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Dissertations / Theses on the topic 'Artista feminista'

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Published: 4 June 2021
Last updated: 16 February 2022

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1

Saraiva, Érica Cristiane. "Visualidades de Luiza Prado: poética da ex-centricidade." Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/7529.

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Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2017-07-03T12:30:06Z No. of bitstreams: 2 Dissertação - Erica Cristiane Saraiva - 2017.pdf: 2533118 bytes, checksum: e33b51854ab440ca43e20a90c7da99cb (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-07-10T11:39:33Z (GMT) No. of bitstreams: 2 Dissertação - Erica Cristiane Saraiva - 2017.pdf: 2533118 bytes, checksum: e33b51854ab440ca43e20a90c7da99cb (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Mad
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Kidder, Alana D. "Women Artists in Pop: Connections to Feminism in Non-Feminist Art." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1388760449.

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3

Battista, Katherine. "Women's work : feminist artists in 1970s London." Thesis, Birkbeck (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498626.

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4

Tvardovskas, Luana Saturnino 1983. "Dramatização dos corpos : arte contemporânea de mulheres no Brasil e na Argentina." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280015.

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Orientador: Luzia Margareth Rago<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-22T21:58:15Z (GMT). No. of bitstreams: 1 Tvardovskas_LuanaSaturnino_D.pdf: 48560551 bytes, checksum: 319fe4c4f559ca8407db46edd5d574eb (MD5) Previous issue date: 2013<br>Resumo: Esta tese aborda a poética visual de artistas brasileiras e argentinas, cujas obras de arte empreendem um discurso critico a violência material e simbólica de gênero, por meio de imagens do corpo. São focalizadas, a partir de uma perspectiva feminist
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Walker, Wendy. "Three Feminist Artists Respond to The Last Supper." Honors in the Major Thesis, University of Central Florida, 2004. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/732.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf<br>Bachelors<br>Arts and Sciences<br>Humanities
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Almeida, Isadora Maríllia de Moreira. "Mulheres artistas: apontamentos sobre perspectivas e experimentações possíveis." Universidade Federal de Juiz de Fora (UFJF), 2018. https://repositorio.ufjf.br/jspui/handle/ufjf/8086.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2018-11-07T16:54:36Z No. of bitstreams: 1 isadoramariliademoreiraalmeida.pdf: 41398585 bytes, checksum: 34a19013a7640322412b0cb6924c9345 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2018-11-23T13:18:10Z (GMT) No. of bitstreams: 1 isadoramariliademoreiraalmeida.pdf: 41398585 bytes, checksum: 34a19013a7640322412b0cb6924c9345 (MD5)<br>Made available in DSpace on 2018-11-23T13:18:10Z (GMT). No. of bitstreams: 1 isadoramariliademoreiraalmeida.pdf: 41398585 bytes, checksum: 34a19013a7640322412b0cb6
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Senna, Nádia da Cruz. "Donas da beleza: a imagem feminina na cultura ocidental pelas artistas plásticas do século XX." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27134/tde-27042009-120443/.

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Donas da Beleza discute a representação do feminino na cultura ocidental, presente na produção das artistas plásticas do século XX. O estudo foi desenvolvido para examinar, a partir de uma perspectiva estética e sóciocultural, os diferentes modelos de Beleza, a forma como são propostos, como coexistem, e ainda, como se remetem mutuamente através de diferentes períodos, sem perder o foco estabelecido o olhar feminino. Este parâmetro implicou um estudo comparativo que identifica semelhanças e diferenças no modo de representação de arquétipos dominantes no imaginário de homens e mulheres. Sob o
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Wade, Bussey Sahirah Fatin. "Pre-Service Art Teachers and the Use of Feminist Curriculum and Pedagogy in the Art Classroom." Digital Archive @ GSU, 2007. http://digitalarchive.gsu.edu/art_design_theses/18.

