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Journal articles on the topic 'Artistic careers'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Menger, Pierre-Michel. "ARTISTIC LABOR MARKETS AND CAREERS." Annual Review of Sociology 25, no. 1 (1999): 541–74. http://dx.doi.org/10.1146/annurev.soc.25.1.541.

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Wohl, Hannah. "Creative visions: Presenting aesthetic trajectories in artistic careers." Poetics 76 (October 2019): 101358. http://dx.doi.org/10.1016/j.poetic.2019.03.003.

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Liu, Lu, Yang Wang, Roberta Sinatra, C. Lee Giles, Chaoming Song, and Dashun Wang. "Hot streaks in artistic, cultural, and scientific careers." Nature 559, no. 7714 (2018): 396–99. http://dx.doi.org/10.1038/s41586-018-0315-8.

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M. Muñiz Jr, Albert, Toby Norris, and Gary Alan Fine. "Marketing artistic careers: Pablo Picasso as brand manager." European Journal of Marketing 48, no. 1/2 (2014): 68–88. http://dx.doi.org/10.1108/ejm-01-2011-0019.

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Purpose – In recent years, scholars have begun suggesting that marketing can learn a lot from art and art history. This paper aims to build on that work by developing the proposition that successful artists are powerful brands. Design/methodology/approach – Using archival data and biographies, this paper explores the branding acumen of Pablo Picasso. Findings – Picasso maneuvered with consummate skill to assure his position in the art world. By mid-career, he had established his brand so successfully that he had the upper hand over the dealers who represented him, and his work was so sought-af

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Stalp, Marybeth C. "Creating an Artistic Self: Amateur Quilters and Subjective Careers." Sociological Focus 39, no. 3 (2006): 193–216. http://dx.doi.org/10.1080/00380237.2006.10571285.

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Throsby, David, and Anita Zednik. "Multiple job-holding and artistic careers: some empirical evidence." Cultural Trends 20, no. 1 (2011): 9–24. http://dx.doi.org/10.1080/09548963.2011.540809.

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Hellmanzik, Christiane. "Artistic styles: revisiting the analysis of modern artists’ careers." Journal of Cultural Economics 33, no. 3 (2009): 201–32. http://dx.doi.org/10.1007/s10824-009-9100-8.

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Bispo, Raphael. "Género e carreiras artísticas na emergente indústria cultural brasileira." Comunicação e Sociedade 21 (June 29, 2012): 79–94. http://dx.doi.org/10.17231/comsoc.21(2012).701.

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This article investigates the life histories of women who participated in the consolidation of the entertainment industry at a time of great cultural effervescence in Brazil. The analysis is based on the artistic careers of the chacretes, the dancers who helped the host Abelardo Barbosa, Chacrinha, on shows in Brazilian television between the 1960 and 1980. From a field work conducted in Rio de Janeiro, we intend to discuss the experiences they had from this type of career choice. To be a “woman of TV” has affected their daily lives in different ways, redefining social bonds, projects and expe

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Stokes, Allyson. "Masters of None? How Cultural Workers Use Reframing to Achieve Legitimacy in Portfolio Careers." Work, Employment and Society 35, no. 2 (2021): 350–68. http://dx.doi.org/10.1177/0950017020977324.

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This article examines how cultural workers interpret and respond to reputational challenges they encounter when leading portfolio careers. Specifically, the portfolio career model involves the cultivation and signalling of adaptability through broad competencies and diverse portfolios comprised of boundary-spanning work. These practices conflict with standards of artistic legitimacy and highlight specialist-generalist tensions, since they can make workers appear to be ‘jacks of all trades, masters of none’ – unskilled, opportunistic dabblers, lacking expertise and artistic integrity. The artic

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Goldbloom, Michael. "A Well-Rounded Education: The Gateway to Successful Careers and Lives." LEARNing Landscapes 3, no. 2 (2010): 57–65. http://dx.doi.org/10.36510/learnland.v3i2.337.

