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Journal articles on the topic 'Artistic actions'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Michał Rut. "THE ARTISTIC ACTIONS PROTECTING PUBLIC SPACES." Journal of Civil Engineering, Environment and Architecture 36, no. 66/4 (2022): 37–49. http://dx.doi.org/10.7862/rb.2019.22.

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The article addresses the issue of participatory art (the so-called political, engaged art), which in its assumptions deals with the subject of marginalized social groups. Such art aims at solving given problems by the diagnosis of a cultural, social and economic situation, by animation actions, media coverage and negotiations between the parties to the conflict. The article specifies the artistic actions which allowed to protect public spaces against the pressure exerted by investors and obliged local governments to conduct restoration work and properly organise places for relaxation and inte

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Bularga, Tatiana. "5. The Innovative Praxeology: Suggestions for Implementing in Artistic Education." Review of Artistic Education 20, no. 1 (2020): 289–98. http://dx.doi.org/10.2478/rae-2020-0033.

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AbstractThe process of artistic perception in instructive and formative actions is identified with the educative action itself. In this process the considerable weight rests on the participative state kid to the design, development and evaluation/self-evaluation (through prescription of individual behavioural maps, anticipating practical actions, varying operations, performing the tasks by choosing the optimal variants for solving) and the dynamics of professional competence of teachers to achieve gradually the theoretical design process and practical actuating, by identifying educational cont

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Egert, Gerko. "Planetary performance." Maska 37, no. 3 (2022): 109–15. http://dx.doi.org/10.1386/maska_00134_1.

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The paper discusses the concept of planetary action between contemporary performance art and political climate action. By focusing on the extensive assemblages of actions created by artists such as Khvay Samnang or Tomás Saraceno, it develops a planetary approach to performance. Between artistic and non-artistic actions, their historically and geographically farstretching infrastructures, and the interplay of human and non-human actors, the paper proposes a planetary politics that addresses the ecological catastrophes of our times on the bodily level of action and its relation to knowledge.

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Bularga, Tatiana. "ARTISTIC EDUCATION IN THE INNOVATIVE PRAXEOLOGICAL FOCUS." Review of Artistic Education 30 (May 30, 2025): 321–34. https://doi.org/10.35218/rae-2025-0044.

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Abstract: The challenge of implementing a formative and innovative praxeology in artistic education is not a whim of the moment and any request purely theoretical, but a vital and practical necessity aimed at mobilizing all human resources to change both the integrative and professional vision of teachers and direct responsibility for the quality of their daily actions with the actors of training. Key words: artistic action, behavioral maps, professional competence of teachers, proactive person, artistic reception

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Bularga, Tatiana. "Efficiency of Artistic Education: Praxiological Approach." Review of Artistic Education 22, no. 1 (2021): 288–95. http://dx.doi.org/10.2478/rae-2021-0036.

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Abstract In our statements we proceed from the reality that the artistic activity differs much from other human activities through its ontological specifics, which requires taking into account the opportunities and challenges that arise in individual potential manifestation of the child, act that expresses by transposing the theoretical prescriptions into practical actions indisputable by the presence of emotional-affective reactions, by developing projects and logistical maps of action, is not waiting for certain stimuli coming from outside, but by enhancing the artistic intentions and decisi

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Kalinsky, Yelena. "Drowning in Documents: Action, Documentation, and Factography in Early Work by the Collective Actions Group." ARTMargins 2, no. 1 (2013): 82–105. http://dx.doi.org/10.1162/artm_a_00034.

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This article traces a provisional history of the early years of the conceptual performance art group Collective Actions through an examination of three critical terms—action, documentation, and factography—that came to figure prominently in the group's definition of its aesthetic project. A close reading of several of the group's actions and key theoretical texts from this period (1976–1981) reveals a dialectic of performance and documentation wherein the photographic and textual recording of actions, first carried out for purely pragmatic purposes, begins to acquire an independent aesthetic d

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Jónsdóttir, Ásthildur. "Artistic Actions for Sustainability in a University Setting." Research in Arts and Education 2021, no. 3 (2021): 50–72. http://dx.doi.org/10.54916/rae.119545.