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The purpose of this study was to determine answers to several research questions: 1.) What do pre-service teachers know about feminist pedagogy or teaching in ways that are culturally responsive? 2.) In what ways are pre-service teachers prepared to use feminist pedagogy? 3.) How is a lesson constructed utilizing a feminist curriculum? All participating pre-service Art Education students completed a Survey of Art History, a questionnaire of their background in Art History, a questionnaire on their ideas of feminist pedagogy, and completed a group brainstorming of lesson plans. Data was analyze
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Almeida, Flavia Leme de [UNESP]. "Desvios do barro: raízes culturais, feminismo e rituais nas poéticas de mulheres artistas da cena contemporânea latino-americana." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/154847.

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Submitted by FLAVIA LEME DE ALMEIDA (flalemeal@gmail.com) on 2018-08-13T18:39:15Z No. of bitstreams: 1 Desvios do Barros V14-WEB.pdf: 8182151 bytes, checksum: a574b2ca1df19e4af60fb93203994e91 (MD5)<br>Approved for entry into archive by Laura Mariane de Andrade null (laura.andrade@ia.unesp.br) on 2018-08-13T22:05:02Z (GMT) No. of bitstreams: 1 almeida_fl_dr_ia.pdf: 8182151 bytes, checksum: a574b2ca1df19e4af60fb93203994e91 (MD5)<br>Made available in DSpace on 2018-08-13T22:05:03Z (GMT). No. of bitstreams: 1 almeida_fl_dr_ia.pdf: 8182151 bytes, checksum: a574b2ca1df19e4af60fb93203994e91 (MD5)
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Bradley, Jessica. "Postmodern bodies and feminist art practice." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69635.

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This thesis examines, from a feminist perspective, conceptions of the body proposed by poststructuralist philosophy and postmodernist art practice. Within both feminist and postmodern critiques of the humanist subject, the body has come to be understood as a site of cultural inscriptions. In tracing the relationship between postmodernism and feminism, the thesis addresses specifically the shift from celebratory, affirmative female imagery typical of feminist art in the seventies, to the semiotic analysis of images of women which, in the eighties, problematized the question of sexual difference
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Trizoli, Talita. "Atravessamentos feministas: um panorama de mulheres artistas no Brasil dos anos 60/70." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-03122018-121223/.

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Nessa tese de doutorado, efetuo uma análise crítica da produção artística brasileira no trânsito da década de 60 para 70 do século XX, dentro dos pressupostos das teorias feministas de crítica cultural, com ênfase nas possibilidades de subjetivação do feminino pela prática artística. Para ser mais específica, preocupo-me aqui com certos trabalhos realizados por trinta artistas mulheres atuantes no período, contemporâneas entre si e do advento do feminismo de segunda onda no país, que envolvam as preocupações estéticas e plásticas em voga, e que permitam uma abordagem de crítica feminista justa
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Meskimmon, Marsha Gretta. "Women artists and the Neue Sachlichkeit : Grethe Jürgens and Gerta Overbeck." Thesis, University of Leicester, 1992. http://hdl.handle.net/2381/35698.

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This work examines the complex relationship between gender and the work of women artists associated with the Neue Sachlichkeit. The critical 'realism' of the Weimar Republic has become best-known through the work of artists such as Otto Dix, George Grosz and Christian Schad, but a number of women artists also engaged with the aesthetic, including Grethe Jurgens and Gerta Overbeck. Jurgens and Overbeck were part of the Hanoverian regional variation of the Neue Sachlichkeit which flourished between 1925 and 1938. In this thesis, the works of Jurgens and Overbeck are examined with particular refe
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Murillo, Núñez Nicole. "Tránsitos e intervenciones feministas. Performance en artistas/activistas argentinas: Mujeres Públicas y Valeria Flores." Tesis, Universidad de Chile, 2017. http://repositorio.uchile.cl/handle/2250/168201.

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Magister en Estudios de Género y Cultura en América Latina<br>La presente investigación tiene por propósito indagar en las estrategias que determinadas artistas y colectivos artísticos feministas argentinos actuales despliegan en sus discursos estéticos y políticos. El interés por analizar estos objetos se origina a partir de las herramientas críticas obtenidas luego de haber cursado el programa en estudios de género, así como también haberme aproximado al análisis de diversas manifestaciones artísticas feministas, descubriendo en esta esfera, la del arte feminista, la relación entre las
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York, Rosemary Patricia. "Female artists and intellectuals in the late Victorian novel." Thesis, University of Ulster, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.258028.

