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Relevant bibliographies by topics / Artistic and literary history

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Academic literature on the topic 'Artistic and literary history'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Artistic and literary history"

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Muntian, Antonina. "INVESTIGATION OF AN ARTISTIC IMAGE OF A LITERARY WORK (DONNA TARTT’S NOVEL “A SECRET HISTORY”)." English and American Studies 1, no. 16 (2019): 172–79. http://dx.doi.org/10.15421/381924.

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The aim of the article is to research the artistic image of a literary work. In modern linguistics, interest to the study of artistic image is traditionally considered to be one of the conceptual. Modern psycholinguistics and literary studies direct their scientific potential into the realm of individualism and anthropocentrism, thus contributing to further “decoding” of the phenomenon of artistic image. It is the artistic image; its essence that reflects the forms of perception of reality by the author and its specific refraction. Artistic image has a variety of functions – not only purely ae

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Romaykina, Yulia S. "On the History of the Literary-Artistic Digests Zemlya (1908-1917)." Vestnik Tomskogo gosudarstvennogo universiteta, no. 439 (February 1, 2019): 66–72. http://dx.doi.org/10.17223/15617793/439/8.

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Ulugov, Abdulla. "Mahmudkhuja Behbudiy – The Symbol Of History." American Journal of Social Science and Education Innovations 03, no. 04 (2021): 274–87. http://dx.doi.org/10.37547/tajssei/volume03issue04-41.

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Mahmudkhuja Behbudiy holds a special place in the history of the Uzbek people as a person who devoted his life to the prosperity of the country. The history of the Uzbek people of the 20th century can not be imagined without its vibrant socio-political, literary and educational activities. He actively participated in the socio-political movements of the period, gained fame as a political figure, self-sacrificing educator, co-founder of the new Uzbek literature, founder of the new school, theater, publisher, newspaper, organizer of magazines, was one of the first to raise the socio-political, s

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Shapoval, Mariana. "The intellectual's artistic biography in S. Rosovetskyi's dramatic." Synopsis: Text Context Media 26, no. 1 (2020): 1–10. http://dx.doi.org/10.28925/2311-259x.2020.1.1.

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The global trend of digitalization and publishing of historical sources, in particular fiction and its existence in different eras, makes the reader constantly reconsider the lives and work of persons who are regarded as prototypes of characters in literary works. As a result, an artistic image, linked to real life and rooted in the past, generates a consistent literary story in the form of artistic biography. The number and variety of such literary works, including dramatic ones, is constantly growing, which determines the topicality of this study. Over the recent decades, biographical fictio

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Paşca, Eugenia Maria. "History and Modernity in Artistic Education from Romania." Review of Artistic Education 18, no. 1 (2019): 347–52. http://dx.doi.org/10.2478/rae-2019-0039.

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Abstract The issue of artistic education is not new, it is still concerned and concerned by many specialists. The newities emerged and imposed from time to time in the evolution of culture and education were and are determined by the scientific and artistic achievements, the enrichment of the possibilities of knowledge and valorization of the experiences and achievements, both from the field of artistic didactics, as well as from musical creation and interpretative art. The perspectives, especially in the last half century, aimed at increasing the knowledge of the child’s physical and mental p

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Klyushina, Elena V., and Eleonora M. Glinternik. "“La Revue Blanche”: The History of Illustrating." Vestnik of Saint Petersburg University. Arts 11, no. 1 (2021): 127–49. http://dx.doi.org/10.21638/spbu15.2021.108.

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The article reconstructs the illustrating history of “La Revue Blanche”, the leading French literary and artistic magazine of the fin de siècle epoch. Leaving out the analysis of literary content, the authors considers the petite revue through the prism of its most significant artistic achievements. In order to achieve this goal, a rather wide range of graphic artists who collaborated with “La Revue Blanche” at one time or another is outlined, and the conditional genre ranking of engravings published and distributed with the help of the journal is carried out. Based on the data obtained, a per

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Camus, Albert, Jorge Amado, Alain-Philippe Durand, and Ralph Schoolcraft. "Formative Literary Visions and Prewar Politics." PMLA/Publications of the Modern Language Association of America 124, no. 3 (2009): 918–23. http://dx.doi.org/10.1632/pmla.2009.124.3.918.

