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Books on the topic 'Artista musical'

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Published: 17 September 2021
Last updated: 30 July 2025

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1

Meierovich, Clara. Vicente T. Mendoza: Artista y primer folclorólogo musical. Universidad Nacional Autónoma de México, Coordinación de Humanidades, 1995.

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2

Nero, Domenico Del. Arrigo Boito: Un artista europeo. Le Lettere, 1995.

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3

Moreno, Bucci, and Lapi Ballerini Isabella, eds. Musica in scena: Artisti nei 70 anni del Maggio musicale fiorentino. Sillabe, 2007.

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4

Kulshreshtha, Khushboo. Introduction of musical gharanas and great artist. Shree Natraj Prakashan, 2010.

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5

Litvinova, Margarita, and Irina Kozhaeva. Musical-poetic performance. INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1071391.

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In the educational-methodical manual deals with basic dramaturgical and staging the principles of working with documentary and artistic material, techniques use of fact and document in a journalistic view, clearly demonstrates techniques for creating imaginative solutions and scenarios of artistic and journalistic representations.
 Addressed to students of universities of arts and culture, studying under the direction of training 51.03.05 "direction of the dramatized representations and holidays", studying discipline "Directing poetry theater" and "writing"; and also workers of culture, D
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6

Perri, Gaffney, ed. Managing artists in pop music: What every artist and manager must know to succeed. 2nd ed. Allworth Press, 2012.

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7

author, Fernández Lucas José, ed. Postales: Baglietto Vitale, artistas imprescindibles de nuestra música popular. Ediciones Disconario, 2020.

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8

Kuprina, Elena. Co-creation in music and music education. INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1019193.

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The monograph is devoted to the problem of musical co-creation, represents the artistic and dynamic system. The author considers the musical co-creation from the perspective of interdisciplinary approach, as the phase of the creative process, featuring self-contained characteristics, manifested in the "I" and "I'm Different" through specific regularities and principles. 
 In music co-creation differentiated into spheres, types and forms, where the role of the ratio of the subjects and the performance of co-creative artistic projects are analyzed from the position of system dynamics. In mu
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9

Liebman, Dave. Self-portrait of a jazz artist: Musical thoughts and realities. Advance Music, 1988.

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10

Brown, James Duff. British musical biography: A dictionary of musical artists, authors, and composers born in Britain and its colonies. Cambridge University Press, 2009.

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11

Nordman, Maria. De musica: New conjunct city proposals. Westfälisches Landesmuseum, 1993.

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12

Italy), Museo Novecento (Florence, ed. Artisti al teatro: Disegni per il Maggio musicale fiorentino. Carlo Cambi editore, 2018.

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13

Francisco Pérez de Valladolid (1703-1776): Artista organero del arzobispado de Sevilla. Diputación de Sevilla, Servicio de Archivo y Publicaciones, 2013.

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14

L'organaro Bortolo Pansera (1831-1916) di Romano di Lombardia (Bergamo), "artista abile, passionato e scrupoloso". Associazione Giuseppe Serassi, 2016.

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15

Fragmentos de modernidad : una mujer artista, dos instituciones y una idea en el arte en Cartagena. Banco de la República, 2018.

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16

Harris, Craig. Musical Life of Melanie. Rowman & Littlefield Publishers, 2025. https://doi.org/10.5040/9798881846978.

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At just twenty-two years old, Melanie was the first female solo performer at the historic 1969 Woodstock Festival, transforming into an overnight sensation. Craig Harris chronicles Melanie’s remarkable journey, revealing her dedication to artistic integrity for more than half a century. Inspired by a candle-lighting ceremony before her Woodstock performance, Melanie’s “Lay Down (Candles in the Rain)” became a groundbreaking gospel-pop hit. A month after its 1971 release, “Brand New Key” knocked Don McLean’s “American Pie” out of the Billboard pop charts’ top slot. Melanie often sang about love
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17

Bielen, Ken. The Words and Music of Billy Joel. ABC-CLIO, LLC, 2011. http://dx.doi.org/10.5040/9798216038337.

