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1

Careers in creative industries. Routledge, 2012.

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2

White, Harrison C. Careers and creativity: Social forces in the arts. Westview Press, 1993.

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3

Ito, Dee. Careers in the visual arts: A guide to jobs, money, opportunities, and an artistic life. Watson-Guptill Publications, 1993.

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4

Galenson, David W. The lives of the painters of modern life: The careers of artists in France from impressionism to cubism. National Bureau of Economic Research, 1999.

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5

The fine artist's career guide. Allworth Press, 1998.

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6

1948-, Travis David, Art Institute of Chicago, and San Francisco Museum of Modern Art., eds. Edward Weston, the last years in Carmel. Art Institute, 2001.

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7

Carpentry, Mathilda de. Artistes peintres, plasticiens en devenir: Mode d'emploi. Presses du midi, 2005.

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8

Creativity for life: Practical advice on the artist's personality and career from America's foremost creativity coach. New World Library, 2007.

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9

Ruža Pospiš-Baldani: 35 godina umjetničkog djelovanja = 35 years of an artistic career. Hrvatsko narodno kazalište u Zagrebu, 1996.

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10

Goldstein, Susanne. Carry a paintbrush: How to be the artistic director of your own career. [publisher not identified], 2011.

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11

100 best careers for writers and artists. Macmillan, 1997.

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12

Careless. Sceptre, 2006.

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13

Robertson, Deborah. Careless. Hodder & Stoughton, 2007.

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14

Michael, Gray, Ollman Arthur, and McCusker Carol, eds. First photographs: William Henry Fox Talbot and the birth of photography. PowerHouse Books in association with the Museum of Photographic Arts, San Diego, 2002.

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15

Talbot, William Henry Fox. First photographs: William Henry Fox Talbot and the birth of photography. PowerHouse Books in association with the Museum of Photographic Arts, San Diego, 2002.

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16

School of Visual Arts (New York, N.Y.), ed. The School of Visual Arts guide to careers. McGraw-Hill, 1987.

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17

1962-, Phillips Stephen Bennett, ed. Readers, advisors, and storefront churches: Renée Stout, a mid-career retrospective. University of Missouri-Kansas City, Belger Arts Center for Creative Studies, 2002.

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18

Robertson, Deborah. Careless: A novel. MacAdam Cage, 2008.

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19

Max Liebermann and international modernism: An artist's career from empire to Third Reich. Berghahn Books, 2011.

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20

The artist's career guide: How to make a living doing what you love. Da Capo Press, 2009.

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21

An artist's guide to a successful career: Strategies for financial and critical success. Common Ground Publishing LLC, 2013.

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22

Irving, Penn. Irving Penn: A career in photography. Art Institute of Chicago in association with Bulfinch Press/Little, Brown, 1997.

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23

Oursler, Tony. Tony Oursler: Introjection, mid-career survey, 1976-1999. Williams College Museum of Art, 1999.

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24

Galenson, David W. The careers of modern artists: Evidence from auctions of contemporary paintings. National Bureau of Economic Research, 1997.

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25

Mitchell, Crystal. Career diary of a graphic designer. GGC Pub., 2006.

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26

The practical handbook for the emerging artist. Wadsworth CENGAGE Learning, 2010.

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27

A career in computer graphics and design. Rosen Publishing, 2015.

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28

The hair, makeup & fashion styling career guide. 4th ed. Set The Pace Pub. Group, 2004.

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29

Lazzari, Margaret R. The practical handbook for the emerging artist. Wadsworth CENGAGE Learning, 2010.

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30

The practical handbook for the emerging artist. Harcourt Brace College Publishers, 1996.

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31

A practical handbook for the emerging artist. 2nd ed. Harcourt College Publishers, 2002.

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32

Wright, Crystal A. Crystal Wright's hair, makeup & fashion styling career guide. 5th ed. Set The Pace Publishing, 2009.

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33

Wine, Humphrey Mayer. Painting as a career in eighteenth-century Paris. [s.n.], 1993.