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Michael Goldbloom explains how his education in Liberal Arts and Law has helped him pursue careers as varied as lawyer, newspaper publisher, community leader and now, Principal of Bishop’s University. He believes that learning good communication skills in elementary and secondary school as well as interacting with others in an effective and respectful way are key elements to any future career. His family’s emphasis on education and community involvement was critically important to the educational and career choices he made. He makes a case for the model of the small university as an ideal comm

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Petrides, Loizos, and Alexandra Fernandes. "The Successful Visual Artist: The Building Blocks of Artistic Careers Model." Journal of Arts Management, Law, and Society 50, no. 6 (2020): 305–18. http://dx.doi.org/10.1080/10632921.2020.1845892.

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Miller, Diana L. "Gender and the Artist Archetype: Understanding Gender Inequality in Artistic Careers." Sociology Compass 10, no. 2 (2016): 119–31. http://dx.doi.org/10.1111/soc4.12350.

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Kim, Seungmo, Sanghyun Park, Adam Love, and Tsz Ching Pang. "Coaching style, sport enjoyment, and intent to continue participation among artistic swimmers." International Journal of Sports Science & Coaching 16, no. 3 (2021): 477–89. http://dx.doi.org/10.1177/1747954120984054.

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Using situational leadership models, the current study examined direct and indirect relationships between coaching styles (i.e., democratic and autocratic) and athletes’ intent to continue participation via enjoyment in the sport of artistic swimming. Data were collected using an online survey with a snowball sampling method. A total of 202 artistic swimmers at the elite level from 22 countries participated in this study. The findings showed that participants who trained with democratic-style coaches reported higher levels of athletic enjoyment and intent to continue their athletic careers. Th

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Rowden, Clair. "Deferent Daisies: Caroline Miolan Carvalho, Christine Nilsson and Marguerite, 1869." Cambridge Opera Journal 30, no. 2-3 (2018): 237–58. http://dx.doi.org/10.1017/s0954586719000089.

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AbstractThis article explores a slice of the careers of two ‘rival’ coloratura singers – the Swedish soprano Christine Nilsson and the French soprano Caroline Miolan Carvalho – during the period 1867 to 1870, and considers the internationalisation of singing careers, women's choices and negotiation of their career paths, and fortunes made and lost. With both singers employed at the Paris Opéra from November 1868 onwards as Gounod's Faust went into rehearsal, the focus falls on the ‘Battle of the Marguerites’ in the Parisian press in spring 1869, which raised heated questions of dramatic and vo

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Accominotti, Fabien. "Creativity from interaction: Artistic movements and the creativity careers of modern painters." Poetics 37, no. 3 (2009): 267–94. http://dx.doi.org/10.1016/j.poetic.2009.03.005.

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Casals Balaguer, Marta. "Artistic-professional strategies in the music sector. The case of the jazz scene in Barcelona." SOCIOLOGIA DEL LAVORO, no. 157 (August 2020): 145–63. http://dx.doi.org/10.3280/sl2020-157008.

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This article aims to analyse the strategies that jazz musicians in Barcelona adopt to develop their artistic careers. It focuses on studying three main areas that influ-ence the construction of their artistic-professional strategies: a) the administrative dimension, characterized mainly by management and promotion tasks; b) the artistic-creative dimension, which includes the construction of artistic identity and the creation of works of art; and c) the social dimension within the collective, which groups together strategies related to the dynamics of cooperation and col-laboration between the

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Fürst, Henrik. "Aspiring writers and appraisal devices under market uncertainty." Acta Sociologica 61, no. 4 (2018): 389–401. http://dx.doi.org/10.1177/0001699317749285.

