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Books on the topic 'Artist's writings'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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1

Davids, Betsy. Artists writing. Los Angeles: Alliance for Contemporary Book Arts, 1994.

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2

Miguel, López-Remiro, ed. Writings on art. New Haven: Yale University Press, 2006.

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3

Schiele, Egon. Egon Schiele: In celebration of the 100th anniversary of the artist's birth and the publication of Egon Schiele: The Complete Works. New York, N.Y: Galerie St. Etienne, 1990.

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4

Low tide: Writings on artists' collaborations. [London]: Black Dog Pub., 1997.

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5

Degas, Edgar. Degas by himself: Drawings, prints, paintings, writings. Edison, N.J: Chartwell Books, 1994.

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6

Degas, Edgar. Degas by himself: Drawings, prints, paintings, writings. Boston, MA: Little, Brown & Co., 1994.

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7

Richard, Kendall, ed. Degas by himself: Drawings, prints, paintings, writings. Boston: Little, Brown, 1987.

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8

Degas, Edgar. Degas by himself: Drawings, prints, paintings, writings. London: Macdonald Orbis, 1987.

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9

Koh, Jolly. Artistic imperatives: Selected writings and paintings. Petaling Jaya, Selangor Darul Ehsan: Maya Press, 2004.

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10

Grande, John K. Art allsorts: Writing on art & artists. [Montréal]: Random Tree Editions - Go If Press, 2008.

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11

Fabrice, Hergott, ed. Jean Dubuffet: Works, writings and interviews. Barcelona: Polígrafa, 2006.

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12

Twentieth-century artists on art: An index to artists' writings, statements, and interviews. Boston, Mass: G.K. Hall, 1985.

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13

La ruse de l'innocence: Chronique d'une sculpture perceptive. Dijon: Les Presses du réel, 1997.

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14

Picasso, Pablo. Écrits. [Paris]: Réunion des musées nationaux ; Gallimard, 1989.

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15

Monterosso, Jean-Luc, writer of preface, Le Thorel-Daviot Pascale editor, and France. Ministère de la culture et de la communication, eds. Écrits. Paris: Beaux-arts de Paris éditions, 2013.

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16

Florenskai︠a︡, O. Dvizhenie v storonu knigi: Teksty s kartinkami, rasstavlennye strogo v khronologicheskoĭ posledovatelʹnosti. Sankt-Peterburg: Retro, 2002.

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17

Dvizhenie v storonu knigi: Teksty s kartinkami, rasstavlennye strogo v khronologicheskoĭ posledovatelʹn. Sankt Peterburg: Retro, 2002.

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18

Francesco, Alessandro De. Continuum: Writings on Poetry as Artistic Practice. Brooklyn, NY: punctum books, 2015.

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19

Bochner, Mel. Writings & interviews, 1965-2006. Cambridge, MA: MIT Press, 2008.

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20

Ellmann, Maud. The hunger artists: Starving, writing, and imprisonment. Cambridge, Mass: Harvard University Press, 1993.

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21

Ellmann, Maud. The hunger artists: Starving, writing, and imprisonment. Cambridge, Mass: Harvard University Press, 1993.

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22

Michael, Snow. The collected writings of Michael Snow. Waterloo, Ont: Wilfrid Laurier University Press, 1994.

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23

Cézanne, Paul. Cezanne by himself: Drawings, paintings, writings. Boston: Little, Brown, 1988.

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24

Marie-Laure, Bernadac, and Piot Christine, eds. Picasso: Collected writings. New York: Abbeville Press, 1989.

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25

Marie-Laure, Bernadac, and Piot Christine, eds. Picasso Collected Writings. London: Aurum, 1989.

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26

Gallery, Ikon, and Bologna (Italy), eds. Giuseppe Penone: Writings 1968-2008. Bologna: Commune di Bologna, 2009.

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27

Baudrillard, Jean. Jean Baudrillard: Selected writings. Stanford, Calif: Stanford University Press, 1988.

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28

Wiley, Christopher, and Ian Pace, eds. Researching and Writing on Contemporary Art and Artists. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39233-8.

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29

Enrique Martínez Celaya: Collected writings and interviews, 1990-2010. Lincoln [Neb.]: University of Nebraska Press, 2010.

