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Dissertations / Theses on the topic 'Artistes – Mythe'

Author: Grafiati
Published: 6 July 2024
Last updated: 31 July 2025

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1

Röstorp, Vibeke. "Les artistes suédois et norvégiens en France de 1889 à 1908 : le mythe du retour." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040146.

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Cette thèse porte sur les artistes suédois et norvégiens en France de 1889 à 1908. Ces années ont traditionnellement été considérées comme une période de retour au pays et d’abandon de la France pour les artistes scandinaves qui se seraient tournés de nouveau vers Paris seulement en 1908 avec l’arrivée des élèves d’Henri Matisse. Une étude approfondie de leur présence aux Salons parisiens a été menée afin de constater que leur nombre ne baisse pas et que les départs des uns sont aussitôt comblés par l’arrivée d’autres artistes scandinaves. À travers l’examen de la taille et de l’activité de ce
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Rogerat, Marie-Claude. "L'artiste : des représentations, un mythe : étude de l'évolution des représentations de l'artiste au XXème siècle dans la société française, vue à travers les biographies de peintres." Besançon, 2003. http://www.theses.fr/2003BESA1013.

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Cette recherche s'appuie essentiellement sur l'étude des biographies de Van Gogh, Lautrec et Monet afin de mettre en lumière les processus de constitution de représentations collectives d'un public vers les artistes. Dans la majorité des cas, l'artiste est vu comme personnage exceptionnel, mythique, image largement répandue prenant appui sur les mythes les plus anciens, mais aussi sur la littérature du XIXème siècle. Il semble que ces vies, porteuses de mythe et de sacré, focalisent les besoins d'un monde en quête de repères concrets, mais aussi de rêve et d'imaginaire, créateurs de lien socia
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3

Joannon, Felipe. "Pintar frente al motivo : el mito del artista en la obra literaria de Adolfo Couve." Electronic Thesis or Diss., Paris 8, 2022. http://www.theses.fr/2022PA080088.

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Cette thèse étudie l'idée de l'art et de l'artiste dans l'œuvre littéraire du peintre et écrivain chilien Adolfo Couve (1940-1998). Elle propose notamment d'aborder ses textes de fiction et de non-fiction dans une perspective unique marquée par ce que nous définirons comme son mythe de l'artiste. Sur la base de certains concepts et théories inhérents aux études contemporaines sur les mythes, nous identifions cinq moments ou phases qui définissent l'artiste dans l'œuvre de Couve. Ces moments, particulièrement visibles dans certains passages des œuvres qui racontent la vie d'un artiste (La lecci
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4

Kiefer, Luísa Martins Waetge. "Jovem artista : a construção de um duplo mito." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/97678.

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O presente trabalho investiga o papel e o lugar ocupados pelo jovem artista dentro do campo da arte hoje. Demonstra que esta figura passou por um processo de dupla mitificação: a de ser jovem e a de ser artista. Revela o processo da sua construção histórica e social, mostrando como este assumiu um papel central na arte do século XXI. A pesquisa foi realizada a partir de entrevistas com seis artistas nascidos na década de 1980 e 1990 – Daniel Escobar, Marcos Fioravante, Marina Camargo, Rafael Pagatini, Raquel Magalhães e Romy Pocztaruk. O olhar dos entrevistados é representativo de uma geração
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Horn, Maria Lucila. "Mito de artista : o discurso da cultura." Universidade do Estado de Santa Catarina, 2006. http://tede.udesc.br/handle/handle/2201.

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Made available in DSpace on 2016-12-12T20:34:13Z (GMT). No. of bitstreams: 1 MriaLucila.pdf: 1456147 bytes, checksum: 4f3acdd8d32e7ec26be49407f4ac7b02 (MD5) Previous issue date: 2006-12-18<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The aim of this inquiry is to identify the heroic myth as a point of reference in the construction of the artistic identity. The heroic mythology is here taken as a key to clarify the questions related to identity. It is possible by making use of the term myth , in the sense adopted by authors, members of the Circle of Eranos, that is to say
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6

Hamilton, H. Dawn. "Myth and Archetype in the Studio| An Artist's Encounter with a Goddess." Thesis, Prescott College, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1573604.

