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Dissertations / Theses on the topic 'Artista musical'

Author: Grafiati
Published: 17 September 2021
Last updated: 30 July 2025

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1

Maas, Maurício de Oliveira. "Música corporal e jogos musicais corporais: um estudo das práticas do grupo Barbatuques na educação musical do artista teatral." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27155/tde-11032019-113435/.

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A presente dissertação de mestrado propõe uma investigação sobre as possibilidades de aplicação das práticas de musicalização corporal desenvolvidas pelo grupo Barbatuques na educação musical do artista teatral. Este grupo, referência em percussão corporal, possui uma sólida pesquisa artística e pedagógica, iniciada em 1997, na qual utiliza o corpo como instrumento musical, através de atividades nas quais o aspecto lúdico é preponderante. O objetivo principal desta dissertação é apresentar os principais jogos desenvolvidos pelo grupo, propondo uma análise reflexiva sobre seu uso e aplicação no
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Ferreira, Marcos Ramon Gomes. "O PRODUTOR-ARTISTA E A CIBERCULTURA:uma reflexão sobre a produção musical na era das redes sociais virtuais." Universidade Federal do Maranhão, 2011. http://tedebc.ufma.br:8080/jspui/handle/tede/15.

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Made available in DSpace on 2016-08-16T18:10:23Z (GMT). No. of bitstreams: 1 dissertacao marcos ramon.pdf: 4142149 bytes, checksum: b64ee9d763382604306cb7199e4fb1fa (MD5) Previous issue date: 2011-12-09<br>Analysis of musical production and its dissemination strategies from the use of social networking. The proposal is to investigate the actions of artists-producers that are within the scope of cyberculture. For this, I analyze relevant concepts to cyberspace and its relationship with the music produced from the use of digital technology. I also investigate the issue of consumption and ide
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3

Duran, Huamantinco Andrea Luisa. "Optimizar la gestión del artista en la industria musical mediante un Sistema Web basado en el marketing artístico." Bachelor's thesis, Universidad Ricardo Palma, 2015. http://cybertesis.urp.edu.pe/handle/urp/1136.

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Título : Optimizar la gestión del artista en la industria musical mediante un sistema web basado en el marketing Artístico. Autores : Bach. Duran Huamantinco Andrea Luisa. Asesor de Tesis : Dr. Hugo Vega Huerta Jurado Evaluador : Presidente: Dr. Francisco Aguilar (Director de la Escuela Académico de Ingeniería Informática) Miembros : Mg. Luis Palacios Pacherres, Mg. Yolanda Yopla Mercado y Mg. Humberto Linares Coloma Fecha : 20 de octubre del 2015 ____________________________________________________________________
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Rossiter, Vargas Gustavo Adolfo Junior. "Escuela superior de música como soporte para la formación y valorización del artista musical en la provincia de Chiclayo." Bachelor's thesis, Universidad Católica Santo Toribio de Mogrovejo, 2020. http://hdl.handle.net/20.500.12423/2610.

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La provincia de Chiclayo, es poseedora de un vasto legado cultural y talento artístico; sin embargo, las oportunidades para el desarrollo de su potencial se ve afectado por las deficientes políticas culturales y la inadecuada infraestructura que no permite el correcto fomento y difusión artística, ocasionando estigmas que restan valor al proceso creativo del músico y desvirtúan su formación profesional. En ese sentido, la investigación planteó contribuir con la valorización de la formación artística a través de una escuela superior de música. Se hizo pertinente reconocer la realidad artística
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CUNHA, Thiago Neves. "O empreendedorismo cultural emergente da [re]configuração da indústria da música por meio das novas tecnologias de informação e comunicação: o caso do artista pernambucano Siba." Universidade Federal de Pernambuco, 2016. https://repositorio.ufpe.br/handle/123456789/25770.