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This chapter introduces a case entitled Walk the Space. Webster University in Geneva took the opportunity to invite an artist to work with their studentsto rethink their ideas of what we can do to meet sustainability global challenges. The artistic activities aimed to promote greater ecological consciousness through different forms of participation and awareness activities, helping the participants to discover the connection to the nature that surrounds them. Walk the Space created a platform for sharing ideas about sustainability, both individual and collective. Participants, both staff and s

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Jónsdóttir, Ásthildur B. "Critical Thinking and Community Engagement through Artistic Actions." International Journal of Art & Design Education 38, no. 3 (2019): 700–709. http://dx.doi.org/10.1111/jade.12251.

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Seitz, Hanne. "Producing Knowledge in Self-Organized Artistic Settings through Performative Research and Artistic Intervention." Scenario: A Journal of Performative Teaching, Learning, Research IX, no. 1 (2015): 114–30. http://dx.doi.org/10.33178/scenario.9.1.7.

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The following article presents the Young Tenants, a project that gave young Berlin adults the opportunity to use vacant spaces for art and culturerelated purposes. Through organizing and participating in activities in these spaces they discovered their artistic creativity and craftsmanship, practiced cultural participation and engaged with the community. In contrast to what they typically experienced in school or in out-of-school education, the project emphasized selforganization and an environmental approach towards learning. The accompanying research called for a different logic of enquiry

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Jarimbetova, Tolganay Kurbanbaevna. "ARTISTRY IN CREATING THE IMAGE OF A HERO IN ARTISTIC DOCUMENTARY WORKS." International journal of word art 5, no. 4 (2022): 35–42. https://doi.org/10.5281/zenodo.6775640.

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The article analyzes the documentaryfeatures, prototype, image, actions, artistic imagination, period and heroism on the basis of folklore stories written by writers of Karakalpakstan such as “Thousand of forgivness” by G.Esemuratova and “My country my love” by A.Sultanov. The stories of Karakalpak writers mentioned in this article make their focus on the fate of heroes who achieved great goals for the benefit of the people. These aspects of non-fiction works differ from other genres of fiction. Therefore, this article reviews the genre and artistic differences of docum

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Sánchez-Guzmán, Eva, and Violeta Nicolás Martínez. "¿De qué se viste el cuerpo en el arte de acción? Performance y memoria a través de la indumentaria." Arte y Políticas de Identidad 24 (June 28, 2021): 91–113. http://dx.doi.org/10.6018/reapi.484761.

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El presente texto está motivado por las inquietudes artísticas que mantienen las autoras ante la performance por un lado y la indumentaria por otro. Por ello, asumiendo la función simbólica del vestirse, el objetivo general ha sido entender la vestimenta como parte simbólica de la acción. Para ello, hemos visionado y consultado las obras clave en la historia de la performance además de otras más contemporáneas para centrar el estudio en acciones en las que vestirse posee también un carácter de reparación de la memoria. Concluimos observando que este tipo de acciones ha permitido a mujeres arti

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高, 天义. "A Study of Anthony Gormley's Contemporary Artistic Practice of Human Sculpture and Public Space." International Theory and Practice in Humanities and Social Sciences 2, no. 7 (2025): 236–75. https://doi.org/10.70693/itphss.v2i7.1078.

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Antony Gormley, as an internationally renowned contemporary artist, has been committed to the artistic practice of human sculpture. He brings the human sculpture back to the center of contemporary art in a new way. The most distinctive external feature of his artistic practice is his approach to different public spaces, which is based on the updated understanding of space in contemporary art. Since the 20th century, "space" has gradually become the focus of attention in the field of Western humanities and social sciences, highlighting its independent value and deriving unprecedented dimensions

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Rosemary, Lapa de Oliveira. "THE THERAPEUTIC/ARTISTIC/PEDAGOGICAL ACTION OF STORYTELLING." UAI Journal of Arts, Humanities and Social Sciences (UAIJAHSS) 1, no. 5 (2024): 66–72. https://doi.org/10.5281/zenodo.14550828.

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<em>Based on research and pedagogical teaching and extension actions developed through the Research and Study Group on Reading and Storytelling, the question arises: does the therapeutic/artistic/pedagogical action of storytelling constitute a relevant pedagogical practice in teacher training? and citizen in contemporary times? The general objective is to discuss the pedagogical/artistic/therapeutic role of stories told orally. To this end, a theoretical bibliographical discussion will be presented based mainly on three renowned authors in the area: Margot Sunderland (2005); Cléo Busatt

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Nduka, Echezonachukwu. "Artistic expressions as conflicts resolution process: A study of selected works." Nairobi Journal of Humanities and Social Sciences 1, no. 1 (2017): 120–32. http://dx.doi.org/10.58256/njhs.v1i1.354.