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Aspiring artists are uncertain about how their work’s quality will be evaluated by gatekeepers on artistic markets. Learning to evaluate the quality of one’s work and its prospects on the artistic market is central to artistic careers, yet often overlooked in research. An analysis of 47 interviews with aspiring writers in Sweden shows that they use what in this article is coined appraisal devices to deal with this market uncertainty. Appraisal devices offer trusted and knowledgeable appraisals of their work’s chances of success and failure on the artistic market. Appraisals from assessors beco

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Heiriyah, Ainun, and Rudi Haryadi. "Exploration of Career Differences in Career Interests of Students with Special Needs." KONSELI : Jurnal Bimbingan dan Konseling (E-Journal) 6, no. 2 (2019): 141–48. http://dx.doi.org/10.24042/kons.v6i2.5105.

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This study aims to analyze and identify trends in the career interests of students with special needs in the city of Banjarmasin and see if there are differences in career interest trends between students with special needs in primary and secondary schools. The research design used was a cross-sectional survey. The results show that there are differences in career interests of students with special needs related to the field of Social careers, Realistic career fields, Artistic career fields, Conventional career fields, Enterprising career fields, and Investigative career fields. Also, there wa

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Smith, David W. E. "The Great Symphony Orchestra — A Relatively Good Place to Grow Old." International Journal of Aging and Human Development 27, no. 4 (1988): 233–47. http://dx.doi.org/10.2190/p701-1chj-u8by-1hxk.

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The retired musicians of one of America's great symphony orchestras were interviewed. Their careers, which began in the 1930s and 1940s, were long, with retirement sometimes occurring when they were well over seventy years old. Older players were valued for their excellence and experience and were difficult to replace. Obsolescence was not a problem, and the gradual deterioration of playing with age was generally not incompatible with working to an advanced age. Players of string instruments had longer careers than players of woodwind and brass instruments. The players liked their careers and

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Wąsacz-Krztoń, Jolanta. "Z historii muzycznych wędrówek polskich śpiewaków operowych po Galicji. Klementyna Czosnowska i Władysław Mierzwiński z występami we Lwowie i w Krakowie." Galicja. Studia i materiały 6 (2020): 136–54. http://dx.doi.org/10.15584/galisim.2020.6.7.

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The article describes the figure of a soprano, Klementyna Czosnowska, one of the most prominent Polish opera singers of the 19th century, and an unsurpassed Europe-wide famous singer, Władysław Mierzwiński, called “the king of tenors”. Their buoyant musical careers entailed frequent travels to famous and renowned musical centers. The map of such artistic travels includes also two major cultural centers in Galicia: Cracow and Lviv. Both artists performed on the stages of these cities in 1880s and 1890s, offering unforgettable artistic experiences to the local audiences. The singers were greeted

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Sokolov, Kirill. "Aleksandr Drevin, Nadezhda Udal'tsova: An Exhibition That Never Was." Leonardo 35, no. 3 (2002): 263–69. http://dx.doi.org/10.1162/002409402760105253.

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This juxtaposition of autobiographical statements written in 1933 by Aleksandr Drevin and Nadezhda Udal'tsova, together with an introduction to their artistic careers and a select chronology designed to place them in the context of their times, is intended to show how early twentieth-century Russian art evolved in parallel to Western thought and artistic practice, taking into account contemporary developments in non-Euclidean geometry, physics, mathematics, the laws of perspective and the awareness of the impossibility of “realistically” representing spatial forms on a flat surface, which, at

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Skaggs, Rachel. "Socializing Rejection and Failure in Artistic Occupational Communities." Work and Occupations 46, no. 2 (2018): 149–75. http://dx.doi.org/10.1177/0730888418796546.

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Failure is a normal aspect of work in creative industries; even highly successful artists are subject to rejection by critics, fans, and peers. It is known that organizations such as schools and workplaces are the primary space for job-related socialization, but artistic careers are characterized by nonstandard employment relations and do not generally require formal schooling. Without the bureaucratic structures typically used to socialize novice group members, how do artistic occupational communities socialize aspirants to manage rejection and labor market failure? This article draws from 6

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23

Sheldon, Kennon M., Greyson Holliday, Liudmila Titova, and Craig Benson. "Comparing Holland and Self-Determination Theory Measures of Career Preference as Predictors of Career Choice." Journal of Career Assessment 28, no. 1 (2019): 28–42. http://dx.doi.org/10.1177/1069072718823003.

