigarettes, 1945-1964." Thesis, University of Brighton, 2003. https://researchportal.port.ac.uk/portal/en/theses/the-safe-cigarette(a1dd0e71-ce49-4441-aab6-297bdd958c1c).html.

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This Practice-Based Ph.D. thesis is in two sections, the written element presented as a sequence of eight Fascicles, and the practical element presented as an inter-related set of nine Artist’s Books and Multiples. This thesis presents a series of Artist’s Books and Multiples of graphic expressions of anxiety, each informed by a comparative study presented as a sequence of Fascicles of the visual strategies used to advertise cigarettes in America in mass-circulation magazines between 1945 and 1964. The thesis is presented as a boxed object containing the eight Fascicles (each containing a Gate

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5

Grinols, Susan. "Mind states /." Online version of thesis, 1990. http://hdl.handle.net/1850/11308.

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6

Weilein, Lucia. "Transforming Narratives." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3079.

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Narrative, often considered synonymous with “story,” can be viewed from a structuralist perspective and analyzed independent of any particular content. Breaking narrative into categories of story and discourse, this autonomous structure makes possible a translation of content from one form to another. The various media and form types common in graphic design can serve as both recipient and translator of narratives, converting content into a framework that includes the concept of craftsmanship, aesthetic components and specifications, legibility and composition, and the physical form of the des

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7

Emslie, Anne. "Art and book : a commentary on artists' books." Thesis, Stellenbosch : Stellenbosch University, 2007. http://hdl.handle.net/10019.1/50684.

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The thesis spans two volumes ... Volume two is an artist's book and although it is part of the project I have set myself, it is not being submitted with the theoretical component of the MA dissertation, but as part of the practical component.' -- Abstract.<br>Thesis (MA)--Stellenbosch University, 2007.<br>ENGLISH ABSTRACT: The thesis investigates the contemporary practice of book art, examining in particular the manner in which it fits both into the tradition of the book and the tradition of art making. The thesis spans two volumes. Volume One discusses the phenomenon of the artist's book

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8

Harel-Vivier, Mathieu. "Photographies, abstraction et réalité : l'agencement comme processus artistique." Thesis, Rennes 2, 2014. http://www.theses.fr/2014REN20025/document.

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Construite à partir des questions soulevées par le travail artistique de l’auteur, cette thèse examine le rapport qu’entretiennent certains artistes, essentiellement contemporains, avec la réalité de l’image photographique, sa capacité à produire une abstraction et à s’inscrire dans un agencement. Considérée selon un double point de vue, la notion d’agencement apparait ici d’une part comme le processus de l’artiste qui travaille avec des images,et d’autre part comme une forme d’organisation qui favorise une diversité de relations entre les images, àla façon de constellations. La première parti

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9

Aly, Islam Mahmoud Mohamed. "Historical book structures and artists' books as a teaching tool." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/3040.

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This study focuses on developing a book arts curriculum as a tool for teaching about creativity and problem solving. The curriculum's ultimate goal is to introduce and emphasize book arts as an expressive and powerful medium to future teachers and artists. Book arts will be used to offer potentialities for collaborative, learner-centered instruction. Students will create structures and artists' books from their experience, their learning will emerge from personal interactions with the structures and artists' books presented. The curriculum is planned into three modules, each module containing

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10

Aly, Islam Mahmoud Mohamed. "Using Historical Bindings in Producing Contemporary Artists' Books." Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/4811.

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I regard the culturally rich bookbinding as formats that hold great meaning; I made models of books that existed in different cultures through the history of the book. I became interested in how each structure had unique features and how the books themselves transmitted knowledge about their form. This interest in bookbinding formats led me to explore ways to add content to The binding plays a powerful role in producing my artist's books, the look and presence of these bindings is an integral part of my work and they are linked to the

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11

Grazziano, Gustavo. "Códice: o tempo em suspensão." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-01062017-161736/.

