Relevant bibliographies by topics / Artista musical

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Artista musical'

Author: Grafiati
Published: 17 September 2021
Last updated: 30 July 2025

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Journal articles on the topic "Artista musical"

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Achille, Rosaria Anna. "AMY MARCY BEACH." Civitas et Lex 44, no. 4 (2024): 45–54. https://doi.org/10.31648/cetl.10675.

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L’articolo è incentrato sulla figura di Amy Marcy Beach, artista talentuosa ed emancipata che, grazie alla sua determinazione e alla forza delle sue produzioni musicali, riuscì a superare le diffidenze e i pregiudizi che permeavano il mondo musicale dell’America puritana e conservatrice di fine Ottocento, riguardo alla possibilità per una donna di avvicinarsi alla composizione. The article focuses on the figure of Amy Marcy Beach, a talented and emancipated artist who, thanks to her determination and the strength of her musical productions, managed to overcome the mistrust and prejudices that
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LAGE, RAFAEL. "Artista Artesão ou Artista Igual Pedreiro: de Mozart a Macaco Bong, uma história de lutas por autonomia * Artist Craftsman or Artist Equal Mason: from Mozart to "Macaco Bong", a history of struggles for autonomy." História e Cultura 2, no. 1 (2013): 166. http://dx.doi.org/10.18223/hiscult.v2i1.849.

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<p><strong>Resumo:</strong> No livro "Mozart – Sociologia de um gênio", Norbert Elias descreve embates em torno de artistas artesãos (presos ao gosto musical da corte aristocrata) e artistas autônomos (com certa autonomia musical, só que menos estruturados socialmente), apresentando Mozart como um agente de transição. Já em pleno século XXI, surge com a banda brasileira Macaco Bong o conceito de artista igual pedreiro, a ideia de envolvimento do músico nos processos produtivos, não apenas na hora de subir ao palco, apontando novas tecnologias digitais como democratizadoras. N
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Queiroz de Andrade, Edson, and João Gabriel Marques Fonseca. "Artista-atleta." Per Musi, no. 02 (January 7, 2000): 118–28. https://doi.org/10.35699/2317-6377.2000.57836.

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O artigo faz considerações sobre a utilização do corpo na performance dos instrumentistas de cordas-violino, viola, violoncelo e contrabaixo-bem como sobre o stress físico decorrente da atividade instrumental. Aborda possíveis causas do excesso de tensão durante a performance musical, citando a opinião de especialistas sobre o assunto. Relata também os resultados da pesquisa "O stress físico no instrumentista de cordas: um estudo interdisciplinar da problemática do atleta-artista no cenário musical brasileiro", desenvolvida pelos autores do presente artigo.
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Arias Cortés, Hernán David, Gary Hernández Guerrero, and Leonardo Ortegón Cortázar. "Factores asociados a la construcción de marca del artista musical en Bogotá con aplicativos móviles." POLIANTEA 10, no. 19 (2015): 61. http://dx.doi.org/10.15765/plnt.v10i19.575.

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El desarrollo tecnológico ha generado importantes cambios en cuanto a consumo, promoción y comercialización de artistas musicales. Este artículo buscó identificar los aspectos más significativos de la creación de marca por parte del artista musical, explorando su relación con el marketing digital para potencializar el <em>branding</em> y las motivaciones que estimulan el consumo de productos musicales en un segmento conocido como los <em>millenials </em>(milénicos)<em>. </em>Los resultados dan evidencia de estrategias comunicativas y comerciales que están im
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Gurgel, Dani. "Música brasileira no Japão." Novos Olhares 7, no. 2 (2018): 112–22. http://dx.doi.org/10.11606/issn.2238-7714.no.2018.131501.

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Este estudo aborda o espaço para a música brasileira no Japão, em especial quanto a estilos de nicho, como música instrumental e de canções que não têm espaço na programação das rádios nacionais. O trabalho surgiu da necessidade de melhor compreender as observações empíricas de turnês anuais realizadas ao país desde 2013 pela autora, todas na posição dupla de artista e empresária musical do grupo Dani & Debora Gurgel Quarteto. Pela união de dados de pesquisas sobre a indústria musical e entrevistas com jornalistas japoneses e artistas, empresário e diplomata brasileiros, é tecida uma análi
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Gallardo Hurtado, Lourdes, and David Selva Ruiz. "Las microcelebridades musicales y TikTok en la promoción digital musical: el caso de Blanca Vergara." Revista ICONO 14. Revista científica de Comunicación y Tecnologías emergentes 22, no. 1 (2024): e2100. https://doi.org/10.7195/ri14.v22i2.2100.