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This detailed exploration looks at the musical works of recording artist Billy Joel and his impact on popular culture. Billy Joel skyrocketed to popularity in 1977 with his fifth album, The Stranger, and he has been a major American artist ever since. His songs are timeless and appreciated by generations of fans. The Words and Music of Billy Joel examines this influential musician's songs in detail, exploring the meaning of the lyrics and placing Joel's artistry in a regional and cultural context. Covering work that ranges from Joel's recordings with the Lost Souls to his classical composition
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18

Pinzino, Mary Ellen. Giving Voice to Children's Artistry. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197606520.001.0001.

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This book addresses the development of children’s artistry in the music classroom and children’s chorus. It unveils children’s artistry, identifying its characteristic behaviors, its progression of development and necessary components for growth, and guides the practical application of principles addressed. The book addresses the development of children’s artistry from the perspective of both the choral art and the process of music learning, with each informing the other, rooting artistry in music learning and developing artistry in an ongoing manner throughout childhood. It presents the music
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19

Walden, Joshua S. Musical Portraits of Visual Artists. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190653507.003.0003.

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Chapter 2 considers the connections between musical and visual modes of representing identity through the study of musical portraits of visual artists, with special focus on Morton Feldman’s “de Kooning” and Philip Glass’s “A Musical Portrait of Chuck Close.” Considering these musical portraits in relation to works by the artists they depict reveals how they portray their subjects by organizing musical structures to serve as metaphors of visual strategies of representation, evoking aspects of biography while representing painterly techniques in patterns of sound. These portraits do not only po
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20

Kirkpatrick, Rob. The Words and Music of Bruce Springsteen. Greenwood Publishing Group, Inc., 2006. http://dx.doi.org/10.5040/9798216038368.

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Bruce Springsteen’s career has been covered many times over, yet many of the complexities and apparent contradictions of his music remain unresolved. Rob Kirkpatrick provides a comprehensive and coherent look at the work of this thoroughly complex and persistently captivating artist. After a brief biographical treatment, Kirkpatrick considers all of Springsteen’s significant albums in chronological order. These include Born to Run, which was voted the most popular album of all time in a recently published Zagat survey; Born in the U.S.A., which sold more than 20 million copies; and The Rising,
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21

Huschle, Ivelisse. Powerful Music : the Stories of Musical Artists: Musical Anecdotes. Independently Published, 2021.

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22

Havranek, Carrie, ed. Women Icons of Popular Music. Greenwood, 2008. http://dx.doi.org/10.5040/9798216037026.

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Popular music owes greatly to the spirit of rebellion. In all of its diversified, experimental, modern-day micro-genres, music's roots were first watered by good old-fashioned social dissension- its incendiary heights pushed heavenward by radicals and rogue revolutionaries. And perhaps none are more influential and non-conformist than women. Always first in line to give convention a sound thrashing, women in music have penned sonic masterpieces, championed sweeping social movements, and breathed life into sounds yet unimagined. Today's guitar-wielding heroines continue to blaze the trail, tapp
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23

Morgan, Pat. Motown Artist by Artist: A Compilation of the 100 Greatest Motown Artists. G2 Entertainment Ltd., 2014.

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24

Mazloomi, Carolyn, Nailah Randall Bellinger, Olivia Cousins, S. Pearl Sharp, and Catherine Roma. Art and Memory. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037900.003.0011.

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This chapter focuses on contemporary women artists whose artworks were featured in the Gendered Resistance Symposium, sponsored by Miami University and the National Underground Railroad Freedom Center. These artists include fabric artist Carolyn Mazloomi, choreographer Nailah Randall Bellinger, spiritualist and medical sociologist Olivia Cousins, filmmaker S. Pearl Sharp, and Catherine Roma. Each of these artists shares her vision of the arts as part of a transformative educational platform and speaks about the role of the artist in conveying stories of gendered resistance. Indeed, several of
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25

Pharrell Williams (Amazing Americans: Musical Artists). Bearport Pub Co Inc, 2017.