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Refletindo sobre uma sensação de leveza e dilatação da passagem temporal, a pesquisa elabora a expressão \"tempo suspenso\" e analisa de que maneira essa singular percepção pode ser transmutada em códices. Para sua compreensão, dialoga sobretudo com duas produções artísticas: Em busca do tempo perdido (1908-1922), de Marcel Proust, e A última tempestade (1991), de Peter Greenaway. A primeira foi escolhida por discutir uma sensação como estopim para a elaboração de uma poética. A segunda, por colocar o códice artesanal como receptáculo de um assunto. O campo formado pelas duas referências aglu

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12

Maher, Kimberly A. "Two lives." Thesis, University of Iowa, 2014. https://ir.uiowa.edu/etd/1358.

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13

Nannini, Priscilla Barranqueiros Ramos 1972. "Palavra e imagem : possíveis diálogos no universo do livro de artista /." São Paulo, 2016. http://hdl.handle.net/11449/139484.

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Orientador: Omar Khouri<br>Banca: José Spaniol<br>Banca: Rita Luciana Berti Bredariolli<br>Banca: Maria dos Prazeres Santos Mendes<br>Banca: Júlio César Mendonça<br>Resumo: O objetivo desta pesquisa é encontrar os possíveis diálogos entre palavra e imagem, dentro da Poesia Visual, Artes e Design. A proposta é realizar entrelaçamentos entre a palavra e imagem nessas linguagens, buscando encontros e desencontros, usando como fio condutor dessas reflexões a produção de Livros de Artista feitos por Mira Schendel, Lygia Pape, Edith Derdyk e do poeta visual Ronaldo Azeredo, que trabalharam a relação

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14

Zussman, Na'ama. "Artists' Books---Both Map and Territory." Thesis, The George Washington University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=1590433.

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<p> The field of artists' books is a realm in which a phenomenon is mapped and territorialized. This is based on the human necessity to map the world and have a better grasp of it. Additionally, it is constructed on the understanding of the history of the book’s physicality as an important emblem in civilization. An artist’s book is an isolated realm, both a map and a territory. It is closed in itself, and has its own rules and dynamics, yet carries varied affinities with the outside world.</p>

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15

Eason, Andrew Clark. "Becoming what the book makes possible : aspects of metaphorisation of identity and practice through artists' books." Thesis, University of the West of England, Bristol, 2010. http://eprints.uwe.ac.uk/18767/.

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16

Pestana, Fernanda Cristina Martins 1985. "Livro : material da dobra e do labirinto /." São Paulo, 2019. http://hdl.handle.net/11449/183356.

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Orientador(a): Agnus Valente<br>Banca: Susana Oliveira Dias<br>Banca: Carolina Cantarino Rodrigues<br>Banca: Omar Khouri<br>Banca: José Paiani Spaniol<br>Resumo: Livro: material da dobra e do labirinto pretende testar o fazer de um objeto livro, por entre experimentações e procedimentos artísticos (gráficos, plásticos e digitais), em aproximação com os conceitos de dobra e labirinto do filósofo pós-estruturalista Gilles Deleuze (1991). A inspiração para esta proposta foi a minha dissertação de mestrado intitulada Objetos e afetos (2014, IEL-Labjor, Unicamp), na qual experimentei dar visibilida

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17

Pagan, Candida. "Pathways to new understanding." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1717.

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The conceptual foundation for my creative thesis work is based in research into the development of science, particularly the field of cosmology, and its related visual vocabulary. Three interrelated projects encompass my interests in unique artists' books and variable editions, research based projects, codified presentation of data, and universal interconnectedness, or oneness in all things, that was at the heart of medieval cosmology and is embraced by some 21st century subcultures. The thematic timeline of the artwork spans developments in the Early Middle Ages related to astronomy and cosmo

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18

Desjardin, Arnaud. "The Everyday Press : an artists' books imprint." Thesis, Kingston University, 2011. http://eprints.kingston.ac.uk/22526/.