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Costa, Deise Bastos da. "Figurações da mulher-artista nos contos de Adriana Lunardi." reponame:Repositório Institucional da FURG, 2010. http://repositorio.furg.br/handle/1/2671.

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Dissertação(mestrado) - Universidade Federal do Rio Grande, Programa de Pós-Graduação em Letras, Instituto de Letras e Artes, 2010.<br>Submitted by Cristiane Silva (cristiane_gomides@hotmail.com) on 2012-09-24T12:30:12Z No. of bitstreams: 1 deisebastos.pdf: 1074024 bytes, checksum: dbea90ca29ec6848098cd17d9e863a30 (MD5)<br>Approved for entry into archive by Bruna Vieira(bruninha_vieira@ibest.com.br) on 2012-11-06T15:29:24Z (GMT) No. of bitstreams: 1 deisebastos.pdf: 1074024 bytes, checksum: dbea90ca29ec6848098cd17d9e863a30 (MD5)<br>Made available in DSpace on 2012-11-06T15:29:24Z (GMT). No. of
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Baert, Renee. "Poetics of the body in feminist art : three modalities." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0022/NQ29882.pdf.

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Schiavon, Laurita Marconi 1975. "Ginastica artistica feminina e historia oral : a formação desportiva de ginastas brasileiras participantes de jogos olimpicos (1980-2004)." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/274803.

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Orientador: Roberto Rodrigues Paes<br>Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação Fisica<br>Made available in DSpace on 2018-08-12T21:18:45Z (GMT). No. of bitstreams: 1 Schiavon_LauritaMarconi_D.pdf: 7690338 bytes, checksum: c8b9aa6a0e166b0de9828bc8178becba (MD5) Previous issue date: 2009<br>Resumo: Os resultados das atletas brasileiras da Ginástica Artística feminina nos últimos 10 anos apresentaram uma expressiva evolução nas competições de nível internacional. Na busca de informações científicas dessa evolução, o presente estudo teve o propósito de conhecer
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Guerrero, Danica Lynn Eisman. "Quebec's Revolution Tranquille Reflected Through Artists' Voices (1945-1995)." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707406/.

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The Quebec of the Quiet Revolution invites a fascinating sociocultural study, and this analysis provides an overview of major changes there during the 1960s and 1970s. The author analyzes how artistic, literary, and musical contributions of the era reflected the public's sentiments toward this metamorphosis. References to political cartoons, plays, poetry, songs, and non-fiction works such as essays and manifestos illustrate attitudes toward the shifting role of the Catholic Church, the arrival of a Liberal government following an ultra-conservative administration, the feminist movement, econo
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Tupper, Denise. "My Family of Women: Celebrating Blackness and Exploring Themes of Black Feminism." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/182.

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This paper maps themes (e.g. family, beauty, femininity, gender, blackness, representation) and artists from the Black arts and Feminist art movement who have been very influential when planning this senior art project. I specifically look at the works of Black feminist artists such as Betye Saar, Faith Ringgold, Carrie Mae Weems, Kara Walker, and Mickalene Thomas who navigate themes from both movements. In my project I have painted a series of interpretive acrylic portraits of close friends and family members, all adapted from photographs.
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Batorowicz, Beata Agnieszka, and n/a. "Undoing Big Daddy Art: Subverting the Fathers of Western Art Through a Metaphorical and Mythological Father/Daughter Relationship." Griffith University. Queensland College of Art, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040319.090547.

