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Journal articles on the topic 'Artist – Florida'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Beitiks, Meghan Moe. "Pulse: Entanglements of air and light in pandemic academia." Technoetic Arts 19, no. 3 (2021): 295–99. http://dx.doi.org/10.1386/tear_00070_1.

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2

Kabat, Alan R. "Richard Frederick Deckert (1878–1971), Florida naturalist and natural history artist." Archives of Natural History 39, no. 2 (2012): 321–37. http://dx.doi.org/10.3366/anh.2012.0098.

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Richard Deckert (born in Germany in 1878, immigrated to New York in 1887, died in Florida in 1971) was a polymath with great enthusiasm and wide ranging interests in natural history. His collections and publications did much to document the reptiles, amphibians, and land snails of Florida. His contributions to natural history illustration were equally important, as his carefully detailed line drawings and water colour paintings delineated the intricate details of snails, fishes, amphibians, and reptiles (particularly snakes and turtles), as well as fossil vertebrates, and were used in a wide r

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3

Thomas, Ada C. M. "From Zora Neale to Missionary Mary: Womanist Aesthetics of Faith and Freedom." Religions 14, no. 10 (2023): 1285. http://dx.doi.org/10.3390/rel14101285.

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In this essay, I discuss the art of Missionary Mary Proctor, a contemporary folk artist from Tallahassee, Florida, in the context of the literary aesthetics of the renowned twentieth-century anthropologist and writer Zora Neale Hurston. In comparing these Southern-born African American women artists, I argue that both are rooted in an aesthetic praxis deriving from their shared womanist ethics. My goal in this inquiry is to highlight the faith-based aesthetic traditions of African American women and reveal the manner in which discourses of freedom intertwine with literary and visual aesthetics

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4

Hernández, Robb. "Pretty in pink: David Antonio Cruz’s portrait of the florida girls." Journal of Visual Culture 19, no. 2 (2020): 232–45. http://dx.doi.org/10.1177/1470412920941901.

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Roused by the deaths of five African American transgender women in Florida in 2018, artist David Antonio Cruz intervenes in inaccurate media reports about these murders. Painting portrait of the florida girls in 2019, his diptych of significant scale and palette, confronts this senseless violence and challenges sensationalized coverage. This article centralizes his work arguing for the ways in which Cruz innovates transgender of color visibility through a queer of color critiquing of the portrait form and concerted use of a ‘blacktino’ optic. Ruminating on the combined tragedies of gun violenc

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5

LEWTHWAITE, STEPHANIE. "“Seeing in the Dark”: The Aesthetics of Disappearance and Remembrance in the Work of Alberto Rey." Journal of American Studies 51, no. 2 (2016): 591–621. http://dx.doi.org/10.1017/s0021875816000979.

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This article examines how contemporary Cuban American artists have experimented with visual languages of trauma to construct an intergenerational memory about the losses of exile and migration. It considers the work of artist Alberto Rey, and his layering of individual loss onto other, traumatic episodes in the history of the Cuban diaspora. In the series Las Balsas (The Rafts, 1995–99), Rey explores the impact of the balsero (rafter) crisis of 1994 by transforming objects left behind by Cuban rafters on their sometimes ill-fated journeys to the United States into commemorative relics. By play

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6

Mangan, Bridgid. "Illustrator Extraordinaire: Bechtel Fellow Enthralled by Arthur Rackham." Children and Libraries 15, no. 2 (2017): 13. http://dx.doi.org/10.5860/cal.15n2.13.

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These are the words of a young C. S. Lewis, who was deeply impressed by the “tender, flickering light of imagination”2 conveyed in the watercolor images by Rackham, the late nineteenth-century artist. Upon entering the Baldwin Library of Historical Children’s Literature at the University of Florida, I felt the same anticipation and excitement. There was a shelf of first-edition books, some signed by Rackham himself, awaiting my perusal. As a recipient of the 2016 Louise Seaman Bechtel Fellowship, I had been awarded an exceptional opportunity to explore the works of one of the most admired and

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7

Heep, Prof Hartmut, and Everett James Miller. "East/ West Political Allegories: Franz Kafka’s “A Hunger Artist” and Ye Si’s “Transcendence and the Fax Machine”." International Journal of Language, Literature and Culture 3, no. 6 (2023): 55–62. http://dx.doi.org/10.22161/ijllc.3.6.8.

