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Books on the topic 'Artistes – Mythe'

Author: Grafiati

Published: 6 July 2024

Last updated: 31 July 2025

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1

Röstorp, Vibeke. Le mythe du retour: Les artistes scandinaves en France de 1889 à 1908. Stockholms universitets förlag, 2013.

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2

1946-, Wunenburger Jean-Jacques, ed. Art, mythe et création. Editions Universitaires de Dijon, 1988.

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3

Bossan, Enrico. Myth/reality: Contemporary artists from Scotland. Antiga edizioni, 2017.

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4

John, Ross. Creation myths. High Tide Press, 1999.

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5

Nannini, Morgane. L'école de Nice: Mythe et réalité. Baie des anges, 2017.

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6

Jeudy, Henri Pierre. Le mythe de la vie d'artiste. Circé, 2011.

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7

Roulin, Félix. Félix Roulin: Fragment, corps, dessin, sculpture, mythe, matière, modèle, écrit, empreinte. Tandem, 1991.

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8

Phagan, Patricia. Myth, culture, narrative: Current prints by six Georgia Artists. Georgia Museum of Art, University of Georgia, 1989.

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9

Museum of Contemporary Art (Sydney, N.S.W.), ed. Avoiding myth & message: Australian artists and the literary world. Museum of Contemporary Art, 2009.

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10

de, Loisy Jean, Chapelle des Petits-Augustins, École nationale supérieure des beaux-arts (France), and Galerie Kamel Mennour, eds. Huang Yong Ping: Myths. Galerie Kamel Mennour., 2009.

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11

Pina, Ragionieri, Casa Buonarroti (Florence Italy), and Syracuse University. Lubin House. Louise and Bernard Palitz Gallery., eds. Michelangelo: The man and the myth. SUArtGalleries, 2008.

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12

Sternthal, Barbara. Gustav Klimt, 1862-1918: Myth and truth. C. Brandstätter, 2006.

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13

Kahlo, Frida. Frida Kahlo: Beyond the myth. 24 ORE Cultura srl, 2018.

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14

Szczelkun, Stefan A. Class myths and culture. Working Press, 1990.

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15

Shoham, S. Giora. Art, myth and deviance. Cambridge Scholars, 2006.

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16

Bossan, Enrico. Mali: Art between history and myth : contemporary artists from Mali. Fabrica, 2015.

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17

Hēliopoulou-Ronkan, D̲ora. Three generations of Greek women artists: Figures, forms, and personal myths. Greek Ministry of Culture, 1989.

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18

Sitzia, Emilie. L' artiste entre mythe et réalité dans trois œuvres de Balzac, Goncourt et Zola. Åbo Akademis Förlag, 2004.

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19

Nabergoj, Irena Avsenik. Longing, weakness, and temptation: From myth to artistic creations. Cambridge Scholars Pub., 2009.

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20

Randolph, Lynn. Millennial myths: Paintings by Lynn Randolph. Arizona State University Art Museum, 1997.

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21

Stiftung für die Photographie (Switzerland), ed. Adieu la Suisse: Construction et déconstruction d'un mythe. Hazan, 2012.

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22

Ronald (Ronald K.) Anderson. James McNeill Whistler: Beyond the myth. Carroll & Graf, 1995.

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23

Goig, Gema Navarro. Entre mitos: Libros de artista. publisher not identified, 2017.

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24

Gantz, Timothy. Early Greek myth: A guide to literary and artistic sources. Johns Hopkins University Press, 1993.

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25

Kathrin, Hoffmann-Curtius, and Wenk Silke, eds. Mythen von Autorschaft und Weiblichkeit im 20. Jahrhundert. Jonas Verlag, 1997.

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26

), Frontisi-Ducroux Françoise (1937, Leseur Frédérique, and Musée du Louvre (Paris), eds. Mythes fondateurs: D'Hercule à Dark Vador : [exposition, Musée du Louvre, Petite Galerie, 13 octobre 2015 au 4 juillet 2016]. Musée du Louvre, 2015.

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27

Forrestall, William. William Forrestall: Beauty and myth, November 2003. Maritimes Arts Projects Productions, 2003.

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28

Lester, Mark Dunning. Made in mind: Myths and realities of the contemporary artist. Art and Theory, 2013.

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29

1943-, Haase Sigrid, and Kreische Simone 1967-, eds. Musen und Mythen: Frauen an der HdK 1992. Hochschule der Künste Berlin, Frauenbeauftragte, 1992.

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30

Creissels, Anne. Prêter son corps au mythe: Le féminin et l'art contemporain. Félin-Kiron, 2009.