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Conflicts occur within and between nations, societies, and individuals—and for this reason; conflicts resolution also thrives on artistic expressions and cultural productions which are also found in societies. This essay examines the role of artistic expressions in conflicts resolution and significantly views it as a process. This is because while works of art may not immediately instil peace, they have the propensity to initiate conversations, actions, and re-actions which could eventually lead to peace-building. In this essay, artistic expressions are limited to poetry and music and focuses

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Frangovska, Ana. "Trans-Tactical Performance Actions as an Antagonistic Form in Dealing with the Hegemonic Forms of Neoliberal Policies of Power." AM Journal of Art and Media Studies, no. 27 (April 15, 2022): 39–55. http://dx.doi.org/10.25038/am.v0i28.492.

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Public space is where the interests of the community and its individuals as entities are articulated. It is fundamental to democratic governments. And as such, there should be reconciliation between the interests and actions of governmental policies and those of the citizen’s public interests as healthy democratic procedures. Unfortunately, this is not the case, since the neo-liberal and quasi-democratic societies still use hegemonic methodologies to implement their policies and ideologies, bypassing harsh criticism of public opinion and critical thought, even in the realm of public space. Suc

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Ulber, Marie, Mona Mahall, and Asli Serbest. "Environments. Actions of Adaptation in Architecture." Loci Communes 1, no. 1 (2021): 1–17. http://dx.doi.org/10.31261/lc.2021.01.04.

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The 1960s Environments emerged as artistic practices to question our modern relationship to objects perceived as isolated entities and as products within a market logic; to context, initiative, authority, ethics, and aesthetics. As open, process-based situations, they should allow for a praxis of reappraising demarcations, roles, and concepts in the art, social, and natural world. Environments had an early, but only short influence. To this day, art and architecture continue to be widely shaped by objectifying and reifying processes, even though the limits of the systems they belong to have be

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Khoma, Natalia. "Anti-War Actionism (Art-Actionism): Features, Forms, and Evaluation of Possibilities." Humanitarian vision 8, no. 2 (2022): 8–15. http://dx.doi.org/10.23939/shv2022.02.008.

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In the article, the author elucidates the features of the postmodern approach to asserting the value of peace using the techniques of actionism (performance, happening, art installation, flash mob, etc.). Anti-war actionism is considered as an element of the system of sociopolitical actionism. A set of spectacular forms of non-violent public protest against armed aggression and its consequences are analyzed. The fact that today’s anti-war actionism has gone beyond the narrow artistic environment and entered the broad social dimension is proved. The empirical basis for the conceptualization of

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Załuski, Tomasz. "Reworking Effectiveness: Art as a Politic of Redistribution – Some Remarks from a Polish Perspective." Zeitschrift für Kunstgeschichte 81, no. 4 (2018): 555–74. http://dx.doi.org/10.1515/zkg-2018-0041.

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Abstract This article critically reworks the issue of the social impact of art in terms of its ‘effectiveness’. The study shows art’s general economy by taking into account a number of ambivalences, difficulties, and deficiencies related to art activities that turn towards the social, political, economic, and cultural exterior of the field of artistic production. Finally, it tries to mount a careful, complex, and balanced defense of their potentials. Reframing and grounding the discussion on artistic activism in selected concepts from political theory, the author argues that if artistic practi

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Marshall, Hannah. "Stewardship in the Artistic Practice of the Collective Actions Group." Art Documentation: Journal of the Art Libraries Society of North America 40, no. 1 (2021): 52–63. http://dx.doi.org/10.1086/713968.

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Khdir Ahmad, Rasti, and Azad Jamal Tahir. "The Expressionism Perspective of the Kurdistan Region’s Monuments." Journal of University of Raparin 12, no. 1 (2025): 104–24. https://doi.org/10.26750/vol(12).no(1).paper6.