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Submitted by Fernanda Rodrigues de Lima (fernanda.rlima@ufpe.br) on 2018-08-15T22:00:49Z No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) DISSERTAÇÃO Thiago Neves Cunha.pdf: 1533343 bytes, checksum: 5ccb639a75b061e685d0ffe961112be1 (MD5)<br>Approved for entry into archive by Alice Araujo (alice.caraujo@ufpe.br) on 2018-08-21T17:32:00Z (GMT) No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) DISSERTAÇÃO Thiago Neves Cunha.pdf: 1533343 bytes, checksum: 5ccb639a75b061e685d0ffe961112be1 (MD5)<br>Made available
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Paludo, Ticiano Ricardo. "Da mitologia ancestral ? mitologia musical : reflexos do espetacular e do hiperespetacular em videoclipes de David Bowie, Kiss e Lady Gaga." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2017. http://tede2.pucrs.br/tede2/handle/tede/7290.

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Submitted by Caroline Xavier (caroline.xavier@pucrs.br) on 2017-05-19T17:42:46Z No. of bitstreams: 1 TES_TICIANO_RICARDO_PALUDO_COMPLETO.pdf: 4503183 bytes, checksum: 26a6e1ee4a05505a08456c1b16493040 (MD5)<br>Made available in DSpace on 2017-05-19T17:42:46Z (GMT). No. of bitstreams: 1 TES_TICIANO_RICARDO_PALUDO_COMPLETO.pdf: 4503183 bytes, checksum: 26a6e1ee4a05505a08456c1b16493040 (MD5) Previous issue date: 2017-03-22<br>This thesis aims to study the articulations and tensions that exist in the 21st century musical myths, and will verify the possibility of tracing a 2000?s mythic constructi
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7

Sovero, Alvaro. "Álvaro Sovero, bajista de grandes artistas y compositor musical. [ Negocios musicales]." Universidad Peruana de Ciencias Aplicadas (UPC), 2016. http://hdl.handle.net/10757/615494.

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El libro, dividido en dos tomos, tiene como objetivo principal abordar el tema de los negocios musicales desde una perspectiva poco narrada en el Perú. El tomo I introduce la administración, organización de los negocios y narra los casos de artistas y empresarios exitosos del quehacer musical. El tomo II presenta más casos de negocios musicales de compositores, orquestas, emprendedores, directivos de grupos radiales y un análisis sobre el entorno legal, financiero y de las nuevas tendencias en marketing.
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Silveira, Juliano Malinverni da. "Vozes dissonantes." reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/94504.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2010<br>Made available in DSpace on 2012-10-25T10:59:27Z (GMT). No. of bitstreams: 1 285903.pdf: 1320511 bytes, checksum: 148c792db667cc4958bbdcb6bc2ed2e3 (MD5)<br>O presente trabalho visa uma leitura sobre como os artistas da Tropicália operaram, de forma a situar-se em pontos de intersecções localizados em situações paradoxais no fazer de seu disco-manifesto Tropicália ou Panis et Circensis. Para tanto, desenvolve uma análise da capa do d
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Aguirre, Lopez Nicolas Enrique, Echeverria Carlos Augusto Garrido, Giannotti Haris Giordano Papadelis, Castro Enrique Sebastian Robles, and Chueca Flavio Cesar Rodriguez. "Modelo de negocio para validar el emprendimiento de una agencia de marketing musical en Lima Metropolitana." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/626507.

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El presente proyecto sobre nuestra agencia de marketing musical para artistas del género urbano nos muestra la viabilidad de su ejecución, en base a la investigación realizada en Lima Metropolitana de los NSE “A” y “B”, que permitió detectar una demanda insatisfecha debido a la necesidad que tienen para promocionar su música en el mercado local. Actualmente existen agencias de marketing musicales que no están enfocadas en el género urbano, sino en música de todos los tipos, lo que genera frustración en los artistas urbanos que tratan de llegar a todo su público objetivo sin éxito debido a la
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10

Mazuela-Anguita, Ascensión. "Artes de canto (1492-1626) y mujeres en la cultura musical del mundo ibérico renacentista." Doctoral thesis, Universitat de Barcelona, 2012. http://hdl.handle.net/10803/84122.

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Esta Tesis Doctoral explora la cultura musical del mundo ibérico renacentista a través del estudio de artes de canto en lengua vernácula impresas entre 1492 y 1626 y de su relación con las mujeres de la época. La Tesis consta de siete capítulos, estructurados en dos partes (Vol. I), y de veinte apéndices (Vol. II). La primera parte (Capítulos I al IV) muestra que las características por las que estos libros que contenían los rudimentos de la música han sido infravalorados hasta ahora por la historiografía musical son precisamente las mismas que demuestran que respondían a una necesidad pedagóg
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Ferraro, Andrés. "Music recommender systems: taking into account the artists' perspective." Doctoral thesis, Universitat Pompeu Fabra, 2021. http://hdl.handle.net/10803/672852.