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Se analiza el caso de Blanca Vergara como caso de éxito de artista que, a través de la práctica de la microcelebridad y el uso estratégico de TikTok, crea su propia carrera musical de manera autoproducida y al margen de la industria musical desde 2020, siendo pionera en el empleo de TikTok como espacio de promoción musical en España. Se analizan pues los elementos indispensables de su carrera y el uso estratégico que hace de TikTok en aras de entender el éxito de la misma y el cambio en la generación de la atención en línea. Se establece un diseño exploratorio y se emplea el método de estudio
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Lima, Andrei Fernando Ferreira. "Iconografia musical na obra de Henri Rousseau." ARS (São Paulo) 17, no. 17 (2019): 163–81. http://dx.doi.org/10.11606/issn.2178-0447.ars.2019.154437.

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Número significativo de artistas, teóricos da música e historiadores da arte exploraram a diversidade e complexidade dos nexos entre pintura e música ao longo dos séculos. No domínio das artes visuais, as referências à música são abundantes, ganhando expressão tanto pelos temas iconográficos quanto pela reflexão sobre os fundamentos da linguagem musical (ritmo, harmonia, cromatismo). A partir das analogias e interferências entre as duas formas de expressão, propomos uma leitura crítica desse fenômeno na obra de Henri Rousseau, artista francês que desenvolveu uma iconografia particular inspirad
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Ávila, Alexandre, and Eduardo Paes Barreto Davel. "A Emoção do empreendedorismo artístico." Revista Pensamento Contemporâneo em Administração 16, no. 1 (2022): 161–84. http://dx.doi.org/10.12712/rpca.v16i1.51908.

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O objetivo deste caso para ensino é proporcionar aprendizagem a partir de: (a) compreensão sobre a importância e os desdobramentos das emoções para o empreendedorismo, (b) conhecimento da perspectiva sociocultural da emoção no contexto do empreendedorismo e (c) discussão sobre como a emoção é fundamental e intensa no contexto do empreendedorismo artístico. O caso narra a história de um jovem artista da música, residente na cidade de Salvador, que pretende empreender em seu trabalho musical. Durante sua jornada, o artista enfrenta todos os movimentos e desafios emocionais típicos de um empreend
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Di Prospero, Carolina. "SUBJETIVIDADES TECNOARTÍSTICAS: INTERVENCIÓN IMAGINATIVA." De Signos y Sentidos, no. 20 (October 1, 2019): 6–29. http://dx.doi.org/10.14409/ss.v0i20.8497.

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El objeto de estudio en este trabajo es el Live Coding, expresión musical digital desarrollada por un colectivo artistas computacionales, programando música en vivo. El live coder como programador artista, dialoga en un ida y vuelta con el lenguaje de programación que utiliza en sus performances, a través de la manipulación de los códigos en vivo (on the fly). En ese diálogo se produce la intervención imaginativa que los constituye como live coders: híbrido lenguaje–artista constituido en el momento de la improvisación. La intención exploratoria y experiencial caracteriza esta práctica tecnoar
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Otero, Paula Alvarenga. "Musicalidade e Teatro." Voz e Cena 3, no. 02 (2022): 107–31. http://dx.doi.org/10.26512/vozcen.v3i02.45059.

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Neste artigo, exponho alguns fundamentos do processo de criação do espetáculo teatral Outside, um musical noir, encenado por Aquela Cia. de Teatro em 2011, do qual destaco a interlocução entre a Música e o Teatro como principal alicerce. Trago apontamentos surgidos a partir da minha participação como artista criadora e relatos de outros artistas envolvidos na montagem, os quais compõem uma memória polifônica entrelaçada pelas vozes dos atores- músicos, do diretor, do dramaturgo e do diretor musical, sem que existam hierarquias entre elas. Por fim, descrevo cenas do espetáculo, realizadas em um
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Dissertations / Theses on the topic "Artista musical"

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Maas, Maurício de Oliveira. "Música corporal e jogos musicais corporais: um estudo das práticas do grupo Barbatuques na educação musical do artista teatral." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27155/tde-11032019-113435/.