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John Holland’s theory of career orientations advises people to select careers that are congruent with their personalities. Similarly, self-concordance theory, based in self-determination theory, advises people to select personal goals that match their autonomous interests and identifications. We compared the predictive efficacy of the two theories in two studies of undergraduates, using the six career areas of Holland theory (RIASEC: realistic, investigative, artistic, social, enterprising, and conventional) as a common base. Multilevel logit modeling in Study 1 showed that both the Holland sc

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Pinto Ferretti, Alexia. "Regards croisés sur les mondes de l’autoportrait : le cas des artistes d’origine marocaine Hicham Benohoud, Mehdi-Georges Lahlou et Zakaria Ramhani." Muséologies 9, no. 1 (2018): 61–78. http://dx.doi.org/10.7202/1052628ar.

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This article takes a contemporary look at the practice of self-portraiture by three artists from Morocco: Hicham Benohoud, Mehdi-Georges Lahlou and Zakaria Ramhani. The career trajectories of these creators illustrate the various dynamics of institutional opposition and integration mechanisms that belong to the new geographies of art, in the era of globalization. The article's goal is to investigate the manner in which individual, local and global concerns are expressed in their understanding of an imaginary projection of corporality. The works are studied through the lens of local characteris

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Kurkjian, Beth. "Causing More Trouble Out There: Mark Russell on P.S. 122." TDR/The Drama Review 51, no. 3 (2007): 46–79. http://dx.doi.org/10.1162/dram.2007.51.3.46.

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For 21 years, Mark Russell served as the Artistic Director of Performance Space 122 , the New York institution hailed as the mecca of downtown experimental art. Russell looks back on the nascent years of P.S. 122 , discussing his desire to “serve” the experimental performance community, often navigating the “ecology” on the artists' behalf and helping to further their careers. Artists' profiles, images by photographer Dona Ann McAdams, and Russell's short reflection on both the new direction of P.S. 122 and his own life give a multidimensional look at this East Village landmark and the impresa

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Quijano Martínez, Jenny Beatriz. "Hugh Ramsay’s Self-Portrait: Re ections on a Spanish Master Painter." Boletín de Arte, no. 36 (October 30, 2017): 155–63. http://dx.doi.org/10.24310/bolarte.2015.v0i36.3328.

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The interest in European masters from the past was a phenomenon related to the development of the artistic careers of many artists in Australia at the end of the nineteenth and beginning of the twentieth century. More than that, the copying or emulation of great works of art was seen to be a necessary part of an artist’s training1. This paper looks at Hugh Ramsay and his fascination with the painting Las Meninas (1656) by Velázquez as part of a larger study into understanding how the Spanish in uence was re ected in Australian art. Ramsay introduced elements from Las Meninas into his Portrait

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Shan, Gongbing, and Peter Visentin. "A Prisoner’s Dilemma with Asymmetrical Payoffs: Revealing the Challenges Faced by Performing Arts Health and Wellness Practitioners." Medical Problems of Performing Artists 25, no. 1 (2010): 39–42. http://dx.doi.org/10.21091/mppa.2010.1008.

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In a prisoner’s dilemma, constructed narratives are used to demonstrate problems within individual rationality and decision-making. Performing artists can be seen as facing a type of prisoner’s dilemma in their careers: they must practice repeated movements for long periods in order to improve, yet despite the short-term perception of gained artistic benefit, the long-term consequences may be playing-related musculoskeletal disorders and injury. To help avoid such an outcome, educators and health and wellness practitioners must function as negotiators, engaging in discussions of artistry as pa

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Lindström, Sofia. "“It usually works out, but you never know”. Emotion Work as a Strategy for Coping in the Insecure Artistic Career." Culture Unbound 9, no. 3 (2018): 345–64. http://dx.doi.org/10.3384/cu.2000.1525.1793345.