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The world is witnessing the devastating consequences of historical injustices, misinformation, and the erosion of democratic institutions. As we navigate through a complex sociopolitical landscape, it becomes essential to recognize the power of allegory in reflecting upon and critiquing our society. One such allegory is Franz Kafka's short story "A Hunger Artist." This story is the perfect shidduch between themes of alienation, modernism, psychology, philosophy, and politics. The authoritarian and repressive nature of the Chinese communist government is the focus of the allegory “Transcendence

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8

Kridl Valkenier, Elizabeth. "V. V. Vereshchagin: Artist at War. By Vahan D. Barooshian. Gainesville: University Press of Florida, 1993. 216 pp. Illustrations. Bibliography. Index. $34.95, hard bound." Slavic Review 53, no. 2 (1994): 552–53. http://dx.doi.org/10.2307/2501310.

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9

riely, elizabeth gawthrop. "John James Audubon's Tastes of America." Gastronomica 11, no. 2 (2011): 29–37. http://dx.doi.org/10.1525/gfc.2011.11.2.29.

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John James Audubon (1785–1851), the ornithologist and artist, traveled widely through the great American wilderness searching for bird specimens to draw for what became The Birds of America (1827–38). He observed them closely in their natural environment, keeping detailed field notes and journals under difficult conditions. Out of curiosity and hunger, he often cooked and ate these birds after drawing them and wrote down how they tasted—another kind of evidence. The article concentrates on his written descriptions (lively, humorous, wry, or astonished) and tasting notes in the wild. Audubon tr

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10

Ratiu, Dan Eugen. "Art and Everyday Life in the City. From Modern Metropolis to Creative City." ESPES. The Slovak Journal of Aesthetics 10, no. 2 (2021): 183–204. https://doi.org/10.5281/zenodo.5866524.

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This paper addresses the relations between art and everyday life in the city from the vantage points of urban aesthetics and sociology, where the “city” refers as well to a normative world. The aim is to show how art/artistic life contributed to the normative change and new urban lifestyles. First, I focus on Baudelaire’s theory of beauty and life in modern metropolis or the city as “poetic object” and dandyism as an art of the self, seen as a crucial normative change: the emergence of new norms of excellence and art of living, such as creativity and self-fashioni

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11

Mihailova, Mihaela. "To Dally with Dalí: Deepfake (Inter)faces in the Art Museum." Convergence: The International Journal of Research into New Media Technologies 27, no. 4 (2021): 882–98. http://dx.doi.org/10.1177/13548565211029401.

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This essay focuses on the nascent symbiotic relationship between deepfakes and art museums and galleries, as demonstrated by three case studies. The first one, housed at the Dalí Museum in St Petersburg, Florida, is a life-size talking avatar of the artist generated from archival footage. The second one, Warriors by James Coupe, revisits Walter Hill’s 1979 film of the same name using deepfake algorithms to insert visitors’ faces into key scenes, sorting them into gangs based on data-driven analysis of their demographic and economic markers. Finally, Gillian Wearing’s fake ad, Wearing Gillian,

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12

Carr, Dawn, and Suzanne Smith Monroe. "LAUNCHING A NEW UNIVERSITY-BASED OPENING MINDS THROUGH ARTS PROGRAM." Innovation in Aging 8, Supplement_1 (2024): 463. https://doi.org/10.1093/geroni/igae098.1506.