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The question of the Kurdistan region's monuments is different because the view is controlled by of time and place, as well as the external and nuclear factors that affect the artist's mind and feelings, so we can say science and art have one source: art embodies the impact of reality through artistic text, but science lays the foundation of theory because of understanding the law, and art goes from public text to private, and science from private to public. Expression is an important subject that directly embodies expressions at different levels and different perspectives in the art form. From

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Dimitrieva, O. A. "Verbalization of Bacchic Actions in the Artistic World of Fyodor Abramov." Nauchnyi dialog, no. 12 (December 31, 2020): 39–53. http://dx.doi.org/10.24224/2227-1295-2020-12-39-53.

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The features of verbalization of Bacchic actions in the works of Fyodor Abramov (tetralogy “Brothers and Sisters”, novels “Pelageya”, “Alka”, “Mamonikha”, “Wooden Horses” and stories) are considered. The linguistic means of the individual author’s interpretation of the “Wine Drinking” sphere as a fragment of the semantic field of a literary text are analyzed. Bacchic action from the point of view of manifestation of one or another cultural semantics in it (according to M. L. Kovshova): utilitarian, functional, aesthetic, social hierarchical, ideological and spiritual is studied. It is noted th

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Babii, Nadiia. "Gustatory images of Myroslav Yaremak (based on the materials of performances)." Text and Image: Essential Problems in Art History, no. 2 (2023): 41–53. http://dx.doi.org/10.17721/2519-4801.2023.2.03.

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The article constitutes a segment of the author's research on the representation of social practices through artistic production processes in twenty-first-century Ivano-Frankivsk. It delves into the issue of intercultural communication by examining gustatory themes within the performances of the action artist, Myroslav Yaremak. The study concentrates on actions that revolve around artistic depictions of food and beverages' growth, processing, and consumption, recontextualized within the present culture and politics of a provincial city amidst a globalized backdrop. Furthermore, the article exp

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Полетаєва, Г. Н. "ЕТАПИ РОЗВИТКУ ХУДОЖНЬО-ВИРАЗНИХ СКЛАДОВИХ КОМП'ЮТЕРНИХ ІГОР". Art and Design, № 4 (3 лютого 2020): 91–98. http://dx.doi.org/10.30857/2617-0272.2019.4.8.

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The aim of the article is to determine the main aspects of the development of a computer game in the system of audiovisual arts, to describe the chronological stages of the development of the artistic component of the work and the organization forms of the plot sequence of games. In this work, we used the method of artistic and stylistic analysis to identify the main trends in the use of artistic expressiveness, a comparatively descriptive method for analyzing the artistic and expressive solution to computer games. The technical evolution of the gaming environment for determining the stages of

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Dartsch, Michael. "Young children and artistic behaviour: Theoretical considerations for exploration, communication and improvisation, and practical implications." International Journal of Music in Early Childhood 17, no. 2 (2022): 97–102. http://dx.doi.org/10.1386/ijmec_00046_1.

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The article reflects about artistic behaviour in general and shows the potentials of young children for engaging in artistic actions. In particular perceptive and explorative behaviour, which includes forms of communication as well, leads to artistry and can be supported by teachers and educators. Important options of artistic activities are fantasizing in improvisation and comprehension of songs and pieces. All this begins in everyday life and can culminate in differentiated art practice.

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Szczęsna, Ewa. "The Semiotics of Cyberculture: the Example of Artistic Discourse." Kultura i Społeczeństwo 63, no. 3 (2019): 45–62. http://dx.doi.org/10.35757/kis.2019.63.3.3.

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In this text the author reflects on the semiotic existence of culture discourses in connection with the rapid development of digital technology. The author analyzes selected texts of digital art as examples of the transformation in how works of literature, sculpture, or film exist. The article covers how movable font, which changes in shape and color, participates in shaping literary meanings; the creation of semiotic and interactive figures; the textualization of the user’s actions and body; dematerialization; processuality; narrativization; the temporalizing of sculpture, which changes befor

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Reinhuber, Elke. "The Urban Beautician: a practice of transferring ephemeral interventions in the public space via media into a work of art." Lumina 11, no. 2 (2017): 60–81. http://dx.doi.org/10.34019/1981-4070.2017.v11.21442.