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This article explores how contemporary Swedish visual artists manage and make sense of career insecurity through emotion work. The specific emotions discussed in the material are trust, hope and luck. Emotion work is related to coping in an increasingly insecure world of work in late modern capitalism, which has been theorized as relying on the creativity, passion and subjectivity of workers. Through analysing what the artists anticipate of their future careers, the study found the main desire of the artists to be the continuation of their creative endeavour—an endeavour not necessarily relate

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Fry, Katie. "Inter- and Extra-textual Hauntings: Unravelling the Semantic Web of Václav Havel’s Leaving." New Theatre Quarterly 31, no. 3 (2015): 241–51. http://dx.doi.org/10.1017/s0266464x15000421.

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Leaving (2007), the first play written by Václav Havel since the start of his political career in 1989, is a theatrical tour de force that categorically defies generic classification. In this article Katie Fry draws on methodologies of theatre semiotics and intertextuality to elucidate the semantic complexity of Havel’s highly unconventional play. Leaving is analyzed in terms of its engagement with intertexts, its incorporation of ‘real-life’ material from Havel’s political and artistic careers, and its subversion of theatrical conventions. Katie Fry is a PhD Candidate at the Centre for Compar

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Kasof, Joseph. "A Sociological Study of Artistic Creativity: On White's Careers and Creativity Forces in the Arts. (book)." Creativity Research Journal 9, no. 4 (1996): 415–17. http://dx.doi.org/10.1207/s15326934crj0904_14.

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Hodgson, Douglas J., and Christiane Hellmanzik. "Relationships between artistic movements and careers of modern artists: evidence from hedonic regressions with auction data." Journal of Cultural Economics 43, no. 2 (2019): 309–37. http://dx.doi.org/10.1007/s10824-019-09343-6.

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Hammond, Joseph. "William S. Bucklin and George P. Bartle: Accomplished Artists of Phalanx, New Jersey." New Jersey Studies: An Interdisciplinary Journal 7, no. 2 (2021): 188–200. http://dx.doi.org/10.14713/njs.v7i2.256.

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This narrative describes the lives and artistic careers of William Savery Bucklin (1851–1928) and George Parker Bartle (1853–1918), both of Phalanx, a hamlet in Colts Neck, Monmouth County, New Jersey. Three of the works illustrated come from the art collection of the Monmouth County Park System. They acquired them because the paintings depict woodland scenes on the opposite side of the Swimming River Reservoir from their Thompson Park campus, the back areas of which still retain this wooded character.

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Teece, Denise-Marie. "“Compassionate Companion, Familiar Friend”: The Turin Safīna (Biblioteca Reale Ms. Or. 101) and Its Significance." Muqarnas Online 36, no. 1 (2019): 61–82. http://dx.doi.org/10.1163/22118993-00361p04.

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Abstract This article examines some of the more significant aspects of Turin Safīna manuscript Biblioteca Reale Ms. Or. 101. One of these is its unique and important six-page preface, which refers to the manuscript as a safīna (ship or vessel) and explains in poetic language why some Persian manuscripts are referred to using this term. In addition to this significant preface, which is translated and analyzed in the first half of the article, the manuscript also exhibits delicate illuminations and calligraphy work that may be connected to a network of artist-families active in western Persia (p

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Zimnica-Kuzioła, Emilia. "Acting Career and its Determinants in the Social World of Professional Theater in Poland." Konteksty Społeczne 8, no. 1 (2020): 48–69. http://dx.doi.org/10.17951/ks.2020.8.1.48-69.