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In short, I would argue that our notion of the artist's book came about not through a singular definitive change in the practical mode with which an artist might choose to express himself, as for instance in the familiar Marxist model of greater distribution and economy of the art object through mass-production, but rather in a fundamental and decisive change in the consciousness of both author and reader as a concrete corollary of many different factors. Thus the difficulty of defining precisely what sort of classification one should impose or how to exclude, include or segregate into categor

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19

Farman, Nola. "The humours of the artists' book." View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/25097.

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Thesis (Ph.D.)--University of Western Sydney, 2007.<br>A thesis submitted to the University of Western Sydney, College of Arts, Writing and Society Research Group in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographical references.

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20

Levy, Judith A. "Thesis documentation /." Online version of thesis, 1988. http://hdl.handle.net/1850/11330.

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21

Bodman, Sarah. "Towards a community of artists' books : extending international knowledge and debate in the field of artists' books through practice-research." Thesis, University of the West of England, Bristol, 2018. http://eprints.uwe.ac.uk/34118/.

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The field of activity in artists’ books – artworks in the form of a book - has evolved over the last sixty years into a significant, international contemporary arts practice. Many artists, especially those new to the field, search for the means of situating their practice and extending their knowledge. Artists seek answers on how and where they can connect with other practitioners, increase their knowledge of, and place themselves within the international field. They need to know how and where they can learn to create, market, exhibit, contextualise and sell their work to the public. These nee

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22

Ahlbom, Katinka. "Från konstverk till dokument. Artists books och bibliotek." Thesis, Uppsala University, Department of ALM, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-101847.

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23

Sheah, Julie. "Reading Dreams| Representation of Dreams Through Artists' Books." Thesis, The George Washington University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1591082.

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<p> Within pages and spreads, a reader can sometimes experience someone’s stream of consciousness. The book’s narrative, images, prose, and other components can break free from the parameters of a conventional book, unbound by the rules of formatting styles, grammar, and narrative. An artists’ book is free to be confusing, delightful, and horrifying. When creating an artists’ book to represent a dream, the difficulty of solidly recounting images and events that existed only in my mind creates a barrier between the reader and me. This barrier makes me feel inarticulate a

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24

Baker, Donna Tsuruda. "The artistic and sociological imagery of the merchant-banker on the book covers of the Biccherna in Siena in the early Renaissance /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/6244.

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25

Kohashi, Andrea Aya. "A question of efficiency." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1666.

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26

Friedman, Sara A. "The Legacy of Lynd Ward in Contemporary Artists' Books." Thesis, The George Washington University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10113266.

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<p> Lynd Ward, an American Expressionist artist, and “father of the graphic novel,” helped shape the conventions of contemporary artists’ books. His legacy has influenced the direction beyond the graphic novel in areas such as the use of Expressionism and printmaking in the artists’ book, breaking graphic conventions, and using the artists’ book to convey a socio-political commentary. This paper will explain his influence and legacy by comparing his work to four contemporary artists’ books. Ward’s work, however, has only recently been recognized as a s

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27

Bader, Barbara. "Modernism and the order of things: a museography of books by artists." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491587.

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28

Hartzell, Robert S. Stealey Josephine M. "Polite conversations provoking dialogue through community interaction /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2008. http://hdl.handle.net/10355/5654.

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Thesis (M.F.A.)--University of Missouri-Columbia, 2008.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on September 2, 2008) Vita. Includes bibliographical references.

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29

Moreschi, Bruno 1982. "Art Book : a construção de uma enciclopédia de artistas." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285264.

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Orientador: Lygia Arcuri Eluf<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-25T21:32:40Z (GMT). No. of bitstreams: 1 Moreschi_Bruno_M.pdf: 3230662 bytes, checksum: 8bd825c129f981c4cf9b4a22628dac32 (MD5) Previous issue date: 2014<br>Resumo: Esta pesquisa propõe o estudo do processo de legitimação do autor e de suas obras nas artes visuais em duas frentes complementares de trabalho. A primeira, de natureza artística, é a criação de uma enciclopédia de artistas que, em um primeiro momento, não se difere de outras publica

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30

Cotten, Nicole. "Fool's gold." Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6086.