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Music streaming platforms nowadays play an important role in music consumption and have a big influence on the musical taste of the listeners. Machine learning-based recommender systems are a fundamental part of such streaming platforms defining what music people listen to and when. As for many applications of machine learning, there is an increasing debate in academia, industry and governments about the effects that the recommender systems have in society and the ethical implications of such systems. The bias in music recommender systems towards the more popular items has been studied ex
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CORRÊA, Leiriane Teixeira. "DESENVOLVIMENTO DO TEATRO MUSICAL BRASILEIRO À LUZ DA NOTORIEDADE MIDIÁTICA DAS ADAPTAÇÕES E DOS ARTISTAS." Universidade Metodista de Sao Paulo, 2016. http://tede.metodista.br/jspui/handle/tede/1520.

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Submitted by Noeme Timbo (noeme.timbo@metodista.br) on 2016-08-19T22:50:37Z No. of bitstreams: 1 LEIRIANE TEIXEIRA CORREA.pdf: 3658424 bytes, checksum: ff80527e959e8af536eca8e7eee876c4 (MD5)<br>Made available in DSpace on 2016-08-19T22:50:37Z (GMT). No. of bitstreams: 1 LEIRIANE TEIXEIRA CORREA.pdf: 3658424 bytes, checksum: ff80527e959e8af536eca8e7eee876c4 (MD5) Previous issue date: 2016-04-04<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This paper intends to analyze Brazilian musical theater’s development from the first national staging of vaudeville’s – a Frenc
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Chinburg, Jenna. "The Perception of Trust Between Athletic Trainers and Musical Performing Artists." Thesis, San Jose State University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10634918.

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<p> Trust is a crucial element for a successful patient-clinician relationship. Athletic trainers may care for musical performing artists who demonstrate unique needs compared to traditional patients. In order to provide the best care, athletic trainers must establish a basis of patient-centered care and build solid professional relationships with performers. By improving overall patient-clinician relationship factors with respect to this population, trust may be implemented and sustained. The purpose of the study was to determine factors that established or diminished trust between drum corps
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14

Niles, Richard. "The invisible artist : arrangers in popular music (1950-2000) : their contribution and techniques." Thesis, Brunel University, 2007. http://bura.brunel.ac.uk/handle/2438/7914.

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This thesis is based on the research conducted by the author for the series, Richard Niles' History of Pop Arranging, seven thirty-minute documentary programmes for BBC Radio 2, researched, written and presented by the author and broadcast in 2003. It also draws on interviews conducted by the author (and other research) between 2002 and 2007 both for the radio series and for this thesis and on the author's experience as a professional arranger in popular music working with many of the genre's significant recording artists including Paul McCartney, Ray Charles, Cher, Tina Turner, Westlife, Tear
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Capuzzo, Helder Danilo. "Música ricercata, de György Ligeti: considerações de performance." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-06092016-120551/.

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Este trabalho acata Musica ricercata (1951-53), importante obra do período húngaro de György Ligeti, sob o ponto de vista da performance musical. Estruturado em três capítulos, no primeiro investiga a maneira como o conjunto de onze peças reflete o reposicionamento artístico e político de Ligeti nos anos anteriores à sua saída de Budapeste em direção à Europa Ocidental, ocorrida em 1956, e se firma como marco de sua independência artística. No segundo capítulo, centramos a pesquisa no projeto composicional de Musica ricercata com objetivo de identificar tópicos de sua organização estrutural qu
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Guerimand, Melanie. "Les programmations du Grand-Théâtre de Lyon (1815–1848) : une identité en construction ?" Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20026.

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Depuis le début du Premier Empire, la création artistique française est régentée, à quelques exceptions près, par les théâtres de Paris. À l’instar de bon nombre de scènes provinciales, le Grand Théâtre de Lyon est contraint, à défaut de pouvoir proposer des œuvres locales, de composer ses programmations lyriques en fonction des productions de la capitale et de construire son affiche en prenant pour modèles celles de l’Opéra et de l’Opéra Comique. À l’aide des différents témoignages retrouvés dans les textes de presse de l’époque, cette étude s’interroge sur l’identité des programmations du Gr
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Kim, Yŏng-suk. "The artist-teacher as college music educator /." Access Digital Full Text version, 1993. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11396155.