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The article is an attempt to answer the question about factors affecting the trajectory of an acting career. The author confronts the objective dimensions of a career with a subjective concept of success, clarified by the participants of the social world of theater themselves. The empirical basis of the work are free interviews conducted by the author with actors of Polish public drama theaters (in 2015–2017) and journalistic interviews with theater artists published in books and popular monthly magazines in the last two decades of the 21st century. All sources were subjected to qualitative co

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Braden, L. E. A. "Networks Created Within Exhibition: The Curators’ Effect on Historical Recognition." American Behavioral Scientist 65, no. 1 (2018): 25–43. http://dx.doi.org/10.1177/0002764218800145.

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This research examines artist networks created by shared museum exhibition. While previous research on artistic careers assesses self-cultivated networks, historical recognition may be further influenced by connections created by important others, such as museum curators and art historians. I argue when museum exhibitions show artists together, curators are creating symbolic associations between artists that signal the artist’s import and contextualization within his or her peer group. These exhibition-created associations, in turn, influence historians who must choose a small selection of art

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Deagon, Andrea. "Almée or Salomé?: Hybrid Dances of the East, 1890–1930." Congress on Research in Dance Conference Proceedings 39, S1 (2007): 36–46. http://dx.doi.org/10.1017/s2049125500000091.

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The changing economic and artistic milieu of Western professional entertainment from 1890 to 1930 provided a liminal space for performances of “Eastern dance” by women of both Middle Eastern and non–Middle Eastern descent. In denning their performance personas and in articulating their hybrid dance techniques and presentations, these artists engaged in a fluid process that reflects the ever-changing reinscription of the relationship between the consumers of the West and the East they envision. This paper explores the nuances of this complex interaction through the careers and performance exper

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Boullata, Kamal. "Artists Re-Member Palestine in Beirut." Journal of Palestine Studies 32, no. 4 (2003): 22–38. http://dx.doi.org/10.1525/jps.2003.32.4.22.

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The following article examines the work of seven visual artists of the first generation of Palestinian refugees whose careers unfolded in Beirut, at thetime the cultural center of the Arab world and "the metropolis of Arab modernity." The two groups of refugee artists - those from the camps and those who became part of Beirut's elite artistic scene - produced works very different in approach and spirit, but which all bore the stamp of their experience of Palestine. While examining the works of these artists in the context of their lives, the paper also highlights the sometimes explicit, someti

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He, Jun, Jeffrey Montez de Oca, and Lei Zhang. "Why Team China suffered its worst performance in artistic gymnastics at Rio 2016?" International Journal of Sports Science & Coaching 15, no. 5-6 (2020): 696–705. http://dx.doi.org/10.1177/1747954120939347.

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China’s artistic gymnastics team had its worst showing at Rio since returning to the Games in 1984. This article explains the reasons for China’s underperformance at Rio by drawing on multiple sources of data. We analyze the scores that international gymnasts received at the World Championships and the Olympics. We also draw on interview data of Chinese gymnasts, coaches, and officials. Our study shows that the collapse in Rio primarily resulted from misinterpreting changes in both the new competition system for the team final and the open-ended Code of Points (CoP) introduced by the Internati

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Brandl, Flora L. "On a Curious Chance Resemblance: Rudolf von Laban’s Kinetography and the Geometric Abstractions of Sophie Taeuber-Arp." Arts 9, no. 1 (2020): 15. http://dx.doi.org/10.3390/arts9010015.

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This paper investigates a case of historical co-emergence between a modern system of dance notation and the rise of geometric abstraction in the applied arts during the first decades of the 20th century. It does so by bringing together the artistic careers of the choreographer Rudolf von Laban and the visual artist Sophie Taeuber-Arp. Comparing their pedagogical agendas and visual aesthetics, this paper argues that the resemblances between Laban’s Kinetography and Taeuber-Arp’s early geometric compositions cannot be a matter of pure coincidence. The paper therefore presents and supports the hy

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Pearson, Tony. "Meyerhold and Evreinov: ‘Originals’ at Each Other's Expense." New Theatre Quarterly 8, no. 32 (1992): 321–32. http://dx.doi.org/10.1017/s0266464x00007107.