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During the launching of the university of São paulo, The 1930s added another distinguished chapter to the storied history of Franco-Brazilian intellectual and artistic collaborations. Starting in 1934 several promising French scholars began teaching at this new academic institution. Among the most prestigious were the cultural anthropologist Claude Lévi-Strauss, the historian Fernand Braudel, the geographer Pierre Monbeig, the classicist Michel Berveiller, and the Portuguese-literatures specialist Pierre Hourcade (Riedinger 443).

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Gilfanova, Gulnara Tavkilevna, Alfiia Revanerovna Valeeva, and Elena Alexandrovna Nikulina. "The German Novel of the 1960-70s: Artistic Conception of History." Revista Amazonia Investiga 9, no. 26 (2020): 554–57. http://dx.doi.org/10.34069/ai/2020.26.02.62.

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In the German-language literature of the 1960-70s, novelistic prose emerged, which not only narrated about the German identity but also appealed to international solidarity and the formation of historical worldview. The German novel of the second half of the 20th century, associated with the original artistic conception of the history of a yet divided Germany, was given new meaning in the works of such writers as Johannes Bobrowski, Erwin Strittmatter, Franz Fühmann, and Jurek Becker. Bobrowski’s artistic style laid the foundation for a generation of writers following his original creative leg

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Vakhnenko, E. E. "Alexey Remizov in the symbolist magazine “Vesy”: to the history of cooperation." Sibirskiy filologicheskiy zhurnal, no. 4 (2020): 76–90. http://dx.doi.org/10.17223/18137083/73/5.

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The paper reveals the history of the relations of Alexey M. Remizov’s and the symbolists’ magazine “Vesy” (1903–1909) in the context of the periodical editorial policy and from the standpoint of the artist’s aesthetic values. The documentary basis of Remizov’s relationship with the magazine’s board can be considered his correspondence with Valery Bryusov, as well as fragments of the epistolary heritage of both a personal nature (letters to his wife Seraphima Remizova-Dovgello) and official correspondence with leading employees of St. Petersburg press. The contacts of the novice writer with Mos

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Parkes, Ruth. "Dealing with Ghosts: Literary Assertion in Statius' Thebaid." Ramus 39, no. 1 (2010): 14–23. http://dx.doi.org/10.1017/s0048671x00000515.

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Chthonic scenes have often been considered in terms of their metapoetic potential. The very nature of such episodes, in which protagonists typically encounter characters from the literary-mythological past, arguably encourages a kind of artistic self-consciousness. In Currie's words,Anekyiamay be an especially fitting place for a poem to explore self-reflectively its relationship to earlier poetry: to confront its own literary ghosts.This article examines whether the portrayal of ghosts in the necromancy of StatiusThebaidBook 4 can be read as a meditation on the poem's place in the literary tr

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Dissertations / Theses on the topic "Artistic and literary history"

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Furtado, Michael Anthony 1958. "Islands of Castile: Artistic, Literary, and Legal Perception of the Sea in Castile-Leon, 1248-1450." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/12098.

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xiii, 322 p. : col. ill.<br>Before Spain encountered the Americas, it first encountered the sea. This dissertation explores the roots of that encounter by examining perceptions of the sea in late medieval Castile-Leon reflected in art, literature, and law. It analyzes the changing attitudes of the Castilians towards the sea through an examination of its perceived place in their world, underscoring the complexity of Castilian attitudes toward the dangers and opportunities presented by the marine environment. Conceptual separation and union serve as the two foundational concepts employed for the

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Thompson, Susannah Catherine. "The artist as critic : art writing in Scotland 1960-1990." Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/2831/.

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Wood, Jessica Susan. "Portraits of the artist : Dionysian creativity in selected works by Gabriele d’Annunzio and Thomas Mann." Thesis, University of Birmingham, 2016. http://etheses.bham.ac.uk//id/eprint/6553/.

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My thesis argues that Gabriele d’Annunzio and Thomas Mann both conceive of artistic creation as a process which is influenced by their interpretations of Nietzsche’s notion of the Dionysian, and that striking affinities characterise their respective literary portrayals of the relationship between the artist and (a version of) the Dionysian. D’Annunzio and Mann, who were contemporaries, are rarely considered together, and it is widely assumed that there is little common ground between them. This thesis will demonstrate that their creative and critical engagement with Nietzsche, especially his i

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Lamborn, Erin Alice. "From Darwin to Dracula: A study of literary evolution." CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2836.