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A presente dissertação de mestrado propõe uma investigação sobre as possibilidades de aplicação das práticas de musicalização corporal desenvolvidas pelo grupo Barbatuques na educação musical do artista teatral. Este grupo, referência em percussão corporal, possui uma sólida pesquisa artística e pedagógica, iniciada em 1997, na qual utiliza o corpo como instrumento musical, através de atividades nas quais o aspecto lúdico é preponderante. O objetivo principal desta dissertação é apresentar os principais jogos desenvolvidos pelo grupo, propondo uma análise reflexiva sobre seu uso e aplicação no
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Ferreira, Marcos Ramon Gomes. "O PRODUTOR-ARTISTA E A CIBERCULTURA:uma reflexão sobre a produção musical na era das redes sociais virtuais." Universidade Federal do Maranhão, 2011. http://tedebc.ufma.br:8080/jspui/handle/tede/15.

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Made available in DSpace on 2016-08-16T18:10:23Z (GMT). No. of bitstreams: 1 dissertacao marcos ramon.pdf: 4142149 bytes, checksum: b64ee9d763382604306cb7199e4fb1fa (MD5) Previous issue date: 2011-12-09<br>Analysis of musical production and its dissemination strategies from the use of social networking. The proposal is to investigate the actions of artists-producers that are within the scope of cyberculture. For this, I analyze relevant concepts to cyberspace and its relationship with the music produced from the use of digital technology. I also investigate the issue of consumption and ide
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Duran, Huamantinco Andrea Luisa. "Optimizar la gestión del artista en la industria musical mediante un Sistema Web basado en el marketing artístico." Bachelor's thesis, Universidad Ricardo Palma, 2015. http://cybertesis.urp.edu.pe/handle/urp/1136.

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Título : Optimizar la gestión del artista en la industria musical mediante un sistema web basado en el marketing Artístico. Autores : Bach. Duran Huamantinco Andrea Luisa. Asesor de Tesis : Dr. Hugo Vega Huerta Jurado Evaluador : Presidente: Dr. Francisco Aguilar (Director de la Escuela Académico de Ingeniería Informática) Miembros : Mg. Luis Palacios Pacherres, Mg. Yolanda Yopla Mercado y Mg. Humberto Linares Coloma Fecha : 20 de octubre del 2015 ____________________________________________________________________
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Rossiter, Vargas Gustavo Adolfo Junior. "Escuela superior de música como soporte para la formación y valorización del artista musical en la provincia de Chiclayo." Bachelor's thesis, Universidad Católica Santo Toribio de Mogrovejo, 2020. http://hdl.handle.net/20.500.12423/2610.

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La provincia de Chiclayo, es poseedora de un vasto legado cultural y talento artístico; sin embargo, las oportunidades para el desarrollo de su potencial se ve afectado por las deficientes políticas culturales y la inadecuada infraestructura que no permite el correcto fomento y difusión artística, ocasionando estigmas que restan valor al proceso creativo del músico y desvirtúan su formación profesional. En ese sentido, la investigación planteó contribuir con la valorización de la formación artística a través de una escuela superior de música. Se hizo pertinente reconocer la realidad artística
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CUNHA, Thiago Neves. "O empreendedorismo cultural emergente da [re]configuração da indústria da música por meio das novas tecnologias de informação e comunicação: o caso do artista pernambucano Siba." Universidade Federal de Pernambuco, 2016. https://repositorio.ufpe.br/handle/123456789/25770.

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Submitted by Fernanda Rodrigues de Lima (fernanda.rlima@ufpe.br) on 2018-08-15T22:00:49Z No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) DISSERTAÇÃO Thiago Neves Cunha.pdf: 1533343 bytes, checksum: 5ccb639a75b061e685d0ffe961112be1 (MD5)<br>Approved for entry into archive by Alice Araujo (alice.caraujo@ufpe.br) on 2018-08-21T17:32:00Z (GMT) No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) DISSERTAÇÃO Thiago Neves Cunha.pdf: 1533343 bytes, checksum: 5ccb639a75b061e685d0ffe961112be1 (MD5)<br>Made available
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Paludo, Ticiano Ricardo. "Da mitologia ancestral ? mitologia musical : reflexos do espetacular e do hiperespetacular em videoclipes de David Bowie, Kiss e Lady Gaga." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2017. http://tede2.pucrs.br/tede2/handle/tede/7290.