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Abstract Florida State University launched the Opening Minds through Arts program in Fall of 2023 within the college of Social Sciences and Public Policy. The current model is based in a student internship program, in which students are able to earn up to three credit hours. The internship course includes one face-to-face, hour-long class per week with an instructor in which they complete course readings, watch videos, and listen to podcasts to learn about Alzheimer’s and Dementia related subjects, as well as research associated with art-based therapies and person-centered care models. Student

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13

Spennemann, Dirk H. R. "‘Your’s Truly’: The Creation and Consumption of Commercial Tourist Portraits." Heritage 4, no. 4 (2021): 3257–87. http://dx.doi.org/10.3390/heritage4040182.

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There is a long history of tourists substantiating their visits to a destination through the purchase of portraits that show them against a backdrop of the local setting. While its initial expression in the form of paintings was confined to the social elite who could afford to commission and sit for an artist, the advent of photography democratized the process, enabling the aspiring middle classes to partake in the custom. While some tourists took their own photographs, the majority relied on local photographers who offered their services in studio and open-air settings. Smaller-sized images,

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14

Gontarski, S. E. "Tennessee Williams’s Creative Frisson, Censorship, and the Queering of Theatre." New Theatre Quarterly 37, no. 1 (2021): 82–99. http://dx.doi.org/10.1017/s0266464x20000810.

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The world around Tennessee Williams in the 1960s, 1970s, and into the 1980s was changing at an astonishing pace, the cultural revolution of the period rendering most of his themes of sexual closeting and repression almost inconsequential. At least the entrenched cultural taboos against which he wrote seem to have disappeared by the mid-1960s and 1970s. In the 1980s, Broadway productions of his work grew infrequent, while those mounted tended to have short runs. He told interviewers from Theatre Arts magazine: ‘I think my kind of literary or pseudo-literary style of writing for the theatre is o

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15

Guedes-Bruni, Rejan Rodrigues, Maria Vitória DaMatta, Mariana Reis de Brito, Gabriel Paes da Silva Sales, and Ariane Luna Peixoto. "POETIC BLOSSOMS, RECORDS OF THE FLORA OF CARIRI IN CEARÁ IN THE WORKS OF THE POET PATATIVA DO ASSARÉ." Mercator 23, no. 2024 (2024): 1–19. http://dx.doi.org/10.4215/rm2024.e23017.

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Artistic expressions convey the perception, culture, and emotional dimensions of those who conceive, interact with, and transmit them. Patativa do Assaré, a popular poet, exemplifies this multifaceted grasp through his extensive work that portrays the landscape, culture, people, and history of the northeastern backlands. His book, "Sing There That I Sing Here - Philosophy of a Northeastern Troubadour," is the focus of this study. The aim was to identify common plant names, analyse them, and assess whether the poet could still draw inspiration from these plants today. The verses contain 2,639 c

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16

Carey-Kent, Paul. "Florian Slotawa." Artus 2011 - 2012: The Collector's Edition 32, no. 1 (2013): 122. http://dx.doi.org/10.1386/artus.32.1.122_1.

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17

Ural, Onur, Şua Sümer, Nazlım Aktuğ Demir, and Şeyma Çiftci. "A Case of Tuberculosis Septic Arthritis in the Knee Joint." Flora the Journal of Infectious Diseases and Clinical Microbiology 23, no. 4 (2018): 218–22. http://dx.doi.org/10.5578/flora.67410.

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18

Cooksey, Susan. "Two Works by Ghanaian Artists: The Harn Museum of Art University of Florida." African Arts 51, no. 3 (2018): 9. http://dx.doi.org/10.1162/afar_a_00412.

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19

Alkan Çeviker, Sevil, Özgür Günal, and Süleyman Sırrı Kılıç. "Septic Arthritis Caused By Granulicatella adiacens After Shoulder Surgery." Flora the Journal of Infectious Diseases and Clinical Microbiology 24, no. 2 (2019): 152–56. http://dx.doi.org/10.5578/flora.68071.