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In this artistic research, I argue that a range of artistic practices is capable of addressing relevant issues in our material, specifically our urban, environment. In particular, conceptual interventions or non-theatrical performances, which are in most cases mundane everyday activities that require transformation through media to be understood as art. Yet, as human memory is susceptible, media is also required to provide proof of the action for archives or exhibitions, or simply as a memento of the artwork itself. Lens-based media, such as photography and video-recording, are in most cases t

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Ma, Muyuan, Shan Sun, and Yang Gao. "Data-Driven Computer Choreography Based on Kinect and 3D Technology." Scientific Programming 2022 (January 19, 2022): 1–9. http://dx.doi.org/10.1155/2022/2352024.

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As a form of artistic expression, dance accompanied by music enriches the cultural life of human beings and stimulates the creative enthusiasm of the public. Choreography is usually done by professional choreographers. It is highly professional and time-consuming. The development of technology is changing the way of artistic creation. The development of motion capture technology and artificial intelligence makes computer-based automatic choreography possible. This paper proposes a method of music choreography based on deep learning. First, we use Kinect to extract and filter actions and get ac

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Chaiworawat, Natthaphon, Kitsirin Kitisakon, and Kasem Phenpinant. "Linkage of Individuals and Collective of Human through Performative Acts." Asian Creative Architecture, Art and Design 37, no. 2 (2024): 1–22. https://doi.org/10.55003/acaad.2024.271591.

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The article analyzes the relationship between individuality and collectivity by reviewing artistic endeavors in which physical actions and reactions serve as the fundamental elements of execution. The researcher discovered the guideline for artistic practices, which entail physical actions and reactions as the essential performative process, by utilizing concept ideas from philosophy, psychoanalysis, and anthropology that relate to the occurrence of acts as the main educational framework. Numerous factors, including the interaction between the body and mind, location and time, logic and emotio

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Schuster, Graciela. "The Concept of the Visible between Art and Politics." Latin American Perspectives 42, no. 1 (2015): 84–94. http://dx.doi.org/10.1177/0094582x14563052.

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In the context of the Argentine crisis of December 2001, artist collectives of various kinds went out into the streets to reestablish their bonds with society, protesting and proposing alternatives. Their works and actions linked art and politics, and the visible was a salient aspect of those artistic processes. In the artistic actions performed at the Brukman factory, an abandoned enterprise recovered by its workers, Realism was the axis of the connection between art and politics, and the production and circulation of the artworks linked the public, the particular, and the intimate. En el con

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Sakellariou, Angeliki. "Performative Resilience: Artistic Activism in Urban Spaces of Athens." Bhumi, The Planning Research Journal 10, no. 1 (2023): 25–32. http://dx.doi.org/10.4038/bhumi.v10i1.94.

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Multiple constraints and passivity in urban space on a global scale, combined with the transformation of economic crises into spatial crises, have often led to a rise in civic participation as a form of radical response to contested social frameworks. In a number of cases, as these frameworks faced collapse, citizens have been led to bottom-up solutions which test their capacity to shape socio-spatial programs and disrupt the formality of space freeing it from constraints. Resilient cities – defined as cities that have the ability to absorb, recover and prepare for future shocks – are often at

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Reynolds, Ilana, and Sabrina Huth. "You are where I am not, and I am where you are not." Journal für Psychologie 30, no. 2 (2022): 111–27. http://dx.doi.org/10.30820/0942-2285-2022-2-111.

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This article reflects a four-year artistic research process between us, choreographers Sabrina Huth and Ilana Reynolds. In the frame of our artistic research project Imagined Choreographies we circulate around questions of how to encounter a body that is physically absent. What are the conditions and modalities of such a being-with? And what might be its implications for the way we build and shape relationships nowadays? By presenting three different artistic manifestations in the field of dance and choreography, the article articulates the creative strategies and artistic research methods we

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Kattukaran, Paul. "Being Christian and Artistic." Jnanadeepa: Pune Journal of Religious Studies Jan-June 2008, no. 11/1 (2008): 107–26. https://doi.org/10.5281/zenodo.4268398.

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After understanding what art is, the author tries to re late the art to Christian Revelation and human imagination. Ev ery one has imagination and imagination makes man human and gives him a world of meaningful and civilized existence. All may not be able to paint, sing, sculpt, dance or write poetry, novels and stories. Even if we leave the mastery in such arts to the ac complished artists in their respective fields, the ordinary man in the street can be called an artist. He remembers his significant experiences o f  the yester days and years and imaginatively re coun

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Jankov, Sonja R. "THE ROLE OF ARTISTIC PRACTICES AND COMMUNICATIVE MEMORY IN PRESERVING DESTROYED BRIDGES OF NOVI SAD AS CULTURAL HERITAGE." Nasledje Kragujevac XXI, no. 59 (2024): 309–18. https://doi.org/10.46793/naskg2459.309j.