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34

Belott, Brian. Wipe That Clock Off Your Face. Picture Box Inc, 2007.

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35

Careers For Artistic Types. Millbrook Press, 1991.

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36

Kaplan, Andrew. Careers for Artistic Types. Bt Bound, 2003.

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37

Careers for Artistic Types. Millbrook Pr Trade, 1991.

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38

McRoberts, Richard, Nola Errey, Karin Miller, and Dianne Phillips. Cambridge Student Career Guides Creative and Artistic Careers (Cambridge Career Guides). Cambridge University Press, 2005.

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39

Kaplan, Andrew. Careers For Artistic Types, (Choices (Millbrook)). Millbrook Press, 1991.

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40

Locke, Lafe. Careers for Artistic People (20 Posters). J Weston Walch Pub, 1988.

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41

Careers in Creative Industries. Taylor & Francis Group, 2015.

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42

Houston, Greg. Illustration that works: Professional techniques for artistic & commercial success. 2016.

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43

Missouri Remembers: Artists in Missouri through 1951. Nelson-Atkins Museum of Art, Kansas City Art Institute, St. Louis Public Library, 2021. http://dx.doi.org/10.37764/5776.

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Missouri Remembers: Artists in Missouri through 1951 is a collaborative project of The Spencer Art Reference Library of The Nelson-Atkins Museum of Art, in partnership with the Kansas City Art Institute and The Saint Louis Public Library that will document the state’s artistic heritage. To create this freely available online resource partner institutions are mining their artist files and archival collections to document the many artists who called Missouri home. The portal allows researchers, art enthusiasts and students to learn about Missouri artists and to study the relationships between th
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44

Kingonomics Twelve Innovative Currencies For Transforming Your Business And Life Inspired By Dr Martin Luther King Jr. Benbella Books, 2013.

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45

Career Solutions for Creative People: How to Balance Artistic Goals With Career Security. Allworth Press, 2001.

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46

1959-, Haubitz Sabine, Zoche Stefanie 1965-, Pohlmann Ulrich, Zinganel Michael 1960-, Berg Stephan, and Münchner Stadtmuseum Fotomuseum, eds. Haubitz+Zoche: Sinai hotels. Fotohof, 2006.

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47

Haubitz and Zoche. Sinai Hotels. Fotohof Editions, 2006.

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48

Butler, Jan. Clash of the Timbres. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199985227.003.0013.

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This chapter explores the conflict between live- and studio-centered aesthetics in the context of the San Francisco and Los Angeles rock scenes in the late 1960s. Bands such as Jefferson Airplane, who had spent their careers playing live concerts, were faced with new challenges of working in a more technical setting. By the same token, the technological capabilities of studio recording practice allowed for increased creative opportunities. Contributors to nascent rock magazines such as Crawdaddy often disagreed about the true meaning of “authentic” rock and roll, some advocating for a more pol
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49

Pouillaude, Frédéric. Section 2. Translated by Anna Pakes. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199314645.003.0018.

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The first feature of the transformation described above consists in the dissolution of stable companies. Temporary and local coalitions took the place of stable teams of salaried collaborators (what used to be called “companies). These coalitions brought together around a defined project a group of individuals with their own independent artistic careers. The coalition model is both liberal and libertarian, in linking labor to the temporary mission and the circumscribed consent of the participants. Yet its presence in dance is not merely a response to economic pressures, as the dissolution of M
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50

LoBrutto, Vincent. Ridley Scott. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813177083.001.0001.

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This, the first biography of film director Ridley Scott, investigates the life and moving-image work of a major cinema artist. Ridley Scott is a supreme visualist who applies artistry to telling motion picture narratives. The influence of his early work in commercials, television projects, short films, and music videos is explored. The arc of his life experience is examined to provide a total picture of the man, with emphasis on the look and content of his films. Each Ridley Scott film is presented from a series of views: conception, production, postproduction, critical and social reactions, b
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