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Submitted by Caroline Xavier (caroline.xavier@pucrs.br) on 2017-05-19T17:42:46Z No. of bitstreams: 1 TES_TICIANO_RICARDO_PALUDO_COMPLETO.pdf: 4503183 bytes, checksum: 26a6e1ee4a05505a08456c1b16493040 (MD5)<br>Made available in DSpace on 2017-05-19T17:42:46Z (GMT). No. of bitstreams: 1 TES_TICIANO_RICARDO_PALUDO_COMPLETO.pdf: 4503183 bytes, checksum: 26a6e1ee4a05505a08456c1b16493040 (MD5) Previous issue date: 2017-03-22<br>This thesis aims to study the articulations and tensions that exist in the 21st century musical myths, and will verify the possibility of tracing a 2000?s mythic constructi
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Sovero, Alvaro. "Álvaro Sovero, bajista de grandes artistas y compositor musical. [ Negocios musicales]." Universidad Peruana de Ciencias Aplicadas (UPC), 2016. http://hdl.handle.net/10757/615494.

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El libro, dividido en dos tomos, tiene como objetivo principal abordar el tema de los negocios musicales desde una perspectiva poco narrada en el Perú. El tomo I introduce la administración, organización de los negocios y narra los casos de artistas y empresarios exitosos del quehacer musical. El tomo II presenta más casos de negocios musicales de compositores, orquestas, emprendedores, directivos de grupos radiales y un análisis sobre el entorno legal, financiero y de las nuevas tendencias en marketing.
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Silveira, Juliano Malinverni da. "Vozes dissonantes." reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/94504.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2010<br>Made available in DSpace on 2012-10-25T10:59:27Z (GMT). No. of bitstreams: 1 285903.pdf: 1320511 bytes, checksum: 148c792db667cc4958bbdcb6bc2ed2e3 (MD5)<br>O presente trabalho visa uma leitura sobre como os artistas da Tropicália operaram, de forma a situar-se em pontos de intersecções localizados em situações paradoxais no fazer de seu disco-manifesto Tropicália ou Panis et Circensis. Para tanto, desenvolve uma análise da capa do d
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Aguirre, Lopez Nicolas Enrique, Echeverria Carlos Augusto Garrido, Giannotti Haris Giordano Papadelis, Castro Enrique Sebastian Robles, and Chueca Flavio Cesar Rodriguez. "Modelo de negocio para validar el emprendimiento de una agencia de marketing musical en Lima Metropolitana." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/626507.

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El presente proyecto sobre nuestra agencia de marketing musical para artistas del género urbano nos muestra la viabilidad de su ejecución, en base a la investigación realizada en Lima Metropolitana de los NSE “A” y “B”, que permitió detectar una demanda insatisfecha debido a la necesidad que tienen para promocionar su música en el mercado local. Actualmente existen agencias de marketing musicales que no están enfocadas en el género urbano, sino en música de todos los tipos, lo que genera frustración en los artistas urbanos que tratan de llegar a todo su público objetivo sin éxito debido a la
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Mazuela-Anguita, Ascensión. "Artes de canto (1492-1626) y mujeres en la cultura musical del mundo ibérico renacentista." Doctoral thesis, Universitat de Barcelona, 2012. http://hdl.handle.net/10803/84122.

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Esta Tesis Doctoral explora la cultura musical del mundo ibérico renacentista a través del estudio de artes de canto en lengua vernácula impresas entre 1492 y 1626 y de su relación con las mujeres de la época. La Tesis consta de siete capítulos, estructurados en dos partes (Vol. I), y de veinte apéndices (Vol. II). La primera parte (Capítulos I al IV) muestra que las características por las que estos libros que contenían los rudimentos de la música han sido infravalorados hasta ahora por la historiografía musical son precisamente las mismas que demuestran que respondían a una necesidad pedagóg
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Books on the topic "Artista musical"

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Meierovich, Clara. Vicente T. Mendoza: Artista y primer folclorólogo musical. Universidad Nacional Autónoma de México, Coordinación de Humanidades, 1995.