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20

Büyüktuna, Seyit Ali, Murtaza Öz, Caner Öksüz, and Mürşit Hasbek. "Septhic Arthritis Caused by Myroides odoratimimus: A Case Report." Flora the Journal of Infectious Diseases and Clinical Microbiology 26, no. 4 (2021): 778–81. http://dx.doi.org/10.5578/flora.20219627.

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21

Solga, Kim. "Vertical City: Staging Urban Discomfort." Canadian Theatre Review 136 (September 2008): 118–21. http://dx.doi.org/10.3138/ctr.136.021.

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When we set out to “stage” the city, just whose version of the city are we staging? As metropolitan centres around the world adopt the thinking of Richard Florida, the urban-policy’ theorist behind the now-ubiquitous “creative city” paradigm, civic politicians, arts administrators and private investors alike have begun to make the connection among wealth, clout and the power of performance. Thanks to Florida, it should be happy days for theatre artists in “creative” cities everywhere; in practice, things aren't always quite so rosy. In practice, an event like Toronto's high-profile Luminato fe

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22

Manchester, Ralph A. "Research in Performing Arts Medicine." Medical Problems of Performing Artists 30, no. 1 (2015): 66–67. http://dx.doi.org/10.21091/mppa.2015.1011.

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The field of performing arts medicine has grown significantly over the last few decades. While we still have a long way to go before we can confidently state that we know how to prevent and treat the maladies that interfere with artistic performance, we are making progress on several fronts. In preparation for giving one of the keynote addresses at the 2015 University of South Florida--Performing Arts Medicine Association Conference titled Caring for Artists and Arts that Heal, I reviewed the types of articles that have been published in Medical Problems of Performing Artists over the last 10

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23

KALEM, Mahmut, and Ercan ŞAHİN. "Comparison of Three Surgical Treatment Methods in Acute Septic Arthritis of the Knee in Adults." Flora the Journal of Infectious Diseases and Clinical Microbiology 23, no. 2 (2018): 64–72. http://dx.doi.org/10.5578/flora.66622.

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24

Rose, Suzanna. "Using live theatre to foster faculty inclusion." Open Access Government 39, no. 1 (2023): 320–21. http://dx.doi.org/10.56367/oag-039-10956.

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Using live theatre to foster faculty inclusion Florida International University’s Bystander Leadership™ programme has collaborated with professional live theatre artists to increase awareness of gender and race bias among faculty through evidence-based practices. Bystander Leadership™ uses live theatre to teach participants the five steps of bystander intervention and leadership. The first two steps are to notice and interpret when workplace interactions reflect gender or race bias. The US National Science Foundation ADVANCE program funds the AWED Theatre programme.

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25

Franklin, Jeffrey. "Florida." Hudson Review 45, no. 2 (1992): 277. http://dx.doi.org/10.2307/3852252.

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26

Eady, Cornelius. "Florida." Callaloo 22, no. 4 (1999): 1013. http://dx.doi.org/10.1353/cal.1999.0146.

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27

Mayhall, Jane. "Florida, 1984." Hudson Review 39, no. 1 (1986): 102. http://dx.doi.org/10.2307/3851626.

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28

Lewis, Mark. "Afterword: Florida Arabesque." Afterall: A Journal of Art, Context and Enquiry 48 (September 2019): 146–61. http://dx.doi.org/10.1086/706136.

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29

Kia. "Florida Afternoon." Cultural Studies ↔ Critical Methodologies 10, no. 1 (2009): 40. http://dx.doi.org/10.1177/1532708609351153.

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30

Bulger, Peggy A., and J. Russell Reaver. "Florida Folktales." Journal of American Folklore 102, no. 404 (1989): 228. http://dx.doi.org/10.2307/540697.

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31

Smith, T'ai. "Textile Diagrams. Florian Pumhösl's Abstraction as Method." Zeitschrift für Medien- und Kulturforschung 6, no. 1 (2015): 101–16. http://dx.doi.org/10.28937/1000106434.