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Argues that, without the publication of Charles Darwin's "Origin of Species," Bram Stoker's novel "Dracula" and Oscar Wilde's novel "The Picture of Dorian Gray" would not have been written with their distinct style and themes, as evolution clashes with degeneration and female power (and the sexuality derived from that power) clashes with the new science. Stoker and Wilde combine the science of the late 19th century with the characters of their imaginations. Natural and sexual selection plays a part in these characters' core development. The mixture of sexuality, science and power in these two

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Von, Solms Charlayn Imogen. "Ingenuity's engine : an overview of the history and development of the concept of the muse." Thesis, Stellenbosch : University of Stellenbosch, 2003. http://hdl.handle.net/10019.1/16468.

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Thesis (MPhil)--University of Stellenbosch, 2003.<br>ENGLISH ABSTRACT: "The growth of any discipline depends on the ability to communicate and develop ideas, and this in turn relies on a language which is sufficiently detailed and flexible" (Singh 1997: 59). Many metaphors relating to creativity are too misleading, confusing, and restricted in scope for a meaningful exploration of the phenomenon and its fluctuating social and cultural contexts. Given the Muse's long-term association with literature, philosophy, education, and more recently, the fine arts and other "creative" fields, an

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Madore, Geneviève. "Les essais de jeunesse d'Hubert Aquin : la genèse d'un écrivain." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0007/MQ46590.pdf.

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Pereira, Sayonara Sousa. "Rastros do Tanztheater no processo criativo de ES-BOÇO : espetaculo cenico com alunos do Instituto de Artes da UNICAMP." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285046.

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Orientador: Inaicyra Falcão dos Santos<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-09T15:06:14Z (GMT). No. of bitstreams: 1 Pereira_SayonaraSousa_D.pdf: 4308087 bytes, checksum: 6528476f4d8fbfa0027de0187d661a80 (MD5) Previous issue date: 2007<br>Resumo: O percurso desenvolvido nesta pesquisa teve como ponto de partida o Tanztheater2, movimento de dança que ocorreu na Alemanha a partir de 1932, e considerações sobre a obra de quatro de seus principais protagonistas, respectivamente: Kurt Jooss, Dore Hoyer, Pina Bausch e Su

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Almeida, Marcos Vinícius Lima de. "A lógica do espectro: romance histórico, necromancia e o lugar do morto." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21322.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-08-08T14:24:38Z No. of bitstreams: 1 Marcos Vinícius Lima de Almeida.pdf: 1307709 bytes, checksum: 04495baffe61ad76bf405f45955e7e9f (MD5)<br>Made available in DSpace on 2018-08-08T14:24:38Z (GMT). No. of bitstreams: 1 Marcos Vinícius Lima de Almeida.pdf: 1307709 bytes, checksum: 04495baffe61ad76bf405f45955e7e9f (MD5) Previous issue date: 2018-06-21<br>Fundação de Amparo à Pesquisa do Estado de São Paulo - FAPESP<br>Under the premise that our history is constituted under the impact of catastrophes, and that in this context, writing

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Fernandes, Ana Candida Franceschini de Avelar. "Artistas plásticos no Suplemento Literário de O Estado de São Paulo (1956-1967)." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-30012008-113224/.

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O Suplemento Literário de O Estado de S. Paulo (SLOESP), caderno não só literário, mas artístico da mais alta importância no campo cultural brasileiro, foi criado pelo professor Antonio Candido Mello e Souza, em 1956, e dirigido por Décio de Almeida Prado, até 1966. Italo Bianchi, indicado por Gilda de Mello e Souza, responsabilizou-se pelo projeto gráfico que refletia o tom do projeto do professor. Em 8 de abril de 1967, o projeto original foi substituído por um novo. Esta pesquisa visa catalogar e discutir as ilustrações publicadas pelo SLOESP, desenhos e gravuras de vários artistas, entre o

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Silva, Fernando Costa e. "O Jornal Oió na formação do campo literário goiano em 1957 e 1958." Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/8967.

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Submitted by Onia Arantes Albuquerque (onia.ufg@gmail.com) on 2018-10-10T14:53:33Z No. of bitstreams: 2 Dissertação - Fernando Costa e Silva - 2018.pdf: 1477366 bytes, checksum: 9328481adafcc2ee034b41eebce7666a (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-10-10T14:59:23Z (GMT) No. of bitstreams: 2 Dissertação - Fernando Costa e Silva - 2018.pdf: 1477366 bytes, checksum: 9328481adafcc2ee034b41eebce7666a (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<b

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Books on the topic "Artistic and literary history"

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Literary translation: Quest for artistic integrity. St. Jerome Pub., 2003.