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Nero, Domenico Del. Arrigo Boito: Un artista europeo. Le Lettere, 1995.

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Moreno, Bucci, and Lapi Ballerini Isabella, eds. Musica in scena: Artisti nei 70 anni del Maggio musicale fiorentino. Sillabe, 2007.

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Kulshreshtha, Khushboo. Introduction of musical gharanas and great artist. Shree Natraj Prakashan, 2010.

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Litvinova, Margarita, and Irina Kozhaeva. Musical-poetic performance. INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1071391.

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In the educational-methodical manual deals with basic dramaturgical and staging the principles of working with documentary and artistic material, techniques use of fact and document in a journalistic view, clearly demonstrates techniques for creating imaginative solutions and scenarios of artistic and journalistic representations.&#x0D; Addressed to students of universities of arts and culture, studying under the direction of training 51.03.05 "direction of the dramatized representations and holidays", studying discipline "Directing poetry theater" and "writing"; and also workers of culture, D
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Perri, Gaffney, ed. Managing artists in pop music: What every artist and manager must know to succeed. 2nd ed. Allworth Press, 2012.

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author, Fernández Lucas José, ed. Postales: Baglietto Vitale, artistas imprescindibles de nuestra música popular. Ediciones Disconario, 2020.

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Kuprina, Elena. Co-creation in music and music education. INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1019193.

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The monograph is devoted to the problem of musical co-creation, represents the artistic and dynamic system. The author considers the musical co-creation from the perspective of interdisciplinary approach, as the phase of the creative process, featuring self-contained characteristics, manifested in the "I" and "I'm Different" through specific regularities and principles. &#x0D; In music co-creation differentiated into spheres, types and forms, where the role of the ratio of the subjects and the performance of co-creative artistic projects are analyzed from the position of system dynamics. In mu
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Liebman, Dave. Self-portrait of a jazz artist: Musical thoughts and realities. Advance Music, 1988.

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Brown, James Duff. British musical biography: A dictionary of musical artists, authors, and composers born in Britain and its colonies. Cambridge University Press, 2009.

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Book chapters on the topic "Artista musical"

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Reinholdtsen, Trond. "My Via Dolorosa from (Impotent) Institutional Critique to the Founding of My Own Institution, the Norwegian Opra, with the Gradual Construction of the Followers of Ø Opra-Dorf on a Meadow in the Swedish Forest, Thereby (Maybe) Saving the Autonomy of Art." In New Music and Institutional Critique. Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_7.

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AbstractThe chapter details how Reinholdtsen’s own fanatical pursuit of ultimate artistic autonomy and control of the means of production have led him to founding his own artist institution, The Norwegian Opra. Weaving together Broodthaers’ affirmative critique of the museum with the aspirations of Wagner’s Ring des Nibelungen, he makes the case for the musical pursuit of a freely interdisciplinary compositional engagement with musical ‘material’, casting off historical cruft where it does not suit. Reinholdtsen points to our global institutional instability to underscore the need for musical
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Pond, Julia. "The Musical Artist." In Margaret Wise Brown’s Experimental Art. Routledge, 2024. http://dx.doi.org/10.4324/9781032727028-5.

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Herrero-Matoses, Fernando. "Alberto Greco’s Vivo-Dito, Lettrism, and the Prophecies of the Proper Name." In Music, the Avant-Garde, and Counterculture. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-69514-8_5.

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AbstractThis chapter explores the legacy of Lettrism in the practices of Argentine artist Alberto Greco as a means of investigating the self-proclaimed prophetic narrative of neo-avant-garde artists in Paris in the late 1950s and early 1960s. It examines how Greco’s ephemeral public actions (Vivo-Dito) in the streets of Paris, Buenos Aires, or Madrid, in which he repeatedly proliferated his own name as both signature and work of art, opened up exploratory avenues in which the artistic self was both inscribed and dispossessed. This text builds on Andrew Hussey’s interpretation of Isidore Isou’s
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Prijatelj Pavičić, Ivana. "Schiavoni: artists, nation, ideology." In Epitome musical. Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.em-eb.5.132036.

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Barrett, G. Douglas. "Institutions Against Art Music—Curation, Rehearsal, and Contemporary Art." In New Music and Institutional Critique. Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_2.

