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Books on the topic 'Artistic and literary history'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Literary translation: Quest for artistic integrity. Manchesteer, UK: St. Jerome Pub., 2003.

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2

Creativity: Theory, history, practice. Abingdon, Oxfordshire: Routledge, 2005.

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3

Rethinking Constantine: History, theology, and legacy. Eugene, Or: Pickwick Publications, 2014.

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4

Noble art: An artistic & literary celebration of the old English prize-ring. London: Unwin Hyman, 1989.

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5

Scarisbrick, J. J. Jewellery in Britain, 1066-1837: A documentary, social, literary and artistic survey. Wilby, Norwich: Michael Russell, 1994.

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6

Scarisbrick, J. J. Jewellery in Britain, 1066-1837: A documentary, social, literary and artistic survey. Wilby, Norwich: Michael Russell, 1994.

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7

J, Reed T. Genesis: Some episodes in literary creation. London: Institute of Germanic Studies, University of London, 1995.

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8

Reed, T. J. Genesis: Some episodes in literary creation. London: Institute of Germanic Studies, University of London, 1995.

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9

Mary, Coakley, ed. Wit and wine: Literary and artistic Cork in the early nineteenth century. Dun Laoghaire, Co. Dublin, Ireland: Glendale Press, 1985.

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10

Romantic literary families. New York, NY: Palgrave Macmillan, 2009.

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11

Gherasim, Alexandra. Raporturile text-metaforă în limbajul literar-artistic. Chișinău: Moldpres, 1997.

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12

Cottom, Daniel. Ravishing tradition: Cultural forces and literary history. Ithaca, N.Y: Cornell University Press, 1996.

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13

Inspiration: Bacchus and the cultural history of a creation myth. Leiden: Brill, 2005.

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14

Carl, Hull, ed. Concerto grosso: Begegnungen, Einflüsse und Zentren der Musikgeschichte. Düsseldorf: Droste, 1987.

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15

Ricketson, Sam. The Berne Convention for the Protection of Literary and Artistic Works: 1886-1986. [London]: Centre for Commercial Law Studies, Queen Mary College, 1987.

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16

Ricketson, Sam. The Berne Convention for the Protection of Literary and Artistic Works: 1886-1986. London: Centre for Commercial Law Studies, Queen Mary College, 1987.

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17

Ricketson, Sam. The Berne Convention for the Protection of Literary and Artistic Works: 1886-1986. London: Centre for Commercial Law Studies, Queen Mary College, 1987.

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18

Sleeping beauties in Victorian Britain: Cultural, literary and artistic explorations of a myth. Oxford: Peter Lang, 2014.

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19

Chuang zuo fang fa shi. Shijiazhuang: Hua shan wen yi chu ban she, 1986.

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20

Ushakov, D. V. Psikhologii︠a︡ tvorchestva: Shkola I︠A︡.A. Ponomareva. Moskva: Institut psikhologii RAN, 2006.

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21

Steinsvik, Guri Marie. Bindepunkter for skapende virksomhet. Oslo: Arkitektur- og designhøgskolen i Oslo, 2007.

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22

Entwerfen und Entwurf: Praxis und Theorie des künstlerischen Schaffensprozesses. Berlin: Reimer, 2003.

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23

Vismara, Gisella, and Giovanni M. Accame. Parola d'artista: Dall'esperienza aniconica : scritti di artisti italiani, 1960-2006. Milano: Charta, 2007.

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24

Shepherd, M. Tradition and re-creation in thirteenth century romance: "La Manekine" and "Jehan et Blonde" by Philippe de Rémi. Amsterdam: Rodopi, 1990.

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25

Inc, ebrary, ed. The influence of Origen on the young Augustine: A chapter of the history of Origenism. Piscataway, NJ: Gorgias Press, 2009.

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26

The rhetoric of space: Literary and artistic representations of landscape in Republican and Augustan Rome. Princeton, N.J: Princeton University Press, 1988.

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27

Building imaginary worlds: The theory and history of subcreation. New York: Routledge, 2013.

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28

Tawfīq, Majdī Aḥmad. Mafhūm al-ibdāʻ al-fannī fī al-naqd al-ʻArabī al-qadīm. [Cairo]: al-Hayʾah al-Miṣrīyah al-ʻĀmmah lil-Kitāb, 1993.

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29

Hemingway and Turgenev: The nature of literary influence. Ann Arbor, Mich: UMI Research Press, 1986.

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30

Conceived presences: Literary genealogy in Renaissance England. Amherst: University of Massachusetts Press, 1994.

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31

McCormack, W. J. From Burke to Beckett: Ascendancy, tradition and betrayal in literary history. Cork, Ireland: Cork University Press, 1994.

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32

Wordsworth's Pope: A study in literary historiography. Cambridge: Cambridge University Press, 1996.

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33

Grafton, Anthony. Forgers and critics: Creativityand duplicity in Western scholarship. London: Collins & Brown, 1990.

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34

Forgers and critics: Creativity and duplicity in western scholarship. Princeton, N.J: Princeton University Press, 1990.

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35

Bely, Andrey. Kak my pishem. Moskva: Kniga, 1989.

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36

Krauth, Leland. Mark Twain & company: Six literary relations. Athens, GA: University of Georgia Press, 2004.

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37

Mark Twain & company: Six literary relations. Athens: University of Georgia Press, 2003.

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38

Craig, Cairns. Associationism and the literary imagination: From the phantasmal chaos. Edinburgh: Edinburgh University Press, 2007.

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39

'Writing the lives of painters': Biography and artistic identity in Britain, 1760-1810. Oxford: Oxford University Press, 2011.

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40

Heidl, György. Origen's influence on the young Augustine: A chapter of the history of Origenism. Louaize, Lebanon: University of Notre Dame, 2003.

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41

Heidl, György. Origen's influence on the young Augustine: A chapter of the history of Origenism. Louaize, Lebanon: University of Notre Dame, 2003.

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42

Di, Jin. Literary Translation: Quest for Artistic Integrity. Taylor & Francis Group, 2016.

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43

Track Changes: A Literary History of Word Processing. Harvard University Press, 2016.

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44

Kirschenbaum, Matthew G. Track Changes: A Literary History of Word Processing. Harvard University Press, 2016.

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45

Sonstegard, Adam. Artistic Liberties: American Literary Realism and Graphic Illustration, 1880-1905. University of Alabama Press, 2014.

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46

1951-, Clayton Jay, and Rothstein Eric, eds. Influence and intertextuality in literary history. Madison, Wis: University of Wisconsin Press, 1991.

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47

Rosario, Vernon, and Paula Bennett. Solitary Pleasures: The Historical, Literary and Artistic Discourses of Autoeroticism. Taylor & Francis Group, 2020.

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48

Solitary Pleasures: The Historical, Literary and Artistic Discourses of Autoeroticism. Routledge, 1995.

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49

Solitary pleasures: The historical, literary, and artistic discourses of autoeroticism. New York: Routledge, 1995.

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50

Bennett, Paula. Solitary Pleasures: The Historical, Literary and Artistic Discourses of Autoeroticism. Routledge, 1995.

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