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Fool’s Gold is a collection of handmade books that illustrate selected Grimms’ fairy tales and offer an unexpected interpretation of the actions of the heroes. Each book displays a unique cover decoration, inspired by medieval European treasure bindings. Treasure bindings incorporate dimensional decorative elements such as gems, gold or other metalwork and often depict Christ's suffering. In a similar way, Fool's Gold beautifies the suffering of the protagonists using gold leaf, glass beads and lush

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31

Souza, Luis Alberto de. "O corpo marcado : imagens e narrativas de formação docente em arte, na construção de um livro de artista /." São Paulo, 2018. http://hdl.handle.net/11449/157094.

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Orientador: Maristela Sanches Rodrigues<br>Banca: Adriana Giarola Kayama<br>Banca: Joana Mariz de Sousa<br>Banca: Mônica Pedrosa de Pádua<br>Banca: Sandra Madureira<br>Resumo: Este texto é o resultado da pesquisa conduzida durante o curso oferecido pelo Programa de Mestrado Profissional em Artes (PROF-ARTES), no Instituto de Artes da UNESP/SP, cuja proposta é promover a reflexão acerca do processo de criação poética, tendo como base as narrativas de histórias de vida de um grupo de cinco professores de Arte da Rede de Ensino Municipal de São José dos Campos/SP. O artigo busca contribuir para a

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32

Cardoso, Tuscani. "The book and the rhizome : the implications of and alternatives to linear logic, with special reference to artist books." Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/96908.

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Thesis (MA)--Stellenbosch University, 2015.<br>ENGLISH ABSTRACT: This thesis entails an explorative and argumentative study that is concerned with the importance and relevance of artist books, as substantiated by art-historical research into the way in which people present, organize and interpret knowledge about their world as observed in the history of the ever-evolving book; as well as related critical and theoretical discussions surrounding language and art. The structure of the thesis is based on the triadic treatment of book types as presented in philosophers Deleuze and Guatta

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33

Manwiller, Christine Marie. "Investigations into botanical contact printing (where the light meets the trees; thirteen variations)." Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6194.

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Investigations in Botanical Contact Printing (Where the Light Meets the Trees; Thirteen Variations) explores the process of botanical contact printing on paper, culminating in a series of thirteen handmade artist books. Each of the thirteen books contains a poem from a collection of thirteen poems written by Alice Yousef. Every element of the book: materials, structure, calligraphed text, type of botanical contact print, sometimes the enclosure, responds to the poem, providing a visual interpretation of the written word. The completely different approaches to binding structure in this series i

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34

Daniel, Leah. "Utamaro’s Picture Books: A Study in Cross-Cultural Artistic Aesthetic." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1428065911.

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35

Fiera, Katia Fernanda. "O espaço do papel e o papel do espaço na construção do livro do artista." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-24112015-102346/.

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Esta dissertação é o resultado de uma investigação sobre as relações entre a construção do livro de artista e sua possível presença na produção de instalações artísticas. Busquei compreender de que maneira a utilização do espaço acontece na arquitetura do livro e no espaço da instalação e relacioná-las. Para isso utilizei como corpus trabalhos meus anteriores ao processo deste mestrado, produzidos entre 2002 à 2012, somados a uma série de trabalhos que produzi durante este período e que apresento junto a este texto. Foram realizadas análises de obras de artistas que considero relevantes dentro

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Daly, Timothy Michael. "Towards a fugitive press : materiality and the printed photograph in artists' books." Thesis, Manchester Metropolitan University, 2016. http://e-space.mmu.ac.uk/617237/.