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Our occasional series of original theatre documents continues with this translation, the first in English, of an article written in 1915 by the Russian director Nikolai Evreinov attacking his contemporary and erstwhile colleague Vsevolod Meyerhold for artistic plagiarism – an attack which, of course, reveals as much about the susceptibilities and private jealousies of its perpetrator as it does about its object. Tony Pearson, who currently teaches in the Department of Theatre, Film, and Television Studies in the University of Glasgow, accompanies his translation with a full introduction and co

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Bartlett, Djurdja. "Nadezhda Lamanova: Couturier to the Nobility, Tailor to the Masses." Experiment 22, no. 1 (2016): 117–38. http://dx.doi.org/10.1163/2211730x-12341282.

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Nadezhda Lamanova was the only well-established Russian pre-revolutionary fashion designer who declared her loyalty to the new regime following the 1917 Bolshevik insurrection. The juxtaposition of the extraordinary glamour of her pre-1917 designs with her dedicated post-revolutionary service to the Bolsheviks has contributed to Lamanova’s mythical status in Russia. This paper contextualizes Lamanova’s designs within the pre-revolutionary and post-revolutionary modernist arts and applied arts movements, and shows that Lamanova’s work and her personal life were embedded in the social, cultural,

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ZUIDERVAART, HUIB J., and MARLISE RIJKS. "‘Most rare workmen’: optical practitioners in early seventeenth-century Delft." British Journal for the History of Science 48, no. 1 (2014): 53–85. http://dx.doi.org/10.1017/s0007087414000181.

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AbstractA special interest in optics among various seventeenth-century painters living in the Dutch city of Delft has intrigued historians, including art historians, for a long time. Equally, the impressive career of the Delft microscopist Antoni van Leeuwenhoek has been studied by many historians of science. However, it has never been investigated who, at that time, had access to the mathematical and optical knowledge necessary for the impressive achievements of these Delft practitioners. We have tried to gain insight into Delft as a ‘node’ of optical knowledge by following the careers of thr

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Bałus, Wojciech. "Przełomy, kryzysy, ewolucje." Artium Quaestiones, no. 30 (December 20, 2019): 323–37. http://dx.doi.org/10.14746/aq.2019.30.20.

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When Aristotle asked at what particular moment we can say that an army is fleeing, which is certainly not when individual soldiers start leaving the battlefield, he formulated a problem that is important also for today’s art history: are there any moments in the history of art that can be called turning points? In individual artistic careers, such points are related to crises, allowing the artist to overcome an impasse and find a way toward reaching a goal. Quite often, such a turn occurs suddenly, at some particular moment which ancient Greeks called the kairos. The changes in art approached

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Bałus, Wojciech. "Turning Points, Crises, Evolutions." Artium Quaestiones, no. 30 (December 20, 2019): 21–35. http://dx.doi.org/10.14746/aq.2019.30.3.

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When Aristotle asked at what particular moment we can say that an army is fleeing, which is certainly not when individual soldiers start leaving the battlefield, he formulated a problem that is important also for today’s art history: are there any moments in the history of art that can be called turning points? In individual artistic careers, such points are related to crises, allowing the artist to overcome an impasse and find a way toward reaching a goal. Quite often, such a turn occurs suddenly, at some particular moment which ancient Greeks called the kairos. The changes in art approached

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Licursi, Beatriz, Levi Leonido, and Elsa Morgado. "“MÚSICA FELIZ”: UM PROJETO DE INTEGRAÇÃO ACADÊMICO - SOCIAL ATRAVÉS DA ARTE MUSICAL E DO ESPETÁCULO." Cadernos de Educação Tecnologia e Sociedade 13, no. 1 (2020): 94. http://dx.doi.org/10.14571/brajets.v13.n1.94-100.