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The canon of Western art history provides a selection of artists that have supposedly made an 'original' contribution to stylistic innovation within the visual arts. Although a process of selection cannot be avoided, this procedure has resulted in a Eurocentric and patriarchal art canon. For example, the Western art canon consists of certain white male artists who are given exclusive authority and are often referred to as the 'fathers of art'. As the status of a 'father of art' pertains to the highest level of achievement within artistic creativity, I argue that this excellence in creativity i
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Perkins, Gillian Hugman. "Issues in the construction of identity of some contemporary women artists." Thesis, University of Northampton, 1999. http://nectar.northampton.ac.uk/2979/.

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This thesis is based on an empirical study of forty-three contemporary women artists. The aim of this research was to explore how a number of factors impact on these women’s construction of their identity as artists. The women were selected through the East Midlands Arts register of artists, and therefore targeted women who had already identified themselves as practitioners. Although they all registered themselves as painters, their use of such terms as painter and artist, as my research revealed, was fluid, being dependent on changing perceptions of self. The research was conducted in line wi
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Bolzt, Kerstin. "Women as artists in contemporary Zimbabwe /." Eckersdorf, Germany : Breitinger, 2007. http://www.loc.gov/catdir/toc/fy0804/2008400471.html.

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Simon, Jodie Christine. "The derailment of feminism: a qualitative study of girl empowerment and the popular music artist." Thesis, Wichita State University, 2012. http://hdl.handle.net/10057/5541.

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“Girl Power!” is a message that parents raising young women in today’s media-saturated society should be able to turn to with a modicum of relief from the relentlessly harmful messages normally found within popular music. But what happens when we turn a critical eye toward the messages cloaked within this supposedly feminist missive? A close examination of popular music associated with girl empowerment reveals that many of the messages found within these lyrics are frighteningly just as damaging as the misogynistic, violent, and explicitly sexual ones found in the usual fare of top 100 Hits. I
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Photiou, Maria. "Rethinking the history of Cypriot art : Greek Cypriot women artists in Cyprus." Thesis, Loughborough University, 2013. https://dspace.lboro.ac.uk/2134/12139.

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This thesis brings together women artists art practices situated in five key periods of Cyprus socio-political history: British colonial rule, anti-colonial struggle, 1960 Independent, the 1974 Turkish invasion and its aftermath of a divided Cyprus, which remains the case in the present day. Such study has not been done before, and for this, the current thesis aims to provide a critical knowledge of the richness and diversity of Greek Cypriot women's art practices that have frequently been marginalised and rarely been written about or researched. As the title suggests, this thesis engages in r
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Van, der Merwe Leana. "Sacrificial and hunted bodies : ritualistic death and violence in the work of selected South African female artists." Diss., University of Pretoria, 2014. http://hdl.handle.net/2263/46213.

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This study investigates the multiple occurrence of violent sacrificial imagery associated with animalistic and hunted bodies in the work of selected South African female artists as an articulation of the society in which the art was created. The theoretical framework of corporeal feminism is applied with reference to the postulations of George Bataille (1962), René Girard (1972) as well as Deleuze and Guattari (1984,1987), specifically with regard to the notion of becoming animal. This study shows how such imagery is used to act as a catalyst for social change by challenging Cartesian d
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Beskow, Daniela Alvares 1983. "O discurso das mulheres na cena paulistana de 2015-2016 : uma proposta feminista de análise de espetáculos /." São Paulo, 2017. http://hdl.handle.net/11449/152099.

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Orientadora: Lúcia Regina Vieira Romano<br>Banca: Kathya Maria Ayres de Godoy<br>Banca: Maria Brigida de Miranda<br>Resumo: Esta pesquisa investiga espetáculos cênicos - das áreas de teatro, dança e arte da performance - apresentados na cidade de São Paulo durante o biênio 2015-2016, que trazem apenas mulheres em cena. A partir de uma perspectiva feminista e materialista, foi desenvolvida a metodologia denominada "análise contextualizada" ou "análise situada", utilizada para observar e analisar espetáculos teatrais a partir de suas dramaturgias cênicas. Em seguida, são propostas questões sobre
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Brunton, Jennifer. "Cultural narratives and the historical subject : Annie Garnett, her diary, life and works." Thesis, Lancaster University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.301817.