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The aim of my research is to demonstrate how a practice of hand made books based on the materiality of the photographic print and photo-reprography, could engage with notions of touch in the digital age. We take for granted that most artists' books are made from paper using lithography and bound in the codex form, yet this technology has served neither producer nor reader well. As Hayles (2002:22) observed: We are not generally accustomed to thinking about the book as a material metaphor, but in fact it is an artifact whose physical properties and historical usage structure our interactions wi

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McDowall, John Charles. "The time of reading : artists' books and self-reflexive practices in literature." Thesis, University of Leeds, 2018. http://etheses.whiterose.ac.uk/20652/.

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This project proposes that the reading of an artist’s book is one that may entail an experience that is distinctive to the medium, one that encompasses a shift of expectations of what a book is or does. That there is an awareness of the book held in the hands, and of its interactivity and deployment in time, and that this combination of tactile and cognitive negotiation of the mechanisms of the book’s structure, sequence and content make for a particularity of engagement. As a dialogical relationship, coming from a personal and infinitely variable experience of the book by its reader/viewer, t

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Silva, Helio Aparecido Lima. "Livro brinquedo de artista : uma biblioteca inventada." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285012.

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Orientador: Anna Paula da Silva Gouveia<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-10T16:29:35Z (GMT). No. of bitstreams: 1 Silva_HelioAparecidoLima_M.pdf: 4772014 bytes, checksum: 7d1caaa49f85dcfd639e267be07f6939 (MD5) Previous issue date: 2007<br>Resumo: A pesquisa intitulada Livro brinquedo de artista: uma biblioteca inventada teve por objetivo criar e pensar o livro de artista como objeto lúdico. Nesta trajetória a pesquisa fundamenta-se nos conceitos de livro de artista e brinquedo, estabelecendo um diálogo en

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O'Neill, Maureen. "The mystery of mapness : the void between mind and map." Thesis, University of Portsmouth, 2007. https://researchportal.port.ac.uk/portal/en/theses/the-mystery-of-mapness(2ba04379-cba4-45b9-afae-9a0c51c4868e).html.

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This thesis explores how our notion of mapness is related to our knowledge, reading and understanding of the complex visual language of the map, through an investigation of how we relate to the way maps look and the structures that underpin them.The processes of creating map-like artifacts through the author's own practice are reported upon and inform a drawing forth of historical, theoretical and practical perspectives that act In conjunction to influence the artistic and design expression to communicate mapness.

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Beltrão, Milena Ferreira Mariz. "Genética teatral na escola : o livro de encenação como elemento formativo." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/128915.

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Esta dissertação trata sobre o potencial formativo dos registros durante o processo criativo da encenação em sala de aula. O trabalho parte dos estudos da crítica genética literária, por meio do pensamento de Cecília Almeida Salles, e da Genética Teatral, a partir do pensamento de Josette Féral e Almuth Grésillon sobre a problemática lançada de como fazer os registros em teatro. Esta pesquisa problematiza a efemeridade da encenação diante do processo de registro. A partir disso, é utilizado o processo de montagem do espetáculo A História Secreta da Lua, de autoria da pesquisadora, releitura do

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von, Schantz Tylestam Maria. "Eva Klasson : En analys av verk, karriär och reception." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-24370.

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The Swedish photographer and artist Eva Klasson, based in Paris in the 1970s, gained attention for her series of black-and-white photography of her own naked body, which opened up for an international artistic career in the late 1970s. Despite a promising career she however abandoned photography and disappeared from the artistic sphere only a few years after her debut. There has been a renewed interest in Klasson’s work in Sweden the last decade where she has been exhibited at museums and galleries. Today she is represented at art museums and institutions including Moderna Museet, The Modern M

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Brandon, Katie Emily. "A writerly reading of art : theories of authorship and artists' books, 1960-1980." Thesis, University of Manchester, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.505486.

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Little, Laura. "A practice-based exploration of the relationship between artists' books and children's picturebooks." Thesis, Anglia Ruskin University, 2015. http://arro.anglia.ac.uk/701519/.