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26

Mayes, Sean. Conversations in Color. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350242135.

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Step into a world where the brightest creative minds of contemporary musical theatre share their insights and inspirations. Conversations in Color unveils the untold stories and perspectives of remarkable artists of color shaping the stage today. Delve into captivating interviews with visionaries like André De Shields, Alex Lacamoire, Baayork Lee, and many more, as they discuss the intricate artistry behind crafting unforgettable musical experiences. Unlike any other, this groundbreaking book offers an indispensable resource for the theatre industry. Explore the multifaceted process of musical
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27

Bielen, Ken. Words and Music of Neil Young. Greenwood Publishing Group, Inc, 2008. http://dx.doi.org/10.5040/9798216038498.

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Neil Young cannot be simply labeled. He has recorded as a solo artist, as a member of a hard rock trio, and with numerous other musician configurations. He can move from the soft sounds of early 1970s acoustic folk to the distorted, fuzz guitar sound of Crazy Horse. And his compositions have responded to musical trends from punk rock to grunge, and to social issues like racism, the Vietnam War, and the war in Iraq as well.The Words and Music of Neil Youngfollows the evolution of Young's musical work from the late 1960s to the present, with special focus on the enduring elements that have made
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28

LOS MUSICALES ¡Quiero ser artista! edebé, 2020.

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29

LOS MUSICALES ¡Quiero ser artista! edebé, 2020.

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30

LOS MUSICALES ¡Quiero ser artista! edebé, 2020.

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31

Wolf, Stacy. Beyond Broadway. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190639525.001.0001.

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As a ubiquitous national performance form, musical theatre—an utterly American, unapologetically commercial, earnestly popular, middlebrow genre of art and entertainment—has astonishing staying power. Local productions cross economic, racial, and geographic divides, assuming the status of a national folk practice. Shows are handed down across generations, remarkable in a country with so few common cultural experiences. Artists and audiences learn the Broadway canon, absorb the musical’s conventions, and have a lot of fun in the process. “Broadway,” as a globally recognizable brand, maintains i
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32

Whiting, Jim. Yo-Yo Ma. Greenwood Publishing Group, Inc., 2008. http://dx.doi.org/10.5040/9798216039945.

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A musician of rare artistry, the self-effacing yet charismatic Yo-Yo Ma connects with his audiences with startling effectiveness. He remains devoted to the classical repertoire yet has long roved far beyond the Western classical music canon. Despite his real superstar status and thriving solo career, he has often sought out musicians outside the classical sphere and collaborated with them on fascinating recordings. Above all, he is committed to the ever-evolving musical odyssey of his Silk Road Ensemble, itself part of a broader Silk Road Project aiming to explore the deep and varied artistic
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33

Racy, A. J. Musical Improvisation. Edited by Benjamin Piekut and George E. Lewis. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199892921.013.23.

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This chapter studies musical improvisation from the perspective of a performing musician and ethnomusicologist. Informed by personal experience and theory, the author explores improvisation in terms of two broadly conceived yet closely interconnected realms, musical artistry and cultural interpretation. Examples from different world contexts are presented with emphasis on the author’s area of expertise, especially the Arab World, Turkey, and Iran. Topics addressed include musical mode, emotion, ecstasy, and the cultural values and meanings attached to improvisatory practice. Cross-cultural mus
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34

Garrison, John S. Various Artists' Red Hot + Blue. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9798765106662.