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This thesis investigates and contextualises as a historical subject a woman textile artist, Annie Gamett (1864-1942). It explores her personal writings, in particular the diary which she kept between the years 1899 and 1909. The use of autolbiographical writings requires a reflexive methodology. In recognising this I engage with the fragmentary material in the archive using feminist theories and discourses to produce an 'intellectual biography', within which the elements of Annie Gamett's life, revealed through her own words, interact with the cultural narratives which challenged and impinged
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Wyer, Sarah. "Folk Networks, Cyberfeminism, and Information Activism in the Art+Feminism Wikipedia Edit-a-thon Series." Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22752.

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This thesis explores how the Art+Feminism Wikipedia Edit-a-thon event impacts the people who coordinate and participate in it. I review museum catalogs to determine institutional representation of women artists, and then examine the Edit-a-thon as a vernacular event on two levels: national and local. The founders have a shared vision of combating perceived barriers to participation in editing Wikipedia, but their larger goal is to address the biases in Wikipedia’s content. My interviews with organizers of the local Eugene, Oregon, edit-a-thon revealed that the network connections possible via
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Almeida, Flavia Leme de 1978. "Desvios do barro : raízes culturais, feminismo e rituais nas poéticas de mulheres artistas da cena contemporânea latino-americana /." São Paulo, 2018. http://hdl.handle.net/11449/154847.

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Orientador: Lalada Dalglish<br>Banca: José Paiani Spaniol<br>Banca: Claudia Fazzorali<br>Banca: Hugo Fernando Salinas Fortes Junior<br>Banca: Ângela Cristina Lopes Legname Barbour<br>Resumo: Este trabalho é resultado de um antigo anseio de situar o barro (cerâmica e argila) como suporte recorrente e relevante dentro da cena artística contemporânea latino-americana, sob a perspectiva dos trabalhos de mulheres artistas. A ênfase desta pesquisa se deu nas obras que se direcionam às questões das raízes culturais, do feminismo e dos rituais. A análise da arte da cerâmica ocorreu por um viés diferen
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McKenna, Libby. "Audience interpretations of the representation of women in music videos by women artists." [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001670.

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Lilly, Mary. "'The World is Not a Safe Place for Men': The Representational Politics of the Manosphere." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/35055.

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This thesis offers an overview of the representational politics of the online antifeminist community known as the ‘manosphere’. It analyzes how gender and gender politics are represented in the discourse, with an eye to how traditional gender constructs, and traditional gendered norms and inequalities, are reproduced. This project—the first study to focus exclusively on the manosphere—contributes to our understanding of the community in two ways; it addresses a significant gap in the literature on the topic, and it tests the accuracy of the ‘conventional wisdom’ on the manosphere. Using mixe
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Franklin, Serena. "Ill beats : black women rap artists and the representations of women in hip hop culture." Honors in the Major Thesis, University of Central Florida, 2004. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/336.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>Anthropology
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Brown, Melanie. "Appropriation and irony, postmodernist elements in the work of three contemporary Canadian feminist artists, Skai Fowler, Christine Davis and Joanne Tod." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ48378.pdf.

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Brown, Melanie (Melanie Alison) Carleton University Dissertation Art History. "Appropriation and irony; postmodernist elements in the work of three contemporary Canadian feminist artists Skai Fowler, Christine Davis and Joanne Tod." Ottawa, 1999.

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Lewis, Mischka Jade. "Artistic Interventions in the Historical Remembering of Cape slavery, c.1800s." University of the Western Cape, 2020. http://hdl.handle.net/11394/8076.

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Magister Artium - MA<br>This mini-thesis thesis intends to grapple with silences by looking the possibilities of reconceptualising archives through notions of “traces,” “absence,” and “fragments.” Examining archives as bodies of knowledge, a window to telling us something about pastpresent- future representations is to think about navigating archives of colonialism and slavery as sites of historical memory. The aim of this paper is to enter the pedagogical problem of remembering and gendered representational voids by seeking to explore how artistic representations offer insights in the absence
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Clement, Jennifer. "Reforming Dance Pedagogy: A Feminist Perspective on the Art of Performance and Dance Education." [Tampa, Fla] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0002197.