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<p> This thesis is based upon my artistic interaction and response to the 5,000-year-old myth of the Sumerian deity, Inanna. The main element of this thesis consists of a body of artwork that evolved out of the interweaving of textual, psychological, and artistic research. The artwork is an artist's response to a particular juncture in the descent portion of Inanna's myth . . . the moment of her transformation. This amalgamation of artistic and textual artifacts documents the power of an ancient story, from a long-dead culture, to reach through time and touch an individual life. The written do
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7

Losee, Christopher. "Mythography /." Online version of thesis, 1986. http://hdl.handle.net/1850/10300.

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8

Findlay, Linda. "Murky waters: navigating through the myths and rules of art making /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2337.

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9

Pellini, Catherine. "La création artistique au service de l’affirmation identitaire, du mana wahine et des revendications politiques : l’art contemporain des femmes maori de Nouvelle-Zélande." Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0370/document.

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Située au croisement de plusieurs disciplines – anthropologie, sociologie, histoire de l’art,études féministes et sur le genre – cette thèse s’intéresse aux oeuvres, aux pratiques, aux parcours et aux discours des femmes artistes maori néo-zélandaises s’inscrivant dans le champ de l’art contemporain et vivant en milieu urbain. Ces artistes sont à l’origine de revendications politiques et d’affirmations identitaires singulières du fait de leurs multiples appartenances : leurs productions recèlent des références simultanées à leurs histoires individuelles, à leur statut de membres d’une minorité
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Sitzia, Emilie. "L'artiste entre mythe et réalité dans trois œuvres de Balzac, Goncourt et Zola." Åbo : Åbo Akademis Förlag, 2004. http://books.google.com/books?id=mzRlAAAAMAAJ.

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Pellini, Catherine. "La création artistique au service de l’affirmation identitaire, du mana wahine et des revendications politiques : l’art contemporain des femmes maori de Nouvelle-Zélande." Electronic Thesis or Diss., Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0370.

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Située au croisement de plusieurs disciplines – anthropologie, sociologie, histoire de l’art,études féministes et sur le genre – cette thèse s’intéresse aux oeuvres, aux pratiques, aux parcours et aux discours des femmes artistes maori néo-zélandaises s’inscrivant dans le champ de l’art contemporain et vivant en milieu urbain. Ces artistes sont à l’origine de revendications politiques et d’affirmations identitaires singulières du fait de leurs multiples appartenances : leurs productions recèlent des références simultanées à leurs histoires individuelles, à leur statut de membres d’une minorité
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12

Schoess, Ann-Sophie. "Re-writing Ariadne : following the thread of literary and artistic representations of Ariadne's abandonment." Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:dfe15854-b0d8-4971-9127-c60e2417ad62.

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This thesis takes Ariadne's abandonment as a case study in order to examine the literary processes of reception that underlie the transmission of classical myth in different eras and cultural contexts - from Classical Antiquity through the Italian Renaissance. Rather than focusing on the ways in which visual representations of Ariadne relate to literary treatments, it draws attention to the literary reliance on a cultural framework, shared by writer and reader, that enables dynamic storytelling. It argues that literary variation of the myth is central to its successful transmission, not least
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Godbey, Margaret J. "Vying for Authority: Realism, Myth, and the Painter in British Literature, 1800-1855." Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/81444.

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English<br>Ph.D.<br>Over the last forty years, nineteenth-century British art has undergone a process of recovery and reevaluation. For nineteenth-century women painters, significant reevaluation dates from the early 1980s. Concurrently, the growing field of interart studies demonstrates that developments in art history have significant repercussions for literary studies. However, interdisciplinary research in nineteenth-century painting and literature often focuses on the rich selection of works from the second half of the century. This study explores how transitions in English painting durin
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14

Aguiar, Miriam Bevilacqua. "Tempo e artista: Chico Buarque, avaliador de nossa cotidianidade." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-27042015-105107/.