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31

Ch'oe, Ch'i-gwŏn. Kumiho: Pulliji annŭn sinhwa : Ch'oe Ch'i-gwŏn sajinjip = Kumiho : unsung myth. Nunpit, 2021.

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32

Henna, Goudzand, Meijer Fré, and Stichting Amazone, eds. Contrapunten: Mythen in kunst van vrouwen : een impressie. Furie, 1991.

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33

Nouveau monde et nouveau mythe: Mutations du surréalisme, de l'exil américain à l' <<Écart absolu>> (1941-1965). Les Presses du réel, 2007.

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34

Aloi, Giovanni. I'm Not an Artist. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350417960.

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Romanticized notions of how one becomes an “artist” have long been questioned, so why do we still fetishize them in popular culture, turning a blind eye to the politics of exclusionism that characterize the art world and conforming our creative potential to well-trodden stereotypes? I'm Not an Artistis a critical appraisal of the role of the artist through time and an account of how successful artists have conquered their spot in the history of art, from the rise of the Renaissance artist star to the multiplicity of artistic identities we see in the creative landscape today. Entertaining, info

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35

Levine, Wayne Allen. Myths and Artists: Poems. Center Press (Westlake Village, CA), 2006.

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36

(Illustrator), Mei Lim, and Steve Shot (Photographer), eds. Myths and Legends (Artists' Workshop). A & C Black (Childrens books), 1997.

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37

(Illustrator), Mei Lim, and Steve Shot (Photographer), eds. Myths and Legends (Artists' Workshop). A & C Black (Childrens books), 1997.

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38

Aston, Emma. Centaurs and Lapiths in the Landscape of Thessaly. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198744771.003.0006.

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Lapiths and Centaurs are famous figures of Greek myth in both its literary and its artistic representation. However, what is rarely discussed is the localization of their conflict in the landscapes of Thessaly, in northern Greece. This chapter restores the Thessalian dimension, in two ways: first, by examining the landscape of Thessaly as a setting, and second, by reconstructing the involvement of certain of the region’s communities in the formation and development of the myths. It is argued that these communities should be regarded as active participants in myth-making rather than just the ba

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39

Art, mythe et création. Éd. universitaires de Dijon, 1998.

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40

Art, mythe et création. Le Hameau, 1988.

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41

Brown, Benita, Dannabang Kuwabong, and Christopher Olsen. Myth Performance in the African Diasporas. Rowman & Littlefield, 2013. https://doi.org/10.5040/9798881818869.

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Diaspora studies continue to expand in range and scope and remain fertile terrain for investigating multiple techniques of myth creation in dance performance, history as performance, dramatic narrative, and staged rituals in the field. Similarly, research in postcoloniality, gender/sexuality, intercultural, and literary studies, among others, all engage and feature core components of performance and myth in articulating and understanding their fields. This sharing of similar components also demonstrates the interrelatedness of these fields. In Myth Performance in the African Diasporas: Ritual,

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42

Benson, Bruce Ellis. In the Beginning, There Was Improvisation. Edited by Benjamin Piekut and George E. Lewis. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199892921.013.004.

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The theological doctrine ofcreatio ex nihiloattempts to safeguard both the power and freedom of God. If creation is understood as God’s work of art, thencreatio ex nihilois the strongest artistic account of creation possible. The Kantian artist possesses something like this power and freedom, since his or her original and exemplary ideas arise inexplicably. The modern and romantic artistic traditions have perpetuated this myth of the lone artist whose creation is a kind of godlike activity. This chapter claims that “improvisation,” or the fabrication out of what is already on hand, constitutes

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43

Anker, Valentina. Myths and mysteries: Symbolism and Swiss artists. 2013.

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44

mythes et mysteres: LE SYMBOLISME ET LES ARTISTES SUISSES. SOMOGY EDITIONS, 2013.

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45

How Artists See Heroes: Myth, History, War, Everyday (How Artists See). Abbeville Press, 2003.

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46

Kenny Scharf: In Absence of Myth. Cameron + Company, 2016.

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47

Irene Avaalaaqiaq: Myth and Reality. McGill-Queen's University Press, 2002.

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48

Diessner, Nancy W. A book of myths and fates. Women's Studio Workshop, 2001.

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49

Classic Myths in Art: An Account of Greek Myths As Illustrated by Great Artists. Creative Media Partners, LLC, 2023.

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50

Julia de Wolf Gibbs Addison. Classic Myths in Art: An Account of Greek Myths as Illustrated by Great Artists. Kessinger Publishing, 2003.

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