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This paper is a close analysis of contemporary artistic actions related to the destroyed bridges of Novi Sad that are here for the first time collected and selected – actions by association Scenatoria, Igor Friedrich Petković, association Apsolutno, collective Led Art/ Art Clinic/Shock Commune, Dragan Živančević and Andrej Tišma. These actions are in the paper related to the concept of communica- tive memory, as described by scholars Jan Assmann, Astrid Erll, Jeffrey Olick, Harald Welzer, Jay Winter, David Manier, and William Hirst. The author concludes how these artistic actions connect peopl

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Lyu, Yanru, Xinxin Wang, Rungtai Lin, and Jun Wu. "Communication in Human–AI Co-Creation: Perceptual Analysis of Paintings Generated by Text-to-Image System." Applied Sciences 12, no. 22 (2022): 11312. http://dx.doi.org/10.3390/app122211312.

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In recent years, art creation using artificial intelligence (AI) has started to become a mainstream phenomenon. One of the latest applications of AI is to generate visual artwork from natural language descriptions where anyone can interact with it to create thousands of artistic images with minimal effort, which provokes the questions: what is the essence of artistic creation, and who can create art in this era? Considering that, in this study, the theoretical communication framework was adopted to investigate the difference in the interaction with the text-to-image system between artists and

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Leonhard, Teresa. "Performing Sacral Spaces – Spatializing Sacral Performance." Review of Ecumenical Studies Sibiu 13, no. 2 (2021): 268–85. http://dx.doi.org/10.2478/ress-2021-0025.

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Abstract Spaces are closely connected with actions. By implementing an artistic-phenomenological approach, the existing interplay between sacral space and performance (highlighted bodily actions) can be found in the idea of cultural performance, which integrates the interdependance of movement and lively space, the origin of one in another. As space is something in motion, something that is created, in sacral spaces human beings experience an impact of space on the body and vice versa the eThects of movement creating space. Performing „Artists in Church“ encounter a space characterized by acti

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Ротмирова, Елена, and Elena Rotmirova. "Artistic and Tectonic Mechanism the Profile-Oriented Environment of Students Visual Culture Development." Profession-Oriented School 7, no. 5 (2019): 33–39. http://dx.doi.org/10.12737/article_5da02bf4a756c0.79686288.

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In the modern system of art education, which actualizes the tasks of specialized training of students, the requirements for fi nding local subject methods and means of its diff erentiation and substantive-technological deepening, praxiocentricity and productivity, culture-building and projectivity are being strengthened. Therefore, this article is devoted to the disclosure of the problem of the activation of functional resources of a profi le-oriented artistic and creative environment in situations of constructive stability and success, cultural action. Thus, we propose to consider the artisti

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Wood, Sharmila. "Making Space. Singapore, Artists & Art in the Public Realm." Journal of Public Space, Vol. 5 n. 4 (December 1, 2020): 137–54. http://dx.doi.org/10.32891/jps.v5i4.1408.

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In recent times Singaporean artists have undertaken audacious artistic performances, actions and interventions in public space, highlighting the role of artists as provocateurs of debates around public space and their engagement with issues related to ethical urbanism. Between 2010 – 2020 artists working in diverse fields of artistic practice including visual art, street art, performance art, community arts and new genre public art begun to locate their artwork in public spaces, reaching new audiences whilst forging new conversations about access, inclusion and foregrounding issues around spat

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Malanchuk-Rybak, Oksana, and Terra Neidorf. "The mask-image of Fripulia became one of Fedir Tetyanych." Bulletin of Lviv National Academy of Arts, no. 53 (December 27, 2024): 69–76. https://doi.org/10.37131/2524-0943-2024-53-7.