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A tese Tempo e Artista. Chico Buarque, avaliador de nossa cotidianidade analisa, dentre as canções que fazem parte da obra musical do compositor Francisco Buarque de Hollanda, aquelas que abordam o cotidiano. O objetivo desta tese é demonstrar como essas canções, mais do que retratarem o cotidiano, também avaliam o dia a dia da sociedade brasileira criando ou destacando ideias e conceitos que são aceitos por uma grande parcela da população nacional entre as décadas de 60 até os anos 2000. Esta pesquisa também busca evidenciar como as letras das músicas compostas pelo artista se assemelham a cr
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15

Vitacca, Sara. "Un mythe à l'oeuvre : la réception de Michel-Ange entre 1875 et 1914." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H060.

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Cette thèse explore la réception de Michel-Ange entre 1875, date des célébrations florentines du IVe centenaire de la naissance de l’artiste, et 1914. À cette époque, le culte de Buonarroti s’affirme comme un phénomène d’ampleur qui touche simultanément à une histoire du goût, de la culture et de l’inspiration artistique. À travers une reconstruction minutieuse des réseaux internationaux, des cercles et des figures qui promeuvent l’admiration pour Michel-Ange, de Gabriele d’Annunzio à Auguste Rodin, nous parcourons les grandes questions critiques et esthétiques ouvertes par l’action d’un mythe
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Bajec, Manca. "Claims of the monument : the counter-monument remains : the myth of the monument in former Yugoslavia : artistic practice as reconciliatory form." Thesis, Royal College of Art, 2019. http://researchonline.rca.ac.uk/3769/.

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How can artistic practice become a valid method of observing counter-histories; the histories which are not included in the institutionally supported historical narrative? How can the counter-monument movement be re-adapted and re-visited through its original ideologies, in the context of post-conflict spaces in former Yugoslavia? This practice-led project positions the state of the monument today, and more specifically in societies existing in a state of unresolved conflict. In doing so, it examines the artwork as a counter-monumental form and as an approach to unravelling issues of a resista
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17

Mitchell, Clio. "#Secrets de l'art magique surrealiste' : magic and the myth of the artist-magician in surrealist aesthetic theory and practice." Thesis, Courtauld Institute of Art (University of London), 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294528.

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Pellini, Catherine. "La création artistique au service de l’affirmation identitaire, du mana wahine et des revendications politiques : l’art contemporain des femmes māori de Nouvelle-Zélande." Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/37185.

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Située au croisement de plusieurs disciplines – anthropologie, sociologie, histoire de l’art, études féministes et sur le genre – cette thèse s’intéresse aux oeuvres, aux pratiques, aux parcours et aux discours des femmes artistes māori néo-zélandaises s’inscrivant dans le champ de l’art contemporain et vivant en milieu urbain. Ces artistes sont à l’origine de revendications politiques et d’affirmations identitaires singulières du fait de leurs multiples appartenances : leurs productions recèlent des références simultanées à leurs histoires individuelles, à leur statut de membres d’une minorit
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19

Batra-Wells, Puja. "Art/Work: Place-Making, Precarity, and the Performance of Artistic Occupational Identities in Columbus, Ohio." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1471460370.

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20

Sheffield, Katelyn McKenzie. "Zofia Stryjeńska: Women in the Warsaw Town Square. Our Lady, Peasant Mother, Pagan Goddess." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3723.

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In this thesis I consider the unique position that Polish artist Zofia Stryjeńska (1891-1974) occupied during the interwar period. Lauded during her time as the most popular artist in Poland, the acceptance of Stryjeńska's female voice in representing a national vocabulary was unprecedented and deserves closer examination. I assert that Poland's history of oppression created a unique environment where women as archetypal figures often took on masculine roles. These 'transgressive types' were visible in the literature and art of the 19th and 20th centuries. Stryjeńska's art, as well as her beha
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Vial-Henninger, Mireille. "Essai de mythe-analyse du processus de création musicale : justification, méthode, application. Beethoven, la 23e sonate dite Appassionata (exposition) ; Berlioz, Episode de la vie d'un artiste : la Symphonie fantastique suivie de Lélio ou le retour à la vie." Paris 4, 1996. http://www.theses.fr/1996PA040092.