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Thesis (Ed.D.)--Teachers College, Columbia University, 1993.<br>Typescript; issued also on microfilm. Sponsor: Robert Pace. Dissertation Committee: Harold Abeles. Includes bibliographical references (leaves 217-220).
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Cairns, Robert J. "A test of selected aspects of Peter Webster's conceptual model of creative thinking in music." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ28544.pdf.

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Gavazza, Giuseppe. "La synthèse par modèle physique comme outil de formalisation musicale." Thesis, Université Grenoble Alpes (ComUE), 2018. http://www.theses.fr/2018GREAS041.

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La synthèse pour par modèles physiques propose une approche à de la création musicale alternative à de celui celle plus habituelle du traitement du signal. En prenant en considération le phénomène musical comme un unicum émergeant de l'interaction entre le musicien et les instruments à sa disposition, on expérimente et donne corps phénoménologique et sensible aux actions créatrices.En ne considérant pas comme entités distinctes la matière sonore et la structure musicale, on oriente les potentialités de l'ordinateur et crée une dialectique originale et féconde entre le formel (structurel) et le
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Garofano, Ilaria <1994&gt. "Artisti alla regia. Fotografi, scultori, pittori e i videoclip musicali." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17555.

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L’elaborato verte sull’attività di alcuni artisti visivi in veste di registi di videoclip musicali. Nel primo capitolo è presentata una panoramica sul sistema dell’industria musicale, facendo attenzione agli attori, alle fasi di produzione, distribuzione, fruizione di un prodotto musicale e alla filiera di produzione di un videoclip musicale. Il capitolo seguente affronta le dinamiche legate alla nascita dell’emittente MTV nel 1981 e presenta una mappa cronologica di video clip realizzati da artisti. Infine, nell’ultimo capitolo, vengono esaminati alcuni casi studio significativi, con i quali
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Rosa, Amélia Martins Dias Santa. "A construção do musical como prática artística interdisciplinar na educação musical." reponame:Repositório Institucional da UFBA, 2006. http://www.repositorio.ufba.br/ri/handle/ri/9138.

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184 f.<br>Submitted by JURANDI DE SOUZA SILVA (jssufba@hotmail.com) on 2013-03-08T14:29:05Z No. of bitstreams: 1 Dissertacao Amelia Santa Rosa.pdf: 2358548 bytes, checksum: 14f0e09e2cc16d8976b74d5e1cec4fa2 (MD5)<br>Approved for entry into archive by Rodrigo Meirelles(rodrigomei@ufba.br) on 2013-03-22T14:40:06Z (GMT) No. of bitstreams: 1 Dissertacao Amelia Santa Rosa.pdf: 2358548 bytes, checksum: 14f0e09e2cc16d8976b74d5e1cec4fa2 (MD5)<br>Made available in DSpace on 2013-03-22T14:40:06Z (GMT). No. of bitstreams: 1 Dissertacao Amelia Santa Rosa.pdf: 2358548 bytes, checksum: 14f0e09e2cc16d8976
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Troop, Meagan. "Developing artistic identity in a post-secondary musical theatre program." Thesis, Kingston, Ont. : [s.n.], 2008. http://hdl.handle.net/1974/1380.

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Andrieux, Françoise. "Gustave Charpentier, artiste social : contribution à l'étude de l'éducation musicale populaire." Paris 4, 1985. http://www.theses.fr/1985PA040078.

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Roda, Jessica. "Vivre la musique judéo-espagnole en France : de la collecte à la patrimonialisation, l’artiste et la communauté." Thèse, Paris 4, 2012. http://hdl.handle.net/1866/9170.