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AbstractThis chapter analyses the work of contemporary artists who use alternative institutions to challenge accepted notions of art music. Kevin Beasley’s 2019 curatorial collaboration with The Kitchen, Assembly, reframes heterogeneous musics as contemporary art through the transformational act of curation. In Rehearsing Philadelphia (2022), Ari Benjamin Meyers displays the process of musical rehearsal within temporary music organisations. The chapter contends that whereas Meyers devalues a range of music by refiguring it as rehearsal, Beasley and The Kitchen transvaluate musical practices hi
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Chelouche, Noga Rachel. "13. Futuring Classical Music through Contemporary Visual Art." In Classical Music Futures. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0353.13.

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This chapter focuses on the alternative performance of classical compositions created in the works of the renowned contemporary artist Anri Sala (b. 1974). A visual artist, Sala uses music as a central element in his films, installations, and performances. He manipulates the music according to different artistic ideas, thus creating unconventional performances. Through his works, Sala enables different perspectives and new contexts which lead classical music through unpredictable paths. The chapter focuses on three seminal works created by Sala in the last decade: The Present Moment (2014), Th
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Duby, Marc. "Articulating Musical Practice and Research." In Artistic Research in Jazz. Routledge, 2021. http://dx.doi.org/10.4324/9780429275838-13.

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Coelho, Victor. "The Artist and Artistry of the “Capirola Lutebook”." In Music and Visual Culture in Renaissance Italy. Routledge, 2023. http://dx.doi.org/10.4324/9781003029380-15.

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Weber, Cameron M., Ying Zhen, and J. J. Arias. "Who Is a (Musical) Artist and Why." In Artists and Markets in Music. Routledge, 2023. http://dx.doi.org/10.4324/9781003144328-1.

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Hayes, Tommy. "The academy as a space of musical fosterage." In The Artist and Academia. Routledge, 2021. http://dx.doi.org/10.4324/9780429433917-23.

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Conference papers on the topic "Artista musical"

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Stepanova, Daria D., German S. Andreev, and Pavel S. Sharakhin. "Content Strategies of Music Artists in the Digital Age of the Music Industry (by the Example of Russian Musical Artists)." In 2025 Communication Strategies in Digital Society Seminar (ComSDS). IEEE, 2025. https://doi.org/10.1109/comsds65569.2025.10971327.

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Melo-Gomes, Luiza de, Danilo B. Seufitelli, Gabriel P. Oliveira, Mariana O. Silva, and Mirella M. Moro. "Análise do Sucesso Musical no Brasil Utilizando Dados do Twitter." In Simpósio Brasileiro de Banco de Dados. Sociedade Brasileira de Computação - SBC, 2022. http://dx.doi.org/10.5753/sbbd_estendido.2022.21841.

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Este estudo tem como principal objetivo analisar como os dados do Twitter se relacionam com o sucesso da carreira artística musical. Primeiro, realizamos a coleta de dados de tweets, número de curtidas e retweets para cada perfil de artista presente nas paradas de sucesso do Spotify no mercado musical brasileiro. A partir dos dados coletados, construímos séries temporais para representar a carreira de cada artista, e investigamos se os períodos de maior sucesso ocorrem próximos uns dos outros. Tal análise exploratória auxilia na identificação de padrões temporais que podem revelar a existência
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Coli, Jorge. "Notas para uma distinção entre a noção de artista e de autor." In Encontro da História da Arte. Universidade Estadual de Campinas, 2008. http://dx.doi.org/10.20396/eha.4.2008.3804.

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Para começar, um trecho, lido há décadas. É extraído de um artigo escrito por Jean-Philippe Chimot sobre Delacroix, e publicado na revista Information de l’Histoire de l’art, de 19641, intitulado “Delacroix e a sociedade de seu tempo”. Ele diz: “Aqui, a noção de linguagem é central. Trata-se de ultrapassar seu sentido exclusivo de “retórica”, do estilo discursivo herdado do classicismo (ou antes, do academismo) para se abrir ao sentido mais largo de “pensamento”, supondo que pode existir um pensamento musical e um pensamento plástico com seus elementos constitutivos de uma natureza diferente d
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ROMAN, Diana. "The Actor, Between the Self from Theatre and the Other from Music." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0021.