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L'auteur essaie de faire apparaitre, à travers l'analyse de deux œuvres : l'exposition du 1er mouvement de la sonate Appassionata de L. Van Beethoven et La symphonie fantastique suivie de Lélio ou le retour à la vie de Berlioz, la fécondité et la fiabilité de ce qui pourrait devenir une nouvelle forme - ou application - d'analyse musicale. Son outil dominant est l'usage rationnel du raisonnement par analogie, appliqué à la logique du vivant, binaire et polarisée (sur le modèle du biologiste S. Lupasco), alliée au mythe. Cette approche n'envisage que l'œuvre musicale elle-même et non l'investig
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Campbell, Alasdair James Islay. "Myth ascendant : issues of culture, media, and identity in the celebrity career of Glenn Gould." Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:6b53c88e-d9e7-4227-9144-bad890a0d3fc.

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This thesis applies a sociological framework to the North American celebrity career of Canadian pianist and broadcaster Glenn Gould (1932-1982) to account for Gould's iconic status as an artist in modern musical culture. Despite the persistent cultural fascination with Gould, as evidenced in the seemingly endless supply of biographies, films, novels, and fan texts which narrate and celebrate his life and work, modern Gould scholarship has consistently neglected issues relating to his artistic reception. This thesis proposes that the modern Gould phenomenon is productively analysed in terms of
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Blum, de Almeida Nina [Verfasser], Isabel [Akademischer Betreuer] Wünsche, Isabel [Gutachter] Wünsche, Corinna [Gutachter] Unger, and Matos Lúcia [Gutachter] Almeida. "Myths, Curious Incidents and Obstacles—Becoming an Artist in Portugal. The Early Career of German Sculptor Hein Semke / Nina Blum de Almeida ; Gutachter: Isabel Wünsche, Corinna Unger, Lúcia Almeida Matos ; Betreuer: Isabel Wünsche." Bremen : IRC-Library, Information Resource Center der Jacobs University Bremen, 2019. http://d-nb.info/1202364667/34.

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Bonetti, Maria Cristina de Freitas. "O SAGRADO FEMININO E A SERPENTE: PERFORMANCE MÍTICA NA SIMBOLOGIA DAS DANÇAS CIRCULARES SAGRADAS." Pontifícia Universidade Católica de Goiás, 2013. http://localhost:8080/tede/handle/tede/757.

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Made available in DSpace on 2016-07-27T13:46:27Z (GMT). No. of bitstreams: 1 MARIA CRISTINA DE FREITAS BONETTI - PARTE 1.pdf: 4528097 bytes, checksum: b102021c0421e0f11965fe8fadf10afb (MD5) Previous issue date: 2013-08-14<br>This thesis investigates the survival and the camouflage of the Myth of the Serpent and the Cult to the Great Mother in mythic and ritualistic performances of the Sacred Circle Dances nowadays. For this, it remakes the myth trajectory since ancient times, exploring the imagery of creation and its various expressions in archaic cultures in the Western World. The main obje
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Sweeney, Dwight Paul. "The connectors of two worlds: Chano Pozo, Dizzy Gillespie, and the continuity of myth through Afro-Cuban jazz." CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2823.

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Explains how Afro-Cuban culture influenced African-American jazzmen and led to the formation of Afro-Cuban or Latin jazz in 1947 by Dizzy Gillespie and Chano Pozo. Explores the musical connections between the physical plane of Cuba and the United States, and the esoteric spiritual world of the orishas and myths coming to life in sacred and secular music forms.
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Al-Hadid, Diana. "Magic Mountain." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/827.

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My installations are propositions for an imaginary world that relies on its own internal logic, a world of believability without recognition. While the work references landscape it also emphasizes its contrivance, as it is automatically estranged in an "unnatural" gallery setting. I subvert or de-familiarize the materials and processes that I use in the service of creating a fictitious environment. My places are impossible places. They are irregular, illogical, and unstable. Our imagination can be one of most dangerous things to psychological stability as it is an inventory of all things pos
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Gilkes, Brian Eric, and pharoseditions@bigpond com. "The lion and the frigate bird: visual encounters in Kiribati." RMIT University. Media and Communication, 2010. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20100304.105048.