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Doctorat réalisé en cotutelle avec l'Université Paris Sorbonne. La version intégrale de cette thèse est disponible uniquement pour consultation individuelle à la Bibliothèque de musique de l’Université de Montréal (www.bib.umontreal.ca/MU).<br>La question centrale de cette recherche s’inscrit dans la foulée des problématiques autour de la patrimonialisation, de la performance et de la mise en scène des pratiques musicales. Elle vise plus précisément à comprendre comment et pourquoi les Judéo-espagnols de France, installés depuis le début du XXe siècle, utilisent les pratiques singulières des
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Midgren, Sven. "Folk as Art : my development as an artist." Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1501.

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The present paper discusses the two concepts 'music as art' and 'music as function', put in a historical context but also based on my own experiences and development throughout the Nordic Master in Folk Music. Special regard is given to how my changing relationship to these two concepts have affected my own development. The paper also describes several different methods for artistic development as well as some ideas about what (folk) music can be and how we can think about it.<br><p>Bilaga: 1 DVD</p>
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Koonce, Richard S. "THE SYMBOLIC RAPE OF REPRESENTATION: A RHETORICAL ANALYSIS OF BLACK MUSICAL EXPRESSION ON BILLBOARD'S HOT 100 CHARTS." Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1162098669.

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Sierra, Joaquín. "Comunidad y creación de contenido : modelo de negocios y desafíos para artistas musicales bajo streaming." Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/143913.

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Seminario para optar al titulo de Ingeniero Comercial, mención Administración<br>En el mundo digital del siglo 21, hemos alcanzado la instantaneidad, accediendo a servicios, contenido y entretenimiento de manera expedita. Conveniencia que sólo el mundo digital y su codificación nos permite articular, en un mundo cada día más actualizado/conectado. Al punto que podemos disfrutar el último episodio de nuestra serie favorita, donde queramos y cuando queramos, gracias a servicios como Netflix. Tomar un taxi a cualquier hora del dí
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Kaufman, Carole Anne. "Heresy to Artistry| The Upward Mobility of Musical Whistling Through Rhetorical Framing." Thesis, California State University, Los Angeles, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10685759.

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<p> Mouth whistling is one of the oldest forms of commination known to humans. Though often overlooked and underappreciated, whistling has been a powerful, universal tactic of message sending for millennia. Research reveals historical contexts of whistling as an uncouth, unlucky and unladylike act reserved for the working class. This has resulted in the disparagement of all forms of whistling. Despite its status as a marginalized act, people around the world partake of whistling for many purposes, including music. Competitive whistling events which showcase virtuosic musical talent have existe
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Cortez, Karen. "Raising the musical self-efficacy of classroom teachers: best practice collaborative strategies for visiting artists." Thesis, Sydney Conservatorium of Music, 2021. https://hdl.handle.net/2123/24519.

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This study aimed to investigate the collaborative possibilities of a modified single visit format to support the musical self-efficacy of teachers. A “truncated” action research model (Cain, 2008) was used to demonstrate at a methodological level the importance of teacher involvement in this process. The ensemble Quart-Ed worked with four teachers from Banana School over the course of two collaborative meetings in preparation for delivering a program for their classes. Using interviews, fieldnotes, video recordings, and formal and informal reflection from all participants at every stage of the
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Mundim, Tiago Elias. "Contextualização do teatro musical na contemporaneidade : conceitos, treinamento do ator e inteligências múltiplas." reponame:Repositório Institucional da UnB, 2014. http://repositorio.unb.br/handle/10482/16165.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Artes, Programa de Pós-Graduação em Arte, 2014.<br>Submitted by Raquel Viana (raquelviana@bce.unb.br) on 2014-08-28T17:18:37Z No. of bitstreams: 1 2014_TiagoEliasMundim.pdf: 4466689 bytes, checksum: b90d28ae102e7f921ba6faaa96d36867 (MD5)<br>Approved for entry into archive by Raquel Viana(raquelviana@bce.unb.br) on 2014-08-28T19:28:24Z (GMT) No. of bitstreams: 1 2014_TiagoEliasMundim.pdf: 4466689 bytes, checksum: b90d28ae102e7f921ba6faaa96d36867 (MD5)<br>Made available in DSpace on 2014-08-28T19:28:24Z (GMT). No. of bitstreams: 1 201
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Lyons, Lisa Lynn. "A performance in musical theatre: Singular sensations in Shakespeare and song." CSUSB ScholarWorks, 1999. https://scholarworks.lib.csusb.edu/etd-project/1712.