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Fedir Tetyanych is a Ukrainian nonconformist artist who realized himself in various fine art types and genres. One of the artist&apos;s creative hypostases is the image-mask of Fripulia, involved in numerous phantasmagoric actions on the streets of Kyiv, in particular on Andriyivskyi Uzviz, from the late 1970s to the 21st century. The public perceived the artist as an eccentric and a street philosopher. However, in these actions Fedir Tetyanych formed a peculiar artistic and philosophical concept, in particular, he interpreted the idea of infinity, the boundlessness of the universe through

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Trilupaitytė, Skaidra. "Meninio aktyvizmo įmuziejinimas. Arba kritika kaip ekspozicijos objektas." Lietuvos kultūros tyrimai 11 (2019): 96–110. https://doi.org/10.53630/lkt.2019.3.

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The text focuses on the shape of social and artistic activism in the discourse deployed by contemporary museum. Taking into account the theoretical approach of Boris Groys on art activism, along the differences he noticed between contemporary activism and the artistic criticism of the late seventies, the article discusses how artistic protests and forms of opposition become important aspect of the institutional identity. First, the attempt is made to clarify the notions of artistic protests in regard of Fluxus movement in Lithuania. Second, the article shows that political consensus in neolibe

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Rojas Borboa, Grace Marlene. "Arts in a Post-Covid Educational and Communitary Context." Current Research in Psychology and Behavioral Science (CRPBS) 4, no. 5 (2023): 1–2. http://dx.doi.org/10.54026/crpbs/10101.

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The triad education, aesthetics and expression provide people with abilities for life, freedom, aspirations, and motivations. When arts are integrated, well-being and quality of life become achievable. The pandemic has taught us various lessons such as the importance of deepening the study and reflection of our actions and the value of regaining the beauty of objects, confidence, and respect towards what surrounds us, including the environment. Therefore, artistic education is a medium through which educational action can be represented to imagine the experiences and situation of others. The m

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Балина and T. Balina. "Artistic and Creative Activity As the Basis of Artistic and Creative Technology of Spiritual Education." Socio-Humanitarian Research and Technology 5, no. 1 (2016): 78–81. http://dx.doi.org/10.12737/18428.

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The article touches upon the problem of spiritual upbringing of the younger generation on the basis of art, and using art and creative technologies as a means of education. The concept of &#34;creative activity&#34; in the context of the concepts &#34;creativity&#34; and &#34;creative activity&#34; is considered. The specificity of art-creative technologies in social work as a means of influence and interaction with students, as a way of organizing and functioning of the content of educational activities is determined. The autho

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Djumaniyazova, Tamara, and Lola Kongratbaeva. "BIOMECHANICAL STRUCTURE OF THROWING ACTIONS IN RHYTHMIC GYMNASTICS." Multidisciplinary Journal of Science and Technology 5, no. 4 (2025): 562–64. https://doi.org/10.5281/zenodo.15229432.

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The article presents the results of a comparative biomechanical analysis of throwing actions with various motor tasks performed by highly qualified gymnasts. Based on the obtained quantitative characteristics, model parameters of the biomechanical structure of throws that meet the modern requirements of rhythmic gymnastics are determined.

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Araujo, Gustavo Cunha de. "Art, school and museum: the analysis of an experience in art education at the university Museum of Art - MUnA." Educação e Pesquisa 44 (October 7, 2019): 1–18. https://doi.org/10.1590/s1678-463420180144174612.

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From a theoretical and empirical perspective, the article analyzes an experience in art education developed with students of the public school system in Uberlândia city, Minas Gerais State, at the University Museum of Art - MUnA, Brazil. With a qualitative approach and a descriptive and interpretative character, the research found that the contact with an art museum allows the student not only to broaden his knowledge of the world, but also to enrich his cultural education and improve his capacity for expression. It also provides students a greater interaction with the social environment

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Mallmann, Kalinka Lorenci, and Andreia Machado Oliveira. "As Ações extensionistas como abordagem colaborativa em Arte e Comunidade." PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG 15, no. 33 (2025): 250–72. https://doi.org/10.35699/2238-2046.2025.53618.

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The roots of university extension are linked to collaborative artistic practices with communities by seeking different roles through horizontal actions, as opposed to ephemeral actions and welfare-based approaches. Thus, this article seeks to weave a discourse about university extension in Visual Arts linked to collaborative activities based on examples of artistic projects with indigenous communities, supported by research and university extension. To build this dialogue, we considered some notes from Paulo Freire and theorists and artists in the field of contemporary art. These projects lead

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Boenisch, Peter M., and Lise Sofie Houe. "Milo Rau’s Work as Artistic Director of NTGent." Theater 51, no. 2 (2021): 84–95. http://dx.doi.org/10.1215/01610775-8920552.