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Creativity: Theory, history, practice. Routledge, 2005.

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Rethinking Constantine: History, theology, and legacy. Pickwick Publications, 2014.

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Noble art: An artistic & literary celebration of the old English prize-ring. Unwin Hyman, 1989.

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Scarisbrick, J. J. Jewellery in Britain, 1066-1837: A documentary, social, literary and artistic survey. Michael Russell, 1994.

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Scarisbrick, J. J. Jewellery in Britain, 1066-1837: A documentary, social, literary and artistic survey. Michael Russell, 1994.

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J, Reed T. Genesis: Some episodes in literary creation. Institute of Germanic Studies, University of London, 1995.

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Reed, T. J. Genesis: Some episodes in literary creation. Institute of Germanic Studies, University of London, 1995.

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Mary, Coakley, ed. Wit and wine: Literary and artistic Cork in the early nineteenth century. Glendale Press, 1985.

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Romantic literary families. Palgrave Macmillan, 2009.

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Book chapters on the topic "Artistic and literary history"

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Kullmann, Thomas, and Dirk Siepmann. "Tolkien’s Position in Literary History." In Tolkien as a Literary Artist. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69299-5_10.

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Caughey, John S. "Learning Fiction by Subscription: The Art and Business of Literary Advice 1884–1895." In New Directions in Book History. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_2.

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AbstractThis chapter examines the rise of literary advice in Anglo-American periodical culture from 1884 to 1895. Capitalizing on a moment when fiction became both more self-consciously artistic and more potentially lucrative, literary advice of this era addressed the full range of literary practice and the attendant practical activities that made it possible. The chapter resituates the landmark “Art of Fiction” debate (1884)—an event crucially sponsored by the magazines—as the opening of an era of practical discussion that was soon after taken up in trade journals devoted specifically to authorship. The practical advice dispensed by these journals—including tools, tricks, tips, and gossip—focuses on the form of the short story, creating a loop with a form that was itself a magazine staple. This interactive looping is considered in the conclusion, where the chapter examines a systematic course in literary art offered by Atalanta, a late-Victorian “Girl’s Magazine.”

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Tsitsovits, Ioannis. "Reproduction as Literary Production: Self-Expression and the Index in Kenneth Goldsmith’s Uncreative Writing." In New Directions in Book History. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_12.

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AbstractThis chapter discusses Kenneth Goldsmith’s Uncreative Writing, a collection of essays that includes an account of his Uncreative Writing course at the University of Pennsylvania. Championing various forms of literary automatism and appropriation, which are often treated as a much-needed response to our contemporary digital environment, the book is offered as a counter-model to established notions of authentic, self-expressive writing. The article takes this position as a springboard into thinking about Goldsmith’s writing exercises in relation to a longer history of indexical artistic practices, most notably analog photography. Despite its own positioning vis-à-vis the digital, I claim, Goldsmith’s writing model can best be understood as an extension of a proto-photographic logic into the ambit of contemporary literature. At the same time, as I show, the use of textual reproduction central to his project has been a longstanding ingredient of self-expressive literary advice. I conclude by arguing that Goldsmith’s model is just as tied to a form of personal expression, albeit one following a less obviously self-expressive logic that resonates with online forms of indexical performativity.

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Kovach, Elizabeth. "Work and the Writing Life: Shifts in the Relationship Between ‘Work’ and ‘The Work’ in Twenty-First-Century Literary-Advice Memoirs." In New Directions in Book History. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_15.

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AbstractThis article focuses on memoirs that grapple with how to resolve tensions between ‘work,’ labor performed for a wage or salary, and ‘the Work,’ a creative pursuit performed for reasons beyond material necessity. Dorothea Brande’s Becoming a Writer (1934) and Wake up and Live! (1936), like many self-help publications of their kind, position writing and other creative pursuits as acts of living that stand in opposition to the necessity of making a living. Recently, however, a number of publications on “the writing life” have begun to complicate this opposition. When considering works ranging from Annie Dillard’s 1989 The Writing Life to Deborah Levy’s Things I Don’t Want to Know (2013) and The Cost of Living (2018) and Alexander Chee’s How to Write and Autobiographical Novel (2018), it seems that the dichotomy of work vs. writing life is not simply undergoing demystification but also reconceptualization. These contemporary literary-advice memoirs thematize dissolutions between work, personal, and writing lives, thereby also disrupting generic patterns in issuing literary advice. They push the literary advice genre away from technicalities and visions of artistic autonomy and toward accounts of creative production that is subject to the demands placed on creative workers throughout the white-collar labor market of late capitalism.