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Red Hot + Blueis a meditation on music’s capacity to find us, transform us, and help us make sense of our historical moment.Blending memoir and cultural history, Garrison recalls his coming out at the height of the AIDS crisis alongside the music industry’s first major response to the epidemic. In 1990, a groundbreaking effort by musical artists sought to combat the silence and stigma about the disease. The resulting tribute album to legendary composer Cole Porter was evocatively titledRed Hot + Blue,capturing both the joy and melancholy that accompany love during turbulent times. It re-imagin
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35

Stiegler, Zack, and Todd Campbell. Musical Intimacy. Bloomsbury Publishing Inc, 2023. http://dx.doi.org/10.5040/9781501372285.

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Discourse on popular music frequently describes artists’ recordings and performances as “intimate.” Yet that discourse often stops short of elucidating how a mass-produced commodity such as popular music is able to elicit feelings of intimacy with and among its audience. Through detailed analysis of popular music’s composition, performance, production, and promotion, Musical Intimacy examines how intimacy is constructed and perceived in popular music via its affective and technological affordances. From the recording studio to the concert stage, from collective experience to individual listeni
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36

Jenkins, Todd S. Free Jazz and Free Improvisation. Greenwood, 2004. http://dx.doi.org/10.5040/9798400653766.

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The free jazz revolution that began in the mid-1950s represented an artistic and sociopolitical response to the economic, racial, and musical climate of jazz and the nation. In parallel with the American civil rights movement, free jazz exemplified an escape from the restrictive rules of musical performance with an emphasis on individual expression and musical democracy. A handful of major individual artists opened the gateway to intense personalization of performances through astonishing new techniques, and inner-city collectives were formed to support artistic experimentation and community e
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37

Carlin, Richard. Country Music: A Very Short Introduction. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780190902841.001.0001.

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Country Music: A Very Short Introduction presents an overview of country music and its impact on American culture. Country music has long been a marker of American identity; from popular culture to politics, it has provided a soundtrack to national life. While traditionally associated with the working class, country music’s appeal is far broader than any other popular music style. While this music rose from the people, it is also a product of the popular music industry, and the way the music was marketed to its audience is a key part of its story. This VSI considers country music’s roots and d
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38

Hess, Mickey, ed. Icons of Hip Hop [2 volumes]. Greenwood, 2007. http://dx.doi.org/10.5040/9798216190493.

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The extraordinary impact of hip-hop music on American culture over the past three decades is undeniable. At the forefront of this global phenomenon stand artists who broke new ground, both musically and politically. This unique reference provides substantial entries on the most revolutionary hip-hop artists and innovators, past and present, and offers in-depth coverage of each icon's influence in shaping hip-hop music. An essential reference for high school and public libraries, this encyclopedia will help students and interested readers uncover the historical and cultural framework of hip-hop
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39

Rock and Colors 1: Alfabeto Musicale. Impara e Colora gli Artisti Della Storia Della Musica. Independently Published, 2020.

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40

Rock and Colors 2: Alfabeto Musicale. Impara e Colora gli Artisti Della Storia Della Musica. Independently Published, 2020.

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41

Speaking Musically : Great Artists Convhb: Speaking Musically. Whitefox Publishing Limited, 2023.

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42

Goldsmith, Melissa Ursula Dawn. Listen To Classic Rock! Greenwood, 2019. http://dx.doi.org/10.5040/9798400679773.

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Listen to Classic Rock! Exploring a Musical Genre provides an overview of this diverse and complex musical genre for scholars of classic rock and curious novices alike, with a focus on 50 must-hear musicians, songwriters, bands, and albums. Listen to Classic Rock! Exploring a Musical Genre explores in detail the genesis, evolution, and proliferation of classic rock. It begins with a background on the development of classic rock and its subgenres. Next, an A to Z listing of artists (musicians, songwriters, and bands), albums, important concerts, and songs; a chapter on classic rock's impact on
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43

Schinder, Scott, and Andy Schwartz. Icons of Rock. Greenwood, 2007. http://dx.doi.org/10.5040/9798400668029.