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Peter M. Boenisch and Lise Sofie Houe survey the 2018–20 tenure of Swiss director Milo Rau as artistic director of ntgent, the city theater of Ghent, Belgium. Contextualizing his role and actions within the European city theater system, the authors also examine his artistic programming and output in the period, personally and institutionally, with particular emphasis on works produced at ntgent. The authors focus especially on Rau’s efforts to produce work with global collaborators, as seen in his Orestes in Mosul (2019) and other works. Boenisch and Houe additionally summarize critiques of Ra

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Bilyi, Oleg. "Artistic strategy and political communication." Filosofska dumka (Philosophical Thought) -, no. 3 (2021): 108–24. http://dx.doi.org/10.15407/fd2021.03.108.

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The main research narratives of the article are: the influence of artistic strategy on the political communication in the condition of post truth; political imagination and regime of post truth; art and regime of truth; rationality of illusions in the political communication; the techniques of artistic suggestion in public dialogue. It deals with the principle of reliability, the legitimacy rituals in the hunting for the voters. It is analyzed the mythological transformation, imitative mythology of the modern medias. It is discerned the technological integration of art in religion and politics

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Banfield, Janet, and Mark Burgess. "A Phenomenology of Artistic Doing: Flow as Embodied Knowing in 2D and 3D Professional Artists." Journal of Phenomenological Psychology 44, no. 1 (2013): 60–91. http://dx.doi.org/10.1163/15691624-12341245.

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Abstract This research investigates flow experiences and explores meaning construction for artistic practices that differ in haptic nature. In addition to the phenomenological analysis of interviews, videos of artistic practice and practice-based research (in which participants instruct the researcher in their primary techniques) were employed to obtain both retrospective and real-time records of the physicality of artistic practice. Drawing on authors who emphasise the automatisation of actions in flow (Dietriche, 2004; Spinelli, 2005) and heightened body awareness (Pagis, 2009) flow is recon

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Tarnashynska, Liudmyla. "Crimea: Topology of "Self-Discovery"." Наш Крим = Our Crimea = Bizim Qirimimiz 5, history, philology (2022): 239–325. https://doi.org/10.5281/zenodo.7648775.

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As a unique topographic locus on the map of Ukraine, the Crimea gives every reason to consider the complex of its topics/problems from the point of topology view – a method of spatial-corporeal description of social existence in modern philosophy. Namely, consider in the focus of topological ontology and social topology as “place development” (according to M. Heidegger, who considers the locality as a place-forming process – co-action), which involves the unity of nature, man (his actions, in particular, historical progress) and spirit (including the artistic word). It

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Kotovich, Tatiana V. "The Opera “Victory over the Sun” as the Crucial Artistic Event of Malevich’s School (UNOVIS)." ICONI, no. 4 (2019): 45–52. http://dx.doi.org/10.33779/2658-4824.2019.4.045-052.

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February 2020 will mark the centennial of the UNOVIs, the school of Malevich, the Vitebsk association of the Asserters of New Art, a unique attempt of collective artistic thinking. They were bellicose in their arrow-headed motion, in its aggressive stance, in its effectual rhythm, in following the program, in their possession of young arms – the energy of sincere faith. The evening of February 6, 1920 featured a crucial event in the transformation of the Vitebsk artistic school, a significant subject in its history and, most importantly, the meaning-bearing phenomenon in absorbing the Vitebsk

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Niyazov, Ravshan Turakulovich. "FEATURES OF THE DETECTIVE GENRE AND ARTISTIC PECULARITIES." International journal of word art 5, no. 4 (2022): 49–55. https://doi.org/10.5281/zenodo.6775680.

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On the one hand, this article analyzes the priorities of observing the principles of an outdated detective form during its development in detail, and on the other, the importance of adding a new, own style to the existing traditional form of an American detective. The article discusses the courtroom cases and their artistic originality in contemporary American writers’ works. Their works, affecting the complex social problems that are relevant to contemporary American reality (race relations, the death penalty, corruption), as well as a detailed description of the problems and shortcomin

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