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Franco Harnache, Andrés. "“Mostrar, no decir”: The Influence of and Resistance Against Workshop Poetics on the Hispanic Literary Field." In New Directions in Book History. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_14.

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AbstractUntil recently, due to the Romantic imaginary of the artist-as-genius, the Hispanic literary tradition has been wary of a literary advice industry or academic programs of creative writing. This wariness hindered the professionalization of Hispanic authors, but at the same time it kept Hispanic literature out of anglicized uniformity which permitted, by the mid-twentieth century, a reinterpretation of western literature by writers such as Gabriel García Márquez, Jorge Luis Borges, and Mario Vargas Llosa. Nonetheless since the early 2000s a series of MFA programs in creative writing, first in the United States, but more recently in Latin America and Spain, have been changing Hispanic literature. These programs, with syllabi imported from the Anglophone canons, have influenced a new generation of writers who mirror the English savoir-faire and reject their own literary traditions, which were more experimental, less rooted in realism, and even somewhat baroque. There is, however, also resistance in the field, where workshop-inspired developments coincide with a return to a more Hispanic tradition of innovation.

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Grauby, Françoise. "The “Ready-Made-Writer” in a Selection of Contemporary Francophone Literary Advice Manuals." In New Directions in Book History. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_8.

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AbstractThis chapter explores the concepts of discursive and non-discursive ethos, as well as the notion of authorial stance (posture) as defined by Jerôme Meizoz (2007; 2011) in order to analyze the figure of the “ready-made-writer” in French manuals and writing guides at the beginning of the twenty-first century. “Authorial stance,” “ethos,” and “persona” are all terms that take stock of the way in which authors declare themselves writers in the literary field. For Meizoz, posture begins at the moment of publication, that is, at the moment of the official recognition of the author. A close reading of some recent French writing manuals, however, reveals the outline of an implicit portrait of the author budding into a legitimate artist and credible writer, and contains indications on how to carve out a space of creation for oneself. The identities presented by the manuals are shaped by literary models and invested by a collective imaginary. They conform to culturally accepted archetypes, because “becoming a writer, and doing the work of a writer are part of the same phantasm” (Ducas 2002). Learning the craft of writing thus also entails acquiring a corporeal dramaturgy or an “auctorial scenography” (Diaz 2009) which is a prerequisite for creation. This can be achieved by going through various authorial stances, from “visionary” to “apprentice” and “manager of one’s own small enterprise.”

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Cohen, Ralph. "Literary Criticism and Artistic Interpretation." In Reason and Imagination. Routledge, 2021. http://dx.doi.org/10.4324/9781003222996-14.

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Hitti, Philip K. "Intellectual and Artistic Activity." In History of the Arabs. Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-1-137-03982-8_48.

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London, April. "Literary History and Literary Specimens." In Literary History Writing, 1770–1820. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230283336_5.

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Maguire, Paddy. "Literature, Politics and History." In Literary Politics. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137270146_7.

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Conference papers on the topic "Artistic and literary history"

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Syzranov, Sergey. "Artistic Attitude As A Factor Of Literary Relations." In International Scientific Conference «Social and Cultural Transformations in the Context of Modern Globalism» dedicated to the 80th anniversary of Turkayev Hassan Vakhitovich. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.05.139.

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Zakharova, Natalia Vladimirovna. "The problem of artistic space in Russian literary criticism." In Internationa Extra-murral Online Conference. TSNS Interaktiv Plus, 2020. http://dx.doi.org/10.21661/r-113941.

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This article is devoted to the study of artistic space in the literary criticism of the ХХ and beginning of the XIX centuries. The main approaches to the understanding of the artistic space in the works of Russian literary critics are discussed.

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Zhu, Li. "Analysis of The Artistic Language in English Literary Translation." In 2015 3rd International Conference on Education, Management, Arts, Economics and Social Science. Atlantis Press, 2016. http://dx.doi.org/10.2991/icemaess-15.2016.71.

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Xiaoshan Li. "Limited animation: History and artistic techniques." In 2010 IEEE 11th International Conference on Computer-Aided Industrial Design & Conceptual Design 1. IEEE, 2010. http://dx.doi.org/10.1109/caidcd.2010.5681225.