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»Abstraktion« ist für den Wiener Künstler Florian Pumhösl eine »Methode«, keine Kategorie. Oder vielmehr, wenn Abstraktion die bestimmende Kategorie der Moderne ist, dann ist das Ziel, die Probleme und Beschränkungen der Moderne zu reproduzieren und die Beziehungen zwischen ihren Elementen auszunutzen. Vor dem Hintergrund dessen, was Pumhösl den »Gewebekomplex« der Moderne nennt, untersucht dieser Bei trag das Werk des Künstlers und führt es mit Charles Sanders Peirces Diagramm Konzept und Gottfried Sempers Einsatz von »textilen« Diagrammen in seinem Werk Der Stil in den technischen und tekton

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32

Manning, Martin J. "Finding the Fountain of Youth: Ponce de León and Florida's Magical Waters RickKilby. Gainesville: University Press of Florida, 2013." Journal of American Culture 38, no. 3 (2015): 292–93. http://dx.doi.org/10.1111/jacc.12376.

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33

Corrigan, Thomas F., and Jennifer M. Proffitt. "Campus Press, Inc.: A critical analysis of the corporatization of collegiate media." Journalism 12, no. 8 (2011): 1018–34. http://dx.doi.org/10.1177/1464884910388235.

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This article examines the corporatization of collegiate media in the United States. Gannett Company, Inc.’s purchase of two university publications, the FSView & Florida Flambeau ( FSView) at Florida State University and the Central Florida Future at the University of Central Florida, have raised concerns regarding the autonomy of the campus press. This article first defines the functions and structures of the campus press and how each contribute to the normative goals and democratic potential of collegiate student newspapers. The article goes on to argue that a corporate ownership structu

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34

Pilkevych, Andrii. "«Multigenre Convention» Through a Prism of US Popular Culture." Ethnic History of European Nations, no. 67 (2022): 136–41. http://dx.doi.org/10.17721/2518-1270.2022.67.18.

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The article gives a brief description of the most famous festivals and conventions of popular culture in the United States, which include Comic-Con International: San Diego, New York Comic Con, Wizard World Chicago Comic Con, AggieCon, Alamo City Comic Con, All-Con, ApolloCon, Archon, Big Apple Comic Con, Blerdcon, CarnageCon, Chattacon, Chicago Comic & Entertainment Expo, ClexaCon, CoastCon, ConCoction, ConGlomeration, ConnectiCon, CONvergence, Dragon Con, Emerald City Comic Con, Fan Expo Boston, Fan Expo Dallas, FanX, Florida Supercon, Genericon, Heroes Convention, LA Comic Con, MidSouth

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35

Mitchem, Jeffrey M. "Florida Indians after 1492: The Question of Archeological Evidence for Antillean-Florida Migrations." American Anthropologist 91, no. 3 (1989): 762–65. http://dx.doi.org/10.1525/aa.1989.91.3.02a00210.

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36

Scarbrough, Elizabeth. "Urban Ruins and the Neo -Picturesque Landscape." Aesthetic Investigations 6, no. 1 (2023): 5–18. http://dx.doi.org/10.58519/aesthinv.v6i1.12089.

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While classical ruins are seen as tourist destinations, contemporary or industrial ruins are dismissed as disused sites. In this paper I argue for the preservation of urban (or contemporary) ruins. I focus on one specific case, that of the Miami Marine Stadium in Miami, Florida USA. Since the 1990s the stadium has been derelict, a canvas for graffiti artists and a home to skateboarders. In 2018 the City of Miami decided to revamp the stadium and reopen it as a concert and sporting venue. The current design-development plan has sanitized this urban ruin, robbing it of its past. I will situate t

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37

Wilson, L. Lamar. "Times Like These: Marianna, Florida." Callaloo 33, no. 4 (2010): 1005. http://dx.doi.org/10.1353/cal.2010.0091.