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Music stimulates a stimulating dynamism for the sociability of the citizens because the musical behavior comprises the biological, social and psychic factors. The Federal University of Rio de Janeiro (UFRJ) offers one of the best concert halls in Rio de Janeiro (the Salão Leopoldo Miguez of the School of Music) where the "Happy Music" Extension event has been held uninterrupted since 1995. Considering that the space, the context and the conditions in which the music takes place are decisive for the observance of the objectives of this integrating initiative that involves and brings together st

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Rolnick, Neil. "The iEAR Studios Startup: Curriculum and Values in Electronic Arts Education." Leonardo 52, no. 1 (2019): 81–86. http://dx.doi.org/10.1162/leon_a_01327.

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When the MFA in Integrated Electronic Arts at Rensselaer Polytechnic Institute (iEAR) enrolled its first class in 1991, it was, as far as the author is aware, the first graduate program in the United States to focus on the electronic arts as a unified interdisciplinary field. This article recounts the process used to design an academic curriculum to help students develop the skills and the breadth of artistic vision needed to pursue careers as artists using electronic media. The article also describes the climate and culture of the iEAR Studios in the 1990s and argues that the values embodied

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Zimnica-Kuzioła, Emilia, and Ewelina Wejbert-Wąsiewicz. "Female directors of contemporary Polish theater and cinema (selected examples)." Acta Universitatis Lodziensis. Folia Sociologica, no. 71 (December 30, 2019): 121–37. http://dx.doi.org/10.18778/0208-600x.71.09.

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The issue of artistic careers is rarely tackled by Polish sociologists. The article is an analysis of the work of selected contemporary Polish female film and theater directors. The present study exploits secondary sources (monographs and scientific studies, press and internet publications, interviews with directors) and primary sources: interviews with creators of Polish drama theaters conducted as part of the authors’ own research. Women in Polish theater and film are slowly breakingthe glass ceiling and they are taking their rightful place in the pantheon of artists who have a lot to say ab

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Rode, Dagmara. "Women’s Experimental Filmmaking in Poland in the 1970s and Early 1980s." Baltic Screen Media Review 3, no. 1 (2015): 30–43. http://dx.doi.org/10.1515/bsmr-2015-0022.

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Abstract In my article I concentrate on works by three female artists - Natalia LL, Ewa Partum and Teresa Tyszkiewicz. Natalia LL and Ewa Partum started their careers inspired by conceptual tradition, later they extended their interests to feminist concepts, including the image of women, the position of women in a patriarchal society, and the woman as an object to be consumed. Teresa Tyszkiewicz began her artistic activity a decade later; thus, the reflexes of the conceptual trend are less visible in her films than in the works of LL and Partum. Her films can be described as symbolic, dedicate

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Gilfillan, Emily, and Guy Morrow. "Sustaining artistic practices post George Brandis’s controversial Australia Council arts funding changes: cultural policy and visual artists’ careers in Australia." International Journal of Cultural Policy 24, no. 2 (2016): 186–204. http://dx.doi.org/10.1080/10286632.2016.1153083.

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LIUT, MARTIN. "‘Devenir compositeur’: Notes on the Insertion of Argentine Composers in the Contemporary French Music Scene (1970–2000)." Twentieth-Century Music 17, no. 3 (2020): 311–27. http://dx.doi.org/10.1017/s1478572220000146.

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AbstractThis article studies a group of nineteen Argentinean composers who settled in Paris between 1970 and 2000. In addition to social and political factors of Argentine history – including the last military dictatorship (1976–83) and the 1989 period of ‘hyperinflation’ (1989) – these composers wanted to develop their careers in a professional field with the history, size, and diversity of Paris. Since the 1970s, France began a strong state policy supporting the arts; this action promoted a process of internationalization of Paris's artistic life. Contemporary music was viewed by participant

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