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Баштовая, Арина Максимовна, and Полина Александровна Морина. "SPECIFIC UNDERSTANDING OF ARTISTIC TEXT." In Образование. Культура. Общество: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Декабрь 2020). Crossref, 2021. http://dx.doi.org/10.37539/ecs294.2020.28.49.007.

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В статье задаются проблемы понимания художественного текста в эпоху цифры. Обсуждаются особенности развития культуры понимания произведения искусства детьми в сюжетно-деятельностной игре. The article asks the problems of understanding literary text in the era of numbers. The features of the development of a culture of understanding a work of art in a plot-activity game are discussed.

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Liu, Shan, and Yao Dong. "Research on Network Evolutionary Spreading Model of Literary and Artistic Works." In 2019 12th International Congress on Image and Signal Processing, BioMedical Engineering and Informatics (CISP-BMEI). IEEE, 2019. http://dx.doi.org/10.1109/cisp-bmei48845.2019.8965871.

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Belyaev, Igor. "Human-Sizedness As A Principle Of Existance For Literary-Artistic Image." In Philological Readings. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.04.02.64.

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Suhendi, Didi. "Appreciative, Creative, and Innovative Literary Learning in University: Literary History as a Model." In First Indonesian Communication Forum of Teacher Training and Education Faculty Leaders International Conference on Education 2017 (ICE 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/ice-17.2018.114.

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Romanovska, Alina. "20TH CENTURY HISTORY OF LATVIA IN LITERARY NARRATIVES." In 3rd Arts & Humanities Conference, Barcelona. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/ahc.2018.003.002.

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Ryabov, A. V. "State policy and the artistic culture of Russia in 1918." In Scientific Trends: Philology, Culturology, Art history. LJournal, 2019. http://dx.doi.org/10.18411/spc-26-03-2019-08.

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Reports on the topic "Artistic and literary history"

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Yablonskyy, Maxym. «NEW DAYS» WEEKLY AND PETRO VOLYNIAK, PUBLISHER AND AUTHOR. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11058.

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In the article on the material of the Salzburg weekly «New Days» (1945–1947) various spheres of activity of Peter Volyniak are presented. It is noted that this edition was a business card of the publishing house of the same name and had a history of continuation: in Toronto Petro Volyniak restored the publishing house of the same name and continued the publication in the format of the universal monthly «New Days» (1950–1969). The article also presents periodicals («Latest News», «New Days», «Timpani», «Our Way») and literary, artistic and scientific collection «Steering Wheel», which were publ

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Galenson, David. Anticipating Artistic Success (or, How to Beat the Art Market): Lessons from History. National Bureau of Economic Research, 2005. http://dx.doi.org/10.3386/w11152.

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Crispin, Darla. Artistic Research as a Process of Unfolding. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.503395.

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As artistic research work in various disciplines and national contexts continues to develop, the diversity of approaches to the field becomes ever more apparent. This is to be welcomed, because it keeps alive ideas of plurality and complexity at a particular time in history when the gross oversimplifications and obfuscations of political discourses are compromising the nature of language itself, leading to what several commentators have already called ‘a post-truth’ world. In this brutal environment where ‘information’ is uncoupled from reality and validated only by how loudly and often it is

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Klengel, Susanne. Pandemic Avant-Garde Urban Coexistence in Mário de Andrade’s Pauliceia Desvairada (1922) after the Spanish Flu. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, 2020. http://dx.doi.org/10.46877/klengel.2020.30.

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The radical aesthetic of the historical avant-garde movements has often been explained as a reaction to the catastrophic experience of the First World War and a denouncement of the bourgeoisie’s responsibility for its horrors. This article explores a blind spot in these familiar interpretations of the international avant-garde. Not only the violence of the World War but also the experience of a worldwide deadly pandemic, the Spanish flu, have moulded the literary and artistic production of the 1920s. In this paper, I explore this hypothesis through the example of Mário de Andrade’s famous book

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Tymoshyk, Mykola. LONDON MAGAZINE «LIBERATION WAY» AND ITS PLACE IN THE HISTORY OF UKRAINIAN JOURNALISM ABROAD. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11057.

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One of the leading Western Ukrainian diaspora journals – London «Liberation Way», founded in January 1949, has become the subject of the study for the first time in journalism. Archival documents and materials of the Ukrainian Publishing Union in London and the British National Library (British Library) were also observed. The peculiarities of the magazine’s formation and the specifics of the editorial policy, founders and publishers are clarified. A group of OUN members who survived Hitler’s concentration camps and ended up in Great Britain after the end of World War II initiated the foundati

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Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.

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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary cri

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