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The worlds of music and theatre have been brought together under the sign of scenic creation since the origins of the appearance of the theatre, the interdisciplinary artistic dialogue between the two arts sharing common aesthetic, psychological, psycho-social landmarks. The interactions between these worlds gave birth, finally, going through different forms and long searches, to the most original and popular theatre genre, the Musical. At the same time with technology and the digital revolution, live music, the orchestra, the musicians present on the stage of the theatre, were replaced with r
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Santos, Tales Ramos Monteiro dos. "O uso da música na aula de inglês: Um relato de experiência em uma escola da rede pública de ensino de Goiás." In IV SEVEN INTERNATIONAL MULTIDISCIPLINARY CONGRESS. Seven Congress, 2023. http://dx.doi.org/10.56238/sevenivmulti2023-011.

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Este estudo, em formato de relato de experiência, tem como objetivo mostrar como o uso da música nas aulas de língua inglesa pode trazer muitos benefícios na aprendizagem de uma língua estrangeira. Além de um breve relato meu, também apliquei um questionário para saber qual a percepção dos alunos sobre o uso da música nas aulas de inglês. Dentre as diversas formas didáticas de aprender e praticar outro idioma, é o uso da música, como uma ferramenta motivadora e envolvente, pois a ela é capaz de alcançar quase todos os alunos numa sala, seja pelo ritmo, pela letra, pelo artista ou pelo gênero m
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Akansu, Nehir. "Investigación sobre Arte de la Improvisación musical en un enfoque interdisciplinario." In V Congreso Internacional de Investigacion en Artes Visuales ANIAV 2022. RE/DES Conectar. Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/aniav2022.2022.15614.

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Arte de la Improvisación musical en un enfoque interdisciplinario es una escritura reflexiva sobre mi investigación y producción en el programa doctorado. Centrado en la improvisación musical y lo explora en una composición de audiovisual y danza contemporánea. Explica el proceso de la producción artística lo cual inspirado de la armonía jazzística a través de esencias de la música folclórica celta, flamenca y tanguera y dotando de estos colores con audiovisuales de fondo de pantalla grande. Esta producción se presenta en una interpretación de viola en vivo con una bailarina moderna que improv
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NEAGU, Gelu. "The 21st century society and its sound ecotopes." In International Congress "Research – Innovation – Innovative Entrepreneurship". Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.17-18-05-2024.p395-401.

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Sound Ecotopia, as a synthesis of ecology and music, explores how sounds from nature and musical sounds create complex and unique sound experiences. In specific bioregions, this blend of sounds describes an ecological balance, forming soundscape utopias. The perspective of the culturalartistic approach translates the sound ecotopia as a place where music meets nature, stimulating emotions through vibrant interactions. The concept applied in various environments, including education, stimulates artistic innovation and blurs the boundaries between real and virtual, showing how nature inspires ar
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Barbosa, Gabriel R. G., Bruna C. Melo, Gabriel P. Oliveira, Mariana O. Silva, Danilo B. Seufitelli, and Mirella M. Moro. "Hot Streaks in the Brazilian Music Market: A Comparison Between Physical and Digital Eras." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19440.

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Consuming music through streams has made huge volumes of data available. We collect a part of such data and perform cross-era comparative analyses between physical and digital media for successful artists within the music market in Brazil. Given an artist’s career, we focus on hot streak periods defined as high-impact bursts occurring in sequence. Specifically, we construct artists’ success time series to detect and characterize hot streak periods for both physical and digital eras. Then, we assess their features, analyze them in the genre scale, and perform a cluster analysis to identify grou
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Jucu, Ioan Sebastian. "REPRESENTING CITIES, PLACES AND CULTURES THROUGH MUSIC TOURISM AND ICONIC MUSIC LEGENDS: A SHORT GEOGRAPHICAL ANALYSIS OF CELINE DION�S MUSIC AND TRAVEL." In 9th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscss.2022/s14.122.

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Cities, cultures, tourism and music have always been connected through the close relations between urban places as music venues, tourists and legendary musicians which perform to largest audiences. This paper aims to briefly examine the most important relations between music, tourism, cities and iconic musicians considering as a case in point, one of the most emblematic artists in the contemporary global popular culture - the iconic songstress Celine Dion. The article unveils the most important features which connect places with different cultures, with the fans as music tourists and with the
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Melnic, Victoria, and Vladimir Andrieş. ""Authenticity" in musical performance: For or against?" In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.01.