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In order to explain some of the paradoxes and mysteries of the artist's cross cultural experience in Kiribati, he constructed an Artist's Book depicting through visuality, anecdote and reflection, his research process, engaging with current visual perceptions through negotiation with the past. In Kiribati previous encounters with Europeans and Islanders was dominated by English and I Kiribati with significant contributions by French missionaries. Each viewed the other through cultural filters of identity, which were informed by concepts of myth-historical, often heroic pasts, modified by
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Pollock, Asher W. "Phase Shift." Ohio University Honors Tutorial College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1492781853322151.

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Claesson, Nils. "Spökmaskinen : Sju förändringar och förflyttningar – gestaltningsprocesser i animerad film." Doctoral thesis, Stockholms konstnärliga högskola, Institutionen för film och media, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-270.

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The Ghost Machine is a practice-based research project that explores the process of embodiment in animated film. It describes the process of transfiguration from the artist’s/auteur’s point of view and not from an outside position. The dissertation follows the embodiment of a dramatic text, the Ghost Sonata by August Strindberg (1907), into an animated film. The starting point is my experience of the drama, at the age of thirteen, when staged by Ingmar Bergman at the Royal Dramatic Theatre. As a teenager, the world of the grown-ups seemed to be corrupt, twisted and ruled by violent power plays
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Assumpção, Flora Romanelli. "A natureza e o fantástico através da experiência visual." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-24112014-150504/.

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Este projeto artístico equivalente à dissertação para o mestrado em poéticas visuais é composto pela documentação do processo criativo, que é em si o mestrado em poéticas visuais, e por uma pequena seleção de fotogravuras originais da série \'Pequeno Compêndio dos Mares\'. A documentação consiste em três partes: primeira, registro de obras e exposições já realizadas e obras em processo; segunda, notas visuais e de texto; e última, uma seleção de trabalhos precedentes ao período do mestrado. A organização desta documentação do processo artístico foi feita priorizando o conjunto das imagens e co
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Gontovnik, Monica. "Another Way of Being: The Performative Practices of Contemporary Female ColombianArtists." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1420473106.

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Cahill, James Matthew. "The classical in the contemporary : contemporary art in Britain and its relationships with Greco-Roman antiquity." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/271333.

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From the viewpoint of classical reception studies, I am asking what contemporary British art (by, for example, Sarah Lucas, Damien Hirst, and Mark Wallinger) has to do with the classical tradition – both the art and literature of Greco-Roman antiquity. I have conducted face-to-face interviews with some of the leading artists working in Britain today, including Lucas, Hirst, Wallinger, Marc Quinn, and Gilbert & George. In addition to contemporary art, the thesis focuses on Greco-Roman art and on myths and modes of looking that have come to shape the western art historical tradition – seeking to
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Österberg, Susanna. "Den qvinnliga konstnären: : representationer i tidskriften Palettskrap 1877 –1904." Thesis, Södertörns högskola, Konstvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-32264.

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Jag har ägnat denna uppsats åt att undersöka Kungliga Konstakademiens elevtidning Palettskrap från och med att det grundades 1877 till och med 1904.Tidningen består av anteckningar, protokoll och en mängd med bilder såsom porträtt, illustrationer och skämtteckningar. Mitt syfte har varit att se hur konflikten kring kvinnorollen generellt och kvinnliga konstnärsrollen specifikt kommer till uttryck under det sena 1800-talet i en intern elevtidning som Palettskrap. Jag har huvudsakligen utfört bildanalyser men även lyft fram text ur Palettskrap som har varit relevant för mitt ämne. Jag har analys
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Yu-Kuo, Chang, and 張毓國. "Yu - Kuo Chang’s Artistic Creation of Taiwan Aboriginal Myth." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/68021244976446371963.

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碩士<br>國立臺中教育大學<br>美術學系碩士班<br>101<br>The artistic creation is based on the myth of Taiwan aboriginal exploring the relation between life and legend. Myth is from the very beginning of the nation; by the time pass day after day, month after month, year after year the myth is not fade away but increasing its thickness and width even turn out to be the pivot connecting generations and generations. I hope that the process of this creation will form a huge strength and significant value and elevate myself to a higher place where I can see things more clear , know things better and tell things more c
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Gaffuri, Flora. "La promotion sur Internet : analyse d’un discours sous l’angle du mythe. Le cas de labels indépendants de rap au Québec." Thèse, 2012. http://hdl.handle.net/1866/8834.