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More than half a century after the birth of rock, the musical genre that began as a rebellious underground phenomenon is now acknowledged as America's-and the world's-most popular and influential musical medium, as well as the soundtrack to several generations' worth of history. From Ray Charles to Joni Mitchell to Nirvana, rock music has been an undeniable force in both reflecting and shaping our cultural landscape.Icons of Rockoffers a vivid overview of rock's pervasive role in contemporary society by profiling the lives and work of the music's most legendary artists. Most rock histories, by
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44

Chew Sánchez, Martha I., and David Henderson, eds. Scattered Musics. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496832368.001.0001.

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This book brings together eleven chapters on the musics of migrant and diaspora populations around the globe. Their authors are engaged with and sensitive to the nuances of struggles over identities and representations through musical expression, and they give account of some of the ways in which musicians, fans, promoters, and others use music and other media (including social media) to negotiate, transcend, or create solidarities with different normativities and nationalisms. How have diasporas transformed the musical expressions of their home countries as well as those in the host communiti
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45

Lange, Barbara Rose. Epilogue. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190245368.003.0011.

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The Epilogue describes how economic and social shocks of the late 2000s, in particular the 2008 world economic crisis, affected local fusion musics in Central Europe. It discusses changes in artistic personhood, musical sociality, creative processes, and connections to the West European musical market; efficiency penetrated the creative process, and more aspects of the individual became monetized. The Epilogue describes how far-right nationalism and its musical expression strengthened in the late 2000s, and how others made musical interventions against these trends. It describes how musicians
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46

Koozin, Timothy. Embodied Expression in Popular Music. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197692981.001.0001.

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Abstract This study of embodiment and meaning in popular music explores a wide-ranging repertoire, offering a performance-based analytical methodology that progresses from basic idiomatic gestures, to gestural combinations and interactions with large-scale design, to broader interpretive strategies that engage with theories of embodiment, the musical topic, and narrative. The book examines artistic practices in popular song that draw from a vast range of stylistic sources, including rock, blues, folk, soul, funk, fusion, and hip hop, as well as European classical and African American gospel mu
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47

Rajan, Rekha S. From Backpacks to Broadway. Rowman & Littlefield, 2016. https://doi.org/10.5040/9798881827717.

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Musical theater is a dynamic, collaborative art form, which encompasses music, theater, dance, and the visual arts. Traditionally associated with adult performers, musicals also have roles designated specifically for children. How then does involvement in musical theater support children’s learning through the performing arts? What do children value from their musical theater experiences and how do these experiences influence children’s personal, social, and artistic lives? Based on a decade of research, this book explores these questions through children’s participation as singers, actors, an
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48

Padmanabhan, Mekala. Orchestra and song. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199352227.003.0011.

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Orchestras have played a seminal role in creating a vibrant soundscape in Indian films since inception. From the earliest skeletal complement comprising violin, tabla and harmonium in silent films to the dynamic and expansive orchestral colour, timbre and styles of the twenty-first century, Tamil film orchestral sonorities have drawn global attention to the ‘Kollywood sound’. Music directors have adopted a cross-cultural approach to musical composition, enriching film background scores and song interludes while establishing film music’s distinctiveness as a musical genre. This chapter explores
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49

Bolden, Tony. Groove Theory. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496830524.001.0001.

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Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and
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50

Gilmour, Michael J., ed. Call Me the Seeker. Bloomsbury Publishing Plc, 2005. http://dx.doi.org/10.5040/9781501383335.

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-One of very few books on religion and popular music -Covers a wide range of musical styles, from heavy metal and rap to country, jazz and Broadway musicals -The essays are written by academics and informed by their enthusiasm for the music Many books have explored the relationship between religion and film, but few have yet examined the significance of religion to popular music. Call Me The Seeker steps into that gap. Michael Gilmour’s introductory essay gives a state-of-the-discipline overview of research in the area. He argues that popular songs frequently draw from and “interpret” themes f
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