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The word „authentic” is used very frequently in the context of all arts, „authenticity”being one of the obligatory conditions for assessing the value and quality of an artistic product. But the meaning of this term and its semantic field varied depending on the historical moment and the artistic field. In the context of musical art, this concept is associated with the interpretation of ancient music, especially baroque music (although obviously, it can be applied to any other music). In this article, we will address the so-called „authentic” interpretation- the direction in musical interpretat
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Reports on the topic "Artista musical"

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Orning, Tanja. Professional identities in progress – developing personal artistic trajectories. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.544616.

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We have seen drastic changes in the music profession during the last 20 years, and consequently an increase of new professional opportunities, roles and identities. We can see elements of a collective identity in classically trained musicians who from childhood have been introduced to centuries old, institutionalized traditions around the performers’ role and the work-concept. Respect for the composer and his work can lead to a fear of failure and a perfectionist value system that permeates the classical music. We have to question whether music education has become a ready-made prototype of ce
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Delyea, Cole. Gospel Music Sound Characteristics (Various artists). ResearchHub Technologies, Inc., 2024. http://dx.doi.org/10.55277/researchhub.naofz1z4.

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Delyea, Cole. Chinese Classical Music Sound Characteristics (Various artists). ResearchHub Technologies, Inc., 2024. http://dx.doi.org/10.55277/researchhub.goo9lab0.

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Delyea, Cole. Indian Classical Music Sound Characteristics (Various artists). ResearchHub Technologies, Inc., 2024. http://dx.doi.org/10.55277/researchhub.hjxx3acj.

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Poloboc, Alina. Josh Tampico. Intellectual Archive, 2023. http://dx.doi.org/10.32370/iaj.2988.

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Josh Tampico is a painting from the Fancy Collection 2022, portraying a charismatic and creatively charged character with a keen sense of music. This vibrant portrayal depicts the brilliant music composer from Madrid, known for his distinctive blue hair. Having collaborated with numerous internationally renowned singers, Josh Tampico is a noteworthy figure in the music industry. The creation of this artwork is the result of a collaborative artistic project. The strategic use of the color blue by the painter Alina Poloboc in this piece symbolizes strength, trust, and creativity. Notably, the pa
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Gans, Joshua. "Selling Out" and the Impact of Music Piracy on Artist Entry. National Bureau of Economic Research, 2014. http://dx.doi.org/10.3386/w20162.

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Nucera, Diana J., and Catalina Vallejo. Media-making Pedagogies for Empowerment & Social Change: An Interview with Diana J. Nucera (AKA Mother Cyborg). Just Tech, Social Science Research Council, 2022. http://dx.doi.org/10.35650/jt.3022.d.2022.

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" As part of our “What Is Just Tech?” series, we invited several social researchers–scholars, practitioners, artists, and activists—to respond to a simple yet fundamental question: “What is just technology?” This interview was conducted by Just Tech program officer Catalina Vallejo, who spoke with Diana J. Nucera, AKA Mother Cyborg, a multimedia artist, educator, and organizer based in Detroit, Michigan. Nucera (she/her) uses music, performance, DIY publishing, community-organizing tactics, and popular education methods to elevate collective technological consciousness and agency. Her art draw
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Arnsdorf, Jeffrey. New Perspectives on Johannes de Muris and his Notitia artis musicae. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.7496.

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Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.621671.

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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more ope
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Trifon, Maria, Alin Savu, Bogdan Pălici, Cristian Georgescu, and Dinu Ion. Music streaming practices. Spotify usage in Romania. National Institute for Cultural Research and Training, 2025. https://doi.org/10.61789/pub.cdi.psm.en25.

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This publication provides an overview of music streaming practices, taking the use of the Spotify platform in Romania as a case study. Given that streaming has become the dominant form of cultural consumption nowadays (Arditi, 2021), analyzing the consumption trends and preferences recorded in Spotify charts in Romania becomes relevant. Spotify is a popular digital music streaming service that provides users with access to a vast library of songs, podcasts and other audio content from various artists and creators around the world.
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