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30

1951-, Greenough Sarah, Hamilton Juan, and National Gallery of Art (U.S.), eds. Alfred Stieglitz, photographs & writings. 2nd ed. Washington, DC: National Gallery of Art, 1998.

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31

Saint-Phalle, Niki de. Traces: Une autobiographie : remembering 1930-1949. Lausanne: Acatos, 1999.

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32

Saint-Phalle, Niki de. Traces: An autobiography remembering 1930-1949, [autobiography, volume I]. Lausanne, Switzerland: Acatos, 1999.

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33

Bartomeu, Marí, and Witte de With, centrum voor hedendaagse kunst, eds. Writings on technology and culture. Rotterdam: Witte de With, Center for Contemporary Art, 2000.

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34

Alexander, Streitberger, ed. Situational aesthetics: Selected writings by Victor Burgin. Leuven: Leuven University Press, 2009.

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35

1904-1997, De Kooning Willem, ed. Willem de Kooning: Works, writings and interviews. Barcelona, Spain: Ediciones Polígrafa, 2007.

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36

William Morris: His art, his writings, and his public life : a record. London, England: Studio Editions, 1995.

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37

1962-, Hunt Ian, ed. Inclinations: Further writings and interviews. London: Frieze, 2006.

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38

Morgan, Stuart. Inclinations: Further writings and interviews. London: Frieze, 2006.

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39

Cheng, Jianzhong. Huzhou writing brush in China. Paramus, New Jersey: Homa & Sekey Books, 2015.

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40

Hometown, Texas: Young poets and artists celebrate their roots. Fort Worth, Tex: TCU Press, 2013.

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41

COMPAS (Organization). Writers & Artists-in-the-Schools Program, ed. Where laugh touches tears: Selected works from the COMPAS Writers & Artists-in-the-Schools Program. St. Paul, Minn: The Organization, 1991.

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42

Hans-Ulrich, Obrist, ed. The daily practice of painting: Writings and interviews 1962-1993. London: Thames & Hudson in association with Anthony d'Offay, 1995.

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43

Hans-Ulrich, Obrist, ed. The daily practice of painting: Writings and interviews, 1962-1993. Cambridge, Mass: MIT Press, 1995.

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44

Sean Scully: Resistance and persistence : selected writings. London: Merrell, 2006.

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45

Tucker, Cynthia Grant. Spirited Threads : A Fabric Artist's Passion for Life : The Art and Writings of Patricia Cline. Sibyl Publications, 1997.

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46

Jaworski, Adam. Language Ideologies in the Text-Based Art of Xu Bing. Edited by James W. Tollefson and Miguel Pérez-Milans. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190458898.013.34.

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Abstract:

Contemporary art has been a site of intense linguistic production for several decades. Visual artists experiment with new ways of displaying or enframing language that contest or subvert dominant language ideologies. Thus artists produce new regimes of language that regulate or unsettle moral or political visions, shaping attitudes and behaviour. The works of the contemporary artist Xu Bing, as well as interpretations of his work by the artist and commentators, demonstrate how artistic production and criticism contribute to language ideological debates about Chinese—in particular, about Chinese writing—and the nature of language more broadly. This chapter discusses aspects of Xu Bing’s biography and artistic practice related to his use of language. It discusses the language ideological positions underpinning four of his major works. It concludes with reflections on what language policy and planning scholars might learn from extending the scope of their interest to text-based art.

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47

Video Writings by Artists. Mousse Publishing, 2018.

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48

Balafrej, Lamia. The Making of the Artist in Late Timurid Painting. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474437431.001.0001.

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This book constitutes the first exploration of artistic self-reflection in Islamic art. In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist’s likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist’s imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist’s signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed. In addition, each chapter explores a different theme: how painters challenged the conventions of royal representation (chapter 1); the role of writing in painting, its relation to ekphrasis and the context of the majlis (chapter 2); image, mimesis and potential world (Chapter 3); the line and its calligraphic quality (Chapter 4); signature (Chapter 5); the mobility of manuscripts (epilogue).

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49

(Foreword), Yve-Alain Bois, ed. Solar System & Rest Rooms: Writings and Interviews, 1965–2007 (Writing Art). The MIT Press, 2008.

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50

Eduardo Chillida: Writings. Richter Verlag, 2011.

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