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Whedon, Pamela Webber Sheriff Mary D. "Sensing Watteau the artist's musical images as preludes to the age of sensibility /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,1533.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2008.<br>Title from electronic title page (viewed Sep. 16, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art History." Discipline: Art; Department/School: Art.
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Hamrick, David (David Russell). "Guilielmus Revealed: the Coherence, Dating, and Authorship of "De Preceptis Artis Musice"." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc501070/.

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De preceptis is considered a major source of information on the origins of fauxbourdon, despite its being regarded as a disorganized compilation of multiple authorship, uncertain date, and unknown provenance. Internal cross-reference and writing mannerisms, however, show it to be a compilation of a single author's writings. Comparison of its pedagogical content to that of other theory treatises suggests that it was written c. 1500, not the accepted c. 1480. Evidence also indicates that Guillaume Garnier, a Flemish associate of Tinctoris and Gaffurius working in Italy, was its author. De precep
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Granados, Santoyo Karina Claraliz. "Sentido de coherencia y flow en personas que realizan teatro musical en Lima." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2018. http://hdl.handle.net/10757/625151.

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Se exploró la relación entre el Sentido de Coherencia y Flow en personas que practican Teatro Musical. La hipótesis de esta investigación consiste en que existe una relación significativa positiva entre estos constructos. Se utilizaron las escalas de Orientación hacia la vida (SOC-13) y Flow Disposicional (DSF-2) en una muestra de 142 personas de 18–40 años pertenecientes a cinco asociaciones culturales de Lima. Los resultados mostraron una relación significativa entre los factores del SOC-13 y los diferentes factores del DSF-2. Esto indica que entre más confianza se tenga en los recursos que
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Kafetzi, Eleni. "Interdisciplinarité en représentation théâtrale. Éléments du Musical dans le spectacle interdisciplinaire contemporain." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA046.

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L’interdisciplinarité est une pratique largement employée dans le spectacle vivant contemporain. Que l'on aborde le concept de coopération ou celui d’intégration, il s’agit d’une procédure de fusion qui, dans le cas des arts du spectacle, se concrétise par la croisée des disciplines artistiques entre elles, avec d’autres sciences, ou d’autres arts. Dans la scène théâtrale l’interdisciplinarité se présente sous plusieurs formes. La présente étude se concentre sur les spectacles contemporains mariant théâtre, musique et danse et leur relation avec le genre interdisciplinaire par excellence que r
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Henbest, Caroline. "From Nowhere to Now Here: A Journey from Performer to Collaborative Artist." Thesis, Griffith University, 2022. http://hdl.handle.net/10072/413696.

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This research project involved the creation of a collaborative composition titled From Nowhere to Now Here. It was first performed at Tempo Rubato in Brunswick, Melbourne on 18 April 2021. This supporting exegesis examines the creative process, which involved myself as violist working closely with seven selected collaborators – six musicians and a movement theatre artist – as we created a series of musical duos. The compositional process involved the participants exploring how to create a work of chamber music – in this case a cycle of 14 duos, plus an improvised Prelude and Postlude – using
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Benbalit, Tatiana I. "The shaping of Modest Moussorgsky's musical language : an assimilation of social, artistic and folk influences /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/11252.

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Weizmann, Claudio. "Educação musical: aprendendo com o trabalho social de uma orquestra de violões." Universidade Presbiteriana Mackenzie, 2008. http://tede.mackenzie.br/jspui/handle/tede/1977.

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Made available in DSpace on 2016-03-15T19:43:22Z (GMT). No. of bitstreams: 1 Claudio Weizmann.pdf: 1657869 bytes, checksum: 6fc292378a87627539b4455b05554a46 (MD5) Previous issue date: 2008-08-04<br>Fundo Mackenzie de Pesquisa<br>The present thesis seeks to examine the still little understood and under-explored potential of music education, based on the analysis of the results of a socio-cultural musical project, the Orquestra Sinfonia do Cerrado. This project was built around the principles of a critical-reflective educational practice, and structured within the dynamics of a collective teac
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Cogo, Riccardo <1993&gt. "Branding nell’industria musicale indipendente italiana: come trasformare un artista in un brand e l'importanza di una strategia di branding." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15255.