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À l’heure où l’industrie de l’enregistrement sonore connait un certain nombre de bouleversements, Internet apparait à la fois comme un responsable d’une crise du disque et comme une plate-forme de diffusion et de promotion de la musique enregistrée. C’est dans ce contexte de mutations des industries culturelles que sont les industries de la musique que les labels indépendants voient les possibilités liées à la promotion se multiplier. Notamment par le biais des sites internet que j’envisage ici comme discours encodé et diffusé. Ce mémoire explore deux sites internet officiels de labels indépen
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Lin, Hsiu-lien, and 林秀聯. "『Camouflage, Totem, Myth』--A Study of Artistic Creation of Mask by Lin Hsiu Lien." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/g8kdsm.

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碩士<br>南華大學<br>視覺與媒體藝術學系<br>101<br>In this thesis I design my individual artistic creation by the creative discourse of mask, which is discussed in three parts: Camouflage, Totem and Myth. The configuration design of mask is consisted of semi-solid and three-dimensional formation by decomposed/restructured/folded the two dimension plane. I express my personal creative style by the diverse images combined with point, line, surface, color and light. 　 　　The thesis is divided into five chapters to describe my creative idea:Chapter one: Introduction,Chapter two: Traditional mask images in art histo
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Novais, Beatriz Maria Fernandes Pinto. "Possession : A romance : mitos femininos revisitados na representação da mulher - artista." Master's thesis, 2012. http://hdl.handle.net/1822/23994.

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Dissertação de mestrado em Língua, Literatura e Cultura Inglesas<br>Esta dissertação tem como objetivo a identificação e discussão de mitos culturais ligados a representações do feminino na obra ficcional de A. S. Byatt, nomeadamente em Possession: A Romance. Para tal, numa primeira parte avalia-se criticamente o enquadramento ideológico em que a obra se situa, nomeadamente o ponto de vista dos pensadores contemporâneos considerados relevantes para a clarificação do conceito do mito, assim como a problemática da linguagem nas pensadoras femininistas. Numa segunda parte, analisa-se de q
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Bagińska, Agnieszka. "Pracownia artysty i jej obraz w sztuce polskiej drugiej połowy XIX i początku XX wieku." Doctoral thesis, 2014. https://depotuw.ceon.pl/handle/item/908.

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Ze względu na uprzywilejowaną pozycję sztuki i artysty w kulturze europejskiej drugiej połowy XIX i początku XX wieku, jego pracownia zyskała szczególne znaczenie. Była ona nie tylko miejscem powstawania dzieła, ale też przestrzenią świadomie konstruowaną przez artystę przy współudziale odbiorców sztuki. W niniejszej pracy omówione są zarówno pracownie konkretnych polskich malarzy i rzeźbiarzy wybranego okresu polskiej kultury, jak i „recepcje” ateliers w różnych mediach. Kluczowym problemem dysertacji jest strategia posługiwania się pracownią przez jej właściciela w celu stworzenia określoneg
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Sherman, Louisa Elizabeth. "Unmasking the heroes : sources of power in Afrikaner mythologising." Diss., 1998. http://hdl.handle.net/10500/16023.

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Unmasking the heroes: sources of power in Afrikaner mythologising is a personal, visual and theoretical exploration of the underlying sources of power which governed the development of Afrikaner nationalism, particularly the years spanning the late 1980s and the early 1990s. The practical work, a series of drawings and relief cut-outs, sets out to unmask the beliefs, customs, traditions and attitudes particular to Afrikaner culture. It does so through the processes of deconstruction and reconstruction of selected mass mediated images whereby different symbolic paradigms are juxtaposed thro
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NOVOTNÝ, Tomáš. "Autorská kniha - inspirace řeckou mytologií." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-152941.

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This Thesis consists of two parts theoretical and practical. The theoretical part forms an integrated theoretical conception that seeks inspiration from Greek myths and offers creative starting points for the practical part which is the creative project of realization of an artist book. There are also described the origins and development of the mythical tradition in Greece. The main source of inspiration is found in the myths of origin by the epic poet Hésiodos. The mythical perspective on the origin in chaos is enhanced by the views of Pre-Socratic philosophers who influenced by the mythical
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