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This thesis presents a practice‐based exploration of the relationship between narrative and the use of the book form in artists’ books and children’s picturebooks, placing emphasis on the experiential qualities of the physical book. Most of the academic literature on the relationship between artists’ books and children’s picturebooks focuses on the finished book. Taking a practice‐based perspective, I approached this project as a book artist and explored my attempts to make a children’s picturebook. My analysis of the creation of a series of books contextualised with a discussion of literature

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Addison, Rosemary Catharine. "Women artists and book illustration in Edinburgh, 1886-1945." Thesis, Heriot-Watt University, 2004. http://hdl.handle.net/1842/26313.

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This thesis documents a range of visual and textual records of women artists and illustrators in Edinburgh (1886-1945). It considers how women trained and applied skills to illustrate unique and multiple images for Edinburgh's printing and publishing houses. Research by Dr Elizabeth Cumming into the Arts and Crafts Movement in Edinburgh, studies by Professor Janice Helland of Professional Women Artists in Scotland and work by Professor Sian Reynolds into the cultural industries in Edinburgh, provide fundamental models of enquiry into women's occupations in this period. The following chapters d

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Kealy-Morris, Elizabeth. "The artist's book : making as embodied knowledge of practice and the self." Thesis, University of Chester, 2016. http://hdl.handle.net/10034/620375.

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The initial research questions for this practice-based doctoral research project was to ask, "Is it possible to develop a more confident, self-conscious creative voice able to articulate one's identity more clearly through the making of handmade artefacts?"; this thesis applies the methodologies of autoethnography and pedagogy to consider an answer. My original contribution to knowledge through this enquiry is the identification of the ways in which the exploration of identity through autoethnographic, creative and pedagogic methods encourages an expanded field of self-knowledge, self-confiden

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Bork, Debora J. "History and criticism of photographically illustrated children's books /." Online version of thesis, 1988. http://hdl.handle.net/1850/11490.

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Willis, Fleming Harry. "Artist, tower, books : the memory theatre of Richard Cockle Lucas." Thesis, Middlesex University, 2016. http://eprints.mdx.ac.uk/21400/.

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Richard Cockle Lucas (1800-1883) has been remembered for forging a Leonardo and marrying a fairy. This distorting vision, juxtaposed with his protean versatility and originality, makes Lucas an awkward subject for historiography to get a hold on. Lucas was a sculptor, printmaker, photographer, model maker, architect, performer, writer. From 1854, at Chilworth near Southampton he constructed two idiosyncratic Towers, each as his home, studio, gallery, and observatory. Proceeding from the thematic frame of Lucas as a tower builder and dweller, this study makes the first integrated examination of

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Alcântara, Cristiane Pereira de. "O autor entre o sujeito: modos de subjetivação no fazer do livro de artista." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-30052017-144619/.

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A partir da premissa de que a subjetivação seja o lugar do autor e baseados nos três domínios abordados na obra de Michel Foucault: Arqueologia, Genealogia e Ética, empreendemos uma investigação acerca dos modos de subjetivação de artistas, artistas gráficos e designers por meio dos elementos próprios da autoria, como as relações de saber, poder e o chamado cuidado de si (este último como parte do pensamento foucaultiano em torno da hermenêutica do sujeito). Instigava-nos entender o fator desencadeante para o estabelecimento de subjetividades que pareciam se dar a partir de uma teia de conduta

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Slattery, Erin Ferretti. "The book of moonlight /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1421159.

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Ciommo, Iris Di 1950. "Permanências e rupturas de um suporte : livro de artista, estudo de casos." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285327.

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Orientador: Haroldo Gallo<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-27T09:44:40Z (GMT). No. of bitstreams: 1 Ciommo_IrisDi_M.pdf: 66739262 bytes, checksum: 4bb13dc79c986c252c55aee4a90802c6 (MD5) Previous issue date: 2015<br>Resumo: Nesta pesquisa estudo e analiso alguns exemplares de livros de artista dos artistas plásticos Luise Weiss e Feres Khoury. Para tanto, a pesquisa detém-se, inicialmente, no estudo da evolução do objeto livro, arquetípico e tracional e as transformações ocorridas em sua forma e na concepç

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