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Il branding nell’industria musicale indipendente italiana sembra essere diventato uno degli strumenti di marketing più di tendenza per la distribuzione e promozione del prodotto e servizio musica. I consumatori vedono nei generi musicali un capitale di valori e tendenze, una forma di associazione tra persone che condividono principi e che sentono riflettere il proprio stato d’animo. Gli artisti diventano così i portavoce di un movimento. La musica, e i valori che comunica l’artista, vengono racchiusi nel suo brand che si esplicita attraverso il suo nome d’arte e diventa lo stemma sotto il qua
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Rocha, Ana Cristina Rossetto 1954. "Educação musical e experiência estética = entre encontros e possibilidades." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251188.

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Orientador: Ana Angélica Medeiros Albano<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-18T15:29:09Z (GMT). No. of bitstreams: 1 Rocha_AnaCristinaRossetto_M.pdf: 5210751 bytes, checksum: bbc9055579c4beabcc2894e93a516d36 (MD5) Previous issue date: 2011<br>Resumo: Este trabalho foi provocado pelo meu interesse nas relações entre a educação musical e a experiência estética no campo da iniciação artística, o qual tem me acompanhado em meu percurso como professora e como musicista. A pesquisa analisa o processo vivido po
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SEHATIGORGAN, SARA. "Museo Virtuale degli Strumenti Musicali Persiani Preislamici." Doctoral thesis, Università degli studi di Genova, 2019. http://hdl.handle.net/11567/982553.

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My doctoral thesis investigates the origin, the evolution and the latest technological and digital experiments of the "virtual museum" with a practical application on ancient Persian musical instruments that is through the digitalization of information sheets, coming from the National Museum of Tehran, and the preparation of the rooms in "panorama" mode, of the museum. The reason for this choice is based on the following findings: 1. Iran, in spite of the continuous technological evolution based on web based technologies, and the availability on the international market of the most adva
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Lacerda, Ayêska Oassé Luis Paulafreitas de. "O Cacique do Candeal = estudo da trajetória artistica de Carlinhos Brown e de suas relações com o mercado da música." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280889.

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Orientador: Rita de Cássia Lahoz Morelli<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-17T05:56:23Z (GMT). No. of bitstreams: 1 Lacerda_AyeskaOasseLuisPaulafreitasde_D.pdf: 2338985 bytes, checksum: ed882c7e55109cb7f779bf4fa4cba53b (MD5) Previous issue date: 2010<br>Resumo: A partir da década de 1980, configurou-se em Salvador, Bahia, a cena musical da axé music, que se caracteriza por acolher canções de diversos estilos e ritmos produzidos para o carnaval de Salvador e executados por bandas de trio el
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Nyström, Alexander. "When words are not enoughAn evaluation of character n-grams and function words in author identification of musical artists." Thesis, Umeå universitet, Institutionen för datavetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-156137.

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When we write texts we unconsciously leave prints behind, these prints are things such as the words used, punctuation, special characters and more. There are several different approaches to author identification that utilises these features. All these methods have been applied to avariety of texts, everything from papers to poems, e-mail and forum posts. This study will use lyrics where the artists are the authors, on these the performance of two common features will be compared.The two features that will get evaluated are character n-grams and function words. These are some of the most promin
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Bonis, Maria Luísa Rangel De. "A crítica e o artista: samba, repressão e poesia em Chico Buarque." Pontifícia Universidade Católica de São Paulo, 2005. https://tede2.pucsp.br/handle/handle/4901.

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Made available in DSpace on 2016-04-26T18:16:13Z (GMT). No. of bitstreams: 1 dissertacao mestrado Maria Luisa Rangel De Bonis.pdf: 686916 bytes, checksum: d9b5b501ab71c271571dbbeaa6baa973 (MD5) Previous issue date: 2005-04-29<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>The aim of this work is to analyze a body of critical reviews and other journalistic writings produced at two different moments of Chico Buarque s career: early 1970 s and early 1990 s. For this purpose, we have chosen three specific works to be studied: Sinal fechado (1974), Francisco (1987), and Parat
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Santim, Jacyara Batista. "Da música às artes plásticas : a constituição da licenciatura em Educação Artística na Faculdade de Educação Musical do Paraná (década de 1970)." reponame:Repositório Institucional da UFPR, 2016. http://hdl.handle.net/1884/43375.