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38

Benge, Matt, and Amy Vu. "Challenges and barriers to conducting commercial beekeeping education programs in Florida." Advancements in Agricultural Development 4, no. 4 (2023): 49–57. http://dx.doi.org/10.37433/aad.v4i4.379.

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Honey bees are vital to Florida agriculture as they play an important role in pollinating a variety of the state’s crops, and the demand for honey bee pollination and bee-related products continues to increase as the need for more food increases. Cooperative Extension plays an important role in Florida’s agricultural sector, yet many extension agents do not focus much time and attention on commercial beekeeper education. Using the program development model, we sought to understand the challenges and barriers of Florida agriculture extension agents to conducting commercial beekeeping programs.

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39

Rang, Linda. "An interview with Dr Kristin Congdon." Visual Inquiry 12, no. 2 (2023): 163–83. http://dx.doi.org/10.1386/vi_00099_7.

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The following interview took place on 24 January 2023 by phone with Dr Kristin Congdon. She speaks about her life, ideas and experiences as an art educator and author. Throughout her life, she showed an interest in art, ultimately challenging institutional representations of under-represented groups, such as females, as well as people of colour. Her journey led her to study the work of folk artists. This important topic brings to light the fact that this group has been under-represented globally throughout history. She had trouble finding a university that believed folk art was important enoug

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40

Apostol, Snejana. "Some characteristics of the development of choreographic art in Romania and the Republic of Moldova: the values and educational framework." Studia Universitatis Moldaviae. Seria Științe ale Educației, no. 5(165) (July 2023): 190–95. http://dx.doi.org/10.59295/sum5(165)2023_31.

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The given article presents an analytical approach to the evolution of choreographic art in Romania and the Re-public of Moldova. Emphasis is placed on analyzing the evolution of classical stage dance as well as folk dance. It should be noted that the development of choreographic art in Romania was strongly influenced by European choreography. The 19th and 20th centuries were the most significant for the development of Romanian ballet. The most famous classical ballets were staged: Zâna păpușilor, Lacul lebedelor, Priculiciul etc. The fame of Romanian ballet was brought by: Anton Romanowski, Fl

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LOZANO, HENRY KNIGHT. "Race, Mobility, and Fantasy: Afromobiling in Tropical Florida." Journal of American Studies 51, no. 3 (2016): 805–31. http://dx.doi.org/10.1017/s0021875816001018.

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This article explores a popular tourist vehicle in early twentieth-century Florida: the Afromobile. Beginning in the 1890s, Afromobiling referred to the white tourist experience in south Florida of travelling in a wheelchair propelled by an African American hotel employee. Most prominent in Palm Beach, these wheelchairs developed into a heavily promoted tourist activity in the region. Using promotional imagery and travel literature this paper traces the development of Afromobiling as a tourist vehicle that played upon south Florida's tropical environs. It argues that the vehicle's popularity r

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42

Hoppe, Kathryn A., and Paul L. Koch. "Reconstructing the migration patterns of late Pleistocene mammals from northern Florida, USA." Quaternary Research 68, no. 3 (2007): 347–52. http://dx.doi.org/10.1016/j.yqres.2007.08.001.

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AbstractWe used analyses of the strontium isotope (87Sr/86Sr) ratios of tooth enamel to reconstruct the migration patterns of fossil mammals collected along the Aucilla River in northern Florida. Specimens date to the late-glacial period and before the last glacial maximum (pre-LGM). Deer and tapir displayed low 87Sr/86Sr ratios that were similar to the ratios of Florida environments, which suggest that these taxa did not migrate long distance outside of the Florida region. Mastodons, mammoths, and equids all displayed a wide range of 87Sr/86Sr ratios. Some individuals in each taxon displayed

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43

Endel, Peggy Goodman. "South Florida Shakespeare Festival At Vizcaya." Shakespeare Quarterly 36, no. 4 (1985): 468. http://dx.doi.org/10.2307/2870313.