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Goldman, Saundra Louise. ""Too good lookin' to be smart" : beauty, performance, and the art of Hannah Wilke /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Kiel, Jeannette Larino Wooden. "Women's stories of ecofeminist activism and artistic expression| A transdisciplinary spiritual feminist inquiry into transformative and spiritual connections." Thesis, California Institute of Integral Studies, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10183257.

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<p> This dissertation explores the stories of seven women spiritual-ecofeminist-activist-artists, including myself. It answers the question, <i>What transformative and spiritual connections does one have with her ecofeminist activism and art? </i></p><p> This study connects different ways of knowing from the mind, body, heart and spirit; and it has three significant dimensions. The first dimension&mdash;transdisciplinary spiritual feminist inquiry&mdash;allows the researcher to interconnect several disciplinary ways of knowing, and it presents feminist ways to inquire about experiences with
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Kellner, Michael S. "Creativity As Concept." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1405608425.

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McEwin, Florence Rebecca. "American women artists and the female nude image (1969-1983)." Thesis, North Texas State University, 1986. http://catalog.hathitrust.org/api/volumes/oclc/23638110.html.

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Thesis (Ph. D.)--North Texas State University, 1986.<br>Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 367-404).
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Oliva, João Carlos. "Análise morfológica em crianças que praticam a ginástica olímpica feminina." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 1999. http://hdl.handle.net/10183/105083.

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O objetivo do estudo foi analisar variáveis antropométricas e de composição corporal em crianças, do sexo feminino. Os participantes foram selecionados de forma intencional e divididos em dois grupos: crianças que participaram do Campeonato Brasileiro de Ginástica Olímpica, nos anos de 1995, 1996 e 1997 (grupo das ginastas) e crianças que não praticaram nenhum esporte competitivo nos mesmos anos (grupo das não atletas). A metodologia utilizada foi desenvolvimentista com um delineamento transversal de comparação entre grupos. As variáveis antropométricas analisadas foi massa corporal~ estatura,
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Caramés, Sales Ánxela. "Las prácticas curatoriales feministas en el Estado Español (1993-2013). La gestión cultural como productora del discurso de las identidades de género." Doctoral thesis, Universitat Politècnica de València, 2016. http://hdl.handle.net/10251/62863.

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[EN] CURATORIAL FEMINIST PRACTICES IN THE SPANISH STATE (1993-2013). CULTURAL MANAGEMENT AS A PRODUCER OF GENDER IDENTITIES DISCOURSE This PhD thesis discuss on artistic practices and theoretical discourses of feminist art developed within the Spanish State since the late eighties to the present, focusing on how the exhibitions on gender issues have been building and structuring the feminist theoretical and visual discourse. This research comes with the intention to deepen in the specific context of the Spanish feminist art, which present certain differences with the European and North America
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Karlsson, Matilda. "Vera Nilsson : konstnär, kvinna och mor." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-125551.

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Uppsatsen undersöker Vera Nilssons liv och konstnärskaputifrån hennes sociala position som kvinna och ensamstående mor. Nilsson föddes 1888 och debuterade som konstnär 1917. 1921 föder hon dottern Catharina, även kallad Ginga. Under en fjortonårsperiod avporträtteras dottern frekvent och Nilssons barnporträtt får stor uppmärksamhet. Studien har en historigrafisk ansats och undersöker kvinnors villkor inom det konstnärliga fältet.<br>The thesis examines Vera Nilsson's life and artistry from her social position as a woman and single mother. Nilsson was born 1888 and debutated as an artist 1917.
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Duarte, Luiz Henrique. "O medo na ginástica artística feminina: estudo com atletas da categoria pré-infantil." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/39/39133/tde-11082008-094956/.