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Orientadora: Profª Drª Dulce Regina Baggio Osinski<br>Dissertação (mestrado) - Universidade Federal do Paraná, Setor de Educação, Programa de Pós-Graduação em Educação. Defesa: Curitiba, 24/03/2016<br>Inclui referências : f. 144-158<br>Resumo: A presente dissertação, intitulada Da Música às Artes Plásticas: a constituição da licenciatura em Educação Artística na Faculdade de Educação Musical do Paraná (década de 1970) tem por objetivo analisar o processo de constituição dessa licenciatura em Curitiba na década de 1970. O novo curso teve início em 1976, momento em que já se discutia a necessida
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Billinge, David John. "An analysis of the communicability of musical predication : a feasibility study for artistic decision support systems." Thesis, University of Portsmouth, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343393.

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Alayo, Amorós Christian Oswaldo, Espinoza Astrid Fiorella Ayala, Paasaca Xiomara Vanessa Callata, Cisneros Grecia Andrea Paola López, and Criollo Wendy Loana Santamaria. "Desarrollo de una tienda online de merchandise fan made de artistas musicales “Golden Store”." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/656838.

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El presente trabajo se ha elaborado con el fin de conocer y evaluar la viabilidad y escalabilidad del modelo de negocio denominado “Golden Store”. Este es un emprendimiento virtual que se dedica al diseño, a la compra y venta de artículos. Golden Store está dirigido a los fanáticos de One Direction y BTS, quienes son los principales consumidores de la marca. En otras palabras, Golden se encarga de ofrecer artículos y prendas que tienen un diseño llamativo para sus clientes, logrando así que ellos puedan identificarse con su artista favorito, y expresar sus gustos musicales, mediante el uso del
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Camata, Federica <1985&gt. "«The phenomenal contralto» : vita e carriera artistica di Eugenia Mantelli." Doctoral thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15585.

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La ricerca punta il faro sulla vita privata e la carriera artistica di Eugenia Mantelli, uno dei contralti più importanti del panorama operistico e musicale internazionale a cavallo fra Ottocento e Novecento. Cantante, impresaria e insegnante di grande valore, Eugenia Mantelli è oggi pressoché sconosciuta: la sua figura, per lunghi anni caduta in oblio, è stata di recente rivalutata grazie alle testimonianze sonore pervenute fino a noi. Il ritrovamento di documenti privati e lo spoglio sistematico di quotidiani e periodici d’epoca hanno permesso non solo di ricostruire con precisione la lunga,
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Dalagna, Gilvano. "Desired artistic outcomes in music performance: a mentoring program for higher education and music industries." Doctoral thesis, Universidade de Aveiro, 2017. http://hdl.handle.net/10773/18611.

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Doutoramento em Música<br>Esta tese explora os resultados artísticos desejados que os estudantes do ensino superior em música buscam concretizar no âmbito das indústrias da música. Os resultados artísticos desejados tem sido reconhecidos como uma conceptualização artística que desempenha um papel importante para o reconhecimento social e artístico do performer. Apesar desta perspetiva ser amplamente mencionada na literatura, vários estudos sugerem que os alunos do ensino superior em música não tem sido encorajados a explorar os seus próprios resultados artísticos desejados. Esta falta d
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Costa, Marco TÃlio Ferreira da. "O violÃo clube do CearÃ: hÃbitus e formaÃÃo musical." Universidade Federal do CearÃ, 2010. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=5444.

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nÃo hÃ<br>No perÃodo de 1945 a 1962, um grupo de violonistas, com o intuito exclusivo de executar mÃsica ao violÃo, formou em Fortaleza, o ViolÃo Clube do CearÃ. Esta tese pretende ancorada numa abordagem inspirada nos conceitos de habitus, campo e capital, de Pierre Bourdieu, compreender os processos que possibilitaram o surgimento dessa instituiÃÃo no cenÃrio musical de Fortaleza. A caracterizaÃÃo do discurso dos agentes que atuaram na constituiÃÃo do campo musical e na realizaÃÃo do habitus musical do ViolÃo Clube do CearÃ; os mecanismos usados por esses para legitimar suas prÃticas de form
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