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44

KNIGHT, HENRY. "“Savages of Southern Sunshine”: Racial Realignment of the Seminoles in the Selling of Jim Crow Florida." Journal of American Studies 48, no. 1 (2014): 251–73. http://dx.doi.org/10.1017/s002187581300128x.

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In the late nineteenth century, white land and tourism promoters invested in the selling of Florida to American migrants and winter visitors began to recast the Seminoles. From being feared and denigrated as mixed-race killers, associated with runaway slaves, who had defied earlier US attempts to remove them to the West, the Seminoles were “realigned” by boosters into praiseworthy specimens of moral and racial purity. According to promoters, the Seminoles were now human emblems of the Florida wilderness, but also pure-blood primitives. As such, they fitted much better with the Jim Crow ideals

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45

McEwan, Bonnie G. "The Spiritual Conquest of La Florida." American Anthropologist 103, no. 3 (2001): 633–44. http://dx.doi.org/10.1525/aa.2001.103.3.633.

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46

Rang, Linda M. "Dr Kristin G. Congdon: Life and legacy as an art educator." Visual Inquiry 12, no. 2 (2023): 101–7. http://dx.doi.org/10.1386/vi_00093_1.

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The following article is about the life, ideas and experiences of art educator Dr Kristin Congdon. Throughout her life, she showed an interest in art, ultimately challenging institutional representations of under-represented groups, such as females, as well as people of colour. Her journey led her to study the work of folk artists. This important topic brings to light the fact that this group has been under-represented globally throughout history. She had trouble finding a university that believed folk art was important enough for her to study for her Ph.D. Ultimately, she was mentored by Dr J

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47

Weitze, Karen J. "In the Shadows of Dresden." Journal of the Society of Architectural Historians 72, no. 3 (2013): 322–57. http://dx.doi.org/10.1525/jsah.2013.72.3.322.

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In the Shadows of Dresden: Modernism and the War Landscape focuses on British-American test complexes and lithographs devised to understand German and Japanese military targets of World War II. Project sites stretched from England and Scotland to Maryland, Massachusetts, New Jersey, Utah, and Florida. Vignettes of Axis-built environments featured only those forms and details that were deemed essential, complemented by the abstracted target maps. Together these models and maps inaugurated a new way of looking at cities and built environments as war landscapes. In this article Karen J. Weitze st

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STORHOFF, TIMOTHY. "Music, Politics, and the Liminality of the Havana Jazz Plaza Festival in the Obama Era." Journal of the Society for American Music 14, no. 1 (2020): 70–91. http://dx.doi.org/10.1017/s1752196319000555.

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AbstractAfter the Obama administration (2009–17) began authorizing musical exchanges with Cuba in 2009, Havana's music festivals became a primary site for transnational interactions and a public face for US-Cuban engagement while politicians worked towards normalization in secret. This article uses field research from the Havana International Jazz Festival, interviews with festival participants, and media coverage to explore Cuban music festivals as politically liminal spaces where musical and political life commingled to reflect the changing US-Cuban relationship. While diverse lineups attrac

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Zeglin, Robert J., Danielle R. M. Niemela, and Christopher W. Baynard. "Deaths of Despair in Florida: Assessing the Role of Social Determinants of Health." Health Education & Behavior 46, no. 2 (2018): 329–39. http://dx.doi.org/10.1177/1090198118811888.

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Deaths of despair (DOD) is a new term appearing in public health literature to describe deaths attributable to suicide, liver disease, and drug overdose. In Florida, suicide and liver disease are the 8th and 10th leading causes of death, respectively. Additional mortality data show that the rate of drug overdose deaths in Florida is 12.5% higher than the suicide death rate. Some have hypothesized that economic social determinants of health (SDH) may be responsible for the recent increase in DOD. The current study, using secondary data, sought to identify what county-level SDH were significantl

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Sonke, Jill, Max Helgemo, and Virginia Lee Pesata. "Arts in health mapping project: Florida." Arts & Health 11, no. 3 (2018): 264–71. http://dx.doi.org/10.1080/17533015.2018.1494451.

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