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O ambiente esportivo apresenta diversas situações em que o medo se manifesta de acordo com estímulos específicos, podendo variar muito entre cada indivíduo. A Ginástica Artística (GA) é uma modalidade esportiva na qual há certo risco iminente constante. A manifestação do medo pode gerar como conseqüência a diminuição da auto-estima, o desconforto ou a vergonha diante dos colegas, o comprometimento da integridade física, a dificuldade no aprendizado de novos exercícios e até o abandono, nos casos extremos. Assim, as respostas a essas situações devem receber a devida atenção desde o início da pr
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Poole, Tanya Katherine. "An exploration of female physicality and psyche and how these inform art-making." Thesis, Rhodes University, 2000. http://hdl.handle.net/10962/d1002215.

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This thesis proposes that female physicality informs the psyche and thus in turn, art-making. My argument will be shown to be apposite and informative to the discussion of the work of Paula Rego, Jenny Saville and Cindy Sherman. Furthermore such an understanding is helpful to a reading of my practice. In examining issues of identity, which contribute to the formulation of a distinctly female psyche, I will base my critique on the philosophical positions of Sartre, de Beauvoir and Paglia.
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Lima, Letícia Bartholomeu de Queiroz. "Representatividade da ginástica artística feminina paulista no cenário brasileiro (2011-2014) /." Rio Claro, 2016. http://hdl.handle.net/11449/137828.

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Orientadora: Laurita Marconi Schiavon<br>Banca: Marco Antonio Coelho Bortoleto<br>Banca: Myrian Nunomura<br>Resumo: A Ginástica Artística brasileira, nos últimos quinze anos, apresentou importantes conquistas no cenário internacional. A região Sudeste do Brasil, região mais populosa e com maior relevância econômica do País, possui a Federação com maior número de entidades filiadas das federações estaduais de Ginástica brasileiras, a Federação Paulista de Ginástica (FPG). Nessa Região, o estado de São Paulo destaca-se pela numerosa população, pela maior representatividade econômica do país, alé
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Lauritis, Beth Anne. "Lucy Lippard and the provisional exhibition intersections of conceptual art and feminism, 1970-1980 /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1925733141&sid=11&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Nicol, Jennifer. "Escape artists : adventure and isolation in women's writing at the fin de siècle." Thesis, Loughborough University, 2017. https://dspace.lboro.ac.uk/2134/25494.

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Recent scholarship has examined the lived experience of unmarried women in nineteenth- and twentieth-century Britain, both in cities and in the countryside. Typically, scholarship in this field has focussed on women's social identity whether spinster, widow or lesbian and addressed how these types of women were variously used in fiction and the press to contest or uphold the gendered status quo. This thesis problematises the distinct characterisation of these social identities by examining works which seek to unify female social identity at the fin de siècle through a common modern experience
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Triisberg, Airi. "The Workers of Society – the Artist, the Housewife and the Nun : A Feminist Marxist Analysis on the Intersections of Art, Care Work and Social Struggles." Thesis, Linköpings universitet, Tema Genus, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-113403.

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What do art workers, nuns and care workers have in common? How can these commonalities be conceptualised from the perspective of feminist Marxism? How would such conceptualisation open up intersectional and transversal perspectives for social movements struggling against precariousness? Departing from an auto-ethnographic account on activist experiences originating from the art workers’ movement in Tallinn, this thesis aims to theorise the intersection of precarious labour and gender. By using the thinking technology of diffractive reading, it places the debates around unwaged labour within ar
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Filho, Raul Alves Ferreira. "Estudo sobre a estatura de ginastas na ginástica artística feminina de alto nível no Brasil." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/39/39132/tde-12122007-151929/.

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A estatura é um dos atributos físicos de grande destaque para o homem e para a mulher e, dependendo do meio ou da cultura, é valorizada de diferentes formas. Quando se faz referência ao esporte e a atletas de alto nível, a primeira imagem que nos vem à mente é a de uma figura alta e forte. No entanto, na Ginástica Artística (GA), especialmente no setor feminino, a maioria das ?grandes? campeãs apresenta uma característica em comum: a estatura baixa. No Brasil, a população em geral acredita que o fato se deve ao treinamento intensivo da modalidade. Conseqüentemente, pais chegam a proibir que as
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